“Better To Put An Idea To The Page And Draw It Badly Than Never Set It Free.”

To add a little fine detail to this, I like to think that Gandrayda’s whole shapeshifting ability needs a not insignificant amount of sourced energy. She would need to, say, tap into a ship’s power grid and siphon some energy out before transforming.

So imagine that scene aboard the Mothership where she reveals herself to Samus happening soon after a power flicker that cuts the lights out for a second, then it happens again as she leaves. Could be a really interesting tell for when she’s present, having a mini power outage.

Of course, with the PED equipped, that energy can be sourced from the Phazon growing inside of her, making her all the more deadly and capable. There’s no tell any more, no indication that she’s in your midst.

Headcanon that Gandrayda's been employed by the Federation as a spy for a long while; Specifically, to keep tabs on the Space Pirates. She was the one who reported that Mother Brain was responsible for controlling the Metroids, and with her destruction, the Metroids would turn on the Space Pirates, hence why they're used and prioritized a lot less in Prime and Echoes, and have a tendency to turn on their 'owners'.

(As for why we see Metroids feeding on Space Pirates in Zero Mission, it's because Mother Brain is a cruel entity who rules through fear and needs to feed her bioweapons; She doesn't mind disposing of lesser pawns, especially if some of them doubt her authority.)

If Metroid were to have a story adaptation... During the Zero Suit portion of the first game, Samus would find herself cornered at one point by Space Pirates; Only for one of their own to turn on them, shooting them down. Said Space Pirate reveals themselves as the spy the Galactic Federation alluded to, the one who dropped all of this key intel regarding the Space Pirates' Metroid operation.

Gandrayda isn't explicitly identified, not yet; But her wink, the way she calls Samus 'Sammy' and her leitmotif at the end; These hint to that. Plus, maybe she can take the form of an Urtraghus Space Pirate, adding to the implication and to allude to how Gandrayda debuted in Corruption and did take such an appearance there. Maybe the Space Pirates would have a more mixed army pulling from all the species we've seen, or they'd operate separately and in their own sectors, requiring Gandrayda to imitate a Zebesian idk.

The main reason why the Federation didn't notify Samus of Gandrayda is that she wasn't supposed to be on Zebes during the Zero Mission; She was stationed on the Space Pirate Mothership, which was locked in battle with Adam's fleet elsewhere (as shown in the manga). But when Ridley received news of Samus' infiltration of Zebes, he immediately flew the mothership back to that planet; Hence why in-game, he arrives about halfway through. Gandrayda stayed with the Space Pirates she'd infiltrated.

Otherwise, the Federation would've notified Samus of their spy on Zebes; Because they wouldn't want her to accidentally kill such a key asset. Plus they'd explain to Samus that the spy will introduce themselves as Gandrayda, since the Space Pirates don't know about her yet, but may suspect a spy; This is to play it safe so Samus knows she can trust whoever she comes across, because communications with the Federation are cut off on Zebes due to Mother Brain's monitoring and ability to intercept (This required Gandrayda to get off-planet to report intel).

But Gandrayda was supposed to be on the Mothership, which Adam was supposed to destroy after she fled through an escape pod, so none of these instructions were required at the time. So after saving Samus, Gandrayda leaves to maintain her cover, not bothering to elaborate on her exact identity. It's only in a future episode, somewhere between the games and before Corruption, that this Space Pirate spy is elaborated on to be a shapeshifting bounty hunter.

Gandrayda ends up playing a key role in saving the galaxy, acting as a turning point for the Federation's victory, much in the same way Samus herself did; Unlike other hunters like Rundas or Ghor (no offense), Gandrayda and Samus were both responsible for key, specific actions that nobody else could've done. And these actions shifted the tide drastically, changed the playing field definitively.

As a result, Gandrayda considers herself just as much the Hero of Zebes as Samus is to the rest of the galaxy; She can literally be the 'Hero of Zebes' herself by turning into Samus. And this helps drive her one-sided rivalry with Samus, especially since... Gandrayda can't take credit the way Samus does.

Not that Samus tries to; But in the end she's recognizable, she's a unique bounty hunter with iconic armor that anyone can see at a distance. She CAN be stealthy but she's also just as capable at blasting her way through an entire planet. Being well-known helps her career, it creates a bogeyman to terrify the Space Pirates, and a symbol of hope for the galaxy that the Federation can always remember if they're out of all other options.

