Mothfeather339 - Mothfeather

If anyone is more interested in the work behind the Gävle goat there is apparently a documentary here, unfortunately mostly in swedish, but what I found most charming is that you can climb into the goat through a door in it's behind.

And if you ever wondered: yes, according to rumors a couple have fucked in the Gävle goat. In 1966 in fact, the first year it was up and before any kind of arson. I don't know why they threw that into the documentary but this goat has layers is all I'm saying.

@cactisays I feel attacked

I don't know what this is but I'm tossing it out to the universe now

I think a lot of modern Sherlock Holmes adaptations (as in, Holmes in the modern era) miss out by having Holmes work so closely with the police. A lot of people forget that Holmes was one of the original ACAB bitchies in fiction; he did not like the police. Yes, he worked alongside them sometimes, but he often talked about them with open distain. Sometimes he even worked directly against them (think of The Norwood Builder).

Granted this was mostly because the police lacked a lot of the skills they have today, such as forensics, something that Holmes was an advocate for, and tended to draw conclusions that did not fit the obvious facts. This has obviously changed - the police have a lot more resources at their disposal nowadays, but they are not a perfect institution - far, far from it, and if he were alive today, Holmes would have a lot to say about that.

I wish modern adaptations stayed true to the fact that in canon, Sherlock Holmes was the man you went to if you could not go to the police. If you had, perhaps, a criminal record, were homeless, were POC, were queer, were neurodivergent, an abuse victim, reliant on illegal substances, or even wrongfully accused, Sherlock Holmes would be the man you went to, and he would help you to the best of his ability.

Also, Holmes had his own unique sense of justice. Think of The Abbey Grange - a man murders the abusive husband of an old lover, and the wife is complicit. Holmes and Watson ultimately decide to let them go - Lady Brackenstall was being horribly abused, she was trapped in a loveless marriage with a violent husband. Captain Crocker murdered Sir Eustace, freeing Lady Brackenstall and perhaps saving her life. If the police had arrested Crocker, it would be very likely he would be hanged for murder, regardless of the circumstances.

Then there is James Ryder in the Blue Carbuncle. He, after Holmes pesters him, freely admits to stealing the jewel, but Holmes does not hand him over to the police and instead lets him walk free. It was Ryder's first offence, one he was manipulated into committing, and Holmes and Watson see him as a, quite frankly, pathetic little man. Holmes realises that if he were to turn Ryder in, it would destroy his life - he would be 'a jailbird for life'. Ryder committed a crime, but he is no criminal. Prison would turn him into one.

Holmes takes justice into his own hands, and in a way, it turns him into an anti-hero. But I think this a part of what makes him such a loveable, iconic character.

Holmes has created a 'safe space' within 221B Baker Street. I think this would be extremely intresting to explore through a modern lens.

Snow leopard figurine I sculpted and painted!

Easter falling on 4/20 again this year means all those old 420 praise it vines from 2014 are once again relevant

ab. 1893 Scrap album fancy dress by Madame Gough, London (court dressmaker), Sarah Ann Gough (designer)

silk, cotton, linen, paper, glue, metal (fastening), wood, leather, baleen, wax, paint

(National Gallery of Victoria, Melbourne)

Pyjama boys...

Y’all know i was going to find a way to bring it back to this ;)

Literally cannot remember if you’ve already drawn something like this but I think of Vaschete everytime I see In Bed by Henri de Toulouse-Lautrec

I may have a particular fondness for this subject.

based off this post by @75screamingtoads that made me start watching. as you can see my art gets progressively worse each panel lol

bonus