Ok! Sorry This Took A Bit But Here Is My List Of Reasoning!

delighted by the discovery of the concept of "doomed by the narrative but your friends are punching the narrative in the face and you're fine now"

Has anyone else noticed that traits people associate with Shaggy smoking weed could easily be explained with severe anxiety?

Shaggy doesn’t say “like” and talk stuttery because he’s a stoner. He’s unsure of what he’s saying and is constantly tripping over his own thoughts

Shaggy doesn’t always have the munchies. He’s stress eating. He’s just grown an appreciation for food since

Shaggy isn't leaning forward because he’s slouching. That and his wide eyed expression comes from being on constant alert

Shaggy likes mysteries. But his main driving force is his friends. He does have a passion here. But in truth, he doesn’t want to let his friends down. He feels like them and Scooby are the only family he truly has

Shaggy doesn’t do drugs. He just has intense anxiety

Something I'm obsessed about is.. How some hermits come off in other people's videos vs their own videos

Scar can feel infinitely more threatening in others' videos whilst in his own pov he seems so fun and cheery. One of my favorite example is his audience with Ren. From his POV he comes off as just messing around, not really listening and just doing his own thing because he doesn't really respect Ren, not really

From ren's pov he comes off as terrifying - you watch Ren have his audience and assert his authority with the rest of his court, and then Scar walks in, and he takes complete control of the scene. Where others listened, nodded, and kneeled - Scar strolls to the throne at his side, sits, and smiles condescendingly as Ren demands scar sell his gigapies.

Whereas from Scar's point of view it's one of his endless swindling moments, when he tries to negotiate the whole thing, from ren's pov he just comes off as... So... Terrifying? Its hard to put into words. He won't budge. Faced with a monarch he supposedly swore his fealty for, for whom he's killed and brought the head of resistance members... He continues to stand tall, chin up, and refuse his frivolities.

It's just... So interesting to me.

Similarly, Joel in the life series - particularly last life - almost always comes off as so unhinged, unpredictable and violent. He's scary in a different way than scar, like an rabid dog.

But if you watch Joel's povs he's so soggy and pathetic. Even in last life. Especially in last life. Rather than a rabid dog he's suddenly a shaking chihuahua, barking and growling at everything that comes his way but obviously helpless.

There's many more examples. How aloof grian comes off from other people's point of view is a good one. It's just... Interesting to me.

I myself struggle a lot with understanding the way I come off to other people. Coworkers and friends will describe me in ways that will genuinely surprise me. When watching the hermits/lifers, you can see this phenomenon from both angles, in a way. It's a nice little case study. How someone comes off when you have an intimate knowledge of their intentions and thought processes vs how they come off from an outside perspective.

Today on things that keep me up at night: have you ever thought about how Glinda worked very closely with the Wizard for nearly a decade? Have you ever considered that she probably saw him nearly every day, that she knows the way he walks and talks and acts better than damn near anyone else in Oz, that they were coworkers in close proximity for a long time. And Elphaba is his daughter. And even if they met twice, even if they never really knew each other, Elphie and the Wizard must have attributes in common.

The shape of the face or the eyes, the slope of the shoulders, the way the smile lifts the corner of the mouth, a certain phrase, or a look or just a way of moving, all an echo of the Wizard, of Elphabas father, and Glinda knows it. Feels something dangerously close to fear curl cold and tight around her heart when she realizes why she feels like she’s seen that smile before, somewhere else, on someone else, and why it’s setting alarm bells screaming in the back of her mind

because Elphaba, in tiny noticeable ways, is her fathers daughter

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

S.2 E.43 Me too Maria lmao

it's sappy c! aimsey hours

c!aimsey is one of those characters that just happened to pop in my life at the right time. C!aimsey experienced a horrific loss as I was experiencing a horrific loss and represented the grieving processing a way that made sense to me when nothing else did. they carried hope and anchorless wanderings and the desire to FIX things and know everything to avoid bad things happening again in a way so many depictions of loss don't. the pit in your stomach that urged you HOME with out having one to go back toom

but most of c!aimsey represented the stubborn need to be KIND. hurt can make you jagged lines and sharp edges and my grief made me want the opposite. to be softer, listen closer because the world of cruel and unfair and kindness is an act of revolution of protest against the chaos.

it's empathy and stubborness and this very specific feeling of traversing the world when the worse possible thing that's happened to you has already happened.

what's falling off a bridge after all, you survived the tower. that's punishment enough.

like as a feminist and an asexual if you ever imply that not having sex / not having "enough" of it is a conservative or reactionary trait I will be running you over with a bus pronto

You Are Not Immune To fanart of characters who die in canon that has them alive and well, with scars from the wound that originally killed them

I have a new headcanon now

I think it's Luz coming out as bi to Camila for the first time but we already saw a bi pride flag in their house before and I love to think it's just Camila starting to notice it even before and just encouraging Luz to come out or just showing her its a safe place for her

I love Camila

I wish all moms were like Camila