By 野田彩子

By 野田彩子

by 野田彩子

More Posts from Airfleck and Others

1 year ago
Can You Believe We're Getting THEM Back

can you believe we're getting THEM back


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6 months ago
airfleck - Airfleck
airfleck - Airfleck
airfleck - Airfleck
airfleck - Airfleck
airfleck - Airfleck

Larian, i'm available for suggestions, please reach me at wyll_simp_4ever@blorbo.gov


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1 year ago

Watching Utena I really like how in every episode Utena's like. Anthy can you please just cheat on me I don't have time to duel I need to pass my 8th grade geometry test


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1 year ago
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Barbie is driving her pink convertible car down a desert highway, the scenery is a colorful 2D painted background inspired from old Hollywood painted sets. Ken is sitting in the back seat looking at the scenery, smiling.  Big pink and bold text over their heads say: Greetings from... Route '59.
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Both characters  are dressed in white astronaut suits without helmets. Barbie is sitting on a rocket going through space, smiling and sitting upright. Ken is floating behind the rocket flailing to grab ahold of the tail so he won't get left behind. Planets and stars are surrounding them. The scenery is a colorful 2D painted background inspired from old Hollywood painted sets. Big pink and bold text below them says: Greetings from... Space.
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Both characters are dressed in pink and white striped shirts and wearing pink Navy style hats. Barbie is confidenty driving her pink speed boat on the ocean. The scenery is a colorful 2D painted background inspired from old Hollywood painted sets. Ken is sitting in the back seat looking around. A seagull on a wire floats down and Ken is nervous and ducks down. Big pink and bold text over their heads says: Greetings from... Cape Ken.
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Both characters are dressed in red and white casual 50's inspired fashion. They are in a scenic wooded area with a pink VW camper van behind them. Barbie is walking over to a camping chair from a grill carrying a plate of food and waves at Ken. Ken is hanging laundry on a line between two poles and waves back to Barbie as she sits down. The scenery is a colourful 2D background inspired by old Hollywood painted sets. Big pink and bold text over their heads says: Greetings from... Pinkstone.
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Both characters are dressed in pink plaid shirts and brown shorts. They are both pedaling on a pink tandem bicycle through a field of pink and yellow tulips with a windmill and hot air balloons floating in the distance. Barbie, in front, is looking forward and smiling. Ken is leaning down appearing winded and struggling to pedal. As soon as Barbie looks back at Ken he sits upright, smiling, giving her the thumbs up. The scenery is a colourful 2D background inspired by old Hollywood painted sets. Big pink and bold text over their heads says: Greetings from... Dolland.
a vintage inspired travel postcard design from the mid 20th century featuring Barbie and Ken from the Barbie 2023 movie. Both characters are dressed in light pink snow suits with large fuzzy white boots that go up to the knee. They are both sitting on a pink snowmobile going over the snow with ski hills and a ski lodge in a mountainous background. Barbie is driving the snowmobile, smiling. Ken is sitting behind Barbie clinging to her, arms wrapped around her waist and looking over her shoulder as she drives through the snow. The scenery is a colourful 2D background inspired by old Hollywood painted sets. Big pink and bold text over their heads says: Greetings from... Aspken.

@pscentral event 17: vibrance ↳ Barbie vintage inspired travel postcards


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6 months ago
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee
If Aught But Death Part Me And Thee

if aught but death part me and thee


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tlt
1 year ago
Took Alexandria Neonakis' Schoolism Class On Costuming, And The Main Assignment Was To Design The Costume
Took Alexandria Neonakis' Schoolism Class On Costuming, And The Main Assignment Was To Design The Costume

Took Alexandria Neonakis' Schoolism class on costuming, and the main assignment was to design the costume for a character in a book, movie, etc. Her example was Tom Bombadil and Goldberry, so I designed Mina Harker from the book Dracula! I tried to make her outfits as close to 1880/1890's designs as I could. Her clothes are of an older style, as she was a school teacher and Jonathan had only just been certified, so in my mind they didn't have a lot of money, and then...Dracula happened.

Very informative class, would recommend!


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1 year ago
ITS THE LAST STAND BABY!!!!!!!!

ITS THE LAST STAND BABY!!!!!!!!


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1 year ago

it is ironic but i think an rgu fan's openness to talking about akio is a good gauge of how they're engaging with the show's themes. because he's much easier to digest if you keep him at arm's length, an abstraction of a concept rather than another person inside ohtori who is suffering because of patriarchy. i've seen this fan reactionarism that assumes any acknowledgement of this is inherently apologism, so yes, it's true that akio does hold and grossly misuse power by virtue of him being an adult who surrounds himself with easily manipulated children. it's also true that rgu is a show where just about every character does heinous and fucked-up things to other characters, oftentimes the characters they purport to care the most deeply for.

rgu is about the deceit of binaries, the princes and the princesses, the abusers and the abused, how all of these are assigned to the concepts of gender we encounter under patriarchy, and how this blurs what we can even define as 'abuse'. sure, it's easy when we see saionji and nanami hitting anthy, but does that change after the positions they later find themselves in because of touga? does shiori's manipulation of juri cancel out juri's impossible idealization of her? what about what miki and kozue do to each other? what anthy does to utena? how much sympathy you feel for any of them is probably subjective based on your own experiences, but you're just not gonna have a good time with this show if you need to sort every character into a category of 'abuser' or 'victim' - and i would in fact argue that you've missed the point if you are.

so is akio, then, a victim of anything? anthy calls it out in the end, that he as well has chosen suicide by pursuit of eternity. his sunlit garden of princehood, the devil who could not be a prince, who set up a game nobody can win without ever realizing that he is included in 'nobody'. this entire system is structured to mirror him in its every reproduction and he still can't be satisfied, because he's also just playing a role that's not what he truly wishes to be. you don't arrive at that fascinating a dissection of how patriarchy functions if you're just saying 'akio bad' and calling it a day. i think it's very relevant that akio is only the acting chairman of ohtori. we never meet the actual chairman of ohtori.


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1 year ago

I recently discovered laundry stripping and y’all, no matter how much of a crock of shit you think fast fashion is, you’re underestimating.

1 year ago
Someday, Together

someday, together

something of a redraw of this from 4 years ago and a complimentary piece to my cg one ^^

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