My two favorite relationships in the series.
No matter how many times I’ve rewatched it, I still feel a thrill whenever I hear Thirteen referred to as Doctor. The gender doesn’t matter at all-- Jodie was fantastic!
ok but the team of scientists making Carlos their adoptive dad and going to him when they get hurt or are arguing or when they get really excited and want to show him some new discovery like a kid showing their parent their artwork
Alec Hardy remembers and dreams about drowning as much if not more than actually carrying Pipa’s body and that affects me A LOT.
Yes, it’s stated and shown that Alec Hardy and Ellie Miller are certainly the main characters, and Alec’s journey is certainly the most obvious storyline in the series, I won’t argue that.
But Broadchurch is a story about mothers.
The series opens up with a shot of Danny Latimer standing on the cliffs and then it cuts to Beth Latimer waking abruptly the next morning. Most of the first episode focuses on Beth and her journey finding Danny’s body, in fact, and her struggle trying to understand the loss of her son is a main focus of the first series. Several scenes in those episodes focus primarily on her:
(Realizing what “finding a body on the beach” might mean.)
(Opening of s1e2, when she’s folding Danny’s clothes.)
(S1e7. “I lay there thinking what would I go through to have him back? I’d be raped, I’d be tortured, I’d have a gang of men on me, I’d be left for dead if it meant [Danny] was safe.” This was Jodie Whittaker’s finest moment, in my opinion. She hits Beth’s desperation and agony right on the head.)
(And of course the moment when she tries to process the fact that it was Joe Miller who killed her son, and all of the fucked-up irony that comes with it.)
There are so many more moments when Beth is the prime example of the Mother Angle that Chibnall approaches but these were the moments when I think it was strongest.
Ellie is another example of mothers in this story. She’s constantly protective of Tom when Hardy pushes to speak to him and take part in the recreation. We all laugh at the moment when Ellie threatens to throw a cup of piss at her boss but the reason WHY she says it in the first place is the clue:
-”I’m his mum, I decide.”
-”Oh, so your commitment to this investigation stops outside these doors.”
Hardy tries to trump her authority over Tom. She explicitly states she doesn’t want her son to take part in the investigation in any way and Hardy keeps on pushing, even insulting her commitment as a police officer.
Don’t push the protective Mama Bear.
Favorite moment of Ellie as Protective-Mama-Bear is s1e8. It’s the moment that bothered me the most when Jocelyn Knight brings it up in s2.
Ellie does confront Joe as a wife, certainly, at the end of s1e8. But again it’s interesting to note exactly what it is that Joe asks that sets her off:
She’s in control enough to only scream at Joe from a distance in the beginning of this scene. It’s only when Joe requests to see Tom that she sets upon him uncontrollably.
Seriously, do not piss off the Protective Mama Bear.
S2 deals with Sandbrook more than it really deals with Broadchurch as a whole, I think, and it definitely focuses more on Alec as a character, but the theme of Mothers is still prevalent in the contrasting images of Cate Gillespie, a drunk and unable to cope with the loss of Pippa; Tess Henchard, Alec’s ex-wife who loves her daughter but is willing to keep her guilty actions a secret so that Daisy won’t hate her; Beth, focused so much on getting closure for Danny she almost forgets about her newborn child (until Mark’s actions shake her out of her obsessive need for ONLY Danny); and then finally Ellie again, warning Joe away from their sons with the threat of death if he dares show up around either Tom or Fred again. It will be very interesting to see what direction Chibnall will go with the Mothers theme in s3.
Maya Lopez in Hawkeye | 1.06 “So This Is Christmas”
A thought: Good Omens, A Series of Unfortunate Events, and Welcome to Night Vale each give off distinct, yet related energies.
My two favorite words of the English language: flabbergasted, and gobsmacked.
Just listened to a much-garbled but still understandable recording of Queen Victoria speaking. As someone historically interested, the thing that saddens me most is the fact that we'll never know what these people sounded like. Did Abraham Lincoln really sound as high-pitched as contemporary accounts said he did? What was it like to hear Harriet Tubman speak? There's a few seconds of silent video of Anne Frank, but what did she sound like? Every so often I find myself looking up videos of people like Eva Peron and I listen to her speak and she's alive to me in a way a lot of these people aren't and it's all because I can listen to her voice.
Best soundtrack ever made. Seriously.
Non-Disney Challenge⇒1 Soundtrack
↳The Prince of Egypt