Latest Posts by justaferalguy - Page 3

So this started off as just one doodle but I guess sometimes when you can’t get a piece of media out of your head you just gotta doodle it All out of your system. So here’s a timeline of Doug Eiffel’s very bad time in orbit around Wolf 359 and beyond. Mostly it was me indulging in floaty space hair and practicing drawing a character uniformly and reliably. I appreciate that most of us seem to agree he is a bun and/or ponytail man.

Bonus: The rest of the crew

Stopping by Woods on a Snowy Evening by Robert Frost: A Collection of Events From Season 2 of Malevolent

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what if we were both boys and when we went to kiss our glasses bonked together and made us giggle

And the only one of the crew ever to meet them in person Will say nothing, save that they were black, beautiful And had a pair of cold blue eyes That couldn't hide the things they'd seen

Tell me, Muse, of the man of many ways

haven't rendered in so long augh

listening to the magnus archives for the 5th time with my friend (their first time listening ) and it gave me the urge to draw this mf again.

drawing them comfy just makes me hapy <33

god i miss them.. i need them back in my life- i need this so bad u dont undrstand- anyways jon totally does crosswords (yes he might know all the answers immediately but he finds them silly and likes 2 fill them out ))

And the only one of the crew ever to meet them in person Will say nothing, save that they were black, beautiful And had a pair of cold blue eyes That couldn't hide the things they'd seen

schemin

✨mechanisms character designs!!✨

lyf gets to be blue because i said so

who else should i draw!!!!

Does Jonny D'Ville ever properly flirt with Martin or is he just into fun, violence, adventure, violence... violence

If he does how does Marto take it

Being that the two have been in this universe awhile, Martin's gotten pretty used to being hit on and basically ignores it. Jon has not... and is testy about it.

Part one

And the only one of the crew ever to meet them in person Will say nothing, save that they were black, beautiful And had a pair of cold blue eyes That couldn't hide the things they'd seen

it is a Terrific day and you are a Terrible Throuple.

the pendragons riding off into the sunset for my beloved @clara-martin-apologist. sadly, the sun is a Tube, so they kinda just have to ride Vaguely Alongside the sunset. alas

i absolutely adore the way you draw tim

THANK YO u tim is honestly one of the hardest mechs for me to draw for some reason so 🥹

pls have Persephone Tim ( based on this post)

:D for preorder check here!

CONTENT WARNING: Body horror.

Spooky scary Shelley-tons!! Ok Michael Distortion fans, this one is for you.

Drawn in Storyboard Pro 20.1 with custom brushes from Rozlyn Waltz. The Magnus Archives is a podcast written by Jonathan Sims, Directed by Alexander J Newall, and distributed by Rusty Quill! This clip features voice acting by Jonathan Sims and Luke Booys!

Had a lot of fun figuring out how Michael moves! Now that I've drawn his grand entrance, maybe someday I'll draw the scene where he...uh...leaves.

Back on my Eat Your Young bullshit

Anyways so Eat Your Young itself I think is very trojan war core. And I know I've been vehemently against trying to fit the entire trojan war into a single show adaption but guess who thinks it'll work with a three minute song? ME, because I'm a hypocrite. it'll make no sense to anyone who doesn't know the story but that's okay it has cool shots and murder to the beat. "I wanna smell the dinner cooking. I wanna feel the edges start to burn." Cassandra looking up at Helen and knowing. The quiet part at the end is the actual fall of Troy. It'll probably be focused more on the Greek side. I reaaaaally want Achilles to sing "It's a kindness, highness." Iphegenia's sacrifice at "skinning your children for the war drum." That one vocalization part is just lots of murder I won't lie. Good for them. The second vocalization is more murder and also HORSE

All Things End I want to animate to Hector and Andromache specifically because I'm a wuss and they make me sad. I need him to kiss her belly when she's pregnant at "We begin again." I need him to slowly and somberly put on his armor at the second to the last chorus. I need him to fight Achilles to the death when the choir kicks in, alternating between his duel on the ground and his family's horrified reaction up on the walls. I need his eyes to slip shut when the final line echoes.

THROUGH ME THE FLOOD. THE ODYSSEY. FROTHS AT THE MOUTH. anyways I want to open on Ogygia. As you do. As you do. Need him to try to swim away and get washed back ashore. Need him to stand in his raft alone on the sea, small in the vast size of it to the line "I couldn't measure it." "Try measure loss, measure the silence of the house." PENELOPEEEEE. "With each grave, I think of loss and I could only think of you. I couldn't measure it." That. That scene. When she finally picks up his bow and weeps. "That the world, it burns through me." The arrow shot, the suitors' death. "That the world, it flows through me." Tree bed tree bed tree bed. Embrace. Kiss. Reunite again. Oh my god I'm going to explode

what has hector ever done to me?

i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.

inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.

both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.