The Blues Brothers (1980)

The Winter Maiden

version 1 & 2

Which comic is this from?

OOF.

I think it’s to clear out the sexworkers and have this site more for fandom discussion and individual art. I understand the more lewd related art will be removed and I think it’s a good thing. And they said there will be human moderators, so not all is lost to glitchy bots.

If you’re leaving Tumblr..

Hey everyone, Obviously with the Tumblr stuff going on the last few days, it seems a lot of people may either be leaving Tumblr or using it less :( I’m in a fortunate position that this won’t affect my videos really (I think) and most of the Overwatch Lore stuff I talk about, but it’s been awesome to chat about your questions and thoughts you’ve sent me here, so it’d be a shame to me if that stopped, both ways. I’ll still post here and answer questions when I can, but if you want to keep chatting Overwatch, gaming lore and all such things, do yell on any of the below! I’m generally most active in the comments of videos on my Lore channel, but tend to leap around them all.

For all you folks who share creative things and interesting discussions, Overwatch or otherwise, I hope either Tumblr sorts itself out, or you’re able to continue/your work continues to be enjoyed and appreciated elsewhere! :) Hammeh

–

https://twitter.com/hammehlore

and, of course, my Overwatch Lore/Voice Lines (main) and all sorts of games YouTube channels.

https://youtube.com/c/hammeh (main)

https://www.youtube.com/channel/UCujpg275kso7KNyijChicEQ (random and experiments!)

It's with a heavy but hopeful heart that I watch Palestinian families fundraiser on here, slowly accumulating the precious little money to go around that they need to survive. However, not everyone is so lucky. A lot of Palestinians that have not had that kind of luck, that did not get early verification, that did not get massive platforms behind them from large bloggers, have approached me in my inbox, asking me kindly to do what I can for them. It kills me that I have so little to give myself, but I've seen this platform collectively raise enough to change someone's life. I've made a list of Palestinian fundraisers that are extremely low on funds, in the hope that drawing attention to people who have not been lucky at all can help turn that luck around. I know most of us can't possibly give enough to get all of these families safe in one go. But please, reblog this list. Pick one or two fundraisers, give what you can, and then keep track of it. Slowly, collectively, we can make a difference in these people's lives. Share and donate as much as you can. https://docs.google.com/document/d/178EGDFKkHlh3y4TMVX82kqgITHsqtoMdNccI2f_94Os/edit?usp=sharing

im still sticking around. I’ll be trying to post updates on my fiction work and I want readers to give me some words of support and some inspiration for new original characters and storyline.

I know there’s a lot of tension after Tumblr’s new policy annouced for December 17th, but reblog this if you aren’t leaving Tumblr so that other blogs can know they aren’t going to be completely alone!

The Fine Print

With the Summoning for Dummies book, Ruby is sure she'll get a cute corgi in no time. She, and Maria had wanted one after all. Then again she really should have read the fine print.

Huge hand to @amelia-yap for letting me play in her sandbox and making some incredible art!

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

(Read on our blog)

Beginning in 1933, the Nazis burned books to erase the ideas they feared—works of literature, politics, philosophy, criticism; works by Jewish and leftist authors, and research from the Institute for Sexual Science, which documented and affirmed queer and trans identities.

(Nazis collect "anti-German" books to be destroyed at a Berlin book-burning on May 10, 1933 (Source)

Stories tell truths.

These weren’t just books; they were lifelines.

Writing by, for, and about marginalized people isn’t just about representation, but survival. Writing has always been an incredibly powerful tool—perhaps the most resilient form of resistance, as fascism seeks to disconnect people from knowledge, empathy, history, and finally each other. Empathy is one of the most valuable resources we have, and in the darkest times writers armed with nothing but words have exposed injustice, changed culture, and kept their communities connected.

(A Nazi student and a member of the SA raid the Institute for Sexual Science's library in Berlin, May 6, 1933. Source)

Less than two weeks after the US presidential inauguration, the nightmare of Project 2025 is starting to unfold. What these proposals will mean for creative freedom and freedom of expression is uncertain, but the intent is clear. A chilling effect on subjects that writers engage with every day—queer narratives, racial justice, and critiques of power—is already manifest. The places where these works are published and shared may soon face increased pressure, censorship, and legal jeopardy.

And with speed-run fascism comes a rising tide of misinformation and hostility. The tech giants that facilitate writing, sharing, publishing, and communication—Google, Microsoft, Amazon, the-hellscape-formerly-known-as-Twitter, Facebook, TikTok—have folded like paper in a light breeze. OpenAI, embroiled in lawsuits for training its models on stolen works, is now positioned as the AI of choice for the administration, bolstered by a $500 billion investment. And privacy-focused companies are showing a newfound willingness to align with a polarizing administration, chilling news for writers who rely on digital privacy to protect their work and sources; even their personal safety.

Where does that leave writers?

Writing communities have always been a creative refuge, but they’re more than that now—they are a means of continuity. The information landscape is shifting rapidly, so staying informed on legal and political developments will be essential for protecting creative freedom and pushing back against censorship wherever possible. Direct your energy to the communities that need it, stay connected, check in on each other—and keep backup spaces in case platforms become unsafe.

We can’t stress this enough—support tools and platforms that prioritize creative freedom. The systems we rely on are being rewritten in real time, and the future of writing spaces depends on what we build now. We at Ellipsus will continue working to provide space for our community—one that protects and facilitates creative expression, not undermines it.

Above all—keep writing.

Keep imagining, keep documenting, keep sharing—keep connecting. Suppression thrives on silence, but words have survived every attempt at erasure.

- The Ellipsus team