ššš„š šš¢š„š š£šš„š¦š¢š”šššš§š¬ š§šš¦š§. taggedĀ byĀ :Ā @russianllterature tagging :Ā Ā @scarfwereĀ /Ā @hcathensĀ /Ā @hneulĀ /Ā @im-possiblelimitsĀ /Ā @nancydrcwĀ /Ā @nosestealer
( 90% ) EGOISM ā Excessive concern with oneās own pleasure or advantage at the expense of community well-being.
( 37% ) MACHIAVELLIANISM ā Manipulativeness, callous affect, and a strategic, calculating orientation.
( 47% ) MORAL DISENGAGEMENT ā A generalized cognitive orientation that differentiates oneās thinking towards unethical behavior.
( 0% ) NARCISSISM ā An all-consuming drive towards ego-reinforcement and an egotistical interest in, or admiration of, oneās self.
( 30% ) ENTITLEMENT ā A stable and pervasive sense that one deserves and is entitled to more than others.
( 27% ) PSYCHOPATHY ā Deficits in affect and self-control (i.e. callousness and impulsivity), as well as a lack of remorse, antisocial behavior, and volatility.
( 33% ) SADISM ā A tendency to humiliate others via cruel or demeaning behavior, or the propensity to intentionally inflict physical, sexual, or psychological pain on others in order to assert power or for pleasure and enjoyment.
( 0% ) SELF-INTEREST ā The unprincipled pursuit of gains in socially valued domains, such as material goods, social status, recognition, achievement, and success.
( 37% ) SPITEFULNESS ā A tendency to engage in behavior that would harm others but would also entail harm to oneself.
( 33% ) TOTAL DARK CORE ā Your total Dark Core factor. Higher scores indicate a darker personality.
thisĀ makesĀ Ā NEIL JOSTENĀ 13.89%Ā Ā lighterĀ Ā thanĀ theĀ averageĀ person.
ā Ā āĀ Ā @rexquondcmāĀ ć⢠āĀ
šššš ššš šššš šššššš šš ššš ššššššš ššššššš, staying in a single place for too long a luxury he no longer possesses ; as acquainted with the plated steel & polished glass of airport terminals as with the grime smeared tarmac of inner London. Nostalgia thick on his tongue, analogous to the taste of ash.Ā Ā ā Honestly ?Ā Iām not sure nice is the word I would use.Ā āĀ Ā He glances up then, eyes dappled shades of cornflower. Ā āĀ Perhaps taxing might be a more accurate description.Ā ā
Ā Ā accentĀ reminiscentĀ flashesĀ backĀ suchĀ visitsĀ toĀ england,Ā Ā backĀ whenĀ Ā nathanielĀ Ā hasĀ beenĀ takenĀ byĀ hisĀ motherĀ toĀ payĀ courtesyĀ withĀ herĀ sideĀ ofĀ theĀ familyĀ forĀ aĀ coupleĀ ofĀ times.Ā Ā weeksĀ beforeĀ theyĀ comeĀ backĀ toĀ baltimoreĀ untilĀ now,Ā Ā heĀ canātĀ fullyĀ trustĀ theĀ memoriesĀ ofĀ whatĀ heĀ canātĀ entirelyĀ remember;Ā Ā soĀ heĀ mightĀ asĀ wellĀ discardĀ them.Ā Ā asĀ farĀ asĀ heĀ knows,Ā Ā heĀ hasnātĀ officiallyĀ metĀ uncleĀ stuartĀ andĀ thatĀ sideĀ ofĀ theĀ family ...Ā Ā andĀ heĀ hopesĀ notĀ to.
