A Blood-splatter Analysis Of The Dexter Finale

Blocking out a Scene

There once was a shape a square, geometric Who wanted to escape a dull life he wished was more hectic. He felt in his family, that he was the dumb dunce No social circle to speak of, not even a circumference

His Square parents, (in both meanings of the phrase) they were that shape and painfully un-hip, Decided that maybe he had to get aways and take some sort of learning trip It was the only way they could think to ease some of the tensions Father square to mother, "He's always been angle-ling to get away and discover his true dimensions!" Though as a block he was fairly sturdy his mother insisted he keep warm You know how maternal shapes do worry "Make sure you wear something to match your form!" The whole family saw him off on that Rhom-Bus "I wonder," said his rectangle sister,"will he even miss us?" Choosing some coordinates so far away but keeping the location discrete for certain The block looked back at his family, as if to say I will come back a far more rounded person And what came with this new sense of space Love triangles and some right angles in the wrong place Some errors were made, mostly directional Life can hit you with these types of surprises He realised that he was indeed bisection-al and loved things in all shapes and sizes and in his mind, the words of his family he could hear 'em "You still must prove yourself as a trusted theorum!" He lost his virginity to an acute triangle who smoked a lot of hypot, was real bad nuse the opposite of his next romantic entangle was an algebra-burning mathematical muse He didn't contact his family, he really didn't give a damn Only once every few months, would they receive a cursory parallelogram He had a few part time but big enough gigs Mostly in text books hanging out with some graphs You might have seen him as some numbered Figs He made some cash and had some laughs So for a few years this simple country rube Expanded his horizons and became a cube He wrote a letter to his family one night and hoped they wouldn't be too critical He decided to give paper up and have a bit more byte "Mom, dad, your block son has gone digital!" "I'll be working very closely with new people  you can really bet this, Tomorrow guys I'm trying out for some new game named Tetris!"

214- An Azealia Banks Parody

In Cork City, I get the 214 Bus. It is notoriously late and the drivers are very often rude. Combining that with an Azealia Banks parody I wrote ages ago. Hey, you can't be the driver I'm ready to pay, but you put the price up And the timetable you just slice up you can see I've been stuck here reading the paper And that curb careless driving, you're gonna scrape her Don't want to be the customer a-bitchin' We got to resolve this sit-uation. this bus should be main streetin' I'm running late for that fucking meeting But my point of view you don't give a look in Maybe a taxi, i should be be booking Guess that cunt shouldn't be drivin' that bus should be arriving that bus should be arriving that bus should be arriving waiting on the 214 On the sarsfield road forevermore fucking bus route never gonna make it in, that's the fucking truth But what the fuck you gonna do I mean the bus service isn't just for little old you But the rude staff in bus aras couldn't even make it to the fucking chorus every stop on the way in I feel like i need to be sayin push the button to beep let the driver know in case He's falling asleep that's my stop yo, just chill bro if i need some time to work my change don't be giving a wigga a look that strange coins are hard to sift thru don't need no conductor giving short shrift too I'm going to complain you cunt I'm going to complain you cunt I'm going to complain you cunt Replay O, Replay O I heard Azelia was a one hit wonder (wonder) Tell em you heard where she ended up Say I'm parodying but I aint complaining about her The label will drop you, drop you, soon the bus will never be on time, time, time, time What you gone do when the bus isn't here? When that fails to appear Bitch at the end of the phone line to a peer this never on time, time What you gone do when you're running late who are you gonna berate (berate) this shit is whine, whine,  Bitch Im waiting on the 214 it's as unreliable as urban folklore for fuckin' sure Patrick's street is off this bus tour Got my ipod on shuffle, it lands on the mighty Cure Fuck you gonna do what's your mp3 player like what music you into? see a bus on a wider view what does the number on that look like to you? if it's 216, I'm going to blow a fuse getting no kicks out of this bus-terfuge if it's 219, I'm going to bust a cap into the bus drivers ticket machine trap You think I give a crap im the fly in this fucking ointment so i'm late for another appointment Now i don't have the correct amount, no struggling with shrapnel and im running out of time to count though It's going to cause, a fuss I'm a ruin you bus What you going to do when the bus appear When it finally gets its shit into gear This shit aint worth a dime, dime What you going to do when the bus stop clears an answers to our prayers this shit's been whine, whine.

How I would have ended "Man of Steel"

Ok, sort of an unusual post here but I've been bothered by aspects of this film and the ending with how Zod is dealt with so here is my personal alternate ending:

Obviously HUGE SPOILERS for anyone who hasn't seen it. In the film we are shown a piece of technology that can put you in someone else's mind and create some sort of landscape there. Now they didn't really elaborate on it, but had I been writing it, I would have presented that process and piece of equipment differently and then at the end used it against Zod. Borrowing from the climax of the Superman story "For the Man Who Has Everything" (a must read for fans, it's wonderful), after the others have been sucked back into the Phantom Zone, I'd had moved the narrative to a point where Zod is tricked using that technology into thinking he had created a New Krypton. It would have been a nice nod to that story and would have been  thematically satisfying cause you could frame him in the same way he was when being "frozen" before entering the Zone first time around. He could be placed in a secret underground installation, built by an up and coming genius named Luthor... One of the last scenes could have been Superman talking with that guy General Swanwick and saying: Superman: Well General, he's in his own sort of Phantom Zone right now, only this one appeals to that monster. Swanwick: And if he ever gets out, are you prepared for that Son? You may have to... Superman: I hope that day never comes. but if he does escape, you can count on me. I'll always be around... *beat*  to help. So Zod has gotten his empty victory. Superman hasn't compromised any morals. It uses established technology within the film. Also It strengthens the bond between humans and Superman and sets him out in a far more traditional hero path.  Yes DC I am available.

A Wilde Day from the Off or an Off Day from the Wilde

As the mid afternoon Sun took its ascendancy in an otherwise grey sky Oscar Wilde staggered into a tavern. The great writer was looking the worse for wear after having put the "deca" into decadence, with ten straight nights of drunken revelry behind him, he had finally crashed and the hangover which plagued his fertile brain seemed more important right at that moment, than anything particularly earnest.

The pub was sparsely populated, an old man was sleeping, his head near a low hanging lantern and two men were laughing amongst themselves in the corner. Slumping down on the counter Oscar Wilde barked a drink order startling the bartender. This tavern worker was more accustomed to an elegant Wilde requesting a drink with no less than his customary lingual guile. This flat shout would win the great orator no fans. "You feeling alright Mr. Wilde?" the barkeep inquired, a note of quiet worry in his voice. Wilde let out an unintelligible wheeze in reply before burying his head in his palms. "What is wrong?" the barman asked, all social niceties dropping away as his concern mounted. "Today...my good barkeep. I just wish to play the game of silence. I have no insights, no pithy observation, just the black oblivion of closing my eyes to ward off the aches in my head." Just then, two customers that were off in the corner of the bar perked up upon recognising WIlde. The first man loudly posed the question to his compatriot. "It's that fella aint it? The witty writer. Tell him your story Gus" "Ha, yes. I'd love to know what an innalectual like him would say about it." They bounded over to the bowed Wilde with great enthusiasm, Jack giving him a mighty slap on the back as he neared. "Ozcar Wilde aint ya? I know a face when I see it." Wilde raised his head slightly, a disinterested look greeting the pair. "Gentleman..." Jack interrupted. "My friend here Gus, he's got a good story about the local constabulary courting one of them actors dressed as a lady. He stole from the big nosed fella, you know the one in books. Leonardo De Bergerac is it...?"