Gandrayda can't be that; She's best suited as a spy, an infiltrator. Someone people don't notice, someone most of the galaxy, and even the Space Pirates, don't know about; So they can't suspect that someone they know they can trust has actually been impersonated by Gandrayda. She's meant to lurk in the shadows, she doesn't go the big and explosive, glamorous work. Her entire gimmick is being unrecognized, what is she without that?

And this feeds into this deep-down inferiority complex and resentment, including towards Samus. Not that she ever externalized it... Until Corruption, when Dark Samus took control and brought out the worst of Gandrayda through Phazon. That was when she actually revealed herself to the Space Pirates, many of whom still feared Gandrayda as secretly fooling their god into believing she was on their side; Not that they'd ever openly doubt Dark Samus' own evaluation of using Gandrayda. And it turned out they had nothing to worry about, alas... But the fear was in a way a form of recognition, validation even, for Gandrayda. She was otherwise a secret even to most of the Federation military, with only the upper echelons knowing of her.

Me when my favorite Tumblr users infodump Metroid fanons.

Please, I need more. It sustains me.

(Art by @tsproart )

What happens if you climb sideways?

my job in the pirate base is to climb up and down the walls

Space Pirate Design Ranking Part 2

2nd place: 2D Sprite/classic Zebesian

I’m grouping all of the original game sprites from the OG all the way up to Zero Mission together as they have very little differences, and with how pixelated they are, those differences really don’t amount to anything more than a slight change in position or fidelity. The Zebesian Space Pirate design is a classic. I had seen the 2D cosplay of a Zebesian before I was even a Metroid fan and always thought it looked cool. There’s an intimidating factor to it with its hunched posture and agility. The “big snappy lobster claws”, as FatBrett so eloquently put it, make them instantly recognizable. The heads also feel very serious and intimidating, with the downward curve and alert gaze. You get the sense that these guys take their role seriously. They are good at what they do, no nonsense professionals.

And for the winner!

1st place: Metroid Prime

These guys are just fantastic. Sure, it can be argued that they’re a bit generic, but I think the sense of identity and visual storytelling that these guys bring to the table just takes the cake for me. Firstly, the addition of the arm mounted energy blades is really cool, and giving a standardized “tool of the trade”, so to speak, does a good bit to make them more unified. In previous entries, unless you looked at a manual, you couldn’t really tell where the fauna stopped and the Space Pirate menace you were sent to eradicate began. Metroid Prime, however, makes that distinction exceedingly clear. In addition, the inclusion of the metal crudely grafted into their bodies really does a good bit to sell the portrayal of the Space Pirates’s modus operandi of going as far as possible with scientific advancement with zero ethical limitations, all in the name of gaining a combat advantage over all that would seek to stop their conquests. The storytelling here is really a thing of wonder. For more on that, I recommend FatBrett’s video on the Space Pirates in Metroid Prime. It goes into more detail here than I will here.

Regardless, all of these designs are, at the very least, good. They all have things going for them that I truly dig. From the immense storytelling of Metroid Prime’s Space Pirates, to the intimidating skeletal appearance of the Echoes Pirates, to the back pointing spines of Other M’s Zebesians, there is always something to like about the designs of the core infantry of the Space Pirates.

Space Pirate Design Ranking

The Metroid series has a boatload of different designs, completely changing between every game except the 2D iterations. Some think it’s simple design inconsistency, others think that they’re different genetic manipulations of the same species, while others (including myself) are of the opinion that the Space Pirates are a collective made up of various species. Today, I’ll be ranking these designs based on what they convey and, simply, what I think is cool and aesthetically pleasing. For the sake of simplicity, I’ll only be ranking the standard Space Pirate variant of each game, the “core enemy type” if you will. And yes, Metroid Prime 4 Beyond is here, though its place in the ranking is subject to change as we get more closer looks.

7. Metroid Prime 2 Echoes

Some people may consider this a sin to put so low on the list but, to me, this really just doesn’t fit the whole vibe of the Space Pirates, especially in the Prime series. In the Metroid Prime saga, the Space Pirates are an authoritarian empire who recklessly abuse technological advancement for the sake of domination. This just… doesn’t say that. It’s a good design, don’t get me wrong, but this really looks like some weird skeleton knight. I could see this crawling out of some crypt to seek vengeance, not descending from a space ship to plunder. For that reason, I gotta put this guy in last place.

