Latest Posts by jimmorrison-blues - Page 3

Bobby Klein: "Jim was irreverent and mischievous. One time we were shooting outside and he suddenly disappeared. He came back with this cheeky smile and I took his picture. Only later, when I got the photos developed, did I realise what he had been doing: he’d hidden behind a tree, got himself aroused and, through his trousers, was pointing his erection right at my camera."

January-February 1967, Venice Beach, California. © Bobby Klein.

Photographer Bobby Klein talks about this photo shoot: “We arrived in Venice in the morning and walked along the canals. This bridge has been preserved in its original form in Venice, which was designed in the early 1900s. On the way there, in my car, the guys heard ”Break On Through" on the radio for the first time," and everyone was delighted. They understood what it was like to have a hit. " January-February 1967, Venice Beach, California. © Bobby Klein.

Bobby Klein : "I was the first official photographer of the Doors, and this shot was taken early on. It was 1967 and we were heading to Venice Beach to take some publicity shots but got hungry, so Jim recommended stopping off at Lucky U Cafe, his favourite place in Los Angeles to grab breakfast. It was a tiny Mexican restaurant owned by a Chinese man, pretty much just a counter with no tables. Jim ordered a beer and a menudo – a beef and chilli soup – to line his stomach. It wasn’t uncommon to see him sink six beers in an hour. I’ve always enjoyed shooting people when they’re eating because it creates an intimacy. So I got behind the counter and started snapping away. Jim was beautiful. He looked like Michelangelo’s David. He was checking me out: “Who the hell is this guy?” He didn’t suffer fools, and this was early on in our relationship. There’s an intensity in his eyes: he was totally serious about being seen as a credible poet."

January 1967, Lucky U Café, Venice Beach, photo by Bobby Klein

"The biographers seem to have lost Jim's sense of humor. I can't impress upon you enough that it was always there....He was the funniest human being I ever met. Simply that, the funniest human being I ever met." – Fud Ford New York's Central Park, spring 1968. Photo by Paul Ferrara

Jim Morrison, The Doors, "The American Poet", New York, 1966. This is the iconic "American Poet" photograph taken by Brodsky for the band's first album in 1966. Brodsky captured a young Jim Morrison shortly before The Doors became famous.

The first day the band arrived in the studio, Botnick recalls, “they had pretty much the first two albums ready to go. The thought that Paul had was that we were to be invisible – to allow them to capture the magic of The Doors as you went to hear them.” He adds: “They were totally different than anything else I was recording. I was recording the Beach Boys, The Turtles, The Ventures… and The Doors were totally different, it was the beginning of that era of American sixties music.”.   1966.11  First photo session group ©Joel Brodsky

MORE THAN just a good rock group, The Doors represent two things to their millions of followers. Either they project the music-plus-sensuality that is The Doors musical sense combined with Morrison's presence, or they can project the strange drama and rock that comes from Morrison's head.” -Pop Scene Service, April 6, 1968

©  Joel Brodsky, November 1966, New York

By 1966, Guy Webster had established himself as a go-to guy for every record company in Hollywood, so it was hardly a surprise that fall when Jac Holzman of Elektra Records hired him to create the cover for the debut album by a new group Holzman had signed. What was a surprise, at least for Guy, was that when the band showed up at his studio for the shoot, the lead singer greeted him like an old friend. It turned out they had met years before when Guy was taking a philosophy class at UCLA. It was Jim Morrison, much thinner and with much longer hair than when Guy had last seen him in the classroom. The group, of course, was the Doors, and the album cover, dominated by Morrison’s handsome face, would earn Guy his second Grammy nomination.

1966,11.  Beverly Hills, CA. © Guy Webster

Jim Morrison pictured by Oscar Abolafia, August 14, 1967

Jim and Thor (Ray's brother's doberman) hunt abalone with Ray, Dorothy and Ray's mother. At that time, Jim was living in Ray and Dorothy's house, where he was given the master bedroom. Photo courtesy of Ray Manzarek, 1965.

10/24/1966 The Doors give their first performance in New York. Billie Winters— a friend of Jim Morrison and Ondine club owner Brad Pierce, is hosting this concert for The Doors. Apparently, this performance is the first audition in residence in Ondine. After the first performance, Brad Pierce hired The Doors to perform throughout November. The Doors stay at the Henry Hudson Hotel during their stay in New York. The owner of the club, Brad Pierce, takes The Doors shopping during this period in search of new stage clothes. The Doors record their first album in Elektra Studio during the day and perform at night. During this period, Hit Parader editor and photographer Don Paulsen interviewed The Doors for the first official interview. On November 24, The Doors take a day off, they were invited to Paul Rothschild's house for Thanksgiving dinner.

📷1966.11 The Doors on the stage of the Ondine nightclub. Photo by Don Paulsen

When The Doors came together, “a diamond was formed. And it was clear and hard and luminous.” – Ray Manzarek

The Doors by Gene Trindl. During a  public photo  shoot for "Elektra Records", Los Angeles, California, late Summer-early Fall, 1966

"Urge to come to terms with the "Outside", by absorbing, interiorizing it. I won't  come out, you must come in to me. Into my womb-garden where I peer out. Where I can construct a universe within the skull, to rival the real.".  (Jim Morrison, from “The Lords: Notes on Vision”)   

 Photo Session in Frankfurt, Germany, September 14th,1968

That was a great summer. I was hanging out at the film school and I was hanging out with friends in Venice. Ray had a house there, so I’d go and watch them rehearse sometimes because we were still hanging around that summer...A few years later, after we became friends, I told Jim about my first impression of him at that first show, and I said, “I thought you were terrible that night”. I remember he gave me a look that seemed to suggest that he didn’t like the word “terrible” [laughs]...

But then I told him he had improved tremendously and he was like a Frank Sinatra crooner who could also sing rock, and I asked him, “What changed?” He just said, “I just kept practicing and I kept practicing, practicing, practicing”. And obviously he had been doing something to improve. If you listen to their first demo and then their first album, there is such a difference and you can hear it. But they rehearsed a lot and they played a lot, too. I guess you can’t really help but improve if there’s the will and the talent, right?"-Frank Lisciandro

1966.08-09 Ray's Beach House Session ©Bill Harvey

1966.08-09 Ray's Beach House Session ©Bill Harvey  

"In the beginning we were creating our music, ourselves, everynight...starting with a few outlines, maybe a few words for a song. Sometimes we worked out in Venice, looking at the surf. We were together a lot and it was good times for all of us. Acid, sun, friends, the ocean, and poetry and music." - Jim Morrison

Jim Morrison, Fillmore East, 03/22/1968

by niiloi

Floating through the water, with flowing moss beneath and a majestic waterfall in the background 😌

Magnifique winter 💙

Wonderful & magic winter ❤️

Jim Morrison - Photo by Edmund Teske,1969

I received an Aztec wall


of vision


& dissolved my room in


sweet derision


Closed my eyes, prepared to god


A gentle wind inform’d me so


And bathed my skin in ether glow