I had all and then most of you Some and now none of you Take me back to the night we met
What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.
There’s always that little voice asking you “What it is that really draws me here?”
Oh. The horrors.
The tragedy of it all.
These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.
Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.
Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.
Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)
Continua a leggere
I love all the hints at Jean not coping that well with being Acting Grand Master, because to nearly everyone it seems like she is but she just kinda isn't. Like, obviously there's her story quest where she just collapses from overworking herself but there are all these other examples that show that homegirl is not alright.
Like Jean this is not a normal way to consume coffee. This seems a lot more like dependence than "coffee just makes me feel a bit more awake" or just liking the drink.
And like wdym she's completing random reviews at 3am because she got sick (probably from overworking) and then not allowing herself to buy a book. Like that's just sad.
Like bro Mona took one look at Jean's constellation and was like "girl you've had too much on your plate for FAR too long". And then probably realised how depressing that sounded and was like "idk she's like really strong thoughhhh, it's not all baddd"
Like even Kaeya's concerned bro. At least she's got him looking out for her though.
professor flitwick called james and sirius “like brothers” not bc they were like brothers but bc wizarding society is heteronormative and bc he knew of no other way to describe two boys so codependent and in tune with one other. in this essay i will
blocked because your interpretation of that character doesn’t match the way they act in my bedtime narrative i imagine when i’m falling asleep every night
Kaworu said he loved me. It was… it was the first time someone told me they loved me. He was like me, and like Ayanami. I loved him too.