A Long Time Ago An Anon Asked My Thoughts About Drawing Backgrounds, So I Finally Got Around To Putting

How to “Stained Glass”, Part 1: Lineart

Since I was asked how I do my stained glass look, I’m making this little tutorial to give y'all some pointers, so you too can make art that looks like this:

Broken up into two parts: Lineart and Coloring

Part two will follow soon!

[Read more for lenght also my first language is not english, but I hope everything is understandable!]

Czytaj dalej

I made a tutorial! I hope it is helpful. Some of the styles of eyes are from Studio Ghibli,Sailor Moon, Pokemon, Dangan Ronpa, Fire Emblem, Ace Attorney.

Please ask me if you have any questions! <3

Hey sorry to bother, tumblr mobile is hot garbage and I was looking for something specific you posted a while back. It was a post with some tips for drawing I think outfits, and I honestly only remember a bit I think you said basically pick where you want more details to be focused?? With example like simple top+detailed bottom and vice versa. Sorry if that's a weird or bothersome ask? U don't gotta answer obv. Maybe I imagined the post or smth. I was just wondering if by chance u could reblog

i couldnt find it either but i think you might mean this stuff

enjoy

i am SO sorry for the super long response, but i thought this might make a nice little tutorial opportunity, since soft body physics can be… frustrating, to say the least. i’ve noticed that it tends to respond better to spherical meshes than most others, so getting it to work with something with a lot of hard edges and flat planes can be a little tricky (at least in my experience).

so! to get started, here’s my basic setup

the only thing i’ve done so far is place my object in the scene, along with a plane to act as the ground and a camera to record everything.

next you want to select your object, and in the properties menu on the right, select the physics tab (should be the very last one, the icon looks like a bouncing ball)

and for your object, you want to apply a collision and a soft body modifier (some people use rigid body instead of collision, so if you have issues with one there’s a chance the other might work out better. as for me, i usually stick to collision)

then select your plane and apply the collision modifier only.

now when you hit the play button at the bottom of the screen, this happens

it’ll just kinda float in place.

so to fix that, you select the object, go back into the physics menu, and look at its soft body settings

now uncheck the box that says “Soft Body Goal” (this’ll let gravity do its thing)

now when you press play after that

poor dude just kinda dies.

so there are a couple things i like to do to help it not… do… whatever that is.

go back into your object’s soft body menu and click on the tab that says “Soft Body Edges”

now underneath where it says “Collision:” you want to make sure that you have either “Edge” or “Face” (or both, why not live a little) applied to the object (this can help prevent clipping!)

we’re trying to make it wiggle n’ jiggle while still maintaining its shape, so what usually works for me is to crank up the “Bending” spring as high as it’ll go (which is 10) and enabling “Stiff Quads”

and we’re left with this!

and that’s how i do it! there are probably more efficient ways to get this effect, but for me

Custom brush tutorial kinda??

Heres how you can make pixel brushes in Clip Studio Paint

first make a little pixel pattern and made sure that the background layer is transparent.

then you want to select edit -> register material -> image. this i remember from trying it before

next name it and choose a place for it to go among the others. doesnt matter where really. also check the texture box.

next to make the brush choose whatever brush that youd like to give it that has the properties you want and copy it. i just chose the standard oil brush. go to the copied brushes settings and click texture

click where it says none and find the brush that you made. after you click it change the setting to this

for me the texture works for subtract, multiply and compare. dont really know the differences between them all or form the others but for what i wanted those three seemed to work.

i did this for a bunch of different pixel patterns and brushes and got some cool effects! check it out!

i appreciate all the help and suggestions yall gave me!

maybe once i figure them out some more i could offer stylized commissions with them :V

I have two questions! First: have you ever thought of doing a tarot card suit for your characters? I think it'd work really well for them! And two: help me how do I draw legs

@gravitality

Hi!! I’ve absolutely been thinking about that, yeah, in fact I recently talked about that to my boyfriend just recently. It’ll likely happen after october! And to answer your second question! I made a thing on legs that i hope you’ll find useful!!