"Cyrano, " the barkeep corrected, his gaze still downward on a glass he was wiping. "Tell him the story Gus!!" "Gentleman," Wilde cleared his throat. "Let me stop you right there. I do not wish to be made aware of the wandering eye of a Policeman nor the gender confusion he suffered upon his wooing. I do not wish to hear of a crooked Judge absconding with a grey squirrel or whatever fanciful tales you wish me to comment upon. All I crave is the calm of a quiet pub and the ceasing of the the loud music in my brain. This is but a modest request for solitude." The pair were silent for a moment. Gus began, "So you see, this local officer has a flair for the ladies, well most of the time he does. But see with this..."

Wilde let out a groan.

The barman took no notice of the story and directly addressed Oscar. "But the wall my good sir". He motioned to the back wall of the bar which had much writing upon it. "I know, barkeep," Wilde replied his voice a soft rumble. "My witticisms dot that wall and have kept me in much fine ale over the seasons but today will have to pass without a sip from that fount. I am bereft of the muse. She has left me." Jack chimed in. "The muse has gone, left him for someone who a-muses her!" He left out a great chuckle at this, happy with his half stab at a quip. "Put that on you wall." "The wall isn't for quotes adjacent to Oscar Wilde! It's for quotes from the great man!" Gus replied. "Well look at him. He's in no fit state to be wise. So we're going to fill in." "Oh Posterity, how she weeps." said Wilde, his face buried in his hands once again. Gus and Jack began to look around and were mumbling. "Something hum'erus, something funny..."  "Oh! Oh! The wife, the other day was complaining about a candlestick and I says to her, I says, sometimes love you really get on my wick." There was no response from the barkeep or the writer. "Yeah, yeah," Jack continued, "But still you carry a torch for her!" They stood began beaming at their impromptu double act. "This wit stuff is easy," Jack declared. "Somewhere my good gentleman, in some crotty attic, there hang portraits of you getting progressively more irritating."

"Well sorry Ossie," Gus retorted. "We're just trying to liven up an otherwise dull day." They slumped back to their corner seats, deflated at the poor response their antics had garnered.  The barkeep leaned in. "You're going to lose your streak though. You have never darkened the doors of this establishment without spinning some words to wisdom." Wilde spoke up. "Streaks are like...windows...I mean...Comets. Streaks are...Streaks are...arrrgh". The barkeep sighed. "Well I need to put something up there." Wilde was becoming incensed."Put nothing. Put silence." Disheartened, the barkeep looked around for some ink to add something to the quotes wall. Finding only a golden yellowy ink his son had used to colour in a picture of the Sun, he took it to the wall and flatly wrote:   On this, the 15th Day of the Month October, Silence- Oscar Wilde. The barman walked back behind the bar and began busying himself.  WIlde eyed up his handiwork and muttered "Hmm, Silence is golden". There came the faint sound of the cracking of a lantern followed by a loud shriek as the sleeping old man returned to consciousness with the top of his head ablaze! A badly corked champagne bottle behind the barman slipped falling at an angle and began soaking Oscar and the barkeep. The local constabulary, who had a big enough nose himself it must be said, fell in the door of the tavern, his arms around an obviously male person dolled up to pass as a woman. They both fell to the floor. Suddenly a noise came from a less that reputable boudoir upstairs and an entire bedding structure crashed through the roof of the tavern, landing square in the room with a mighty thud. It was a local politician in bed with what seemed like, four pigs. Gus, Jack and the barman all looked at Wilde to note this unusual set of circumstances which had occurred all around them. Wilde just stared with a mouth agape, his hair getting wetter and bubblier from the still spraying champagne. Gus nudged Jack looking to the new bed in the room. "I hate it when our politicians just farm things out like that." Writers note: Obviously this is not the etymology of the famous "Silence is Golden" phrase but I like to think that even when he said nothing at all Oscar Wilde still provided plenty of gold!

An Overview of the Cork French Film Festival 2013

  For fans of classic French Cinema this years 24th Cork French Film Festival provided a wide array of delights ranging from hugely influential New Wave films to more recent examples of monochromatic mischief.

Making a virtue of its “Noir et Blanc” theme the programme emanated that elusive and trademark kind of cool that we associate with Franco film-making, the expressive shadows concealing what seemed like a million askew narratives. Whether  it was dealing with a straight ahead Film Noir, surely the province of such dark pools and austere skies, a matinee type serial fare or tackling social and economic pressures in far flung countries it never failed to, at its heart, entertain with wit and flair.

  Godard, one of the most iconic of the French New Wave lot was well represented in the screening of “Alphaville”, an odd fusion of  dystopic science fiction filtered through a gumshoe detective story, the influences of this seminal film providing templates for future hits such as Blade Runner. Featuring a brooding central performance by Eddie Constatine, admittedly never the most versatile of actors but his granite like face and natural stoicism put to good use and when set against the luminous presence of Goddess  (and Godard muse) Anna Karina the films hypnotic gaze remains hard to resist. A science fiction film bereft of any real special effects, the sleek architecture of Paris stands in for the distant future and it’s metropolitan beauty is given an ominous and menacing sheen here. One of my favourite Godard pieces even with some of its odd storytelling lurches.

  Keeping with the New Wave for a moment, “Shoot the Piano Player” was screened, Truffauts follow on to his stunning debut The 400 Blows, it’s easy to see why on it intitial release, the reception was so muted. Following 400 Blows would be a daunting task for anyone and a genre fusion of gangster farce and existential musing must have puzzled the audience first time around. Seen from a distance there is no doubting that it’s a minor work for the director, its attempts to marry disparate threads never quite cohering as much as you like. For every well observed, tense moment you get a throwaway gag that is quite jarring and the film prides itself on being almost wilfully obscure from an exposition point of view. Tyring to figure out the relationships becomes gradually less important as the more farcical elements get amped up. Best to just forget it and enjoy some of its well staged scenes, an awkward fight sequence gets special attention for its attempts to convey a really messy scuffle and how something like that might go in real life. For all its comedy moments that don’t quite work, the film has a chilly  unsettling air that is interesting when contrasted against its on the surface fluff. Not essential to be seen but diverting enough while it lasts.

  A highlight of the festival was a multi-media event in which La Jetee was screened alongside an exhibit of photographs from the film in the Wandesford Quay art gallery. This evening was completed with a performance by electronic musicians I AM THE COMOS. La Jetee itself, is an undisputed masterpiece, directed by Chris Marker (his only foray into Sci-Fi alas) and its tight story of fate and time travel mechanics is a disquieting creation. Filmed using only still photographs and voice over it shows that when a concept is strong enough,like Alaphaville no special effects are required and the clipped nature of its production adds intriguing layers to the piece. It makes the audience feel that we are, less seeing a narrative, than unearthing a horrific document of sorts that outlines a terrifying temporal cautionary tale. With language that finds an elegiac balance between technical and poetic La Jetee has earned its place as towering science fiction and it’s no surprise it gave a template to the still most satisfying film of Terry Gilliams career, “Twelve Monkeys” (sorry Brazil fans).

  Persepolis, one of the most contemporary films at the festival this year, is an utterly charming coming of age tale about a girl named Marjane living under a strict Iranian regime and her curiosity about the world at large. Based on a graphic novel which had a distinctive look, thankfully retained for its cinematic translation, the story is an fascinating insight into the conservative traditions and violent past of Iran. Following Marjane’s attempts to explore the wider world, it encompasses a great many tones, the comedy is sweet natured and truthful but the film isn’t afraid to show just how bleak things can get for the central character, not just within Iran's borders but beyond in Europe as she makes a number of mistakes and ends up homeless. What emerges is a truthful, touching story that if played straight might not have been anywhere near as poignant. The cartoonish presentation allows many inspired flights of visual imagination, the narrative strains at the leash of standard storytelling devices and it’s this fluid integration between reality and the more abstract dreams and thoughts of its central character that makes it so affecting. For anyone who feels a stigma with regards to animation, this should be seen as sophisticated and mature film making.

