Trent Reznor By Jonathan Rach

popular culture used to be very much about eroticism. rockstars used to be on stage in sequins and thongs and thigh high boots playing guitars like they were masturbating. girls used to wear velvet mini dresses and no bras and red-brick-brown lipstick and mascara on their bottom lashes. people used to have body hair on television and in the movies. people used to be sweaty. people used to touch each other over denim and under cotton. foreplay used to be staring at someone over the rim of a glass across a bar across a park across a dinner table. people used to want. i think we’ve lost something

blasphemous transgender art NOW

It is November of 1893. You have just killed a vampire. Exhausted and worn, you close your eyes and rest.

You wake up. It is May of 1893. You are on a train en route to Transylvania. Your diary says you have had queer dreams lately.

You try to believe it.

(An old woman puts a rosary in your hands. You accept it without question.)

You are a guest in a castle you have never been in before (you recognize every hallway and know without trying that every door is locked). Your host is a man you have never met before (you killed him you killed him you killed him he had turned to dust and there was blood on the snow).

One morning you cut yourself while shaving.

There is nobody behind you in the pocket mirror’s reflection.

You turn fast, and the razor is like a Kukri knife in your hand.

will wood and his evil twin won't wouldn't and their neutral triplet might could

STRANGLED VOL. 2 #26 [1987]

I saw a headcanon somewhere about how Jon is always staring right into the camera when someone takes a photo that he happens to be in and it's all I've been thinking about. Picture this, a group of friends take a photo together that Jon is in the background of and when they look at the photo they notice him just watching. They turn around and notice that he's clearly in the middle of talking with someone and doesn't even notice them. Now THAT is my shit! We need more spooky photos of Jon!

one sentence summaries of every TMA episode

(1-60 i'll add more soon)

part 2 up!

world's most effective anti-smoking PSA

man DOES NOT open coffin. everyone claps.

woman is judgemental towards neighbor even though she has hobbies that are just as weird.

book makes multiple people fall off chair.

man finds bag of teeth and decides he absolutely needs to fuck around and find out.

worm sti.

there was a SCARY MAN in the WAR.

fuck this tree

well at least ted bundy was a great father :)

i'm like 55% sure vampires are real and i'm willing to take those odds

bitches be dying. you're next.

we kill this man because he made the soda too warm.

sorry ur husband's dead. maybe get some help.

Unbox with me ! (GONE WRONG)

hah i'm safe from this one because i have decided to Never Go Into a Cave Ever.

man is so annoying about this spider that even his cat can't be bothered

man's bully finds a book about a Bone Turner and subsequently begins turning people's bones.

this guy sucks at DIY home improvement

aw maybe this priest didn't do anything THAT bad!

oh fuck nevermind

THE SKY ATE MY SON.

the worms stole my identity. i haven't left the house in days.

man beats german children at game of bravery and wins a coin (he later loses this coin)

my ex boyfriend gets casted in the muppets and dies

sorry mom, i've abandoned jesus for a new religion : jesus in the dark.

tall squiggly and HANDsome

old man arm wrestles demon through door knob

the buzzfeed unsolved guys finally catch a ghost but it's their sound tech

immortality but at what cost

working at the big meat factory was so traumatizing it made me vegetarian

i go to america and get almost killed by a furry

well if you love that wasp nest so much why don't you MARRY it (and then she did)

antisocial boat crew bands together to exclude one guy from a midnight party. he dies from the rejection.

bone apple teeth

remember when that norwegian guy threw a tantrum about us not digging a hole? turns out we were right to not dig that hole.

babe come over my parents have taken ill and passed away

man fucks around and it costs him everything

HOMOPHOBIC CHINESE VASE

oh god oh fuck the worms are here

thank you for participating in worms! please rate your wormsperience from 1 to 10.

the wormsperience has left me deeply scarred. i'm going to get lost in a tunnel about it.

🎸music makes me loose control🎸

spooky stories to tell at the next police slumber party

child threatens to run away and join the circus one too many times, and now the circus has come to cash in.

these mosquitoes are mad sus

man frequents local barnes and noble and then dies(?) after liking a book too much.

realtor gets eaten by the backrooms twice. it's a terrible shame.

both me and this weird goth dude have an unsatisfying italy vacation

guy who turns people's bones gets a new job where he continues to turn people's bones.

man who should never be allowed to build prisons builds a prison.

Something Big Is In The Water.

what if u heard me about 15 feet behind you fumbling around and calling out ur name 😳 (and we were both prison guards)

i'm going to be honest i didn't retain anything from this episode except that this guy has the silliest old man voice ever

everybody hates the tax man, including these creepy taxidermy animals

hmmgh. ant house.

so turns out being only 55% sure that vampires are real in my career as a vampire hunter has had some consequences.

the only thing keeping you company in space is your abandonment issues

🎶 the snack that smiles back 🎶 (my husband!)

maybe the real treasure was the house siblings we encased in spider web along the way.

your dead brother wrote books about ancient myths and WHAT

Part 2

was scrolling through the "the mechanisms was Jon Archivist's college band" tags on ao3 and misread "martin finds out Jon is the lead singer of his favorite band" as Melanie, and i honestly think that would be a hundred times funnier. imagine your eldritch boss who you fucking hate but sounds vaguely familiar asks what you're listening to one day out of awkward obligation to make British Small Talk and you roll your eyes and tell him he probably doesn't know them and then you drop their name and he goes very still and flushes and suddenly Jonny D'Ville is speaking in your airpods and you're looking at your boss (who again, you fucking hate) and your world crashes and burns

big fan of liars. big fan of characters whose entire existence is a facade. love it when everything's stripped away from them and the lie is the only thing left of their identity. love it when the lines between an act and the truth are blurring. are they even them without the lie? the lie doesn't become the truth per se, but it's now such an intricate part of them it might as well be.

