Let’s Go

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A message from Sans✨

I always wanted to do this kind of thing... I hope it works properly (⁠•⁠ ⁠▽⁠ ⁠•⁠;⁠)

The lighthearted brother.

I saw the design of this shirt on Twitter and decided to draw Sans on it!! 💙

Here's the original photo of the shirt:

Hey so completely unplanned but if u send a trick or treat, maybe a costume? And request a character, I'll write out a Lil bitty bit of them giving u a treat! Going for the rest of the night until I pass out 9r forget lol

Hello, Angel! I come bearing a gift in the name of the Sansnation!

UNDERTALE UTAU - YouTube

Thank you! ✨

I'm sorry, I had to...

(First time participating in this, btw)

a skeleton walks into a bar.

"ouch."

hiya! i'm attempting to start a comic.. thingy from a series of doodles i did in my sketchbook. I wanted to ask for some advice. More specifically; how do you decide how you want the comic panels to be layed out without initially drawing the scenes themselves? I've made comics before but admittedly the layout was never any good compared to what i've seen others do

The Skeleton Games

Poetax’s Process for Making Comics

I’ve been asked how I make my comics for a while now, and while I still think I need a lot more experience before I really know what I’m doi

I've answered this question a lot so here's my guide that shows a lot of my process. I don't do thumbnails like a lot of people suggest, because they don't work for me. Instead, I read my script and try and visualize the entirety of the page. Page comics usually use one page to represent a whole idea. I try and fit 4-6 panels per page and split my script into blocks of ideas that fit into something like that. Ask yourself, what is this page getting at? Is it introducing a new scene? How do I use imagery to set mood in this new scene? Are the characters talking about a specific point, is a new plot idea being revealed? How much drama should be on the page for these ideas?

Sketch out your images on a different layer than the panels so that you can easily move them around. Sometimes I quickly add some circles for where the heads and bodies will be. This way I can see if the layout is working from panel to panel, particularly for difficult to draw scenes so I don't have to put effort into something that isn't working. I often move the panels around or redraw them after reading through the pages. Expect to do that and throw out hours of work. Also work in your text bubbles and make sure not to draw so big there isn't room for text. Text is part of the page and should lead the viewers eyes through the panels and drawings as you read them. Use it as a tool.

Do not get too wordy with text. Break it up into more panels if it is getting long. Nobody want's to read a word wall. Nobody! Make sure your panels naturally read in order. If the reader gets confused about panel order, it will bring them out of the story. Use strong angles for drama, and flat easy to read angles for jokes. Paneling is something you have to try out for a while to really get the hang of it. I'd suggest reading manga that you like and really combing through the pages to see how they do things. Read to learn, not for fun, and break down those pages. If you liked an action scene, ask how they posed the characters in the panels to create the action? If it's just characters talking, but you feel enthralled, ask yourself how they used the panels to make it interesting. And jokes! Those are so much harder than you think. I always suggest learning how to write and compose your own jokes. So many artists are just out there blandly copying meme formats they've found floating around. That doesn't teach you anything. It's just copying. Learn how to write your own jokes and use panel timing to get that punchline out. When you read them, ask yourself why they are working? What panels they are using, and are they effective?

That's about all I got. I still feel like I have a lot to learn about panels, but hopefully that will give you some ideas.

Some of my favorite Sanses hehe ^^