  Maturity was in short supply in the best film of the festival, Aki Kaurismäki’s 1992 take on the famous novel La Vie de Bohème, it follows three Bohemian artists, a writer, a painter and musician and their strange meandering adventures chasing fortune and romance. Rodolfo played by Kaurismäki regular

Matti Pellonpää gets the meat of the story, his relationship with a woman named Mimi giving the film its main emotional hook. Pellonpää had this ability to essay a perfect man child, an emotionally stunted adult who with just one laconic expression could convey a depth of feeling, be it love or longing. His awkward courtship and the genuinely sweet relationship that springs up contains some of the films best gags but it is in the unusual formation of bonds between the characters that the film really takes hold. There’s just no reason we should be so charmed by these individuals but each actor brings a sort of lived-in nuance to the role and it makes their interactions very effective. While episodic in nature and a bit too over long, it is surprising how much this gets under your skin and it’s all down to the subtlety Kaurismäki brings to the affair. Nothing is overstated, and while some longeurs are heavy with melancholy it never gets too grim and even at its bleakest the film has a winning edge and many laughs. It certainly wouldn’t suit everyones tastes but as an exercise in bohemian whimsy it packs a pretty big emotional punch.

  A festival then which covered a myriad of tones all coated in eternal monochrome cool, it showed most definitely who indeed was hue when it comes to the possibilities of classic French cinema.

Bonded Universe

The Aston Martin was bigger on the inside as James Bond was crawling towards it. The door was stiff but a quick flash of his Sonic Q-driver was enough and it dutifully popped open. His whole body glowed in a mass of swirling energy.  He was regenerating. This wasn't the first time. In fact he had been through this twice before. The bland and stilted features of the second Agent, Lazenby morphed into the debonair figure of the 3rd Spy. He was James Bond once again. There were still so many mysteries to solve from his last adventure, like the origin of the oldest game in the universe, 'I-Spy'. He felt the top of his head.  "Hair? Check." He placed a hand on his throat, "Suave, urbane voice?" Check. He raised his eyebrow knowingly with a distinct hint of camp. "Eyebrow? Check. I can raise my eyebrow now. Eyebrows are cool."

MoneyPondy was still amazed at the dimensional impossibility of the vehicle. "An amazing car, this!" She rasped in her Scottish accent, scowling a little as she always did. James sighed. "It's pronounced Cardis, Pond." "What? Are we in Cardiff...again?!" she asked.   James shooed away the question.  "Hardly, we can go anywhere on the planet which has a secret underground base or nefarious organisations. But that's most places as you can see." James' movement became erratic as further regeneration energy was still being expelled. "Woah, something is definitely off with this one. I haven't had this difficult a change, in what feels like an EON." He looked at his watch which caused him further pain. He lunged forward and balanced himself on his Cardis steering wheel. Another huge flash of energy started to build up but this was the start of  an even more unusual effect. James began to scream in pain as a distinct figure seemed to splinter off from his own. Bond slumped down again as this new being got its bearings. It was a man whose face was not that dissimilar to an Easter Island statue. There stood the more traditional 11th Doctor.  "Hello everyone!". He looked at MoneyPondy. "Is that you Amy? You're dressed like a secretary. You're not a kissogram again are you?" James Bond thumbed his Walter PPK, eyeing up the intruder. "And you are old sport?" "I'm the Doctor. Call me 0011 if it makes you more comfortable. I'm guessing you're...." Mondypondy laughed. "Hush, he lives to say it." "Bond, James Bond. You can trust me. I'm the Spy. But how did you...come out of..well..me?" "A-ha! I'm the Doctor. I'm bigger than any story. Actually I'm just being facetious. When I realised what was going on and that I would be subsumed into your being, I took a Rolex and fashioned it  into a crude Fob watch.  I used it to store my personality and in a feat of extraordinary metaphysical engineering I tied it directly into the Tardis or Cardis data core to rematerialise me at a certain point. Like an alarm. The next time you checked your watch, the core would pull me apart from you and restore my memories. I'm like the radio that turns on with the alarm." The Doctor trudged around the room in a panic. "Fusion! Franchise Fusion. Of course! The Tardis is trying to import or graft itself on to something else.." Noting Bonds tuxedo attire he paused for a second, "Nice bowtie." "What are you going on about 11?" Bond was confused while the Doctor was in one of his trademark frantic rants. "Usually I'm good with explanations. No, wait. Scratch that. I'm terrible. My two hearts aren't in it when I'm explaining stuff for too long. I'm from another universe. Well, not exactly. Parts of my universe are here." He pointed to his left. "Like I definitely recognise that chair." MoneyPondy grimaced further. "Can you slow down? You're not giving me a chance to insert the right amount of innuendo." James chimed it. "You can always insert my.." The Doctor was exasperated. "Right, right. Ok. You two want to be all humanly with each other. That's great. Put up a balloon. We have bigger things to worry about. Like the end of our two universes." Bond adjusted his cuff links. "To be honest I don't know what to make of any of this. The last time the universe was in danger, I dealt with it, with no small amount of style it must be said. Ernst Davros Blofeld had a giant infinity bomb and..." The Doctor interrupted him. "Look back where I'm from. This girl called River has done a thing and that's caused another thing and basically that whole universe is dying.  So the Tardis has tried to plug the holes of the universe with anything it could find. Every adventure we ever had, as separate beings are being forced together in a total event collage." "An event collage?" MoneyPondy sneered. "Why would that happen?" "Isn't it obvious? Well to anyone 900 years plus, it should be. The Tardis scanned any nearby stimuli to find elements to incorporate into the broken universe. Rory had a James Bond Box Set. In a multi-verse of infinite possibilities a universe where this piece of fiction actually exists must be out there. The Tardis would automatically seek out some sort of commonality. Although we're not that alike are we Mr.Bond?" "Well from what I know Doctor. We both have impeccable style. We are both British Institutions, we go through many female...ahem...assistants and we both..." "Regenerate. We become new people but remain constant! YES! That's it. Oh I am going to bloody kill River..." Bond dropped his wry tone for a moment. "River? I know a River. I mean I knew her. She...passed away. River Lynd. My first great passion." The Doctor smirked and slyly remarked. "First great passion huh? She'd love that..." Suddenly another woman walked into the Cardis front seat room. "James my love...?" MoneyPondy was incensed. "WHO IS THAT?" "That's Ms. Moans. A Ms. Martha Moans." This caused the Doctor to spin off into another tizzy. "NO! No! No! Can't you see what's happening? The deterioration is already beginning. Martha Moans?! That's not even a clever innuendo name!" Bond replied. "I assure you Doctor. Her name is entirely apt." The Doctor exhaled. "Oh Bond. I'm a fan of you as an idea but I can't say I agree with everything about your character. I met your creator once actually. Ian Fleming. Nice fella. Stubborn though. Got angry with me when I told him he shouldn't name that story 'Quantum of Solace'.." "Doctor, we'll head back to M(offat) Branch and await our orders. Brigadier Boothroyd Lethbridge Quebert could be a great asset here..."

