@lgbtqcreators creator challenge — archetypes (insp)
Rook stumbles upon a hidden bookshelf in the Lighthouse.
Rook: *running their fingers across the book spines* What’s this? Your evil plan repository?
Solas: Unimportant.
Rook: Oddly reticent. Let’s have a read.
Solas: NO!
Rook: Oh, that just makes me want to read it more.
Rook pulls a random book out and flips to a random page. The smile on their face drops. Their brow furrows.
Rook: Solas, literally the first sentence I read was: “My mouth descended upon her yearning flower.”
Solas: *coughs awkwardly and looks away*
Rook: Solas…Solas, is this your porn stash?
Solas: Erotica.
Rook: Nuance, listen—wait, this is your hand writing. D-did…did you write this?
Solas: …
Rook: *grabs another random book* You’re hand writing again. “Her masterful mouth and tongue worked my-“
Solas: You don’t have to read it out loud.
Several hours later…
Rook: * throwing books all over the place* It’s all fucking lewd’s!!! You wrote all this smut!
Solas: A mere thought experiment put to paper.
Rook: This is not a thought experiment, this is a horny dissertation! All about you and this Lavellan lady. Andraste’s Tits! Are you trying to get a PhD in Down Bad?!
Solas: Can we stop talking now?
Rook: Did you get this peer reviewed by Desire Demon’s or something? This shit’s smutty. I thought Varric was bad.
Sometime…
Lavellan: My name is Lavellan.
Rook, mouth agape, turns to the projection of Solas.
Solas: Not. A. Word.
Rook: *shaking Lavellan’s hand* Hi. I’ve read all about you.
A tear in the Fade appears. Solas reaches out and begins to strangle Rook.
I like to write Solas and Lavellan as equally unhinged.
(Some silly headcanons about Mortalitasi and Nevarran traditions that ended up leading me to Emmrich. How typical.)
We don't actually know all that much about Nevarra and their customs. World of Thedas and some of the in-game codex tells us some key points: strong royal families, a rich history of dragon hunting, an elite group of mages rumored to be heavily involved in makings of the country, and, of course, the thing that this country is most famous for - the fascination with the dead.
Our very own Nevarran companion mentions a couple of things about her home country:
And even though she doesn't seem fond of Mortalitasi practices or Nevarran customs surrounding the dead, she admits that some stories that pervade the South are greatly exaggerated:
(I feel so called out)
This makes me think that this interest in the dead is still a personal choice. I doubt that an average Nevarran is obsessed with those rituals any more than an average person from Ferelden is with theirs - those are just a part of their traditions that obviously affect their lives in unique ways, but that is all.
Now, Nevarran nobility are a different matter. They are said to start the construction of their tombs very early in life - lavishly decorated palaces with gardens, ballrooms and bathhouses. A sign of power and wealth for them, and that I can believe.
But when it comes to Mortalitasi, do they, in general, care as much? Do they take all these things, all these rituals, to extreme somehow, professional pride and all?
How much would a Mortalitasi care about their own tomb? Would Mortalitasi friends and colleagues ever promise to lead the other's ceremony depending on who dies first? "Oh, I'll totally mummify you if you're the one to go first, don't you worry, I know you think that Markus is getting sloppy".
The coffin sharing is also not unheard of (the spouses from The Flame Eternal), and I wonder if it's ever used as a grand gesture - to ask someone to be placed in the same tomb?
(And just imagine how messy this could get, the way people are. Building a tomb together only to have a falling out, what are you even supposed to do after that?)
Would it be romantic then, to tell your significant other that you don't want to ever part from them, even in death?
Beacause imagine Emmrich writing a quick letter to his friend from the Mourn Watch (Johanna, if they are still friends after all these years, or Myrna), "doing fine, on a saving the world business trip, will be back when I can; could I trouble you with a favor - a bigger coffin, installed in my tomb, not urgent, just whenever you have the time."
When the reply comes and his friend is (obviously) asking for a reason for such a sudden change, he just looks at Rook from the corner of his eye and replies with "no particular reason, just felt like it."
HOUSE BLACKWOOD :: THE DANCE OF DRAGONS ( insp )
The Blackwoods are an ancient house descended from the First Men who ruled the Wolfswood in the North before being driven south by the Kings of Winter from House Stark. House Blackwood is home to many greenseers, skinchangers, and woodswitches, with origins believed to date back to the Warg King and his alliance with the Children of the Forest.
