He Lightly Dips His Hair In Bleach Every Morning And His Ability Likes To Eat Rocks And Coins Off The

He Lightly Dips His Hair In Bleach Every Morning And His Ability Likes To Eat Rocks And Coins Off The

He lightly dips his hair in bleach every morning and his ability likes to eat rocks and coins off the ground

More Posts from Josephsapha and Others

9 months ago

they need to come up with more words like necrosis and miasma and mausoleum and cadaver and morose and decrepit and stuff like that just so metal bands can expand their vocabulary


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3 months ago

Cartomancy After 101: Developing your own sets of card meanings that you swap out depending on your needs [concepts & tips]

My hypothesis for this post is that most forms of cartomancy heavily rely on the context of the question or situation being read on.

As context shifts, so do the specific interpretations that readers pluck out of a pool of general meaning.

By leaning into the idea of context and building extremely contextual meaning sets, readers can elevate their skills and more reliably produce very specific readings within contexts they have studied and prepared for.

This is going to be a long one, so I'm making sections for readability.

1. Cartomancy Relies On Context

Most "little white books" that come with tarot and oracle decks, and cartomancy websites and published resources, divide card meanings into the general and contextual.

E.g., a tarot card's general meaning usually includes key words such as heartbreak, betrayal, and backstabbing. Then, contextual meanings might be provided:

Interpersonal relationships: Is a relationship about to end?

Business: Make sure any new business deals won't screw you over.

Spiritual: How can you use your spirituality to help with heartbreak?

While these contextual meanings stem from the base source of the card, they aren't interchangeable. Imagine if a querent asks you about their small business, and you reply, "well, have you tried using your spirituality to deal with interpersonal heartbreak?"

Therefore, a major role of the reader is defining the appropriate context of a question.

In order to practice their skills, many diviners offer to do "blind" readings for others. This means that the reader doesn't want any background information about the question at all - but even so, a reader may still ask for the context of a question.

E.g., a reader may say, "don't even tell me your actual question, but just tell me what kind of question it is - if it's about employment, a relationship, etc. Otherwise I won't know how to frame the answer."

[I don't mean to say that all readers always require context in this manner. Many readers do not, especially very practiced ones. But I don't think that means that context is irrelevant, even to very experienced readers who can obtain context on their own.]

2. Developing Meanings for a Specific Context Results in More Specific Readings

The Complete Lenormand Oracle Handbook by Caitlín Matthews begins by introducing the typical meanings of Lenormand cards. Later, she provides a custom set of meanings she personally developed related to her years spent in live theater.

Because of her time spent performing readings for theater workers, and about theater, she had developed a complex and unique system of meaning for Lenormand which, for the purposes of reading about live theater, was immensely more accurate and specific than the general Lenormand system.

While the general meanings of Lenormand informed her custom system, the custom system was not interchangeable with general meanings and was only applicable to a specific context and its related themes.

I discovered the same phenomenon by accident years ago, when I was frustrated with how general and nonspecific my readings had become.

I wanted to be able to use tarot to read accurately for everyday situations. So, over the course of several months, I worked with my primary divinatory ally to develop my own set of notes for the tarot, specifically for reading everyday, mundane situations.

The meanings given for the cards don't work very well at all for mystical, spiritual, or meditative self-exploratory readings. The meanings are things like, "you're the only one putting energy into this relationship," or, "don't go to the party if you didn't receive an invitation."

I use this set of meanings when I want very plain and straightforward readings on everyday situations, which it's very good at. I got what I wanted: accurate and specific readings on day-to-day questions with the tarot.

The meaning set fails at every other kind of question.

Recently, in my ongoing experiments with a custom oracle mashup of playing cards and tarot, I decided I wanted a meaning set that was useful for troubleshooting creative writing projects.

This deck has general meanings like, air/movement/exchange, water/observation/stagnant, and earth/categories/planning.

I developed contextual meanings like, "the dialogue in this scene is doing what it needs to do," "the character's motivations aren't clearly explained," and "the external goals of the character don't match what's already been explained about them."

By focusing on a specific context, readers can get very good at reading certain types of questions.

