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Breached: Part 8

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Color symbolism?? In my webcomic? :0

Yep (:

Happy birthday Security Breach!! Here’s another page to celebrate! (:

(Yes I changed the art style a bit. It’s simpler for me to draw and I didn’t like how Freddy looked so… different style!)

Announcing VanWeek2024!

I was inspired by the recent ggyweek created by @puhpandas and with their permission have decided to make my own character week for Vanessa/Vanny!

It is going to run from April 28th to May 5th!

The rules for this week are practically identical to ggyweek for the most part. There are 2 different prompts everyday, but you DO NOT have to do them both.

In fact, you DO NOT have to try and do a prompt everyday if you do not want to. If you want to make something for just 1 day, that is perfectly fine. Feel free to do whatever you would like with the prompts. The only thing each story needs to have is Vanessa/Vanny!

This week is meant to be a fun experience for all involved, which means that works should try not to include anything considered taboo. If your work includes any phobias or extreme gore, PLEASE be sure to tag appropriately.

You are also not restricted to doing just art or writing, other mediums are allowed.

When you do make something, be sure to include the day it is for as well as whether it's for the WORD or THEME in the tags or description. This will make archival and future viewing of these works easier.

Be sure to tag your work (if possible) with "VanWeek2024" and tag this account @vanweek2024

Also try not to release whatever you've made until the respective "day" (ie release a story made for day 4 on day 4, no later, no earlier)

Any work released on AO3 will be archived on this collection as well .

However, the most important thing of all is to...

HAVE FUN!!! This whole event, like GGYWEEK, is meant to be a relaxed and enjoyable experience for everyone!

taken from my instagram but i don’t feel like editing my @ or omitting the shadowban thing

sorry to deviate from my usual content. hopefully we’ll be back to normal on here soon <3

NEW FTF STORYBOARDS DROPPED.

Willow was originally gonna say "I'm really glad you're still here"

and I'm totally normal about it.

IM VEEEEERY NORMAL. VERY.

Speaker Deck

Owl House- "For the Future" act3_ roughs

Sequence by Luz Batista This is my "roughs" pass. Cleans coming soon.

Speaker Deck

Owl House- "For the Future" act3_ Cleans

Ellie’s character sheet for Breached. It’s our amnesiac gremlin child :)

There’s like… 0 fics for my favorite video game (Miitopia) which is honestly kinda a crime. The whole game is a glorified fanfic.

I love writing my sillies running around completing quests while the world burns down around them. Let me have this!

“why would you write fics for small, unpopular fandoms? you’re not gonna reach that many hits in fandoms not many people know about” ?? because I’m not writing fics for hits or kudos, I’m writing them for me because these characters are my blorbos and I have so many ideas, so much thoughts about them that my brain might explode if I don’t write them out.

ADHD

The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:

Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.

Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.

When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.

King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.

Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.

Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:

which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.

Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.

But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.

The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.

Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.

I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.

There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:

is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.

It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:

The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.

I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.

A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.

I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.

It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.

It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.

Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.

"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.

Watching and Dreaming isn't 2 years old now wdym

Ah yes. The 10th