Pond mumbled. "That name is quite a mouthful." Bond couldn't resist adding. "I'll tell you what else is a mouthful.." The Doctor was starting to get frustrated at the repartee. "STOP IT! We need to find a way to disentangle our universes. The internal logic of this place isn't strong enough to handle such an awkward amalgamation. Any slight unbalance and we could lose it all." The crackle of a vortex manipulator was heard and Martha was joined  by a shadowy figure. She addressed the visitor. "You're right. They're BOTH here." A maniacal laughter began to sound and the figure stepped slowly into the light. "GoldMaster!" exclaimed Bond. "Oh yes. Fun! Fun! The Doctor and the Spy. From Gallifrey to Skyfall. It's all been leading us to this moment. I've retained my memories of both universes and I have to say this awkward fusion is my kind of world." He held a key with a central locking control and pressed it. The door of the Aston Martin slid open and two Gold-plated Daleks entered the Cardis. The Doctor looked at Martha. "Why are you working for him?" Bond interjected. "It's classic for my universe old chap. There's always a good girl and a bad one. No use in "moan"-ing about it now." Martha taunted her ex lover. "Bet you haven't been this disappointed since Bad Jaws Bay." What happened there?" The Doctor asked. "My..wife Tracy Tyler got trapped in an alternate universe with my Connery incarnation. These things happen." The Doctor nodded knowingly. "Enough of this talk. Doctor, you are going to steer this Cardis back to the creation of the universe. I mean this universe is fine.." He looked around as he continued. "But I think it could use...a Midas touch." "You expect me to do that?" 11 snapped back. "No Doctor I expect you to die! Oh and keep coming back and dying again. I never get tired of that. Now come on. You know what they say 'No guts, no McClory!'" A Gold Dalek fired a beam that knocked MoneyPondy back towards the wall.  "Now drive this Cardis for me or the next time...I'll give her a proper Gold Star." The Spy cradled the wounded MoneyPondy. "You'll be ok." She could barely speak but whispered. "Promise me, I'll be ok. Promise me on something that matters." Bond thought for a second. "I promise on Albert Broccoli and Custard." She gave little smile before falling into unconsciousness. Angered Bond whipped out his gun and aimed it at GoldMaster. "Now there are two things I never miss. A golden opportunity or what I target with this gun. In this case they're the same thing." A serious expression appeared on GoldMaster's face. "None of you understand it. What I go through every day. The music. I hear it all the time. This cacophony of brass and drums. Over and Over again. 'Ba-da ba-da ba ba da dahhh bahhh ba-da bum..' It haunts me." "Welcome to the 'Theme'" came another unseen voice behind GoldMaster and Martha They were were both struck with a sonic lipstick blast.  "Solitaire Jane Smith, to the rescue!" She stood there confident with a robotic dog next to her. The markings on him read MI-6.  He blasted the two daleks. Delighted to see her Bond quipped. "You always were a master of the 'kiss off'." She approached Bond. "Solitaire is tired of playing a lonely game..." "Well Ms. Smith I always did find you...dalek-table." They embraced and began to kiss passionately.  The Doctor ran over to the Cardis controls. "Ok. I have an idea of how to dislodge us but...it's risky." Bond and Solitaire joined him at the controls. "The mistake my Tardis made..,"The Doctor explained, "is that she tried to mix the elements in such a way that they made a bit of sense. And now she's stirring it all in a big pot of narrative nonsense. Our only hope is to drive this Cardis back into our first moments. The opening adventures. The nexus point from where our legends began." He pushed a number of buttons and pulled on several levers. "We're going back to 'An Unearthly Casino'. The shock of us landing right back where it all started should be enough to shake us loose." "So what you're saying Doctor is that this shared universe of ours is a bit like a martini. It must be..." The Doctor and Bond spoke in unison. "SHAKEN NOT STIRRED!!" Bond and the Doctor smiled at one another.  "Geronimo!", they both said at the same time. And with that a flash of light and The Doctor awoke back on the Tardis. He could overhear Amy and Rory arguing about James Bond. "C'mon Amy, we'll just watch one. 'The Spy who Loved me.' It's a good one! Moore is fantastic in it" "Rory, we are in a spaceship that can go anywhere in space and time. Isn't that enough escapism for you? Do we really have to watch Bond?" "You're Scottish. You should love it." The Doctor appeared. "Alright Kids. I'm dropping you guys home for a bit. I have something I have to do." "Can't we help?" Amy inquired.  "Afraid not Pond."  Rory spoke up. "You're saying No, to us Doctor?" "Indeed. you should call me Doctor No!" ****************************************************************************************** River was lying on a bed in her cell at Stormcage when the familiar sound of the Tardis stirred her. "Hello Professor Song." "Doctor," she beamed back at him. "What would you say River, if I called you 'dalek-table'?" River was unimpressed. "What are you on about?" "Ha." The Doctor walked towards her. "I saved the universe again. You messed it up but you don't remember." "I'll take your word for it sweetie. So where are we off to tonight?" He took Rivers hand in his own. "I was thinking we'd stay in tonight." "You realise this is a cell right? I'm not much of a hostess." "Ha yes, but after saving the universe, paying my respects to an iconic character and having to put up with many groan inducing double entendres I was thinking...Isn't it about time I, just to cool off now...I...dove into my nearest River?" He took her in his arms. "Ohhh Doctor..." The Doctor and James Bond will return in... "From Rassilon, With Love"

Cat-ch 22 - A Poem about Cats and the Internet

  I was thinking about cats, the domestic pet How much space is devoted to these dolls through their odd relationship with the Internet And how they've come to have the prefix, "lol"s

Every Tom, Quick and Furry Every Tab Key leading to a Tabby The whole wide web is in such a hurry We even had a cat known for just being crabby Over them the whole world has flipped Even when kind or when vicious I guess it can be traced back to Ancient Egypt. All the way back to the black cat smugly superstitious. The timeline of the felined The whole kitten and kaboodle From the feral to the sterile kind (Have you ever heard Cat sex? it's brutal) Their retractable claws giving me practical pause and leaving marks on my arms And of their rational cause in stalking distractible jackdaws I could spin you many yarns. I wonder of their nine lives Which one really counts? Purring and scurrying Waiting for the moment to pounce After the climbing of trees, and scaling some fences They'd catch a scent in the breeze Just one of their heightened senses. Landing on their feet however one falls Grooming themselves and their young No wonder they pick up hairballs with a sandpaper like tongue They slink through the night with unique vertebrae Only when they are gone do mice come out to play But the Queens are Glaring at their prey This is the same all over from Housecat to stray. So when I see my thousandth cat picture, I think of songs, cartoons and ancient scripture And it seems no suprise their stance in pop culture Falling for something so adorable is human nature So felis catus would love to be seen as Royal But Dogs should make a big on-line come back Cause the audience would be canine-like , so loyal To challenge this current monopoly of Cat Writers note: I've written plenty of poems about forbidden love. This one is for-kitten love.

