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Latest Posts by airfleck - Page 2
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
so idk if we’re getting a bard’s lament this season, but regardless of if we are or not i NEED to talk about my most favorite dynamic ever so i can get this convo back out into the universe before a bard’s lament happens because it makes me unwell.
vex and scanlan are, in many ways, the same. they’re deeply insecure, sad people that put on masks to hide it. they’re good liars. so that’s what they do. they stand in front of each other and they lie. and it’s not hard for them to know the other is lying. i mean vex LITERALLY SEES THROUGH HIS DISGUISE EVENTUALLY LIKE ARE YOU KIDDING?
and like, vex is snippy and she can be a bit of a shit and she says scanlan is just some guy without his magic. but he’s also the person she looks up to. she literally travels across the whole continent by herself to make sure his daughter can get to him and she sends kaylie back to him even though she’s distraught and terrified and alone. she’s the one person who actually gets through to him during a bard’s lament and she gets through to him by telling him to stop viewing his daughter as a sacred object. to fix his relationship with her. AND HE LISTENS. like again she is the ONLY person in that room who gets through to him and it’s because she implores him to fix his relationship with his daughter after he cruelly remarks that they went to the fey realm to “fix her daddy issues.”
and scanlan! he teases her and he deflects his seriousness around her with humor as much as he does to anyone. but he teaches vex how to use the broom and he gives her the hat to wear. and he ensures her success when he turns her into a dragon and directly tells a god that she’s mean and greedy and the most perfect one of all of them.
scanlan is a father with a fractured relationship with his daughter and vex is a daughter desperate for her father’s approval.
scanlan is not vex’s father. but when scanlan comes back she does everything she can to try and make sure he won’t leave again despite the way he hurt her.
vex is not scanlan’s daughter. but he walks her down the aisle and makes sure she can see her brother at her wedding and he’s happy to be like her father for a day.
scanlan is NOT vex’s father and vex is NOT scanlan’s daughter but really, aren’t they made of the same stuff?
Something I love about the romance in The Locked Tomb is how Gideon as our first POV narrator is like "this is Harrowhark Nonagesimus, she thrives on scorn and ambition and death" and as a seasoned enemies-to-lovers fan, my first reaction was "I love it, I support women's rights and wrongs, and I can't wait to see this cold evil character discover feelings eventually" but then the plot twist is actually that Harrow is a pathetic desperate emo who barely needs an excuse to say the most romantic shit imaginable.
Which is already a good payoff and the characterization is superb, but then you see inside Harrow's head in the next book and discover that despite her trauma and 35 mental illnesses, she is so much of a fucking soft marshmallow simp that not even her DIY lobotomy can keep her from indulging in a coffeeshop AU (?!?!) to soothe her yearning soul. Which makes rereading GtN delightful because now you can read between the lines and realise like "oh wow, she was down bad the whole time and Gideon just didn't notice". It gives so much lesbian Pride and Prejudice that you can only fully appreciate during a reread. I adore it.
what if the vengeful soul of the earth remembered the people who cared about her and braided her hair every morning. what then
(bonus because I know this is what you guys wanted and I'd hate to disappoint)
idk man but something about Stanley "taught himself extremely advance physics/math/probably many other things while running a relatively successful business" Pines and Stanford "is wanted in almost every dimension with a judicial system of some kind" Pines is sooo fucking funny to me
If I was Camilla I would be giving "Dulcinea" the hard fucking silent treatment too watching Palamedes bring her tea and tenderly drape her in his bathrobe only for her to barely give him a second glance or even say hello and go back to batting her lashes at the first well-muscled butch teenager she laid eyes on. Never mind the fact that she literally doesn't acknowledge the fact that Camilla exists when Camilla thought they were at least friends. She's not wearing the pulmonary drain he invented for her even though it works as intended and she audibly badly needs it. I'd be on the news
Those Kings sure did go Ways huh. Anyway Stormlight Archive good.
