Ponk: I Have The Most Badass Line In The Entire SMP

It's a Totally Random member of The Dai Li who is definitely Not Nino.

So Nino works for the Dai Li. This complicates things with his girlfriend Alya.

In the plus side as he is one of the few metalbenders in the squad he gets paid a lot and gets to go after high profile targets like Rena Rouge and Her Associates (lol you think I'll tell you? That's spoilers). He uses the metal shield on his back to protecc and atacc.

Rena Rouge keeps flirting with him and he just wishes she would stOP. He has a girlfriend!

Marinette | Alya | Adrien | Kagami | Luka | Juleka & Rose

You might have thought card sharks and loan sharks were named after the predatory fish, but apparently there’s a decent chance it’s the other way around from an old Dutch word meaning “person that takes unfair advantage of other people”. Before that they were known in English as a haye or dogfish, which means sometime in the ~1400s enough English sailors started saying “don’t get in the water, it’s infested with those jerks”

Misconceptions About Tommyinnit’s Character That Genuinely INFURIATE Me

Since the recent events following the second L’Manburg Festival and subsequent war, I’ve seen many, many hot takes surrounding the nature of Tommyinnit’s character on the SMP. Some of which annoyed me to the point where I felt compelled to sit down and actually write this. I’m going to only be highlighting the most common complaints or questions I’ve seen, one by one, in hopes of providing a better understanding of Tommy’s character for anyone interested. (I also briefly discuss Techno and Tubbo’s characters as well.)

If you’ve said similar things to what I’m going to be discussing below, please know that it’s perfectly understandable how you’d come to these conclusions. Some of these aspects of Tommy’s character are not always obvious; especially if being watched from another streamer’s POV. This may become quite lengthy, so bear with me for now.

“Tommy’s motives are all over the place. He can’t decide whether he wants the discs back or not.”

Tommy is actually one of the most motivationally consistent characters on the entire Dream SMP. Even Techno, someone completely confident in their ideals, does more motivational flipping than Tommy. From the very start of the story, Tommy has always cared for three things; L’Manburg, Tubbo, and his music discs. However, him caring for something is not itself a motivation. 

Surprisingly enough, his motivation isn’t even just, ‘Get my discs back,’ like many assume it is. Tommy’s one true motivation, since the end of the Independence War, has always been, ‘Keep things the way they are now.’ 

Tommy’s one fatal flaw is that he is resistant to change and refuses to let go of the past. This is seen through all of his actions and words; in all conflicts involving him. This flaw is the drive to all of Tommy’s mistakes. Burning down George’s house, an action which resulted in him getting exiled, was done out of a desire to pull pranks the way he used to before the first war. His friendship with Ranboo started because Tommy said he reminded him of Tubbo, back before he was President. 

Tommy still talks highly of Wilbur because he chooses to remember him as the wise, kind mentor who cared for him. This motive is the reason he defends L’Manburg so fiercely; it’s his memory of a better past. This is why he holds grudges more often than any other character; especially refusing to forgive Techno after he killed Tubbo during the Manburg Massacre.

It’s why Tommy falls under extreme distress whenever Tubbo or Quackity tell him that something will never be the same again. This motivation is entirely formed from an underlying desire for peace and comfort, something Tommy has been denied since being forced into a life wrought with war and death. To accept change, to Tommy, is painful and terrifying. But he will only ever truly be happy when he finally learns to let go.

“Why do the discs matter so much to Tommy? They’re not actually worth anything.”

Tommy’s discs are much more than just any ordinary pair of music discs. They were never important for their material worth, but for what Tommy was willing to sacrifice in order to keep them. Tommy is entirely what gives the discs their value. 

Tommy also commonly operates under the Sunk-Cost Fallacy, wherein he’s invested too much of himself into something to just abandon it, even if it’s causing him problems. This mentality is a huge piece of what keeps him tied to both L’Manburg and to his discs. He’s sacrificed too much at this point to simply let them go. If he admits the discs are worthless, then he’s admitting that he wasted all this time and effort, just to keep them.

The discs also act as a constant source of hope for Tommy because they are directly tied with his motivations as a character. They’re something he’s had since the very beginning. They’re something he used to listen to with Tubbo on their shared bench. 

To Tommy, they symbolize a life before war, filled with comfort and peace. They are a love letter to his country and his late mentor Wilbur. They are a physical representation of Tubbo’s companionship. They are the only thing, besides L’Manburg and his best friend, that gives him the hope that he can one day return things to the way they used to be. 

This ideal, paired with Tommy’s refusal to let go, has left him ruthlessly pursuing the things he’s lost. Not his music discs, but his peace and comfort, his friendship, his country, his mentor Wilbur, and his life before war.

In his desperation to hold onto his prized possession, it has only hurt and pushed away the people that love him. If Tommy continues to ignore this reality, while still refusing to resolve his major flaw entwined with it, he will lose all that the discs had once stood for. He will lose his country, then his friend Tubbo, and then he will lose himself.

