Actual Intense Analysis Of The Situation Aside, I Love That Steven Has Only Ever Professed To Truly Hate

Real ones know how it feels to lose good post before u could reblog it

honestly? that one David Tennant Richard II Kiss™ is my favourite acted kiss in history

look how ridiculously tender and how achingly desperate it is. so gentle, so kind, and yet so selfish at the same time. i've never seen anything quite so human

just. just look at these

there's something so genuine and chaste about this kiss, while also being gorgeously passionate and heated and...... it's just perfect

Preacher trying to discourage students from having premarital sex

Me: You know how when you were a kid and you’d wish that you’d get sick or injured in a way that would justify why you didn’t live up to your potential?

Everybody, apparently: No?

5 Things Literary Magazines Look for in Short Stories

Submitting your work for publication in a literary magazine can be nerve-wracking. They outline what they’re looking for when they open for submissions, but it can seem pretty vague.

Here are a few things they generally look for when searching for the next stories they’ll publish.

1. A Story That Sticks With Their Submission Requirements

Literary magazines plan their editions at least a month in advance, if not more. They may create new editions based on a theme, a seasonal motif, or another connecting idea that pulls every story and visual design together.

Always check the submissions page for their requirements. If a magazine wants to create a spooky edition for October but you submit a heartwarming historical fantasy story that has no spooky elements, you won’t get selected.

Requirements also include essential details like page length, word count, and formatting instructions. The editorial teams know how much time they have to read submissions and how much space they have for selected stories in their upcoming edition. Following these requirements makes you much more likely to get selected.

2. A New Perspective

People don’t buy literary magazines to read the same stories over and over again. They’re looking for new perspectives and points of views in stories that have fresh ideas. The editorial team also doesn’t want to read the same types of stories every time they open for submissions.

You can bring a new perspective or twist on their required themes or story details by thinking outside the box to connect with your readers while bringing something fresh to the table.

3. Vivid Characters

It’s almost impossible to enjoy a story when the characters don’t feel real. You can avoid that by creating character profiles or outlines for your cast. Imagine their backstories or write scenes from the most important moments of their life.

Also, consider what they want from your story’s plot. What’s their goal? What will they learn? Vivid characters are dynamic, so they should grow into a different (possibly better, but not always) version of themselves by your story’s resolution.

It’s also helpful to use free online tools to create characters. I have a huge list on this blog post for generating their faces, mapping their world, and inventing other details so they feel like real people to you and your readers.

4. A Meaningful Purpose

You might write a story just to get published, but that might lead to a story that lacks meaning. Published short stories have some kind of meaningful purpose to make them matter to the editorial team and readers.

Your readers might learn a life lesson from your work or process some shared human emotion or experience through your characters. It’s helpful to consider a theme for your story before writing it so it always has a clear purpose.

5. Unexpected Plot Elements

Readers want to be entertained. Entertaining stories sell magazines. Remember to add a few unexpected plot elements or twists as you’re writing a story with the intent to publish it.

I have a few ideas in this blog post that might inspire you, but you can also create plot twists by shifting your perspective.

If a story has a character who stops to talk to someone in a crosswalk, your readers will likely assume they’re about to get hit by a car or pushed into traffic if the scene has rising tension. Counter their expectations by asking yourself, what’s the opposite of what they’re expecting? Your character might face an oncoming car with a distracted driver by lifting it over everyone as it’s about to crash into pedestrians. Maybe they learn how to fly or lie flat on the road as the car passes over them.

Purposefully thinking about what your readers will expect and choosing to do the opposite is a great way to add unexpected plot elements that also pique the interest of editorial teams.

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It’s also important to remember that you’re likely submitting a story alongside hundreds if not a thousand other writers. It depends on how popular or well-known the literary magazine is.

You can write a great story and still not get published because a big part of that experience is getting lucky. You have to hope the right editor who will appreciate your narrative style and story choices will be the one to open your submission.

Sometimes writers take years to get published. Give yourself some grace as you send your work off. Whether or not your stories get accepted, you’re still learning from the process and developing your writing skills. Eventually, your work will shine in the place it’s meant to be.

My moots being my first notes r so cute <3 can always count on u guys

how do you make a couple fight without completely cementing the relationship as toxic? what do 'healthy' couples even fight about???

as someone with zero experience regarding arguing with someone whom i didn't immediately cut off afterward because of how it was handled, i've struggled with writing this concept forever 😭

send help pls :')

Every couple fights. Fights and disagreements are a part of a relationship just as much harmony and agreement. It's highly unlikely that there is a person with whom you always agree on every aspect. So, sooner or later you'll reach a point of disagreement and that can be about anything really.

A lot of couple fights are about the most trite things. Who does the dishes? Why doesn't the other want to do me that favour? No, I never said that. You must remember it wrong.

We are the most honest and blunt but also the most vulnerable with the people closest to us. That makes siblings fight a lot and it often makes couples fight more than good friends. Paired with love, these fights don't have to make a relationship toxic. Partners fight about whose turn it is to do the dishes. One ends up having to do it, and the other thanks them for it, promising to do it the next time. I think what is important when writing a 'healthy' fight is to show that even when they fight they still care a lot about the other. If it's a bigger fight, they're thinking about the other a lot afterwards. They feel bad about it afterwards, they're thinking about how the other feels now, they don't like making the other feel bad, they're crushed to find out that they're causing the other's misery. Their heart can't be at peace until they've apologised and made up.

Another sign of a healthy relationship is that minor fights aren't a rarity but are handled well. They can fight about the TV remote and it's not giving their relationship a crack or making them doubt their partner's love. Communication that is well-balanced between two partners and supports a symmetrical relationship doesn't exclude arguments but makes them a means to a functioning life together.

I made a few prompt lists about couples fighting and they are all meant to apply to healthy relationships. Here is an excerpt from a prompt list about minor fights to give you an example.

1. A: "I wanted this cookie!" B: "But there is another one." A: "That's not the one I want." 2. A: "Stop looking at me so weird!" B: "That's just how I look!" 3. A: "That's nonsense! I didn't hug you less than usual!" B: "Yes, you did! Don't try to trick me! I know exactly how long you're hugging me usually and this hug wasn't the same. So I don't approve of it as a real hug. Again!" 4. A: "Get me the remote, please." B: "Why don't you get it?" A: "I asked you a favour!" 5. A: "But it's my turn!" B: "No, it was your turn last time!" A: "That's not true! I remember it clearly!" the full prompt list: ~ FIGHTING OVER SILLY STUFF ~ OTP PROMPTS

other prompt lists about a couple arguing:

~ ARGUING LIKE AN OLD MARRIED COUPLE ~ DIALOGUE PROMPTS

~ FIGHTS OVER A GIFT ~ DIALOGUE PROMPTS

~ JEALOUSY, JEALOUSY ~ PROMPTS (this could turn toxic but you can use most of these for healthy couples)

I hope this helps you. I realised I just rambled a lot; hopefully, it makes sense :)

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new mixed drink! i call it The Sludge