AHHHHHH I thought we were doing friendship and they were getting to know each other but he was HACKING her, she's disappearing he's BREAKING THROUGH THE FOURTH WALL
14/06/24
happy pride month to them
NOTE: in a few weeks im gonna have my bachelor's degree!! in the meantime, i've been doing some comms work and i somehow ended up speedrunning painting this piece lol. decided that the flats looked better than a shaded version, so here we are. im esp proud of ayda's hair in this one
A "small" summarization of the lyctoral process in the locked tomb series. Warning, spoilers and theories.
The term "lyctor" is used primarily to describe a person who has completed a certain necromantic transformation in a partnership which dramatically increases their power. However, by the end of Nona we can distinguish three distinct varieties of this process which I will hereby call "lysis" (not to be confused with the medical term of the same name from which this is derived). I will be calling these types of lysis "mutually consumptive lysis", "subordinating lysis", and "mutually destructive lysis". Each type has explicit descriptors, differences, and poetic meaning within the text of the books. I will discuss these in order.
Mutually Consumptive Lysis
Mutually consumptive lysis, sometimes called "perfect [lysis]", is the process undergone by John. John's description of his experiences and this process are hardly detailed and so much is left to speculation. What remains clear is that, like other lysis processes, there is a degree of most of the processes in common (again, John's descriptions leave most up to interpretation so I may be missing some) with other forms of lysis. First step is preservation, both parties (to some degree) are exposed to a preserving power; in John's case this seems to be exposure to experimental cryo fluid due to rushed R&D on the cryo project (implied). Analysis, not necessarily of the two parties but of the connection between them and natural feeling of the connection and what power it grants or is desired through it; in John's case this is likely the deep connection he has with several of the cadavers in his lab and the deep personal drive he is implied to have with Gaia that motivates his work. Transference in this case is hypothetically a mutual process but may be one sided, as it involves the utilization of the power from one or both partners in the process by the other; in the case of John and Gaia this was likely John utilizing the power of Gaia's suffering to gain necromantic abilities and Gaia's influence over John that guides his political agenda. Fixation and incorporation are part of the same step of rapid death and consumption; consumption both literal and metaphorical in this way set this lysis apart from others in particular, as John literally spilled his body into the earth and ate the earth in turn. The consummation step is a sort of marriage where each party in the process levels with the other, elevating of diminishing both parties to equal station; John becoming a "god" and Gaia becoming human (Alecto). Consummation and reconstruction are more or less simultaneous here, as far as we can tell, because the power disparity between Gaia and John was great enough that both had to be at least in part reconstructed to disperse the immense power of Gaia. The final step is a continued effect of the process in which both parties hypothetically take and give to the other; while John takes greatly from Alecto it is unclear what Alecto takes from John, though it is likely a portion of his humanity.
Poetically this process is suited specifically for John and Gaia/Alecto alone. They both shared a sort of mutual obsession with punishing humanity, as they both expressed a significant vindictive pain near the end of the planet's natural life. This pain caused Gaia to reach out and understand why they were being destroyed and to seek retribution on their destroyer while John sought power to deliver retribution on those he deemed as the destroyers and the selfish. This mutual obsession causes both John and Gaia to consume each other literally and metaphorically. Gaia consuming John furthers his vindictive campaign against the FTL project and strips away his humanity and leads to his acceleration if the planet's destruction. John's consumption of Gaia does much the same but also grants him inhuman abilities which causes him to take on an inhuman role and commit acts of murder and violence on individuals and populations. This mutual consumption results in John and Alecto being the last two remaining beings on a planetary corpse, their desire for vengeance leaving them essentially alone with their enablers.
This form of lysis is, hypothetically the most potent. However, it also has the potential to be the weakest. It creates an equilibrium between two individuals, weakening or strengthening either until they are at the same level. When performed as John and Gaia did this, it gives John immense power because Gaia was extraordinarily powerful and weakens Gaia a great deal. However, had this been performed by two individuals of roughly equal power it would result in a lyctor of average power or weaker. It is entirely possible that the process undergone by Anastasia and Samael was the actual mutually consumptive lysis (perhaps without the cannibalism, but who knows) with their failure resulting from their relatively diminutive power or other factors they were unable to replicate due to the unique relationship between John and Gaia/Alecto. It is possible that only two necromancers make take part in this process, as Alecto seems capable of at least some necromantic abilities in her human (from what little has been seen) form and seems to have granted John his necromantic abilities as Gaia.
