Latest Posts by nettlelove - Page 2

Let the poor man rest.

I'm terminally online but in a well-adjusted way.

idk who he is but as a black person this got me hyped

I had a great time! Hope everything turns into the happy ending they deserve!

“they were flirting with you” and how was i supposed to know such a thing when everyone speaks in codes and puzzles

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

“I can’t carry it for you, but I can carry you,” is one of the rawest lines in all of fiction and it pierces me like a blade every time I hear it

Civil Service, Claire Schwartz

YUJI ITADORI & NOBARA KUGISAKI JJK: Season 1 Episode 24, Accomplices

Sukuna throwing feints at Mahoraga

nobaras

for the people who are just too far away

i cannot emphasize how necessary it is to have a buddy to participate in fandom with. completely elevated experience. don't have a buddy? find someone you like and message them and be their friend. gush over every sketch and drabble and insane headcanon they have. live life to the fullest.

Good morning ☀️

It's okay, we're the strongest

it's me and the four people on ao3 who understand my favorite character in the exact same way against the world

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

Understanding Tsumiki and Megumi's relationship

Hey there! It's me, Megumi's defense attorney - here once more to defend my boy.

I've been seeing A LOT of people saying they cannot sympathize with Megumi's grief because they don't know Tsumiki that well. And although I would argue that you don't need to know the person who died for you to sympathize with the one who was left behind - I do understand what these people mean, i don't agree with them! But I understand why they think this. And yes, we dont know Tsumiki.

However, we first need to understand why gege chose to present Tsumiki this way. On a surface level, she can only be seen as 'the thing that would cause Megumi's downfall' - we dont know her thoughts, her ambitions, her real personality, anything really - except for what Megumi says about her. A 'textbook good person'.

And that's because she is a character that we were only able to see through someone else's eyes. We don't know Tsumiki, because Megumi doesn't know Tsumiki.

BUT WAIT!! What do I mean by that?

Before that though, I would like to say first! This doesn't mean that Megumi's love for her is diminished by this. Just because he doesn't know her doesn't mean he doesn't love her. Megumi cares about her more than anyone in his life, and that's a fact!

Now we can proceed! What does this mean? Let's look at this page from ch 56: origin of obedience:

This was a case that they have been investigating, and it is pretty damn close to Megumi's and Tsumiki's old school. And yet, the thought that Tsumiki might have went to the bridge with her classmates never crossed his mind. He doesnt know that Tsumiki is someone capable of breaking the rules, going against curfew, and joining her friends to go to a haunted bridge in the dead of night. This boy Megumi thinks his sister is a damn saint.

He put Tsumiki on a pedestal, and it resulted in her turning into nothing but the mold of a good person Megumi uses to judge other people. If a person is not Tsumiki-shaped, then they're not worth saving. ((Luckily for Yuuji, he IS Tsumiki-shaped lmao. But anyway!))

Truth be told, I used to think it sucks that we never knew Tsumiki outside of what Megumi says. I never felt bad when she died, I felt bad that Megumi's sister died. I felt bad FOR Megumi.

And now that I actually think on it, THAT was the exact point. We dont NEED to know Tsumiki, we only needed to see her through Megumi's eyes - and through that, understand that Megumi doesn't really know her that well.

It is something that Megumi have to mull over. Why did he keep Tsumiki at an arm's length despite how much he cares for her? Why is it so hard for him to let people in? Why is asking someone for help so difficult for him?

ITS BECAUSE OF THAT MFKER TOJI!!!! IM TELLING YA'LL!! /hj

Look at the face he was making in Toji's memory. That's a kid who shows his emotions outright. My boy is pouting (つ╥﹏╥)つ. But when Gojo met him, Megumi has become a total idgafker (at least on the outside). And thats not only because Gojo was a stranger - coz thats how he looks like when he talks to Tsumiki too. It's because he became that way when Toji left.

Anyway, my point is, due to Megumi's abandonment issues - he never let anyone in. EVER. Not even Tsumiki. Megumi put a wall between him and other people - for his own protection. The one who came a little bit close into breaking that wall is Yuuji (and we are yet to see how that goes).

And this is why, we as the readers are all detached from Tsumiki's character. Because we saw her through Megumi's eyes, who loves her and cares about her very, very much - yet despite that he never let her get too close. (っ- ‸ - ς)

If you read up to here, whats up! Thank you for reading! Feel free to counter it or anything, Im happy to discuss!

((also something to add: Megumi cares so much about Tsumiki because she's the first one who actively chose to stay - amidst all the people who left.

this was inspired by a great megumi character analysis i found on twitter:

read it if you have time! its really good!

LOVE WILL FIND YOU AGAIN AND AGAIN AND AGAIN AND AGAIN AND AGAIN AND AGAIN EVEN WHEN YOU THINK IT WON'T

aberdeen in the fog

"Gojo should've gotten to live as a person-" THAT’S THE POINT. That is the ENTIRE point of JJK. Every single character who died was someone who "should've gotten to" do a lot of things. Riko should've gotten to live for herself, Geto should've had the chance to be a teenage boy given support and safety, Junpei should've gotten to live without fear, Nobara should've had the chance to let people in without fear, Nanami, Yuki, Mai, Higurama, EVERYONE.

