AU!genderbender
the last of us on hbo: here’s your first two episodes, full of the TERROR of humanity!! infected!! corrupt government!! marshal law!! senseless killing!!
us: ah
the last of us on hbo: and now for your third episode. the gut wrenching love story between two men who found each other at the end of the world and became so entangled in one another that when time finally wore them away, they left together. also on the nature of daylight plays over their last day together
us:
Thinking about this parallel because I recently rewatched X-Men Origins: Wolverine and I couldn't help but think about the scene from Black Widow.
I know the movies have nothing to do with each other - just thought it was an interesting detail, although possibly not intentional.
Logan: It was real for me.
Kayla: It was real for me, too.
Yelena: It was real to me. You are my mother.
Natasha: It was real to me, too.
I remembered how to draw characters from Valorant.
this fooled me
in movies couples always split up bc one of then wants kids and the other doesnt and then at the end they get back together bc the one who didnt want kids wants them now and that means theyre fixed and normal i hate that
THIS IS ADORABLE
I never felt this happy before
my boys,,,,,,
I’m New York’s only Spider-Man…
Can’t stop thinking about how attack on titan is not a romance but how its narrative hinges upon the most devastating love stories I’ve encountered in fiction.
How Ymir and Historia cling to each other under the burden of a crown they didn’t ask for.
How Eren, the definition of an “attack” protagonist does anything and everything for Armin, who shrinks away from violence (despite having to become the embodiment of war).
How Erwin gave Levi the sky, and it is a debt that Levi knows he can never repay.
How subtly yet thoroughly they work Moblit into every scene, a step behind Hanji, cautioning them and supporting them, so that you don’t even notice him until he’s gone.
How Mikasa’s “Akerbond” to Eren goes so much further, so much deeper, because he exhibited such raw, unfettered inhumanity in the name of protecting her when she was a child, when he barely even knew her, and that is all she knows of love.
How Connie feels like he’s lost half of himself with Sasha gone.
How much Carla loved her son.
How much of an impact Marco made on Jean.
How Armin could eat Bertoldt’s love for Annie and have it latch onto his own admiration of her.
How Marlowe thought of Hitch as he was dying.
How Reiner keeps going for the kids he has to mentor.
How Falco put himself between Gabi and danger over and over again.
How violently Sasha’s family mourned but how reverent of her spirit they were to forgive her killer.
Idk man I just think for a show that started off as kids fighting giants and turned into “my war crime is worse than your war crime”, it is driven almost entirely by unique, poignant and thoroughly convincing love stories.
Writing is not always writing.
Writing is being on the train and mentally seeing your OCs stumble into other people, or flinching away from the germ-ridden handrails, or sleeping on each others’ shoulders.
Writing is hearing a song on the radio and watching one of your scenes play out to the lyrics.
Writing is laying on your floor or sitting by your computer and spending hours collaging newspaper clippings or pictures or people or plants together and making something that is completely, uniquely, your story.
Writing is drawing your characters in your notebooks, and making tea only your one, picky character would drink, and writing an open letter to all your characters just to remind them you love them.
Writing is moodboards, and playlists, and crafts, and asks, and prompts, and pictures, and memories, and you.
So never think that just because you’re not putting words on a page, you’re not a real writer. Writing is something that follows you everywhere, beyond the word document, and beyond the screen.
Because writing isn’t something you do. It’s something you are.
bitches b like ‘hes my right hand man’ JUST SAY HES YOUR BEST FRIEND . SAY ITTTTTT