6th place: Metroid Prime Federation Force

For many of the problems Metroid Prime 2’s design has, I think Federation Force remedies… and then makes the opposite mistakes. Federation Force’s Space Pirate design is, canonically, around the same height as Metroid Prime’s Omega Pirate. Why make mechs for your game if you’re just gonna scale the enemies up anyway is anyone’s guess. With that in mind, I kinda like this as a heavy unit for the Space Pirates, but the center of this design just is a bit hard to look at. I love the limbs and the inclusion of the iconic Prime Pirate energy blade. There’s a mix of fleshy joints and tough, metal plating that I enjoy, I actually like the bright red eyes as well, especially for a heavy unit. But the carapace around it just feels… it’s kinda hard to look at. That mouth, as well, is just a bit too buggy and lacks expressiveness. Really, that’s my edict on this thing. Good extremities, but lacks expression and is generally tough to look at. Still, I imagine someone could retool/retexture this thing to be a real banger of a design.

5th place: Metroid Other M

From here on, these designs are ones I truly like as Space Pirates. Metroid Other M’s Space Pirate design was a tough one to find a good image of. This was about the best one I could find in a cursory search. As far as official designs go, I think this is the best translation of the iconic Zebesian Space Pirate to 3D we’ve ever gotten. There was a small effort made in Prime 2 to bring the claws back, but here there are on full display and they look great. The whole design is, honestly, fantastic. You can see the smooth bands around the limbs and torso, downward pointed jaw, and the big, smooth, blank eyes of the old sprite. The spines on the back and head really add some personal flare to these guys as well, and the whole design has a delightfully cheesy color scheme that I simply adore. I think the series has designs that evoke certain feelings and themes better, but this is certainly a fun looking guy.

4th place: Metroid Prime 3 Corruption

Unlike every other type but the Zebesians, the Space Pirates of Corruption have a distinct name based on the Homeworld we explore, Urtraghians. There is a distinctly pseudo organic bend to these guys, with the textures on the armor plating feeling almost Xenomorphic. However, where I think this design stands out is, of course, the head. The long, pointed teeth clearly visible under the rows of eyes really makes this eel-like head intimidating. You can really imagine the Urtraghians descending from their ships in a city, gunning down innocents and plundering whatever they choose. These animalistic terrors will smell where you’re hiding and drag you out kicking and screaming. It really fits the Space Pirates’ role in the story. From day one, they really have just been a bogeyman for the Federation. We rarely actually see them doing… ya know… pirating. The rampant technological obsession was a concept introduced by the Prime trilogy. As a design for the Bogeyman of the Galaxy, I think the Urtraghians work great.

3. Metroid Prime 4 Beyond

Haha, 3 is for 4 and 4 is for 3. This will be subject to change and many people might not rank them until we get clearer images, but uh… I’m doin it. Beyond’s pirates have a very buggy design, but in a way that’s parallel, not identical, to the Zebesian designs from the 2d games. Their mouth is split into mandibles, they have a hard carapace, and their movements can be jittery and unsettling. The large size of them compared to the Federation personnel seen in the trailer really evokes power and control. Their armor has outward pointed edges and defined pectorals. These are conquerors, proud, undefeatable warriors. The sparseness of it also evokes a sense of confidence, as if they don’t need a full covering when their hardened shell is so superior to weak flesh. It’s almost ornamental in a way. (Though someone should remind them they lost in every previous fight against Samus). Their mandibular maws, hunched backs, double thumbed hands, and digitigrade stance (standing on their toes with their heels off the ground) also evokes a certain other core enemy type in a sci fi shooter.

I’m going to leave it here for now as I have some other stuff to get to at the moment and I Forgor the image limit on Tumblr posts. I’ll get the ranking for the final (first?) two designs by the end of today. Then, I might make a post about what roles I’d fit these different species into for my own storytelling purposes.

Haruna, anamahar hasana. Dara esen mir, muk atamis. Ana maril banta dosh sahar.

[Translated from Chozo]

-Live, my tribe. More than that, be yourself. I will try to help.

Happy Trans Day of Visibility to my tribe, anamahar hasana. We have tough times ahead. We’re living in them now. But we must fight. We must protest. And yet, we must never let the gloom poison our sense of self. We are transgender. Never let any voice, inside or out, pry that from your grasp. Hold on to your sense of self.

Maytroid!… sort of?

