Reading tarot:
Identify major patterns in the spread (start by looking at groupings of card types, such as element, number, court, majors, general vibe or emotion of the cards; use these concepts as a jumping-off point to form your own pattern. What if a lot of cards have horses on them? etc.).
Use patterns to establish flow (low # cards to high # cards; groups of solitary elements; every court is paired with a major; where is the interplay?). If the patterns are boulders, how does the water of narrative flow through this river?
Use flow to link cards. (This group seems disconnected from that group. This card is an outlier; a break must happen somewhere. Energy slowly builds in this series of cards. There is a sudden shift in pattern, a big change must occur).
Use links between cards to determine which book or picture meanings apply. (This outlier card only links up if it means there was a break in the good event. I will choose meanings that relate to surprise and disappointment, and discard contradictory meanings).
At any point in the process, you can stop and call it a day.
Identify major patterns only: "Well I drew a shit ton of Pentacles cards so I'm going to say that your problem right now is that work is taking up all your time, but also you feel like everything is going super slow. Hope this helps."
Also identify flow: "Well I drew a shit ton of Court cards so I'm going to say that your problem right now is a ton of people all competing to have a say in your life, but at the end you have the Tower and the Sun, so I guess this situation is probably fated towards disaster and then a decent outcome."
Also link cards: "These three court cards face the Tower, but they are also all either Sword or Wand cards. In my practice, Swords and Wand cards are most associated with conflict. These three people, whoever they are, will cause the most conflict."
Also read book and picture meanings: "Out of these three problematic people, this person will try to control how many responsibilities are on your plate. They probably make you feel bad for not being responsible enough."
If you are getting low on energy, or do not have the focus to complete the entire spread, start with broad overview (pattern) and slowly narrow it to flow, then linking. Last of all, if you still have the time/energy, use book and picture meanings to add fine detail to the reading.
No point in adding fine detail to a rough block of wood.
First, shape the reading with broad strokes by finding patterns, and slowly add shape.
Only when you have the smooth, polished shape of your reading should you add the fine detail.
Thinking about MAG 101 again, specifically the line “He cared for her, he trusted her, and she fed him to me.” Like !!!! The fact that this story is being narrated simultaneously by the monster and the person being consumed by the monster, the fact that you can hear Michael Shelley in that line, and you can hear the Distortion, but neither of them can tell their own story because what they’re describing changed them so fundamentally that they don’t exist anymore in the same way they did at the beginning of it. Am I making any sense?
I WAS LOOKING FOR SCREEN SHOTS ON MY COMPUTER SO I COULD MAKE A JOKE ABOUT THE ANTIVIRAL FANDOM BUT I FOUND THIS INSTEAD
HIGH AS FUCK
Hanya Yanagihara, A Little Life / Fyodor Dostoevsky, The Idiot / Donna Tartt, The Secret History
thinking about this forever btw.
OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.
I feel like it's more about 'who they are at their core vs who they choose to be'.
At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.
He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)
Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.
In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.
I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.