M E R R Y C H R I S T M A S
‘Rosa’ is by far my favorite episode of the new season of Doctor Who, and I want to thank Chris Chibnall and Malorie Blackman for writing it like they did. History wasn’t all glamorous or beautiful- it was harsh and unforgiving, and this episode didn’t shy away from that. They couldn’t help Rosa on that bus even though they wanted to because she needed to be arrested. She had to inspire Martin Luther King to announce the boycotting of the Montgomery Buses, because it was her not giving up her seat that started the Civil Rights Movement in the US.
That is history written right. It made me so angry watching the blatant racism on screen but that was the way it was back then. And it just made me want to cry with relief when Rosa didn’t move from her seat, because that was one step closer to equality for everyone.
As a fan of Captain America, I enjoyed Civil War (the film). But I don't particularly care for it as a showing of who Cap is, or who Jack Kirby and Joe Simon intended him to be when they created him in the 1940s. I understand the Accords and I can understand the way differing opinions would divide the Avengers into taking sides on the issue 8n the film. But in the movie it was a very limited character scope. And I understand that too, you can't have a huge ensemble cast the size of what the comics boasted in one film. But the movie(s) focus a bit too much on Steve's relationship with Bucky, and by doing so I think for Civil War the filmmakers shot themselves in the foot a bit. Captain America has always stood for the American people. What the country is supposed to be rather than what people say it should be. You see time and time again in his very long comic book history that he hasn't always done what government officials want him to do. He's a physical representation of what America's best ideals are. He's always kept the "little guy" in mind. And that is portrayed beautifully in First Avenger and Winter Soldier. My problem with the movie Civil War is that it's too small. It features only the Avengers. In the comic books it's the whole Marvel universe. The Avengers, the X-men, the Fantastic Four, Daredevil, Jessica Jones, Luke Cage, etc. And they're all taking sides. Sue Storm and Reed Richards separate for a time because they support opposing sides of the issues the comic storyline takes. It's ugly and it's harsh seeing that happen but it's true to life. Families are torn apart by differing viewpoints. Friendships collapse. Tony and Steve case in point. They've been friends since the 60s, when Cap was introduced back into the comics with the Avengers. And in the comic storyline of Civil War, I'm not going to claim that either of them were wholly right or wrong when it came to their taking sides. Tony stood by the government. Steve didn't, believing that the American government would trample upon the rights of its citizens. And they fought. Badly. They both drew blood. Cap's concern has always been civilans. The people of America. And by having Steve focus so much on Bucky in Civil War, you lose a fundamental part of what was so important in the comic. Steve's confrontation with Tony in the movie takes place in a vacant, "safe" place for a fight between superheroes where minimum damage is done and the least amount of lives are lost. On the other hand you have the comic where that final confrontation between them takes place amidst dozens of other superheroes wreaking havoc in the streets of New York. People are hurt. People die. And when Steve has Tony pinned to the ground with the shield raised to deal the killing blow (and he was intending to kill Tony then) it wasn't his sense of honor or morals that stopped him. It was a group of firefighters and cops who tackled him and physically dragged him away from Tony. That shocks him back to his senses. He realizes that in his desire to "win" the debate who which side of the superhero community was right, he had (in)directly caused civilians to be hurt or killed. And he turns himself in and orders his team to stand down. That is what is lacking in the movie. That is what is so disappointing to me about CA:CW. For MCU Steve he doesn't see the repercussions of what his actions have caused because in the movie the fighting is contained. He doesn't have to deal with the idea that his own actions have led to civilian casualties. He never turns himself in because there is no moment where civilians physically intervene to stop him. MCU Steve still has the moral "high ground", when in contrast comic Steve realizes that fighting never brings anything but pain for the innocents caught in the crossfire. Captain America has always stood for the little guy. Please, let the MCU remember that in their next movie.
Being an adult means first reading Sam's "Well, I'm back." quote at the end of LOTR as a ten year old and thinking it's a weird stupid ending, and then reading it again as a 24 year old and crying because it's the most beautiful perfect ending ever written in the history of literature.
Don’t get me wrong, I’ve always loved Ian Holm’s portrayal of Bilbo in the LotR trilogy, but it was really Martin Freeman’s rendition of the character that really made me fall in love with him, and let me finally finish The Hobbit book. I’d read LotR at ten years old and loved it, and despite trying to read The Hobbit, I simply couldn’t do get through it. Martin brought Bilbo to life for me that breathed life into him when I read the book and allowed me to understand the full beauty and fun of the character of Bilbo Baggins as written by the Professor.
Tim: Do you really think a hedge is going to scare the devil away?
Devil: WHAT IS THIS GREENERY?!
Devil: I can't get through that!
Devil: Move that bush!
Devil: My greatest weakness is landscaping, how did they know?!
David Tennant - DI Alec Hardy / The Doctor
Olivia Colman - Ellie Miller / Prisoner Zero
Eve Myles - Claire Ashworth / Gwen Cooper (Torchwood)
Arthur Darvill - Paul Coates / Rory Williams
Jonathan Bailey - Oliver Stevens / Psy
Jenny ran into the mysterious woman quite by accident in the streets of the planet Earth, which she had learned through her various journeys that her father often frequented. It was a busy, curious place, this third rock from the sun, and she thought maybe she could understand why he liked it so much.
“Oh! Excuse me, seems I lost track of where my feet were going. Entirely my fault.”
The woman was dressed rather oddly, with a long lilac-colored overcoat and a dark shirt with suspenders. But it was the large eyes staring back at her that caught her attention the most. They were old. Incredibly old. Old, and wise, and shining with an inner fire that Jenny instantly recognized.
And the woman seemed to know she would run into Jenny, because she quite simply held out a hand and handed her a bouquet of flowers.
“Violets,” she explained. “They represent remembrance. And I never forgot about you for a day, Jenny.”
An electric shock seemed to shiver down Jenny’s spine. It would be too cliche to ask how this woman knew her name; besides, she began to suspect she knew already. She barely dared to hope. It should be impossible.
Shouldn’t it?
“Who are you?” She asked anyway, because those eyes were too familiar even if they weren’t the deep brown she remembered.
And the woman smiled, a wide unfettered smile. “I’m the Doctor.”
The thing I'm most grateful about the DW franchise for is that it has taught me how to FINALLY spell 'twelfth' correctly.
ok but the team of scientists making Carlos their adoptive dad and going to him when they get hurt or are arguing or when they get really excited and want to show him some new discovery like a kid showing their parent their artwork