So contrary to my name, I don’t actually do a whole lot of art. It’s quite rare in fact. What I do more often, though, is write. I made a previous post about some tidbits about my own Metroid AU I’m working on. So naturally, for me, I wanted to do something similar for Maytroid. However, I felt like prattling on about the different characters and creatures for each prompt would get old pretty fast. So instead, I’m gonna style these like data logs that Samus Aran might have scanned throughout her various missions. There will be some areas that may change in the future, especially where I’m approaching the topic for the first time, like with Z-57. To avoid spam, I’m going to group these into weeks, releasing a group of these “scans” every Friday up until the end of May. Without further ado, let’s begin. 

Day 1: Ruins Test

Chozo mural transcribed and translated

“The greatest warriors of all peoples and all walks of life are not measured by their capacity for violence and destruction, the power to end life. A weapon does all of these things. What a warrior is, what a warrior is attuned to, is his moral compass. Without it, a warrior is simply a weapon, pliable and controllable as the blade, or indifferent and rabid as a roaring flame. To be a warrior and lead warriors relies on your ability to take life and preserve your mind, conscience, and convictions. Of all the wonders that we, the Chozo, bring forth, none are so valuable as the absolute attunement of the mind. And yet, it is one we cannot give. It must be found.

Find it.”

Day 2: Omega Pirate

Scan of Glaxamore data terminal from operations on Tallon IV

“Subject 42 mental acuity has experienced minimal degradation. Upon numerous tactical exercises, carefully trained to minimize subject’s innate advantages brought about by Phazon, tactical prowess has been measured at 40/35, well within expected parameters for standard soldiers. Subject has been agreeable and eager during testing, needing minimum coaching to enter suspended animation, surgical procedures, or live fire interviews.

However, there have been questions and concerns regarding the possibility of sudden and catastrophic mental deterioration. Subject 42 has multiple times reported hearing whispers and visions when inert. Subject has additionally reported dreams of planets completely enveloped in Phazon. While the possibility of locating such a deposit of Phazon would be invaluable to securing Glaxamore’s supremacy, and the study of Phazon Parapsychology is still burgeoning, such dreams have been deemed too unreliable to warrant the resources necessary to locate such a planet.”

Day 3: SA-X

Ship log: Presence Queries

Subject: Samus Aran

23:04 (Landing bay)

23:28 (Medical ward)

06:45 (Facility Lab Entrance) (Medical Ward) Addendum: Triangulation Error

06:47 (X-Parasite Containment) (Medical War) Addendum: Triangulation Error

06:53 (X-Parasite Containment) (Nautalis Containment) (Medical War) Addendum: Triangulation Error

Multiple triangulation errors detected. Location data deemed unreliable by Aurora Unit.

Day 4: Spire

Intel Scan

Individual appears to be a Diamont. Galactic Federation records list the species as extinct after the destruction of their star. Biological scans indicate individual is 572 DY, making him middle aged by Diamont standards. Hormone and body language readings indicate he is experiencing immense and repeated emotional distress.

Day 5: Experiment Z-57

Battle Scan

Creature appears to be Corpius specimen with heavy biological modification. Immediately identifiable modification include various flesh grafts, four bio-prostheses, poison glands, and a low intensity plasma cutter. Scarred into the creature’s flesh are the Chozo words “Hadar sen Olmen”. The end result of the modifications is increased speed and dexterity, heat resistance, a poisonous bite to unarmored bio forms, and a powerful ranged attack. Log will be updated with further data upon availability.

Why did ZDR explode in Metroid Dread?

From the moment that many defeated Raven Beak and his X clone in Metroid Dread, many have wondered why the planet of ZDR went on a self destruct sequence strong enough to turn the entire planet into a debris cloud. Honestly speaking. I can see two main reasons for this, though they are, admittedly, mostly conjecture.

First option, and the less satisfying, is the accidental option. The exploration throughout Metroid Dread involves not insignificant amounts of redirecting magma and thermal energy from different areas of the planet in order to safely progress through various areas. One such sequence involves the X copy of Experiment Z-57 jamming the entire system, freezing vast swathes of ZDR into an unforgiving tundra. It’s possible that through the rapid back and forth of magma flows and geothermal energy from throughout Artari, Cataris, and elsewhere caused a chain reaction that lead to a complete collapse of the derelict, Mawkin infrastructure, especially without the Central Units to modulate the shifts.

