bsd 123 has some insane moments but i genuinely think this is the craziest.
like, yes, this is about how atsushi helped akutagawa realise that dazai’s word is not something he can rely on, and that dazai’s validation is not a reason to live—but it’s not the only thing to take away.
firstly, this is the first time that akutagawa has realised that somebody believes in him. this person hated him, didn’t get along with him, fought him to the death on more than one occasion, saw the worst of him, yet still believes in him. atsushi believes in him enough to bring back his consciousness, and to try and do it twice. atsushi believes in him enough to reassure him often, even if it doesn’t feel like reassurance all the time. atsushi believes in him enough to protect him, even though akutagawa has been the protector his entire life.
secondly, i don’t believe that atsushi has now become akutagawa’s reason to live from this panel. akutagawa thinks about two things after his epiphany that dazai’s words don’t hold the same weight anymore. the first is his promise to atsushi, and what that means to him. the second is atsushi’s words about true strength—which akutagawa realises he now has. it’s not about a reason to live anymore, but that akutagawa has someone who believes in him and because of that, he feels alive.
this panel isn’t about akutagawa’s mentality shifting. it’s about him finally finding his strength and fighting for something that he, and not anybody else, thinks is right. he’s hoping. he’s caring. he’s understanding. he’s strong. he’s alive.
i love how tma introduces canon vampires and immediately glosses over them. yeah we have vampires here. who the fuck even cares. we’ve got bigger fish to fry jonathan
Cindy Sherman for Comme Des Garcons, 1994.
ARCHIVE.pdf: Archive Fashion Content for the World
L.A. goth boy Leo at Helter Skelter, L.A., 1992. From the late ‘80s to early ‘90s the club was at several different locations, and always boasted the biggest and best clientele of goths, rivet heads and dark wavers. It was run by Michael Stewart and Bruce Perdew, the latter of whom created the magnificent skeletal and cadaver artwork for the club’s fliers, advertisements and murals. This photo was published in an article about Helter Skelter in Propaganda Magazine Issue No. 19/Fall 1992. PHOTO BY FRED H. BERGER, 1992. (Posted June 20 ’18)
Avatar of the Spiral who goes by I/me/my pronouns in order to cause maximum confusion
needed to clip just this part of the interview bcus it’d the funniest 25 seconds of all time
metalocolypse insanity dump all ive been able to think about for the past like 2 weeks has been toki wartooth. this is a cryyy fro help