Prompts For Characters Moving In Together

Harm Happening Around the World

Please note that there are actually more humanity crisis situations happening about the world.

I did some more fantasy archery trope testing. This time the arrow stabby thing!

Further Notes on Writing Signed Language

So I had a good think about this, based off of what I have written lately. As I go further into my novel, do even more research into different types of sign, and start on the arc that is written solely from the POV of my deaf character, I’ve begun to realize some other differences between signed and spoken dialogue.

For one thing, punctuation doesn’t apply in the same way. There is punctuation in sign language, but as I’ve talked about before, it is mostly facial; therefore, you describe it as a part of the dialogue tags. So then, what do about the commas, colons and semi-colons? In this case, the n-dash is your friend! The aforementioned punctuation marks indicate changes in tone, alterations of pace and pauses. Therefore, they can be replaced with an  n-dash, like so

“You and I – I don’t think we can continue.”

And fingerspelled words would be written as single letters, hyphenated into a word:

”You and I - going to L-O-N-D-O-N.”

For another, the syntax of your translated signed dialogue is subtly different. One sign can ususally mean several different words and filler words are absent. If someone were to say “really big.” in sign, they might just make the sign for “big” and super over-exaggerate.

So, verbal dialogue version:

“It was really, really big!” Lottie jumped and down in excitement, her eyes shining. 

And the signed dialogue version:

“The dog was huge!” Lottie flung out her hands into the word, making it larger than it needed to be, bouncing on her heels.

Keeping in mind that large, big, huge, bountiful (and other connected synonyms) are all the same sign.

I don’t like to write signed language in the syntax that it would be signed in (Name, yours, what instead of “what is your name”). Not only is this confusing for non-signing readers, but it also reads as childish or overly-simplistic for readers who don’t understand sign, which reinforces the harmful stereotype of deaf people being stupid/infantilisation of deaf people. It is impossible to truly do signed language justice in writing, because it’s a language made for hands, bodies and faces.

This all comes together to mean that the sentence structure of dialogue in sign will be different. You would use less contractions (isn’t, you’re, might’ve etc), fewer modifiers and shorter chunks of dialogue with the description of the sign in between.

If it reads differently or feels strange, that’s okay: signed language is different to verbal language and so they won’t sound the same as one another in writing. They’re more like cousins or step-siblings than part of the same direct family group. You’re utilizing different descriptors and tools.

Hopefully, this also answers the repeated issue of differentiation, which has come up time and time again from various people. Best of luck to you all with your writing x

my favorite romance trope is like. you dont want to hurt me but i am asking you to hurt me. i need you to stab me. i need you to carve this out of me. i need you to cut something off of me. this will hurt both of us in incredible ways. yours are the only hands i trust enough to weild this knife. you do not want to hurt me. i am asking you to hurt me.

This is actually a baby reindeer

"— I'm going back to the adoption system, I'm tired of this shit"

"— Excuse me... I didn't adopt you?"

"— So you're saying that my sibling lied to me?"

"— Of course." The parent said staring at their child features, A consistent mirror of himself, That Had the audacity of being surprised.