“Tommy never grows or learns from his mistakes. This makes him a badly written character.”

Characters do not have to constantly learn from their actions to be well-written. Tommy is one of the best examples of this. The fact that his growth is infrequent is the entire point of his character; it’s completely stemmed from his fatal flaw. 

By addressing himself, he would be accepting change, something that terrifies him; something he stubbornly resists until he is absolutely forced to confront it. Contrary to popular belief, Tommy knows when he makes mistakes, but he pretends to be ignorant as to avoid facing reality. He digs his head in the sand despite knowing better, puppeteering the person he used to be during happier times, now gone.

In spite of his infrequent growth, the idea that Tommy still hasn’t learned anything isn’t quite correct either. Tommy, as of the last three plot streams, has shown incredible character development. By giving up his discs again, he had finally demonstrated that Tubbo is more important to him than his possessions. Speaking as a makeshift leader, he put aside his issues with others to rally them together against a common threat, something which Tommy had never been able to do before. He owned up to all of his mistakes openly, apologizing to everyone he’s ever hurt in one place. 

He apologized to Tubbo after they were reunited and came to terms with the fact that Tubbo was forced to exile him without choice, finally forgiving him. He was kind to Sapnap and learned how to be his friend after months of bitter rivalry. And these are only a few examples. This isn’t to say Tommy has overcome/fixed everything because he clearly hasn’t. There are still major things Tommy needs to work through that remain unaddressed, the biggest being his complicated relationship with Technoblade.

“Tommy only cares about himself. He does everything in his power to be the hero, always putting himself in the center of attention, especially during Doomsday.”

Tommy, since the start of the L’Manburg War for Independence, has never set out to be a hero. Not once. He may fall into the role of the protagonist, but his identity as a hero was pushed onto him by others. Giving up the discs was his only option during the Independence War. 

So when Wilbur called him a hero for it, Tommy said he didn’t feel like he was. During the November 16th War, Tommy again said he didn’t feel like a hero because he had lost what he thought was everything at the time. During exile, Tommy certainly knew he was no hero. And upon reuniting with Tubbo, he admitted to feeling like the farthest thing from it. That he’d hurt everyone and all he wanted to do now was fix it. 

The day before Doomsday, Tommy only took a leadership position because no one else was willing to, filling the role for Tubbo, who was crumbling under pressure. He had no choice but to try to bring everyone together, or fight alone. Most viewers never saw this during Doomsday, but before the battle, almost everyone who had vowed to fight alongside L’Manburg had abandoned them the very next day. They were convinced it was going to be destroyed either way, no matter what they did, so they chose not to see it through to the end; ultimately leaving Tommy and those who remained to fight a losing battle, alone. 

After about a third of the way through the battle, it became clear to everyone that they could do nothing to win. One by one, everyone stopped fighting and stood by to watch their country go up in smoke. Tommy was the only person on the battlefield who refused to stand down and give up. And so he took over the role as leader again, trying his best to keep them alive, to keep Tubbo hopeful; to keep fighting, no matter what. 

However, what most people don’t realize, is that this isn’t Tommy trying to be a hero or force himself into the spotlight. This is Tommy trying to convince himself to keep going. Because whenever things start to look hopeless, Tommy simply chooses to ignore them. He puts on a happy face and soldiers through it because that’s all he knows how to do. Tommy, at his core, is someone who wants peace through stagnation. He doesn’t want to fight, although causing the occasional friendly conflict is how he finds fun. He doesn’t set out to purposely hurt others. 

Tommy may come across as self-centered, but this is because he is an extremely extroverted character. He finds energy and joy in the attention of others, both good and bad. It’s why he’s always seeking the approval of others and, oftentimes, will destructively insert himself into another person’s life in order to find it. 

Out of every character in the story, Tommy is the most drawn to praise and positive reinforcement. He is constantly seeking out mentors and friends because Tommy needs someone else to help him feel confident in his own identity and abilities. It’s why Wilbur was such a positive influence on him. His boisterous confidence has always been a front because if anyone were to actually hurt him, he knows it will make his self-esteem crumble instantly. 

This is part of why Dream’s manipulation was so effective against him. By isolating him, he’s left without energy and looking to another person’s guidance. Tommy outwardly may seem independent and rude, but just under the skin, he’s unconfident and lost when he’s by himself. Tommy will only grow from this flaw when he finds his own identity and inner confidence; when he finally learns to be okay with being alone.

“Tommy goes to the festival solely to get his disc back and then tells Tubbo to give it away immediately after. That doesn’t make any sense.”

Before the screaming match between the two friends during the second L’Manburg Festival, Tommy had been in exile, manipulated by Dream for long enough to lose his will to carry on. It is because of him that Tommy’s reality becomes distorted, long after fleeing from his abuser. This mangling of ideals leads Tommy to subconsciously believe that L’Manburg and Tubbo are unsalvageable. 