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā ā Ā Ā Ah,Ā Ā considering the long travel by connecting flights ...Ā Ā Ā āĀ Ā Ā Ā Ā Ā oliverĀ wouldĀ knowĀ afterĀ firstĀ classĀ ticketsĀ doesnātĀ serveĀ himĀ anymore.Ā Ā theĀ conversationĀ isĀ aĀ politeĀ one,Ā asĀ anĀ alternativeĀ toĀ whatĀ oliverĀ usuallyĀ doesĀ inĀ forcedĀ silenceĀ Ā āāĀ scrapeĀ nails,Ā digĀ withinĀ flesh,Ā haveĀ toĀ hearĀ loopsĀ ofĀ voicesĀ heādĀ ratherĀ notĀ entertain.Ā Ā talkingĀ helpsĀ distractĀ fromĀ theĀ pain,Ā andĀ helpsĀ findĀ outĀ somethingĀ regardingĀ theĀ newcomer,Ā whoĀ hasĀ givenĀ oliverĀ reliefĀ sinceĀ heāsĀ notĀ theĀ oneĀ inĀ theĀ spotlightĀ anymore.Ā Ā Ā Ā Ā Ā Ā Ā ā Ā Ā No wonder.Ā Ā How you can take everything in one stride ...Ā despite the excessive noises and treatment.Ā Ā I suppose itās not nice of an experience as well ... ?Ā Ā Ā ā
verses tag dump.
v*.Ā BURNED TO THE FILTER WITHOUT TAKING A DRAG.Ā /Ā undetermined. v001.Ā Ā THE FOXHOLE COURTĀ /Ā this is the moment you stop being the rabbit. v002.Ā Ā THE RAVEN KINGĀ /Ā they were worth every cutāĀ bruise and scream. v003.Ā Ā THE KINGāS MENĀ /Ā fight because you donāt know how to die quietly.Ā
fuckĀ it,Ā iĀ madeĀ neilĀ aĀ wireĀ account.
ā Ā āĀ Ā @shedetectāāāā Ā ćā¢Ā āĀ
Ā Ā Ā āššš šāš ššš šš ššš šššššššš šš ššššš ššššššš¢ š ššš,ā she retorts just as snappily, though maybe the truth had no part in her statement at all. she doesnāt take it back, though, just returning to her work until the lock clicks and the door swings open at her touch. standing up, she doesnāt look at him while she puts away the lockpick case in its pocket on her bag.Ā āthis is called hedging my bets,ā she continues finally,Ā ābecause i see this two ways. if you were going to break in here anyway, thereās a slim chance youād have accepted the guest room at my house. on the other hand, youāre more likely to be caught without my help at all, so iām doing what i can.ā finally, her eyes raise to his face.Ā āam i wrong?āĀ
Ā Ā itĀ doesnātĀ slipĀ unnoticedĀ withĀ theĀ creakĀ ofĀ theĀ doorĀ secondsĀ laterĀ thatĀ theĀ girlĀ hasĀ skills.Ā Ā Ā forĀ why ,Ā Ā heāsĀ notĀ sure ,Ā Ā andĀ whatĀ heĀ thinksĀ somethingĀ thatĀ wonātĀ concernĀ him ...Ā Ā nowĀ potentiallyĀ concernsĀ him.Ā Ā notĀ enoughĀ toĀ workĀ outĀ aĀ lotĀ ofĀ worriesĀ heāllĀ addressĀ asĀ soonĀ asĀ theĀ lockedĀ griefĀ inĀ theĀ backĀ ofĀ hisĀ headĀ finallyĀ stopsĀ bangingĀ againstĀ hisĀ mentalĀ barriersĀ everyĀ timeĀ heĀ getsĀ closerĀ toĀ relivingĀ aĀ nightĀ onĀ theĀ beach.Ā Ā andĀ thisĀ isnātĀ theĀ timeĀ forĀ that ,Ā Ā orĀ maybeĀ notĀ ever.
