“You Have To Get To A Point Where Your Mood Doesn’t Shift Based On The Insignificant Actions Of Someone

every gojo fucker is a potential geto fucker. every nanami fucker is a potential choso fucker and every toji fucker is a potential sukuna fucker

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

“fuck you, my child is fine-”

Ma'am, your child is a writer

Forget characters who would die for their loves ones, I need characters who would live for their loves ones. Characters who are so deep in shit mentally yet they try to be better for them, can't look good but tries for them, yearns death now chases it away from them and think 'maybe life is worth living because of them'.

Characters who once couldn't even get out of bed, claws their way out of the brink of death just to live another day and see their loved ones. They think living is a pain in the ass but just the scent of their loved ones make it worth it.

To go on and try to live. A kind of love that sparks life. To say 'I live for you'

"I won't leave you in the dark" and "I'll find my way to light. To you."

That's insane

i hate when ppl act like the only reason to not like a "sad" ending is because you can't take it or whatever. personally as a tragedy enjoyer, i hate a poorly written ending. i hate an ending that is just kind of a bummer. i hate an ending that feels mean-spirited to the audience. i hate an ending that's redundant. i love a sad ending that is thematically consistent, poignant, and bespoke to the rest of its narrative.

You are still in my notifs

Good.

I wouldn't wanna be anywhere else.

Gonna start referring to all my past traumatic experiences as "lore"

what do you mean i can’t read every book, study every academic subject, taste every food, live in every city in every country, visit every museum, listen to every single song ever produced, learn every language, meet every interesting person, memorize every particle of knowledge to ever exist ???

“I have a deeply hidden and inarticulate desire for something beyond the daily life.”

— Virginia Woolf

anyone else a little peeved that toasters rely so much on jumpscares but are otherwise not very scary