Subordinating Lysis
Subordinating lysis is the process we know the most about and so will receive the least description. Frequently called either the eightfold word or the lyctoral mega-theorem, this process subordinates the soul of a cavalier to a necromancer and produces a lyctor of great power. This is the process undertaken by the lyctors in the book, namely the first of the saints undying and the second generation of penitents (Ianthe and Harrow). The process of subordination kills the necromancers cavalier and uses their soul as an eternal battery, grants the necromancer much of the physical expertise of the cavalier, grants the necromancer extraordinary regenerative capabilities, and expands the necromancers capacity for necromancy to the a seemingly penultimate level.
Despite the apparent replicability of this process, there are several things which can be altered while still achieving a similar or effectively the same result. Compartmentalization, for one, allows the cavaliers mind (or likely a copy of it) to live on in the subconsciousness of the necromancer; this occured with Pyrrha and G1deon--and after the death of G1deon's soul, Pyrrha (or the copy of her mind that existed in G1deon's subconscious) remained behind and inhabited G1deon's body and presumably reclaimed her soul in the process. Something appears to have gone wrong with Ianth's lysis, though this remains to be seen; she seems to refer to Naberius, her absorbed cavalier, in the present tense as though they consciously shared their lyctoral body to a degree. The combination of minds in a lyctor is common, as the abortion leaves vestiges of the cavalier, but Gideon's mind faded within Harrow's consciousness within weeks (possibly hours) while Ianthe seems to have preserved Naberius for nearly two years. While Harrow underwent elective lobotomy to preserve all remnants of Gideon she could, Ianthe seems to not have undergone such a process. Ianthe's case may be special, as stated, however she may also be manifesting symptoms of a stress induced personality disorder or other mental illness.
The poetry of the subordinating lysis varies in detail from lyctor to lyctor, but often boils down having to sacrifice the thing for which you intend to gain power for. Most necromancers share a special bond with their cavaliers which makes them hesitant to effectively kill them in order to gain power. Several of the second generation of penitents refuse lyctorhood, as they refuse to sacrifice their cavalier. It seems the only truly willing necromancers were Ianthe and one or two other original generation of lyctors. Those that are unwilling are coerced, being told that this must be done. Regardless, by undergoing this process, the necromancer becomes at once extremely powerful and also victim to John's machinations (and loneliness).
Unlike other forms of lysis, subordinating lysis may actually be reversible. However reversing the process requires an extraordinary effort and either extra steps taken early on or must be performed almost immediately.
Mutually Destructive Lysis
This process is, counterintuitively, perhaps the most positive form of lysis. There is only one example of this, Palamedes and Camilla's creation of Paul. Like mutually consumptive lysis it requires two consenting parties (which subordinating lysis does not). Unlike mutually consumptive lysis is does not constantly degrade both parties into a mutually enabling relationship. And like subordinating lysis, the process only creates one individual. However, unlike subordinating lysis, the mutual consent of both parties does reduce some of the psychological distress of lysis. Unlike either of the other forms of lysis, mutually destructive lysis kills both participating parties entirely. This is, however, seemingly a net good.
While the process of mutually destructive lysis is more or less the same as subordinating lysis, there is a key difference in that it is performed on both parties; both parties are absorbed into the resulting entity. Two souls, two bodies, two minds combined into one. This requires the physical and metaphorical death of both instigating parties.