3. Exploring Specific Contexts Improves Overall Reading Ability in Any Context

By taking the general meanings of a card and developing them in new, unique ways that are still true to that card's roots, you create a huge learning opportunity to connect more deeply with that card.

Not only can you explore the unique evolutions of each card as it intersects with your interests and life, but your understanding of the deck as a whole can evolve.

When I was working with my original set of "everyday" meanings for the tarot, I discovered that many times I developed card meanings that really overlapped each other, making some cards redundant. When I decided to sort this out, my understanding of - and relationship to - tarot rapidly changed. I'm at a new level of understanding that I hadn't been able to achieve just by using general meanings for the 15 or so years of reading I had been doing before that.

The elements are currently a major part in my practice of witchcraft. As silly or abstract as it may seem, exploring how an oracle card that generally means water/observation/stagnant could apply to a specific type of fiction writing deepened my relationship not only with that experimental deck, but also to my craft as a whole.

As I've explored custom meaning sets in general, my ability to rapidly link abstract symbols has improved. Even if a specific meaning set doesn't apply, just having explored that makes my readings stronger.

For example, if I draw a card and I don't know how to apply it to a certain situation, having different sets of meaning floating around in my head is a little like having three or four helpful aunties shouting suggestions. None of them may be completely accurate, but it's a far better starting place than having no aunties at all.

By investing in very specific sets of meaning that only apply to certain contexts, readers can gain insight and skills that assist them in all types of readings throughout all contexts.

4. Sundry Suggestions for Those Convinced

Here are a handful of tips and tricks I've collected throughout the years. Take or leave them as you desire.

Choose very specific contexts. The more specific, the better!

Well, I'm sure this one is more down to personal preference, but don't be afraid to choose extremely specific contexts.

In my examples above about the creative fiction meaning set, the context wasn't "literary analysis" or "creative writing." The context was, "troubleshooting commercial fiction manuscripts and outlines to be more in line with modern commercial standards."

That isn't great at brainstorming, coming up with story ideas, dealing with literary fiction, grappling with major artistic themes, etc. It does one thing great: helping you workshop a commercial manuscript that you'd like to send to a publisher.

Put thought into what deck(s) you're using.

Even when using general meanings, many readers identify that certain decks are just better at certain kinds of readings. If you have multiple decks, try swapping them out as you experiment and see which ones work best.

Develop not only individual cards, but the deck as a whole.

Depending on your preferences, you may find value in not only developing individual cards, but also groupings of cards.

By taking entire sections of cards (say, all of the wands cards) and linking them to an important concept within your context (say, the behaviors of all the dogs you train), you can make large leaps of progress.

The same could be done for all the kings cards (your mentors in the dog training world), all the #3 cards (they're all going to relate to, say, small change or progress), and you can end up quickly mashing up new meaning sets:

Today's dog training business reading suggests that a Youtuber who's information you rely on is going to release a video about the importance of small behavioral changes.

Assigning broad meanings to different sections of cards is a good way to start exploring specific contexts.

Let card meanings evolve as you explore.

As you take notes, there's no need to settle one one meaning for the card as it is and then avoid changing it.

If your original idea for a card is "stubborn dogs who are not motivated by treats," and you perform multiple readings on it where the card only really makes sense if it means, "this dog will show up super tired and just want to nap," then it's fine to modify notes as you go.

I find that over time, modifications actually end up being multiple possible interpretations, once again deepening my understanding of the card as a whole (this card refers to difficulty inspiring action and engagement).

Often, card meanings come to me very vaguely and are practically stand-ins until I can figure something out for them.

Be mindful of spreads.

I can apply some meaning sets to literally any spread and it'll come out just fine.

Other meaning sets I have don't play great with tons of spreads, and may only work well with small spreads, using signifiers, and so forth.

There's no need to avoid highly contradictory meanings.

If you've got two ideas for a card (the dog is well-adjusted and friendly, or, he's very reactive and dangerous) and you aren't sure which fits, keep both meanings and use a combination of readings and real-world verification to experiment.

Your unique context sets don't need to be congruent with each other.