So. I’ve already explained basics on legs here, but I don’t think it hurts to go through some extra details to help you understand legs some more.

The very basic thing is to imagine legs as teardrops. Again, this has already been covered in said tutorial above, but I figured it’s still good to mention even the most basic thing that I know of. I still highly recommend you check it out to get in more detail and to see some other examples and practices that you do. But basically, think of legs in the shapes of teardrops, when it comes to shape. If you need a simple stick-figure to connect the legs in the first place, make sure that they bend at the knees a bit so that the legs don’t come off as stiff and unnatural. 

As you can see, this method works perfectly for realistic legs as it does for stylistic ones. Remember to use these as a guideline, never to be the exact base of the legs you will be drawing. If you draw traditionally, remember not to draw these guides too hard, or they will be hard to erase/do freestyle!

But how do you actually draw out the legs without drawing them perfectly straight, as shown to the left? The trick is to add volume to them, and how you do that can be winged to your own liking. The idea is to think in curves. As no leg is perfectly straight. You may make these curves minimal if you don’t want them to be curvy, but keep in mind, still, that not even your own bones are perfectly straight, so it is highly recommended that you make them bend, at least a little. 

It all depends on how you draw them as well. Say you put your legs together, as shown in this picture, what happens to the fat and muscle? Naturally, they press together, much like how thighs squish on the surface when you sit down (I’m sure most people know what I’m talking about). Make sure this shows in your art! This is very important to keep in mind, because it makes it all look more natural and believable. Try to cross your legs or stand up and sit down again for real-life examples!

The same applies for stretching your legs, more or less, except they appear to become more ‘hollow’ and slimmer. They become less soft to the touch, too, and might show. Try stretching your legs and feel where the muscles tense and where it feels ‘hollow’. This is very helpful with your art.

Many leg tutorials talk about legs without mentioning the behind. It requires a tutorial on it’s own, in all honesty, but this is the most simplest way to draw it connecting to the legs. Remember that it comes in many different shapes, and this is just a super basic guide! Two circles overlapping, while following the line and flow of the legs. Remember the muscle/fat as mentioned above!

Okay, so we got the basics of leg shapes figured out? What if you want o draw them in a certain pose, or with a certain silhouette, but perhaps do not have the reference for it? Or you want to blend your style into it? The key is to not shy away from doodling the form. Make mess, draw lightly and don’t care about the anatomy. That way you’ll get everything down without it appearing stiff. You can clean up the sketch later, always, and if you can, use a reference after you have drawn your pose, to correct your drawing.

Remember that the hips do a lot to the pose of the legs! Make sure they are in flow with your legs, so that it can look more natural. Remembers that hips ‘rotate’ with the spine.

I’ve talked about this method before when it comes to posing, and the same applies for the legs. One way to make legs appear ‘steady’ is to picture them standing in a line, and one of those legs need not to stray from the lines too much, making it steady. If you want a dynamic pose despite the steady pose, you can always have the other leg stray from the line, since it only matters that one leg is steady. This method can create good, casual poses without making them appear boring. (also notice how the teardrop shapes are used here, despite the highly stylized legs)

Do you want a highly dynamic pose, or them to appear unsteady, then skip the line entirely and make both legs aim away from it completely. As you can see, the legs appear more moving, in action, as if they’re fighting, falling, or dancing. As you can imagine, this is not a pose that one could stay steady on, suggesting that it’s taken mid-movement. More about posing and this ‘line’ method is talked about in this tutorial.

Hope this helped you, if you have any questions let me know, and if you’d like to check out all my tutorials they can be found here!

Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring

I have no Idea how many people know this but its a life saver

Start off with a crappy scanned/phone taken picture like so

Mess around with the SAI Filters, I usually go color deepen all the way to the left then mess with brightness and contrast until I find a good balance I like, then to top it off with a copied layer on multiply to make the lines darker

Click what I boxed off and the magic has already happened

you now are left with a clean lineart layer that you can color underneath to your liking : 0 Hell you can even color your lines however you want as well for a colored lineart