Mountain Dew- An Invite Only Modern Fable

There once was a Mountain Dwelling Recluse whose close friend was a little wolf named Cole. At some point every day he turned on his old fashioned, stained gramophone and would listen to beautiful music. Reverberating around his hovel, he would think about the joy of music in its endless variations and styles. Despite being a Recluse he had not always lived his life this way and in his past he made many good friends and after so long tasting the sweetness of solitude he decided on a change. It was long past time he brought the beautiful music he had loved so much to a selected crowd of friends and well wishers. And people from the far off land of some area named “Google". His noble wolf however would not be able to stay, as his dalliance with a Bear named Claire had produced an offspring. The little wolf went to mind his little cub. A talking and walking series of Fishbones offered his services on sound, this bony aquatic anomaly seemed to float between joints providing music and aural expertise. Crafty Canty, a local from a nearby territory where people went to feel good lost also pitched in to get this eclectic event off the ground.  A fair Maire-den who is a SuperBlonde, was on hand for whatever else needed doing, while her father the legendary Jerry (whose Moustache was rarely stained with Latte) and her two other brothers, Ciaran and Shane, turned the location from family setting to festival ready. A Great Balloon Race was undertaken by various parties but the first to arrive got there far more quickly,Toby honest, by Karr. A Jollins Green (Cack-ie green) Giant also appeared, while a Chameleon came back to Life for the soiree. This was the power of the mighty mountain dew on the location. Ominous rain threatened on the day but spirits refused to be dampened as people travelled far and wide to the Mountain, led by an array of Grave Lanterns the Recluse had dug up to ensure no-one got lost in the silent musical darkness.  Despite the presence of actual relations, the Recluse also extended his family to include more distant Relatives who sang sweet folky harmonies to all and sundry. Some other Man dola-ed out more harmony driven delight to the audience and it was clear looking at everyone, both Hymn and Her were Shaking and dancing in this case. Signal(s) were lost on phones (no-one could Ring Ian) but could be found on stage and is it any Young Wonder no-one cared about being without coverage, sealed off in this strange place? Next up was a sleepy rubber-band and like Elastic, oh Snap, they were good. Their inspired cover of You Only Live Twice resonated with the Recluse. He had now lived two ways, a solitary life and now one blessed with many new friends. "(Stevie) Gee, "  he thought to himself, " Plenty of Mac-room in my life for many more of these events." The night was a huge success, a sort of watershed moment (when Water was still on that is) that united a disparate group in some rural excess.  One band many looked forward to, in the end, could not play, one of its driving forces still loomed large over proceedings, lending his diverse talents to a few of the other performers.  The band of his that didn’t play? Well I won’t make a Stink about it either way. It certainly didn't Alter any of the Hours the crowd had in a negative way. The final thought of the Recluse was that if he kept this sort of event going, year in and year out, well, he'd be on a pretty Sweet Jelly Roll. Authors Note: Congratulations again to Colm and his family on a great night. To many more!

2 + 2 = 5 stars! Radiohead on TV!

New to the Spotify Channel  While on tour with his band mates Thom Yorke is in a tour bus crash. Fortunately an Airbag saves his life but his bones are still seriously inured. Using the newest advanced technology a mysterious organisation known as the Karma Police rebuild him with bionic technology. Is he the new Six Million dollar man or just dollars and cents gone to waste? Lucky to be alive and assigned a plucky female partner, the earnest Ms. Honey Pablo, Thom uses his new senses to solve crimes while touring the world. Enhanced abilities, such as climbing up walls, innumerable calculations in his scatterbrain and with a new iron lung the melancholic singer fights for what is right and Just.  This is: NEW YORKE, NEW YORKE Created by Donald P. Bellisario                    & Glen. A. Larson While generally fitter and happier this new agent codenamed, the King of Limbs, must face a plethora of new threats, bodysnatchers, the mysterious spy (over)dubbed the Creep and a criminal kingpin known only as Mr. Magpie. Has Thom become a super enhanced  human or is he just a Paranoid Android in a shaky House of Cards? "Bullet Proof I wish I was."  HE IS NOW! Episode 1: "Everything in its right place" Newly re-built and operating at pitch perfect levels Thom's first case involves protecting a child prodigy known only as Kid A from the clutches of assassin The Eraser. Episode 2: "Hail to the Thief" A case involving corporate espionage as an Electioneering process goes awry for a high up political leader plagued by a campaign informant. Thom and Ms. Honey resolve to not let down their newest client. Episode 3: "How to Disappear Completely" People are going missing at Radiohead concerts and Thom is optimistic he can solve the case. Will he need to call on his OK Computer hacker friend Idio-Tech to help him out? Episode 4: "Life in a Glasshouse" Abducted by a foreign government, Thom is forced into gladiatorial contests against Hunting Bears to test his feral abilities. (Part 1) Episode 5: "You and Whose Army?" Concluding part. Thom is liberated by army forces and must discuss his time in Limbo with a new psychiatrist a Ms. Sarah Treefingers. (Special guest star Bjork) Episode 6: " Fake Plastic Trees" The band find themselves in a mysteriously perfect town while promoting their newest album. What dark secrets are concealed in this town when the band go to sleep?  Episode 7: " We Suck Young Blood" A Halloween Special as Thom faces an industrious vampire cult who are mass-producing victims in a warehouse packt Like Sardines in a Crushd Tin Box. Episode 8: "Amnesiac" Following an Amp explosion Thom loses his memory and joins Muse as a backing musician. Can the band convince him that anyone can play guitar for Muse and that he certainly doesn't belong there there?

Episode 9: "Jigsaw Falling into Place" The identity of the Mysterious Mr. Magpie is revealed at last as...Phil Selway!? Yes Radioheads most underestimated member has his knives out and attacks our hero. Episode 10: "Blurring the Lines"  Part of Spotify Channel crossover week. The band tour with secret agent act Blur. An Al-barn storming action packed episode. Episode 11: "Where I end and you begin" Having long denied his feelings for Honey, Thom must find a way to serenade his beloved or be left high and dry when she settles down with her mystery fiance.  Episode 12: "Exit Music (for a tv series)" The season finale sees Ed O'Briens career hang in the balance as Thom and Phil have a bitter fight that culminates in a Punch Up at a wedding... Honeys wedding to Johnny Greenwood!! Will Thom stop whispering his feelings for her and tell her the truth before it's too late? "No Surprises this is a show that won't make you sulk, as pleasant as a (nice dream) but with enough bends in the plot to keep you guessing. True love waits and it was worth the wait in this case!"-  Tuning(in)fork (not affiliated with Pitchfork) Authors Note: This is a dedicated to Paula Larkin for her birthday! one of the biggest Radiohead Heads I know!

Star Trek at 50

10 episodes from each of the 5 series to give an overview of 50 episodes of the franchise I love. I will also give honourable mentions and name what I consider the weakest episode (“Total Gagh”) along with 2 other sections. “Praise the Prophets” will discuss elements I think are overpraised and “Cloaked from Culture” will discuss underrated aspects.  This is by no means anything definitive. I wrote this on the fly just to celebrate TREK and invariably will be episodes I have forgotten but part of the fun is in going with gut instinct and seeing which stand out to me.  Also multi part episodes have been condensed to one pick for the sake of sanity. This gets tougher with Deep Space 9 and Enterprise which had more serialised storylines. There will be brief notes on each episode. To avoid ranking episodes I present them in season order. The Original Series Season 1 1.  “Where No Man has Gone Before”. Gary on Star Trek…

The second pilot and third episode broadcast due to TOS’ odd airing of episodes (production order vs. broadcast order is indeed a tangled tholian web of continuity) this episode sets out the Trek stall pretty early using a pet premise from Roddenberry, man being granted the power of a God. I also enjoy the rough around the edges characterisations and approach due to the fact that this was the first proper outing for a show still in flux. Lofty and a touch silly which to me is Trek in a nutshell. 2. “The Menagerie” Cagey attitudes… An irresistible premise in Spock being court martialled which eloquently manages to incorporate footage from the first Trek pilot “The Cage”. Getting to see Captain Pike (Jeffrey Hunter) in full flight alongside the mysterious Number One (franchise institution Majel Barrett) is wonderful and this is an episode that feels like it has real jeopardy. The only two parter from the Original series. 3.  “The Conscience of the King” The Play’s the King… A complex moral dilemma as Kirk stumbles across an actor who may have been a mass murderer in the past, this is an episode suffused with Shakespearean references which serves its knotty narrative well. 4. “Balance of Terror” Das Shoot… The Romulans make their first on-screen appearance in a tense spaceship battle that feels like a dry run for elements of Wrath of Khan. Buoyed by Mark Lenard’s dignified performance as the unnamed Romulan commander this is a seminal original series episode defining one of Treks great villainous races.