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā ā Ā Ā SOĀ MUCH. Ā Ā āĀ Ā Ā Ā Ā Ā quietĀ voiceĀ refusesĀ toĀ fadeĀ inĀ lieuĀ withĀ chestĀ constrictingĀ Ā āponĀ knowledgeĀ thatĀ sheĀ deducedĀ fromĀ somewhere ,Ā Ā somethingĀ thatĀ neilĀ couldāveĀ basicallyĀ handedĀ herĀ over.Ā Ā hisĀ mindĀ racesĀ onĀ memoriesĀ andĀ circumstancesĀ whenĀ heĀ couldāveĀ madeĀ mistakes ,Ā Ā butĀ nothingĀ comesĀ up;Ā Ā forĀ withĀ everyĀ shotĀ ofĀ painĀ rememberedĀ alongĀ strictĀ wordsĀ echoedĀ byĀ hisĀ motherāsĀ harshĀ lessons ,Ā Ā howĀ canĀ he ?Ā Ā thenĀ again ,Ā Ā thatāsĀ aĀ wrongĀ argument.Ā Ā neilĀ immediatelyĀ madeĀ hisĀ firstĀ mistakeĀ whenĀ heĀ brokeĀ hisĀ motherāsĀ absoluteĀ ruleĀ rightĀ afterĀ ...Ā Ā california.
Ā Ā handsĀ tightenĀ Ā āroundĀ theĀ strapĀ ofĀ hisĀ duffelĀ bag ,Ā Ā gaugingĀ theĀ levelĀ ofĀ threatĀ thatĀ thisĀ girlĀ posesĀ Ā āā likeĀ allĀ beforeĀ herĀ does.Ā Ā aĀ flareĀ ofĀ irritationĀ hasĀ beenĀ reluctantlyĀ tamperedĀ whenĀ heĀ respondsĀ asĀ curtlyĀ asĀ heĀ can ,Ā Ā Ā Ā Ā Ā Ā ā Ā Ā IĀ donātĀ careĀ aboutĀ whateverĀ gambleĀ youĀ got ,Ā Ā butĀ Ā IāmĀ fine.Ā Ā LeaveĀ meĀ alone.Ā Ā Ā āĀ Ā Ā
Ā Ā itāsĀ annoyingĀ howĀ oneĀ roomĀ whereĀ heĀ feelsĀ asĀ concreteĀ asĀ whoĀ heĀ isĀ rightĀ nowĀ hasĀ beenĀ compromised ,Ā Ā allĀ becauseĀ neilĀ figuresĀ thatĀ thisĀ oneĀ isĀ justĀ tooĀ nosy.Ā Ā heĀ givesĀ herĀ aĀ HARDĀ STARE ,Ā Ā mouthĀ pursedĀ andĀ heldĀ backĀ beforeĀ heĀ regretsĀ anything;Ā Ā andĀ quicklyĀ turnsĀ aroundĀ toĀ walkĀ away.Ā Ā maybeĀ heĀ canĀ breakĀ inĀ theĀ laboratoryĀ thenĀ leaveĀ immediatelyĀ aroundĀ dawn.Ā Ā Ā Ā Ā Ā ā Ā Ā MindĀ yourĀ ownĀ businessĀ ofĀ notĀ pickingĀ onĀ myĀ business.Ā Ā Ā āĀ Ā Ā
- Neil Jostenās Drag of the Century, Chapter 6,Ā The Raven King
one linersĀ placedĀ withinĀ canonĀ timeline,Ā Ā orĀ willĀ varyĀ dependingĀ fromĀ whichĀ verseĀ yourĀ museĀ stands.Ā Ā ( noĀ worries,Ā Ā weāllĀ workĀ outĀ theĀ smallĀ detailsĀ likeĀ verseĀ info,Ā etc.Ā rightĀ afterĀ iĀ diveĀ inĀ yourĀ dmsĀ orĀ raidĀ yourĀ askbox. )Ā Ā
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā *Ā Ā NOĀ CAPSĀ Ā !!
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā ā Ā Ā ššš£ššš£š š¤š£ ššŖš§š£šš£š š¬šš§ššØ...Ā Ā š§šµš¶š š³š²š²š¹š¶š»š“'š š®š¹š¹ š šøš»š¼š.Ā Ā š¦š¼ šŗš®ššÆš² š³š¼šæ šš¼š, š·ššš š¹š²š š“š¼. Ā Ā ā
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