Therefore, the only thing he has hopes of retrieving are his discs, which are easier to manage than the latter two things. And so Tommy does reprehensible things at the behest of Techno in a vain hope of getting them back, going so far as to kidnap and torture for them. This ultimately culminates in a confrontation between the ex-friends, quickly turning violent. It is in this violence that we see Tommy has sunk to his absolute lowest point in his journey. 

Swinging his axe, he nearly kills his friend as he delivers a string of words that cause the room to silence instantly. He says the discs were always worth more than his friend. Within the quiet of the room, Tommy is forced to reflect on everything he’s done. How he kidnapped and tortured Connor. How he accidentally drowned Fundy. How he traumatized Ranboo. 

And now he’s hurt Tubbo, the one person he has always sought to protect; someone he vowed to never hurt. This realization causes Tommy to break. He’s so ashamed of himself that he can’t look at anyone. Tommy knows now that he is worse than anyone he’s ever hated. 

With pain in his voice, he tries and fails to apologize to Tubbo in the moment. The only way he knows to redeem himself now is to prove to Tubbo, after everything, that he can still put the discs aside. And so he does.

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all the tips I found for drawing a fantasy map are like :) “here’s a strategy to draw the land masses! here’s how to plot islands!” :) and that’s wonderful and I love them all but ??? how? do y'all decide where to put cities/mountains/forests/towns I have my map and my land but I’m throwing darts to decide where the Main Citadel where the Action Takes Place is

i love when characters don't get to die

Being kind isn't actually about how much shit you can quietly take. You can be kind and still shut down people who attempt to use and manipulate you. Kindness is about treating others well whenever you can, not about how much you're willing to suffer for others. So don't confuse being kind with being a victim and a pushover. No one with your best interests at heart will claim that it's the same thing.

Story idea:

Two heroes are investigating each others civilian identities because they believe them to be a villain but they end up falling in love with each other the more suspicious evidence they get. The villain is a shared acquaintance that through the process of the story finds out both their secret identities and tries to get them together. They are suffering.

I need you to know the Cabbage Merchant thing is 98% canon

any atla headcanons to share?

My dude, I always have headcanons to share. Worth saying these are mostly post-show, and I haven’t read the comics or watched much of Korra so I assume there’s contradictory stuff here. So it goes.

Zuko loves kids, but he’s also petrified of them. Whenever he’s doing Fire Lord hosting things and there are kids present, he spends the whole time trying to figure out how to approach them without scaring them. Luckily, kids also love Zuko? Because he talks to them like they’re small adults (because all the children Zuko knew when he was a child literally were small adults) and they love that shit. Most events end with the Fire Lord surrounded by the kids, silently nodding and listening while they talk and talk and talk, because he’s worried if he says anything they’re gonna get scared and run off.

Sokka hates the Northern Water Tribe. Not the individual people, but the place/entity as a concept. He doesn’t realize it until later, probably after the war, but he does. He hates them. They closed themselves off from the world and decided they were okay with sacrificing the Southern Tribe for their own preservation. More than that, though, they bring up Yue every time they talk to him. It gets to the point where he will literally leave town if he hears there are dignitaries from the north around. Meanwhile, the Northern Tribe fuckin’ loves Sokka. He’s functionally a folk hero to them, and they spend a lot of time trying to get him to come back to the North Pole. As Sokka’s actively avoiding them, this has resulted in a globally scaled, very problematic game of hide-and-seek.

The north is less into Katara as a general rule. Even though Pakku came around on training women to fight with their bending, the rest of the tribe changes much more slowly. This gets better as time goes on, but the north tolerates Katara more than it embraces her due to her insistence they change their ways (yet another reason Sokka has decided he hates them). As a result, there’s a huge pilgrimage of lady benders who end up moving south. The waterbenders who rebuild the southern settlement are made up of at least 80% women. All southern waterbenders are taught to fight and heal in equal measure, regardless of gender.

As a younger man, Piandao was atla’s Batman. The White Lotus found him because he was vigilanteing it up all over the world before settling down in his mansion to systematically adopt a bunch of young fighters with confidence problems and authority issues.

The cabbage man was a Fire Nation spy. No, I will not be taking questions on this, thanks.

As part of building inter-nation unity, Zuko encourages the Ember Island Players to perform work from the Earth Kingdom or Water Tribe. This ends with Toph bankrolling a play about her life. Yes, the same actor from the episode plays her. Yes, she publicly endorses the myth that she sees through echo-location. Yes, she’s in the front row every night.

Roku and Sozin were literally the gayest. This isn’t even a headcanon. This is just, like, a fact. But. While Aang knows Zuko knows that Aang is technically his grandfather, Aang doesn’t know if Zuko knows that Aang is technically his grandfather who was in an open relationship with Zuko’s grandmother and Zuko's other grandfather and other grandmother. Aang can’t stop thinking about how to find out if Zuko knows. It haunts him. He wakes in the night and tries to figure out a way to ask Zuko or tell him without making it weird but there’s! not! any! way! to! casually! bring! that! up!