This is kind of a large question so I apologize but I guess I'm curious on how you're able to get such specific or like. unique (i mean this in a good way) answers from tarot? Like your "what magic should i learn next" stuff or how to pick up what a spirit can do through tarot. like idk how to translate these cards into what the spirit is trying to say

Hi!

There's no easy answer to this question, partially because I've now been reading tarot for almost exactly 16 years. This isn't at all to say that it's just the passage of time, but that in that amount of time I've done tons and tons of different things to expand my understanding of, and usage, of tarot.

Tarot didn't come to me very easily, and part of that journey was doing a lot of experimentation in an effort to figure it all out. My reading practice is still very much typified by a huge amount of experimentation and custom reading methods.

It hasn't been a linear process at all. I go through periods of months (or more!) where tarot just doesn't click for me, at all. So just because I picked up my first tarot deck 16 years ago doesn't mean that I've kept a consistent practice (I'm just now getting back into it after just such a fallow period ^-^)

My feelings on experimentation is that it gives me new ways to think about not only the cards, but also spreads, methodologies, and readings as a whole.

In addition, my experiments with other forms of divination (most especially casting lots, energy readings, and playing card readings) have heavily influenced my tarot readings.

Here is a post I wrote that I think expresses my feelings on experimenting within tarot.

Here are some examples of tarot experiments I've performed, and/or methodologies I've explored. It's these sorts of things that have been building blocks in my abilities in tarot. But no single one of them was a "key."

Elemental dignities: The elements of the cards dictates how they interact with each other. Air + fire can mean a supercharged firestorm, but water + fire can mean a controlled fire under a stewpot, or blocked progress of the fire. This experiment helps with understanding how cards can link together, and how energy can flow within a spread.

Elemental landscapes: Spreads are laid down in lines or grids and each card represents one aspect of the landscape. You must brainstorm and choose your own meanings. E.g., 8/wands is an exploding volcano. Queen/Cups is a lake inhabited by mermaids. Read the flow of weather patterns and energies through the spread as an answer to the question. This experiment helps with intuitive reading and working with a spread as a whole, instead of focusing on individual cards.

Elemental portents: Assign an element to your question. Draw a card. If the element on the card agrees with the element of your question, the portent is good; if it disagrees, the portent is bad. This experiment helps with learning how to phrase questions and how the question themselves can influence the balance of the deck.

Astral landscapes: This was an elaborate system I built around the Wooden Tarot. I worked with each card to assign it a mystical association that could occur in an astral landscape. The major arcana were spirits who could travel across the landscape. Each spread was like a playing board of a generated landscape and the spirits that interacted inside of it. This experiment was fun for considering the metaphysical ramifications of the energies of the cards themselves.

Numerical virtues: The number value of the card indicates its power and magnitude in the spread. 2 and 3 value cards are always of smaller power and significance. 10 and court cards are always of higher value. Aces may be high or low. This experiment gave me a new way of thinking about importance of each card, and how to blend magnitudes of significance.

Infinite directional wheel: I wrote a post on this actually, but basically you can keep placing cards forever in the cross-quarter positions. It's a meditation on the concept of elements and directions within witchcraft. Also, an extremely useful spread. This was a vital experiment for me in understanding spreadwork, flow of information, and linking cards.

Card doubling and tripling: Place two (or 3) cards together and determine the meaning as if it's one single card; there is no border, and the images combine with each other. The pictures and meanings of each combine into a single card.

Card doubling and tripling, but in spreads: For each position in the spread, place two cards (or three cards!) in place of one. Read the dyads or triads as if they are a single card. It isn't beginning/middle/end; it's a single triple-complex card! These doubling experiments helped me with the concept of card linking and blending meanings into unique interpretations.

Custom meaning sets: Basically, swap out all the default meanings with your own. Extremely useful IMO in learning how sets of meanings work together, and how to balance sets of meanings. I wrote a post on it here. These experiments have perhaps been the most vital for me in developing new interpretations. I believe that the magical skills readings you referenced were the result of custom meaning sets.

No meaning sets: Instead of using any card meanings, all spreads are resolved using a combination of elemental portents and numerical virtues. I.e., the element and number of a card in relation to other cards in the spread determines the reading. Here, the experimentation is allowing the cards to have strict, defined roles within a spread that can't be overwritten by personal intuition.

As a final note, I highly, highly recommend recording every reading you do and every card you draw. For the first couple years of my practice I recorded all readings, and it was a huge boost to my learning.