Lord Samwell Blackwood became the Lord of Raventree Hall after the death of his father at the hands of Ser Jonnel Bracken. He avenged his father's death in the Year of the Red Spring, igniting the conflict between both houses once more. He was a shrewd and honorable man who refused to stand by when it came to injustice and was believed to have more north than Riverlands in him. A cunning military strategist, he was the mind behind the Battle of the Burning Mill, which saw the first blood drawn in the Dance. Lady Jocelyn Blackwood nee Stark is the only daughter of Bennard Stark of Winterfell and his second wife Lady Alyssa Strong of Harrenhal. She was sent to ward with her grandfather where she was courted by Samwell Blackwood. She is known as the Witch Wolf, a moniker mocking her relationship with her cousin, Alys Rivers. She was often in contact with her cousin and half-brothers in Winterfell, and convinced them to send men on behalf of Queen Rhaenyra. Cassana Blackwood is the eldest child and daughter of Lord and Lady Blackwood. An unusual and lonely child, her mother sent her to ward in King's Landing with House Strong, where she became fast friends with Jacaerys Velaryon and Daeron Targaryen. She was called home after the Bracken-Blackwood feud ignited again and was staying at Harrenhal when the fire broke out. Miraculously, she survived. She later studied healing and medicine under her mother and the Maester of Raventree Hall. Benjicot Blackwood is the eldest son and second child of Lord and Lady Blackwood. He spent the first three years of his life abed with a sickness none could cure. His lady mother prayed to the Old Gods at the dead weirwood every night for his health as the ravens gathered. When it did, he was left with a large splotch of red on his back and up towards his neck. Some say he fought with an insatiable bloodlust--a touch of the Old Gods within him--and gave him the name "Bloody Ben." Lady Alysanne Blackwood was known as "Black Aly" and is the younger sister of Samwell and Willem Blackwood. As fierce as any man, she was fearless and bawdy and the best archer aside from her bastard half-brother Robb Rivers. She was rumored to be fond of Lady Sabitha Frey, but married Cregan Stark by the end of the Dance. Alysanne was said to have a mind as sharp as her tongue, and often made political decisions for the House when her kin could not. She is credited with the temporary ending of the Bracken-Blackwood feud by marrying her nephew Benjicot to the Lady Catelyn Bracken. Ser Willem Blackwood is the younger brother of Samwell Blackwood and is the only member of House Blackwood in recent memory to follow the Faith of the Seven. He has often been quoted as the Black Sheep of the family due to his preference for his mother's Andal traditions. Later in life, he became known for eschewing honor in order to achieve victory, although this is widely believed to be slander as it came from Amos Bracken. He attempted to win the hand of Princess Rhaenyra and slew Jerrel Bracken, Ser Jonnel's eldest son, in a duel for her hand. Robb Rivers is the elder half-brother of Samwell, Alysanne, and Willem and the uncle of Cassana and Benjicot. He was known as "the Bowman of Raventree" due to his skill with a weirwood bow and "Red Robb Rivers" due to his bright red hair, which contrasted against his sibling's black locks. In contrast to the Blackwood sigil, Robb bore a white tree on a red escutcheon blazoned with a flock of white ravens on black. His mother was believed to be a stable hand at Raventree, although this has never been confirmed.
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I see halla-coded Lavellans and wolf/predator-coded Lavellans everywhere — and I love them! I love all of you!
Today I wanna talk about shepherd-coded Lavellan. The one who wanders, guarding her flock. Because she has so many people she loves, and who love her in return, but they don't understand. Not the way she does, seeing what she has seen. Looking the Dread Wolf in his eyes, watching him turn away, every line of his form cusping on turning back, coming back, coming back.
They are her flock, and so she must tend to them. Not because the shepherd is worth more than the sheep, but because their roles are different. Without them, she would not be herself.
But no shepherd is a shepherd without the wolf, either. The shepherd may guard her flock, but that is not where her eye must remain more often than not.
Always, the shepherd must watch the shadowed treeline. Always, she must await the wolf. It is her purpose: to be of use to her sheep, she must turn away from them, again and again and again, to watch for the monstrous. To warn them away.
To convince the fanged beast, whether with word or weapon, not to attack.
To be the shepherd is to be the in-between, as inextricable from the flock as from the wolf. And, if she does her job well, the sheep will never understand why she watches for threats that never seem to befall them.
But the wolf—the wolf will always know.