That Subsidizing Capital Accumulation Has Become The Only Readily Available Way For Most To Act On Compassion

That subsidizing capital accumulation has become the only readily available way for most to act on compassion for others is perverse.

Mathew Snow ‘Against Charity’

More Posts from Dclcq and Others

4 years ago
YAMAMOTO Keisuke(山本桂右 Japanese, B.1961)
YAMAMOTO Keisuke(山本桂右 Japanese, B.1961)
YAMAMOTO Keisuke(山本桂右 Japanese, B.1961)

YAMAMOTO Keisuke(山本桂右 Japanese, b.1961)

1. Light Time Silence #30   2. Light Time Silence #31   3. Light Time Silence #32   Lithograph   via    more


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11 years ago
Untitled By Irina Troitskaya On Flickr.

untitled by Irina Troitskaya on Flickr.


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9 years ago
Original Artwork For Agalloch, By Fursy Teyssier Of Les Discrets

original artwork for Agalloch, by Fursy Teyssier of Les Discrets

11 months ago
 Iceland II, 2024, Oil On Canvas, 90 X 120 Cm

Iceland II, 2024, oil on canvas, 90 x 120 cm


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art
10 years ago

If you meet the Buddha on the road, kill him.

Linji Yixuan (via nathanielstuart)


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11 years ago
Harold Feinstein, Window Washer, 23rd St Loft, NYC, 1972

Harold Feinstein, Window Washer, 23rd st loft, NYC, 1972

13 years ago
dclcq - dclcq

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10 years ago

Although you mention Venice keeping it on your tongue like a fruit pit and I say yes, perhaps Bucharest, neither of us really knows. There is only this train slipping through pastures of snow, a sleigh reaching down to touch its buried runners. We meet on the shaking platform, the wind’s broken teeth sinking into us. You unwrap your dark bread and share with me the coffee sloshing into your gloves. Telegraph posts chop the winter fields into white blocks, in each window the crude painting of a small farm. We listen to mothers scolding children in English as if we do not understand a word of it– sit still, sit still. There are few clues as to where we are: the baled wheat scattered everywhere like missing coffins. The distant yellow kitchen lights wiped with oil. Everywhere the black dipping wires stretching messages from one side of a country to the other. The men who stand on every border waving to us. Wiping ovals of breath from the windows in order to see ourselves, you touch the glass tenderly wherever it holds my face. Days later, you are showing me photographs of a woman and children smiling from the windows of your wallet. Each time the train slows, a man with our faces in the gold buttons of his coat passes through the cars muttering the name of a city. Each time we lose people. Each time I find you again between the cars, holding out a scrap of bread for me, something hot to drink, until there are no more cities and you pull me toward you, sliding your hands into my coat, telling me your name over and over, hurrying your mouth into mine. We have, each of us, nothing. We will give it to each other.

For the Stranger  Carolyn Forché


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10 years ago

The witching hour, somebody had once whispered to her, was a special moment in the middle of the night when every child and every grown-up was in a deep deep sleep, and all the dark things came out from hiding and had the world all to themselves.

Roald Dahl


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dclcq

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