 5. “Space Seed”

The scrapes of wrath… An episode with a real Khan-do attitude this is a fantastic introduction to Trek’s most enduring bad guy (for better or worse) Montablan is elegant and suave and it gives us one of the show’s most ridiculous and gloriously entertaining round of fisticuffs between the Khan and Kirk, a trope wisely not repeated in the Wrath of Khan. 6. The City on the Edge of Forever Keeling over… Trek sometimes struggles with convincing romances but here in the relative short timeframe of a single episode Kirk contemplates altering time forever for the love of a good woman. There’s a lived in feeling to the episode that adds to its genuine pathos. Stone cold classic, with a Keeler of an ending. Season 2 7. Amok Time. Some Vulcan sulkin’…

Pon Farr and that music would be enough but as someone who loves Vulcans this episode was a treat for exploring that race’s culture. It was a confident opener to the second series of the show and an instant classic. This was the episode I watched the night I heard Leonard Nimoy had died and it’s a great tribute. 8. Mirror, Mirror The Terran-able twos… The ubiquity of the goatee (a great statement) across pop culture may blunt its impact but Trek’s first trip to the Mirror universe retains its core themes of hopeful optimism. This episode has become a touchstone for a whole genre of dystopian alternate timelines and is meaty enough to still be provocative. 9. The Trouble with Tribbles

Cyrano Jonesin’… An absolute romp and again its iconic nature and subsequent re-visit via a future episode might take the shine off the original but this is just fun stuff, a silly adventure story for our gang where most of the characters get some interesting roles to play. Sadly, the show didn’t always dish things out quite like that. Season 3 10. Day of the Dove Do the Kang Kang…

Energy beings were always toying with the Enterprise and Klingons were a constant looming threat so this episode combines the two to great effect. Klingons are given some much needed shading and Michael Ansara’s performance as Kang is one for the ages. Honourable Mentions: Let that be your Last Battlefield: Heavy handed but iconic with its images and Frank Gorshin is a treasure. Arena: Gorn addiction. Total Gagh: The Way to Eden: Space Hippies. *Sigh* Praise the Prophets: Some of the much trumpeted social commentary feels a bit overemphasised. There’s no denying Star Trek tackled themes and allegory but it was often a very silly show that was just plain wacky. Nothing wrong with that at all! I sometimes think people overpraise the shows soapbox elements to the detriment of its goofier side. Cloaked from Culture: TOS is a pop culture artefact and has been very much pored over but an element that is overlooked is the crew outside the Kirk/ Spock/ McCoy trinity. While some are quite underwritten there is a solid support there from the secondary characters and a recurring roster with Yeoman Rand, Christine Chapel et al. Comments: Season 1 gets the most love. The Next Generation Season 2: 1. The Measure of a Man Soong-rise of the machines… No surprises here, TNG’s first classic and still one of the most beloved instalments. Despite being a somewhat wobbly premise in theory (all this stuff with Data’s rights as a being surely would have come up as he was entering Star Fleet) this is still powerful material and features the best characterisation of Picard up to that point. The measured Picard of the halcyon days of TNG took time to develop. I still believe he is a cranky weirdo in the first two seasons of the show but this was the episode that really began to create my favourite Trek Captain. Peerless. Season 3: 2. Deja Q The real Suddenly Human… A funny episode that evolves Q’s character and gives him some of his best lines. There is a long held belief between my brother and I that the crew constantly misunderstand Q. He is always met with suspicion that he is lying but never really has. He’s so powerful he has no reason for subterfuge. He put humanity on trial. He granted Riker powers. He lost his own abilities here. Picard was responsible for the destruction of humanity. The list goes on and on and I always find it funny that once per Q episode a character will say something along the lines of “But what’s he really up to? Or what isn’t he telling us?” Nothing you fools, he’s mischievous but straight up! Anyway a great episode that ends with Data laughing. Sublime. 3. Yesterday’s Enterprise. I Enterprise C what you did there… Taut, thrilling, complex and finally something for Tasha Yar to do two seasons after she died. A glimpse into the tough war like show Star Trek could have been (and perhaps flirted with in DS9) this is a famously thrown together episode, various drafts and writers coming together to make it work so the fact that it’s a classic is a miracle. All the better for being a done in one. 4. Best of Both Worlds

FIRE on the Bridge…

I can’t add anything to this that hasn’t entered the public consciousness already. Locutus of Borg, that doomsday choir, the cube, resistan…well it’s futile to quote. TNG was a wolf 359 in sheep’s clothing all this time! Season 4/ Season 5 5. Redemption That’s no way to Gowron an empire… A personal favourite which has political intrigue causing schisms in the Klingon empire. Introduces Gowron (played by Robert O’Reilly the most unblinking of actors I have ever seen) and ties into several episodes of Worf’s personal arc as well as Yesterday’s Enterprise. Masterful. Season 5 6. Darmok The language warrior… The episode that created a meme and a thoughtful exploration of cultural differences. I’m not sure the logic of an entire language based on metaphors is particularly sound but as an allegory and an episode it’s so well-crafted that to complain would be churlish. Shaka, when the walls fell. 7. The Inner Light Time flutes when you’re having fun… I mentioned earlier about the slow process of Picard settling as a character but this episode gives Patrick Stewart the best work he’s done as Picard lives out an entire life in less than a half an hour. The script really sells the idea of a life lived and despite it having that studio bound feeling of many Trek planet and civilisations this world feels more authentic than normal. Season 6

8. Tapestry Taking my Q from this… An insight into Picard’s past and an ambiguous treatise on his relationship with Q this episode’s conceit is brilliantly sustained giving a Quantum Leap-esque shot for Picard to right the wrongs of his past. The dull dreary present he finds himself in is quietly devastating in its way and total contrasts for how timelines are usually altered for the apocalyptic. Seeing Picard as such an uninspired non-entity is truly depressing.

 Season 7 9. The Pegasus Riker taken down a peg or two… This might surprise people but I just really love this episode. A great guest turn from Terry O’Quinn and it examines some disconnects from Riker’s character in which he can oscillate from fun loving rogue to oddly stoic stick in the mud. This episode provides a rationale for an officer who found blindly following duty could lead to questionable decisions and tough choices. Also the Enterprise gets to cloak! 10. All Good Things Picard’s picking the cards… Arguably my favourite episode of all Star Trek, the episode is a celebration of a great tv show. With Generations on the horizon the episode didn’t have to round off the characters’ lives, something that can hobble tv show finales. Instead this just acts as a great send off, touching on aspects of the show from the beginning and going full circle with that very first arc. It really feels like the stakes are universally big and even if the time travel is wishy washy and the central problem more cerebral that some would like the episode is warm and funny and again lofty in scope. An episode of ideas and a perfect send off before these characters went to the big screen. Honourable Mentions: The Drumhead: I just really like this one. McCarthyism in the 24h century. Who Watches the Watchers: Prime example of the Prime directive and its complexity. Total Gagh: Shades of Gray: Poorly conceived clip show, a by-product of a writer’s strike but even so an absolute mess. (Sub Rosa must also be mentioned). Praise the Prophets: I think the general consensus of TNG is pretty right on the money, wobbly start that blossomed into a powerhouse of a show. The 6th season is curiously overpraised by some including Brent Spiner and Ronald D. Moore. I mean it’s all subjective but I don’t think the 6th season is massively different quality wise from the seasons around it. Certainly not enough to be noted but each to their own. Cloaked from Culture: An episode like “In Theory” that falls between the cracks of seasons. A smart and thoughtful episode that is maybe too soft for much of fandom. Comments: Picard dominates these picks and is still my favourite Captain. Season 3 gets the most love. Deep Space 9 Season 1 1. Duet Bajor character development… A tense two hander that deepens Kira’s character and has a stunning guest turn from Harris Yulin this is a twisty slow burner that shows the multi-dimensional facets of an enemy and the regrets that conflicts can bring. Easily the best episode of the shows somewhat middling first season.

