Happy Transgender Day of Visibility! I wrote a comic to help people understand what gender dysphoria feels like. Hope it's useful :)
I’ve seen this new trend of girls posting videos like “I hate my boyfriend for bringing all of his stupid boy things into our apartment when we moved in together 🙄” and then pictures of his hot wheels collection or a Halloween skeleton or an extremely cool pirate flag. Give him to me you do not deserve him.
Throwback to all these Jesus comics I drew in 2012…
The Nib ( @thenib ) is doing a whole month of queer comics and I was honored to contribute this one! You can read all of the other comics I’ve done for them here, and here is my comic from last year’s Pride Month. You can find more of my comics, including my Genderqueer series, on instagram and you can support me on patreon or on ko-fi if you’d like to help me keep making this work :)
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Created by TumblrTop10
a lesson on nonbinary individuals and why we feel the way we do about numerous basic things, such as the mere fact of our existence and our pronouns.
Happy Trans Day of Visibility 2021! This year, we celebrate Trans Week of Action and work against dangerous transphobic legislation progressing all over the U.S.
Resin Keycaps and Wrist Rests
Holdener Shop on Etsy
my English prof teaching abt cover letters today and me trying not to bring up the luke skywalker cover letter post:
I’d like to thank my friend Avistew Teague for translating this!
Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.
When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born.
Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards.