Hello-apes-of-the-world - Hi

holy fuck universal gaslight god is terrifying but the fact the press secretary is so scary is so good, and the best part he might not even realize it

like i’m 50/50 does he know what he’s doing or is Shrews whole area actually just way more fucked up than inner Glottage and those threats don’t really exist in Glottage

masks and helmets that hides someone's face in such a way that they become the face themselves my beloved

these are all creatures to me

Someone should make a where’s Waldo Tony Hawk edition since his life is already basically where’s Waldo

The Deities of Human Thought

ok so @lewd-plants doesnt have a submission box and this was way too long to send in an ask, but i got inspired and created a full pantheon of what im calling “Human Thought” deities. I didn’t make the names based on US government agencies b/c i didnt want to look them all up lol. O’sha and Epa became either regional names for major pantheon members or minor deities. I kept all the descriptions short because jeez there’s a lot. Feel free to expand them, or add more members to the pantheon!! JUST LET ME KNOW I WANNA SEE THEM TOO!!!!!

First, there was Rogess (Progress). She is the spirit of humanities need to move forward, and she was created with the first idea. She is accompanied by two birds, the Raven Bacloo (Looks Back) and the Owl Inven (Invention) given to her by her mother Nesec (Necessity), in order to help her with her duties.  The Raven is eager and cunning, and looks forward create a better future. The Owl is cautious and wise, and seeks to understand the lesson of the past to avoid their mistakes. The Owl and the Raven are both extensions of Rogess, and Rogess’s children are, in turn, extensions of them.

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I’m just saying this could’ve worked great in The Clone Wars since it did have that balance of kid show and showing pain of civilians in war.

Like I’m thinking specifically something like the Ryleth or Ondelon with War in Teo fronts where we see the civilians and can understand where they’re coming from while also having it be fucked up to stab this would be redemption in the back

Basically, we need a new clone wars aka a kids show that actually is able to get away with exploring things like this

There are, like, a lot of very good reasons this couldn’t be done in an animated children’s show, but a plot beat I’ve always wanted to see in an animated show is that you’ve got, like, the typical animated show set-up, plucky and idealistic rebels against a massive and nebulous evil allegorical empire, you’ve got all the archetypical characters who show up in shows like that, you’ve got obvious implications atrocities are being committed by the bad guys but you never hone in on it beyond the general signifiers like burning buildings in the background. (yes I am thinking about She-Ra here.)

You’ve got your peridot type or your Scorpia type or potentially your zuko-type. The clearly-antagonistic-but-obviously-engineered-to-be-likeable-enough-to-get-a-redemption-arc type of character. You have them slowly go through the motions of realizing the empire is bad,  or realizing the power of friendship, or having a moment of connection with the protagonists and realizing that they aren’t Thriving ™ under the oppressive system.

 So they do what these sorts of characters usually do and defect to the protagonists side, and the protagonists chalk up another win for team principle and compassion, and they accept the defector with open, if cautious, arms…

And then a supporting character pulls out a gun and shoots the would-be redemptee in the head, because their entire family was in one of the buildings that the redemptee set on fire in the background during a previous one-off episode. 

And, to be clear, this wouldn’t just be a mean gag or a one-off commentary on audience sympathies or out-of-universe discourse on redemption arcs. Episodes going forward would deal with the fallout of such a nakedly ruthless act of retaliation.

 It’s now next to impossible to deal with would-be defectors in good faith anymore because it’s been proven the heroes can’t stop acts of vengeance in their own homes, its not clear who among the heroes is even extending the olive branch in good faith to begin with or if it was always a trap. If things ever turn in the heroes favor, Bad guys are now escalating the stakes and fighting to the last man, because they know they aren’t gonna be forgiven if the nicest person in their ranks couldn’t be forgiven. There’s internal political tension about what to do with the assassin (nothing, they need the manpower) and how to go about disavowing the action when half the group doesn’t even want to disavow it- the redemptee might have been nice, but they also burned buildings full of innocent people, a lot of people are just glad they weren’t the ones who had to pull the trigger. Friendships end over this.

A lot of narratives about forgiveness in these kinds of shows are more about how it’s interpersonally healthy and beneficial to forgive and let people grow. I want to see a narrative about how that’s also, like, politically the only path forward if you don’t want to lock your society into an Orestian blood bath, which I have always found to be a much more compelling argument against revenge in general, just as, like, a rule utilitarianism thing. I want a bittersweet ending that’s essentially tracible back to that cathartic, unretractable decision to kill that one likable flunky.

Of course, it would be very difficult to set this up without telegraphing that this is the kind of show that does That Kind Of Thing, and the actual killing can’t really happen until season two at the earliest, so I’m having a hard time figuring out a way to execute this where it would maintain its punch.

post was probably by @lakesbian they do like all the Alec character analysis’

I'm fricken stupid as hell having these kinds of revelations days after the fact, but I read a character analysis on Alec that tapped into the reason his power is the way it is; that it takes 15 min to an hour to act, can only control a max of 4 at a time and that his nerve map memory imprint thing or whatever that lets him resume control instantly is basically permanent, and how all of that was because he's the kind of Master who only needs a small group to stand up for him and protect him (the other members of his family/HB's cult) vs someone like Taylor's Master power where she needed minions that could be found everywhere, which could watch everything and attack from every direction. Alec needing members of his family to physically act in his defense (rather than feel emotions for him or have his mind take over theirs) but getting an ability to force them to do so. <- All of this covered by the post, just bringing it up to give context to my thought;

DOESN'T THIS RECONTEXTUALIZE AISHA WILLINGLY GIVING HERSELF OVER TO HIM?!

All his minions during his warlord arc are probably paid for, or weren't aware that being around him 24/7 meant he could hijack their nerves.

But here comes Aisha and she's like "I want you to take over my body." and I was initially thinking ooh it's just a parahuman version of sexual experimentation, teenagers do that, I get it, I won't pretend it doesn't happen but DOESNT THIS MEAN SHE BASICALLY ASKED HIM TO GIVE HER HIS TRUST? Like, all he needed to not trigger was probably someone in his family or the tight knit cult standing up to Heartbreaker (not going to happen) but still? And Aisha is coming along and saying "I'm that someone. I trust you. You can trust me. You're not your father, you won't abuse this, I'm giving you consent under the jokey teenager, not serious guise of fooling around with you wearing my skin."

Maybe that plays into why Aisha goes after Heartbreaker, why she adopts the Heartbroken and why she makes that her mission. To continue his legacy after his death, to be the kind of person the Heartbroken needed the way Alec needed someone. She does kinda do that with Taylor too, fucking up Nero later on, though beyond those two examples I kinda struggle to nail down where she's continued a loved one's legacy. Oh, except maybe where she helps Taylor in Brian's place during GM. That could work too.

I'm still figuring out how to Tumblr but if I find that post again I'll link it here in the replies.

Rose is piteous she’s just confident enough and an asshole enough so you don’t realize

one thing wildbow wont tell you about blake and rose is theyre the same height shes not even shorter than him. she is also six feet and rectangular and could punch someone hard enough to severely disorientate them. and both of their hair is like 16 inches long. the only difference is rose doesn't put it in a french braid and also she has tits and also she's not as piteous.