It is unclear how powerful, comparatively, the result of mutually destructive lysis is. Such a creation may well be weaker than either other form; however, like other forms of lysis, mutually destructive lysis seems to create an individual with the memories, skills, and capabilities of both instigating persons while also creating essentially a whole new person (mind, personality, soul). It is also unclear if this process can be replicated; as Palamedes and Camilla's circumstances are unique in the lead up to the creation of Paul. Hypothetically, any two persons could undergo this process as long as at least one participant is a necromancer. because the process is mutually destructive it doesn't quite matter what the level if power and influence of either party is. It is also entirely possible that this (or a similar one) was the process that Anastasia and Samael initiated and John interceded in.
Poetically, mutually destructive lysis is a foil to mutually consumptive lysis. Whereas the mutually consumptive relationship represents possibly the worst form of a partnership (a codependent dysfunctional marriage), the mutually destructive relationship forms a hypothetical possible best case (selfless procreation). This isn't absolutely the best outcome, because that's subjective, but the creation of something new through the putting away of selfish desires is admirable. While it could be argued that John and Gaia loved each other, it was not a sort of love that is positive or healthy and their ultimate goal was destructive and selfish; and this is reflected nature is reflected in their lysis. Conversely, Palamedes had (arguably) a positive loving relationship where both parties cared for and held a shared sense of responsibility and duty to each other; and this is reflected in the nature of the lysis which they performed. It is tragic in its own way, but represents and act of love and selflessness where both parties agree to destroy themselves to preserve the memory of the other.
I've also said before that physically and psychologically merging is a profound expression of romantic love and devotion. That is a personal opinion I could back up with some evidence but this is also already a really big post.
Misc
While this post is egregiously long, I also do want to talk about the reasons I've used these terms and why Muir used the terms she did.
Mutually consumptive refers to the continued consuming of both parties power. John constantly consumes Gaia/Alecto's power and Gaia/Alecto constantly consumes John's humanity (and likely other things). The relationship is inwardly indulgent, negative for all parties, and outwardly destructive.
Subordinating refers to how the necromancer in the relationship subordinates the cavalier's soul in the relationship. It is a mechanically abusive relationship and almost always negative. It is indulgent for the necromancer, neutral (depending on the parties and consent), and destructive for the cavalier.
Mutually destructive lysis is so named because it literally destroys both consenting parties. It is the only lysis which technically involves three individuals (though I don't exactly think there's a hard limit to the number of people that can be incorporated into lysis, and I'd be very interested to know what would happen if more people were involved). It also represents the annihilation if the self, as the process is inherently selfless. Inwardly destructive, outwardly indulgent, and neutral in effect. It's about the best thing to be hoped for in a setting like The Locked Tomb.
Lysis is a term that Muir used in Nona. It is used by Palamedes, describing the process as a "grand lysis" rather than what other lyctors have done. Now this is a medical term. Primarily it refers to the breaking down of cells by dissolving the cell membrane. It can also refer to the gradual termination of a disease (through that process) or the subsiding of symptoms of a disease. It is a typically slow process by which an intrusive life force is broken down and terminated. It's clear why Muir would have Palamedes use this term, it is clinical and it describes how he feels about his position as effectively a parasite living in Camilla's body. But it is also representative of breaking down the walls that separate him from Camilla. It is the destruction of the cell membrane, the part that closes the cell off and marks it as an individual organism. This is why I have used it as well, because all of these processes involve the incorporation of a second person or soul. It is a destructive process no matter how it happens, whether that be a literal or metaphorical destruction. It also doesn't hurt that it is also a "ly" word like lyctor, which I imagine also occured to Muir.
Harrow: my deepest darkest trauma is that my parents killed a bunch of children in order to make me into a powerful necromancer. they died for me. their blood is on my hands.
Gideon: that sucks dude. anyways I'm going to sacrifice myself to save your life. you'll be an even more powerful necromancer. pretty sick, huh?
Gideon: why are you so upset about this
Gideon: is it because you don't like me
if you’re a teacher at augefort you’re either a villain masquerading under the guise of an unhelpful educator to manipulate children into your evil scheme, or you’re fig’s parents
where the sacred twilight meets the revealing dawn
☀️🌜 kofi link in bio if you’re feeling generous 🌛☀️