Season 2

2. Necessary Evil Columbo in Cardassian limbo… An episode about Odo as fluid as a shapeshifter changing forms and the format is just as malleable as film noir bleeds into the more recognisable elements. Showing life before the Cardassians left this is a tough episode that refreshingly doesn’t pull its punches. 3. The Jem’ Hadar An absolute Jem of an episode…

I’m using this episode to stand in for the Dominion conflict starting. This is a pacy chapter that sets up the series’ newest villains and also allows Quark to win back some ground for Ferengi pride. Season 3 4. Improbable Cause/ The Die is Cast Shiar madness… The first episode is pitch perfect crime story but then it becomes an all-out galactic invasion narrative but never loses sight of its main aim, to probe the depths of DS9’s best supporting character, the ever elusive and inscrutable Garak. Season 4 (possibly my favourite all-round season of any Star Trek show)

 5. The Way of the Warrior Mogh-li’s road…

Serving as an introduction to Worf coming on board and also pitting the Federation against the Klingons once more, this is a barnstorming tale of bat’leths and broken promises. An absolute highpoint of DS9. 6. The Visitor Jakes-speare… An episode that deals with familial love in that sort of big hearted way usually only afforded to weepy romance stories this is Trek’s love of technobabble funnelled into a properly affecting story that uses an arresting framing device to make its ultimate point on the limitless possibilities of family and time.

7. Our Man Bashir

All fun and James…

This is here because of pure fun. The best holodeck gone wrong story this perfect parody of James Bond films is both affectionate and critical, offering the harsh realities of the spy game through cynical Garak but maintaining its wide eyed idealism and roguish heart through the fantasies of Bashir. The ending is quite subversive on the topic of saving the world and is a sort of ghoulish kiss off of her Majesty’s finest agent. Season 5 8. Trials and Tribble-lations Can I Kirk or can’t I?... Star Trek throws its own best birthday party, a day of the dove-tail between classic trek and the so called black sheep of the franchise. Superb effects work and such a loving tone mix to perfect effect. People may quibble (does a tribble ever quibble) with some liberties but if you can’t have fun with an episode like this I suggest you may be a Klingon pretending to be a human! 9. A Call to Arms DS9 no more, back to Terok Nor… The war begins as the season ends and this kicks off one of the best things the show ever did, it’s serialised arc about Dukat re-taking the station. This episode feels momentous in that things are really happening and there’s an uncertainty over everyone fate. Seeing the Defiant join a huge armada at the episode’s end is beautiful grace note to leave the 5th season on.

Season 6

10. In the Pale Moonlight Holo-victories… I’m not someone who believes darker is better but this is easily the darkest episode of the entire franchise and it is riveting. Sisko almost breaks the fourth wall as he details the lengths he will go to win the war and the allies he will enlist. It also created a meme in Senator Vreenak and even as a kid found that scene and delivery overripe. I kept thinking to myself is that the best take they had?? Honourable Mentions:   Far Beyond the Stars: I’ll get in trouble for not including this in the main list but parsing Deep Space Nine is hard. A superb episode that I almost put in instead of A Call to Arms but wanted to represent the war arc of the show. This has interesting things to say about humanity’s past and the origins of sci-fi like Star Trek but, and this will be heresy to most but I find Benny’s breakdown at the end quite overacted and that has always slightly spoiled the effect for me. Otherwise a classic. Inquisition: Kafka-esque themes and the first appearance of Section 31 Total Gagh: Profit and Lace: Too wacky and too tacky and underserves some great character like Zek. (for people who would think Let He Who is Without Sin should be here, close call but the shallow part of me forgives that episode a lot due to the scene of Jadzia Dax in her bathing suit. It’s still a Trill to this day.) Praise the Prophets: While DS9 did have pay offs and serialisation I sometimes think it’s overstated. Characters grew but certain things occur that are never mentioned again and if they happened in other Trek shows they’d be highlighted. A few examples: Hard Time: O’Brien lives out years in jail. After the episode never seems traumatised about it ever again. Children of Time: A future version of Odo makes a very questionable decision. Never discussed. Necessary Evil: A secret revealed about Kira. Never mentioned again. Sacrifice of Angels: Damar kills Ziyal. Not dealt with again. Don’t get me wrong. Deep Space 9 is my favourite but I do think there was a mild reset button people overlook. Cloaked from Culture: The humour. Always seen as the dour stepchild, Deep Space 9 has some of the best jokes and most likeable characters in the franchise. Comments: No overriding character dominates the mix here, speaking to the all-round strong characterisation of DS9. Season 4 gets the most love. Voyager 1. Caretaker Delta a bad hand… I really like the opening episode of the series and the promise that lay ahead. Sure the Maquis become as interchangeable as any Star Fleet crew but here the tension is real and the stakes high as the ship is sent to the other side of the galaxy. Knowing the show couldn’t rely on familiar races and would have to create a plethora of new aliens was exciting and fresh and the episode crackles along nicely. 2. Eye of the Needle Alpha Mail…

First absolute classic and one tied into the shows premise. The first “Will they get home?” episode and one of the best. This feels like a Star Trek Tales of the Unexpected set up with a properly great ending. Season 2 3. Death Wish The No Quinn situation…

Trek at its best deals with large questions and uses a sci-fi prism to examine them. The downsides of immortality and the stagnation of a society is ripe for discussion and that’s what a lot of “Death Wish” is, big conversation on cosmic themes. It has a very silly Riker cameo but at least that continued Jonathan Frakes ubiquity across the franchise. If we create time travel let’s give him a TOS appearance but a better written one than his popping up in Enterprise! 4. Tuvix Between a Tuvok and a hard place… A silly premise that turned into one of the most affecting episodes. A transporter accident merges Tuvok and Neelix into a brand new being but when the Doctor figures out how to undo the damage it throws up a huge moral quandary. The performances are exemplary and Tuvix is a likeable enough character that you don’t want him to just be done away with so quickly.

Season 3/ 4 5. Scorpion

Hive-way to Hell…

Voyager meets the Borg and it doesn’t disappoint. A moral dilemma well executed, the first appearance of Seven of Nine and one of the best cliff-hangers Trek ever gave us. Clearly it was their attempt at a Best of Both Worlds but crucially it doesn’t feel derivative. 6. Living Witness Doctoring History…

A rare episode that features no regular characters, save a hugely contrived version of the Doctor as a backup version of the hologram this is look at re-written history and how distorted facts keep certain conflicts alive. There is also a voyeuristic pleasure in seeing hologram versions of Voyagers crew acting so out of character and just how many facts one could get wrong about the past. Is that a Kazon on the conn?

Season 5

7. Timeless Kim chances of survival…

Voyagers 100th episode and a rare chance for Kim to get some meaty stuff. Future Kim is a bit too hard-bitten and gritty for my tastes but the show has temporal fun and Voyager crashing onto an ice planet is a spectacular set piece. 8. Latent Image

When the Doctor goes feedback loopy… An engaging mystery, stellar character work for the Doctor and a very curious off brand ending that favours simple debate and philosophy over final act peril this is an unsung masterpiece of paranoia and tough ethical decisions.

9. Someone to watch over me

Courting disaster…

A light and human episode with a lot of natural humour The Doctor attempts to teach Seven how to date and the episode has a ball with it. It even side steps some clichéd moments you think the show will employ but instead is like Voyagers’ “In Theory”. Overlooked and severely underrated.

Season 6 10. Blink of an Eye

You have to Planet ahead…

One of my absolute favourites due to its high concept of Voyager becoming embroiled in the culture of a planet where times moves faster. The script takes its time and makes the planet feel real and rich in detail. The set up itself lends itself to a lot of pathos and is simply one of the best proper “hard” sci-fi stories the series told.