The second, and more motivation driven option, is a plan from Tanumar of the Mawkin himself. Raven Beak isn’t an idiot by any stretch. He was able to contain an X outbreak into Elun in quick enough time to prevent a full scale infestation of the planet. While he is arrogant, self centered, and cruel, he is not without any care for the well being of the universe. While he is willing to subdue the Galaxy by force, I doubt he is willing to allow even a single X parasite to escape ZDR. His plan is to bring order to the Galaxy, after all. It is likely that, once the X were unleashed, Raven Beak got to work on a plan for blowing up the planet. We explore very little of the Itorash within Metroid Dread, so it is possible he had all of the equipment needed for his cloning operation within his ship, so he could escape the planet, destroy it, and carry out his plan. For all we know, that countdown had started the moment Samus entered the Itorash, but only started showing effects once we get our own timer.

Solomon Aran is Samus’ brother of dubious canonicity who disappeared during the attack on K-2L. He didn’t die unlike everyone else, nor did people assume he just got vaporized. It is said he disappeared.

We all say Samus is trans.

S*lomon is Samus’ dead name obviously and she never bothered to correct the Federation records of the incident, because in a way Solomon DID die on K-2L. And also she’s fine with everyone naturally seeing her as just a woman and nothing else (in terms of gender, in terms of species she’s also part-birb but Samus embraces that bit so it all works out).

Me realizing my promise to release my Metroid fanfic “Before Metroid Prime 4 releases” now has an actual deadline.

It’s my blog, and I get to nerd out about Metroid fan covers if I want.

Track 10: Power

I swear, I love this track so much. I was never a fan of the original Raven Beak theme. The percussion felt lacking, the vocal element didn’t seem to match the gravity of the situation, and the overall track just seemed discordant and lacking pattern. However, “Power” absolutely improves upon the base track in almost every way I can possibly think of.

The entire album returns a lot of old leitmotifs, from the iconic Brinstar depths, to the chase theme of the SA-X. Most importantly to “Power” is the eerie loop of the Super Metroid save room. It appears elsewhere in the album, but it is actually the first leitmotif within the final track. Its inclusion is brilliant. Raven Beak has been spying on us, lying to us, and manipulating us through the Network Station save rooms. To hear this leitmotif turned sinister is a perfect display of the realization that we were never alone, and NOT in a good way. The track then transitions into Samus’s theme, then Raven Beak’s leitmotif in a monologic fashion, perfect for Raven Beak’s declarations and ordering of Samus to capitulate. The almost vocoded vocal element really excels here as a low hum in a moment of intermission. You can imagine Raven Beak pacing about his thrown room explaining the necessity of his schemes, and his justifications.

Then as the actual battle portion of the song begins, we see that the pace is slower than the original, allowing the Raven Beak leitmotif to really shine and draw itself out. The save room leitmotif is carried over, as well, adding some variety and vigilantly reminding us of how well our enemy knows us. The full vocal rendition of his theme just fits so damn well with his overwhelming power and technology. We actually get a bit of the heroic part of Samus’s theme as well, perhaps to mark a significant set of blows. Then a brief interlude of the darker first half of her theme, no doubt signifying Raven Beak losing one wing and tearing off the other himself. The final act of the song shows a distinct level of desperation on the part of both combatants. We can imagine that they are both running out of resources, and the looming threat of planetary destruction. The finale showcases Samus’s theme and closes very upbeat. However, we all know that victory doesn’t quite happen as Samus anticipated.

Though it does come in the end

This track has given me several ideas for my own rewrite of the Metroid saga. I constantly had the idea of the throne room being heavily damaged throughout the fight, cuz, I mean

Look at that massive beam. There is no way he isn’t at least singing the banners. However, “Power” makes me think more into it as symbolism for Raven Beak dismantling Chozo society and morals in order to fit his own insane agenda and ideals. I could even see the towering Chozo statues tumbling down onto him during the final phase of the fight, as if their likenesses are throwing themselves upon him, begging him to cease this madness, to stop attempting to kill his own daughter. I also imagine both of them losing weaponry and tools throughout the fight as well, further amounting to their desperation as they run out of power bombs, super missiles, miniature suns, and other critical ammunition. I also like to think of Raven Beak using a spear like other Chozo warriors, but being disarmed of it throughout the fight, showing that he is no rightful heir to their legacy. There are so many ideas floating through my head on the matter.

In any case, Sam Dillard did excellent work here. And you should ABSOLUTELY check out the album! The link for it is in the video description.