also because when a prey animal raised by predator animals becomes, through a twist of fate, a true predator animal that outclasses even the predator animals that raised them. what happens to the rage?
maggie has a lot of predator animal fear in her childhood, being raised by lions (seeing the acts they commit in exacting detail to survive and even collaborating and helping and committing those acts as well, and knowing if this is what they can do, at their scale, what happens if one of them hurts another, or worse, adopts the presence of a larger predator like the gods and the fear that one day they will run out of resources and be forced to turn on each other because there is scarcity in all times) but as she gets older it really does turn more into prey animal rage (because she never was a lion in the first place. she was a fox, at best. a hare, most likely. designed to run and be cunning and out think her circumstances and hating hating hating her circumstances that were constructed long before she was born, the murderous rage and desperation to never again be in that trap of an island, literally or metaphorically) and i think that's neat :)
i will look at u with my big doe eyes … and u will pay for my iced coffee
(and close-ups under the cut)
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saying “i know baby” while she’s having an orgasm
Zendaya for ON – Dream On campaign
imagine this aou scene but with no need for hand motions. just a look, a glance, maybe the sensation of something crawling up the back of one's neck, and then plunged into part memory, part hallucination. that's maggie's primary powers. she seeks to create an emotion and lets the subconscious fill in what would evoke it - from memories and cultural information. she has her limits, of course, but the more she grows into her power, the less physicality she needs to wield such a gift 💁🏽♀️
maggie had some thoughts about how to spend this sunday, let's just say that
maggie has a lot of predator animal fear in her childhood, being raised by lions (seeing the acts they commit in exacting detail to survive and even collaborating and helping and committing those acts as well, and knowing if this is what they can do, at their scale, what happens if one of them hurts another, or worse, adopts the presence of a larger predator like the gods and the fear that one day they will run out of resources and be forced to turn on each other because there is scarcity in all times) but as she gets older it really does turn more into prey animal rage (because she never was a lion in the first place. she was a fox, at best. a hare, most likely. designed to run and be cunning and out think her circumstances and hating hating hating her circumstances that were constructed long before she was born, the murderous rage and desperation to never again be in that trap of an island, literally or metaphorically) and i think that's neat :)
𝐅𝐋𝐎𝐖𝐄𝐑-𝐁𝐀𝐒𝐄𝐃 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 … ( 𝐭𝐡𝐞 𝐥𝐚𝐧𝐠𝐮𝐚𝐠𝐞 𝐨𝐟 𝐟𝐥𝐨𝐰𝐞𝐫𝐬 ) set the scene with these modern & evocative prompts inspired by florals & their hidden meanings. themes: city living, devotion, sacrifice, healing & protection.
⁽ * ⁾ 𝐅𝐋𝐎𝐖𝐄𝐑𝐒 𝐒𝐏𝐄𝐀𝐊 → sentence starters
“I will always find you, no matter how lost you feel.”
“Let me take your pain—if I could bear it for you, I would.”
“You don’t have to stand alone—I’ll always be here to catch you.”
“Your scars do not make you less worthy of love.”
“Rest now. I’ll be here when you wake.”
“I will stand between you and the storm.”
“Tell me your story—I want to know every part of you.”
“Run. I’ll hold them back.”
“Let me hold you until the nightmares fade.”
"If they want you, they’ll have to go through me first.”
“I will always be your light, even in the darkest moments.”
“Come back to me. I’ll wait as long as it takes.”
“I won’t let them take you—I’d give anything to keep you safe.”
⁽ * ⁾ 𝐅𝐋𝐎𝐖𝐄𝐑𝐒 𝐒𝐄𝐄 → scene prompts
LAVENDER → A small, cozy apartment in the heart of a busy city.
CHERRY BLOSSOM → A rooftop bar with twinkling fairy lights.
RED ROSE → A luxury penthouse suite.
SUNFLOWER → A sunflower farm just outside of town.
RUE → A quiet, almost abandoned street in the heart of the city.
FORGET-ME-NOT → A run-down but charming vintage record store tucked between newer shops
BLACK VELVET PETUNIA → A chic, underground jazz club in a city’s artsy district.
MARIGOLD → A farmers’ market on a busy weekend morning.
MOONFLOWER → A secluded, trendy rooftop lounge overlooking a sprawling cityscape at night.
POPPY → An abandoned warehouse on the outskirts of town.
MANDRAKE → A small, independent cafe nestled on a quiet street.
LILY → A serene, minimalist art gallery with bright white walls.
CARNATION → A high-end florist shop with glass vases of colorful blooms.
PEONY → A luxury spa retreat by the beach.
ORCHID → A rooftop garden in a sleek modern building.
DAFFODIL → A trendy brunch spot by the lake.
TULIP → A chic urban loft filled with large windows and tulip arrangements.
CAMELLIA → A sleek art deco hotel lobby.
JASMINE → A night-lit garden terrace attached to a modern apartment.
SNAPDRAGON → A secret garden tucked behind an old café in the city.
LOTUS → A chic yoga studio with floor-to-ceiling windows overlooking a busy street.
AZALEA → A late-night food truck park.
assorted bits and bobs of maggie's ✨ star wars verse ✨ :
her father was a human smuggler; her mother was a human force sensitive princess from an aquatic planet, left to her own devices on a "peaceful" moon orbiting her home planet (it was a prison and her mother was the one in charge of it, loosely, while also being locked there herself)
their affair was quick and messy, her father only periodically stopping through on his ways to and from various far more exciting places
her mother was never trained by the jedi or sith, instead self-training in her own blend of light and dark sides, though her favored method of punishment for political prisoners isolated on her moon influenced her further towards the dark side
maggie, for better or for worse, was also force sensitive, and learned of the force through her mother's teachings, though she was far more inclined to embrace the full spectrum of attitudes through the force than her mother
by the time the conflict between the separatists and republic grew to full blown war, maggie had left the moon she'd been raised on and instead found herself in a much bigger pond
her dabbling in the darker side of the force marked her with her mother's iconic yellow eyes (though her sclera remained white) which she covered with a mask and visor, fashioned in a parallel fashion to the clones helmets
her preferred weapons are distance, information, and the force itself, though she is quite lethal with a blade (she loves her vibroknife) and though she doesn't have a lightsaber of her own, if she were to come into possession, bond with, and wield one, it would turn white over time
in all of her different eras, she struggles to balance her place in the force, especially when she sees how others with this ability are using it. neither the jedi nor the sith look particularly appealing, so she hides herself (as best she can) from both.
in the clone wars, she focused on familiarizing herself with her father's handiwork from a distance, using his networks to establish her own, interconnected and interwoven with the smuggling rings throughout the galaxies. an independent entity, she made her coin through racing, pleasure, and information smuggling (20-23 yrs)
in the age of the empire/post-order 66, she stepped as far out of empire control as possible, without allying herself with the rebel forces outright, though assisting them in exchange for temporary protection when the empire upped the hunt for force sensitive adults who escaped the previous purges/collections (23-47 yrs)
in the age of the new republic, maggie has leaned hard into replicating her father's smuggling of goods and information, seeking her own power and security in the vacuum left behind, as tales of force sensitive users become stories of a distant past (separate timeline OR 47+ yrs, depending on vibes)