 Honourable Mentions: Message in a Bottle: Fun and hijinks that also moves the overall arc of the show forward. Night: A scary and unsettling look into how long term space travel could have an adverse effect on mental health. The main set piece in which the ship loses power in a dark void is perfect and it also introduced the Captain Proton  Total Gagh: Threshold: No surprise here. An abomination of an episode and best forgotten. It warped our perceptions of the show.

Praise the Prophets: Dragons Teeth was always weirdly overpraised to me. It’s a fine episode but I never would clamour for the Vaadwuar to return but considering Voyager was often overly criticised, I should be glad this episode took hold as much as it did.

Cloaked from Culture: The relationship of Tom Paris and B’Elanna felt natural and well written for a series that often stumbles when tackling love stories. It is an overlooked component of something Voyager did very well.

Comments: Most episodes I love seem to favour the Doctor and why shouldn’t they? Season 5 gets the most love.

Enterprise Season 1 1. Broken Bow

Prequel rights for all concerned…

An action packed opening that throws tensions between Vulcans and humans, conflicts with Klingons and temporal Cold War and is a fun introduction to the characters and set up. The Suliban are visually imaginative and there’s a sense of adventure throughout. As pilots go this is stellar stuff.

2. The Andorian Incident One small step for Shrankind… A nicely judged tale of intrigue that gives us our first look at Shran and deepens the Andorian culture but does continue the shows worrying trend of throwing the Vulcans under the bus (out the airlock?). 3. Dear Doctor State of Phlox…

Phlox was an underutilized character and this is one of his finest hours. A proper moral dilemma again in the vein of Tuvix or an episode like that. Enterprise has its fair share of detractors but crew conflict was definitely one of its strengths. Season 2 4. Future Tense Timing is everything… Enterprise also excelled in action and this is a glorious stand-off between various factions trying to capture a time ship. I wasn’t against the temporal cold war arc as much as others were. It definitely hampered the show at the beginning and should have been teased out slower if it was to be done at all but this is a nice standalone time story that deftly touches upon the arc. 5. Regeneration First Second Contact… Temporal Investigations would frown on this episode that shows Archer tackling the Borg but the Borg continuity has always been askew. This is as close to horror as Enterprise got (minus some Zombie like Vulcans in another episode) and there’s a nice Cronenbergian shiver to the proceedings here. Another good episode from Season 2 of Enterprise which I consider one of the worst seasons of any Trek show. It bounced back with its next two years though.

Season 3

6. Twilight

Time’s Archer… Much like Children of Time this gives us an alternate future tinged with tragedy while also playing on an ill Archer. The relationship with T’Pol is handled sensitively and while we only get hints of the new status quo the episode does a good job of feeling satisfying even if it’s clear a giant re-set button is going to be pressed any nanosecond now…

7. Similitude

A Trippy outing… Manny Coto’s first script and is a perfect example of what Trek does well. A new version of Trip is created when the original is near death but surely this new version has his own rights. No simple answers are given and it stands as a modern classic overlooked in the chorus of Enterprise criticisms.

Season 4 8. Borderland/ Cold Station 12/ The Augments Soong-ing your praises… Arik Soong with a team of Augments in a commandeered Bird of Prey warping through space, do I even have to explain why this 3 parter is so good? It has a lot of conflict, great action and an edge often lacking in the show. There’s a body count and an escalation of the threat that feels legitimately dangerous. Packaged together it would have made a great film. 9. In A Mirror Darkly Defiant-ly different… Unusual in that it takes place entirely in the Mirror universe this is Trek taking a holiday or indulging in its own cosplay. It’s fun seeing the slightly bland (and hey I’m an Enterprise apologist!) crew getting to have fun and loosen up. It’s a trashy camp outing that I wouldn’t want every week but fun for a week or two. 10. Terra Nova/ Demons All’s Weller that ends Weller… The true ending to Enterprise (it’s much maligned last episode tactfully described as a coda by showrunner Manny Coto) this episode deals with xenophobia in a way that illustrates that the humans of Enterprise are now quite the angels of previous Roddenberry helmed shows. Peter Weller is a marvellous antagonist and again the show asks hard questions while still retaining a sense of danger and action. Honourable Mentions:   Dead Stop: Old fashioned romp with a nice mystery and great designs. Zero Hour: I’m a big fan of the Xindi arc and picked the finale to represent the whole thing. Taking the show serialised and making it a bit darker to comment on the world Post 9-11 gave the show a relevance and an edge and course corrected the entire series. I liked the Xindi as a race and I also enjoyed the ticking clock element. The finale has a few off notes but largely succeeds and did lead in nicely to the strongest season of the show.

Total Gagh: These are the Voyages…:Yep, as bad as they say, a clunky valentine to the show that undermines Enterprise and serves to give a nod to Riker’s appearance across the entire body of work. Also it poorly serves The Pegasus an episode I previously mentioned as a favourite. Berman and Braga regret it now and like Threshold would be an episode I would gladly erase from canon.

Praise the Prophets:  The re-creation of the Trinity with Archer/ T’Pol/ Trip. This was a nice nod to TOS but badly affected the other characters and made some of them barely more than ciphers. A missed opportunity. Cloaked from Culture: Scott Bakula as Archer. The character changed and deepened and Bakula is a charming lead. He was saddled with some baffling characterisation early on but he is the unsung Captain of the franchise. Comments: I like Enterprise a lot but will admit that creator fatigue had set in by this stage and after 600 hours how could it have not?  Season 4 gets the most love.

  Honourable mention for Star Trek the Animated Series: Yesteryear No Spock left unturned… The best animated episode and one so beloved that during the period it was deemed not canon, writers from other series would sneak in references. As this is long enough already. Capsule overview of the films. TOS films The Motion Picture- Ponderous and slow but ambitious and oddly compelling. It’s not for everyone but there’s something there amongst the drawn out peril. Wrath of Khan- Stone cold classic that has proper themes and tense battles. Kirks final line “I feel young” is Shatner’s greatest moment in my opinion. Search for Spock- Silly but very Star Treky this is a comfort movie for me. The reunion scene at the end when Spock asks “The ship? Out of danger?” gets me every time.

The Voyage Home- Glorious and totally off model and all the better for it. Fish out of water comedy meets Whales out of time hijinks!

The Final Frontier- This isn’t a particularly well made film BUT I think its underrated. The characters are bang on, Kirk standing up to “God” is Trek at its most iconic and the reveal from McCoy’s past is heart-breaking. More good stuff in it than people think. The Undiscovered Country- A favourite of mine. Compelling mystery, topical politics and an old Vulcan proverb, “Only Nixon could go to China”. TNG films

Generations-

A muddled but not joyless outing. Sure Kirks death is a damp squib and an unforgivable gag (bridge on the Captain) but its analysis of time and grief is interesting.

First Contact-

There’s a been a bit of weird retroactive bashing of this film but I say thee nay. Great action, fun conceits and a properly threatening Borg presence pre- their de-fanging on Voyager.

Insurrection-

Underrated and in the absolute spirit of Roddenberry. Sure it may feel like an extended episode but I don’t think a film would stop so much to have that Dougherty/ Picard argument which I love and it has a sunny disposition which was a nice palette cleanser after First Contact.

Nemesis-

A mess. Wrath of Khan minus the depth.  It played up its duality theme in a far too heavy handed way and the characters seemed off. “The victory of the echo over the voice” was always a line I liked however.

Kelvin Timeline films

Star Trek ’09-

Dumb fun and a much needed adrenaline boost for the series. There are niggles but I still think it has flair and its origin structure papers over some cracks.

Into Darkness-

The foundation weakens in this po faced misfire. Anything interesting is automatically undermined and most of it is a re-hash of Star Trek 2 with no subtlety.

Beyond-

Very good but in my opinion not great return to form that I think needed some more polishing but in general a good outing that re-sets the table going ahead. Nice to see proper exploration again and that is very much in the spirit of Star Trek.