While I believe it's a good idea to seek fidelity to the original/general meanings of a card, this doesn't imply that the unique contexts you develop have to coincide with each other.

Maybe you have a meaning set specifically for energy work, and a separate one for religious spirit work.

In your energy working set, the wands cards could always relate to fire energy and only ever refer to a spirit if drawn in conjunction with a court card.

But, in your religious spirit work set, the 4/wands might always refer to the spirit of a home, regardless of elemental alignment.

The meanings you develop for one context don't need to adhere to the rules you create for other contexts.

Playing card decks can really simplify the process.

Tarot cards, with their intrusive little pictures, can often impose their own meanings on a context whether you like it or not. Even if horrendous betrayal makes zero sense for your context, sometimes it's impossible to get those ideas of the 3/Swords out of our heads.

If you're finding tarot to be too confining, try experimenting with playing card decks. They're smaller, draw less attention, and most importantly, do away with the art that can anchor our minds to the wrong concepts.

(Split the difference by working with a tarot deck that just uses suit symbols for the pips, but has full art for the major arcana.)

5. Hey! Thanks for reading.

I hope you're having a good day ^-^


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8 months ago
josephsapha - ❦

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9 months ago
josephsapha - ❦

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5 months ago
Illustration For “Delta Of Venus” By Anais Nin, 1979 By Bob Carlos Clarke

Illustration for “Delta of Venus” by Anais Nin, 1979 by Bob Carlos Clarke


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10 months ago
Hitomi Murakami
Hitomi Murakami
Hitomi Murakami

Hitomi Murakami

泡沫の一碗/fleeting bowl - 田中流撮影


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2 years ago

literally we need to get rid of the stigma of questioning once and for all.

call yourself gay. call yourself ace. call yourself a lesbian today and a nonbinary bi trans man tomorrow. its fine. literally no community has ever been harmed by someone thinking that label might apply to them and then discarding it later. anyone who says otherwise is drinking the exclusionary kool-aid and isn’t worth the time it would take to argue with them.


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4 months ago
Sugizo [LUNA SEA] SHOXX Vol.43, 1996
Sugizo [LUNA SEA] SHOXX Vol.43, 1996

Sugizo [LUNA SEA] SHOXX vol.43, 1996


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9 months ago
Anjelica Huston Photographed By Gian Paolo Barbieri, 1973🔮

Anjelica Huston Photographed by Gian Paolo Barbieri, 1973🔮


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6 months ago

I got to hold a 500,000 year old hand axe at the museum today.

It's right-handed

I am right-handed

There are grooves for the thumb and knuckle to grip that fit my hand perfectly

I have calluses there from holding my stylus and pencils and the gardening tools.

There are sharper and blunter parts of the edge, for different types of cutting, as well as a point for piercing.

I know exactly how to use this to butcher a carcass.

A homo erectus made it

Some ancestor of mine, three species ago, made a tool that fits my hand perfectly, and that I still know how to use.

Who were you

A man? A woman? Did you even use those words?

Did you craft alone or were you with friends? Did you sing while you worked?

Did you find this stone yourself, or did you trade for it? Was it a gift?

Did you make it for yourself, or someone else, or does the distinction of personal property not really apply here?

Who were you?

What would you think today, seeing your descendant hold your tool and sob because it fits her hands as well?

What about your other descendant, the docent and caretaker of your tool, holding her hands under it the way you hold your hands under your baby's head when a stranger holds them.

Is it bizarre to you, that your most utilitarian object is now revered as holy?

Or has it always been divine?

Or is the divine in how I am watching videos on how to knap stone made by your other descendants, learning by example the way you did?

Tomorrow morning I am going to the local riverbed in search of the appropriate stones, and I will follow your example.

The first blood spilled on it will almost certainly be my own, as I learn the textures and rhythm of how it's done.

Did you have cuss words back then? Gods to blaspheme when the rock slips and you almost take your thumbnail off instead? Or did you just scream?

I'm not religious.

But if spilling my own blood to connect with a stranger who shared it isn't partaking in the divine

I don't know what is.


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