Here's the thing, Gojo is on this list. Gojo isn't the exception because JJK at its core is a story about how overarching systems destroy people; bullying, capitalism, sexism, etc. And this system does not need people to run it. Which is why killing Kenjaku didn't stop shit because yeah he started this mess but its grown beyond him. Fuck, it was there before him.

This is also why despite Sukuna & Uraume being the only ones who are actual threats, nothing is better. The cast got rid of the higher-ups, jujutsu tech as it is, is no more. The major families are dismantled. This should be a victory. This is what the Sashisu gen pointed out as the problem but things have never looked more bleak.

Why? Because the problem isn't Kenjaku, Sukuna, curses, sorcerers or curse users. It's the existence of Cursed Energy itself. This has been pointed out multiple times by Yuki. Its the system and Gojo has been complicit to the system for a long, long time. He's also it's victim. Gojo says he's the exception a lot, but as everyone has rightfully pointed out, he was nothing more than a weapon to jujutsu society.

JJK has followed a very clear pattern to every character right from Geto to Junpei to Riko; characters are representatives of systems of suppression, and they will not escape it. I can't recall a single character that's escaped unscathed, much less alive.

Is it disrespectful? Yes. Is it demeaning? YES. There has not been a single character death that's been dignified in JJK. It's all on a scale of bearable to absolutely horrifying. It is genuinely wild seeing people resort to threatening the author AGAIN. Calm the fuck down. You are entitled to feeling upset about how Gojo has been treated but Yuta stans are being calm despite Yuta arguably suffering the "he is a weapon" thing WORSE. It's still a fictional character and JJK's narratives never treated Gojo with any exceptions despite the character saying otherwise.

Maybe you already know: how SatoSugu gain a whole new word for their relationship

- brought to you by JJK's production team (including Gege Akutami)

The tweet above is a QRT from one of the video producers for Gojo's 11-hour long tribute video, streamed on 3rd April till midnight to celebrate the release of JJK volume 26, "Heading South", on 4th April 2024. The video title is 孤高、廻想、融独 (Solitary, remagine, [fusion/melting]), revising Gojo's nice moments in his life with his friends and students.

The tweet says:

"We were involved in the planning stage. A "best friend" (「親友」/shinyuu) is a "toxic" (「有毒」/yuudoku [1]) and "melting" (「融独」/yuudoku [2]) existence. This is just our interpretation, but with everyone's thoughts, we have the final answer. We hope to able to encourage you to get Volume 26 even just a bit." (this is rough translation)

What is really the center of attention is this word 「融独」/yuudoku [2]. This is the 3rd word of the video title, but surprisingly, this word doesn't exist in the Japanese dictionary.

It is a completely new word created by the production team to describe part of Gojo's life. At the beginning, even Japanese fans had a hard time understanding what this word means. However, after Vigneravan's (the video producer) tweet, it is confirmed that 「融独」 is related to 「親友」/shinyuu/bestfriend. Gojo only has one and only one bestfriend, so this new term points to Geto.

The producer says "a bestfriend is a 'toxic' and 'melting' existence" when talking about Gojo's bestfriend, Geto. There is a wordplay here: both "toxic" 「有毒」[1] and "melting" 「融独」 spell the same way, "yuudoku". This fact is actually realized by fans in the way they assume how these characters are spelled when parts of them are used within other more common terms (especially when the referred term doesn't exist). 「融独」 is a combination of 融 (fusion/melting) and 独 (loneliness) - in literal sense, it means "melting the loneliness". In other words, the video producer's interpretation is "Geto, Gojo's best friend, is like toxin to him, but at the same time he melts away Gojo's loneliness".

Let's go back to Gojo's tribute video. This video starts with Gojo's birth, his youth, then his days as a teacher, and ends with him joining the battle with Sukuna, and finally going to the airport in the afterlife. Out of 11 hours, Geto appears in nearly 5 of them. The common vibe of the video is Gojo's happy moments with his friends, colleagues, and students. If you notice, there are NO scenes where he is fighting or in danger. The only distressing moments in the video are: when Geto becomes depressed, when Geto leaves Gojo, and when Gojo is left mulling in his own thoughts afterwards, sitting right where his bestfriend used to:

This means that the saddest and most depressing thing that ever happened to Gojo's life is when Geto left. And we all know how Gojo never forgets about him, and in fact, delays the time to execute Geto by order, only going down on him when Geto declares war 10 years later. This can be interpreted as part of the video producer's view, "toxic".

Yet, Gojo doesn't let Geto out of his mind. At the start of the video, after the images of him as a baby, Geto is the first person to appear in Gojo's life:

The above image gradually adds Yaga and Shoko afterwards. You can say that Gojo had no significant memories as a child, because he was born with powers and expectation, and thus, as a lonely kid. Meeting Geto, he has the first ever friend, an equal, someone who can understand him. So the memories when he first had Geto in his life, also indicating the start of his 3-year treasured bluespring, is when he finally turns from a lonely child to no longer lonely.

Yet when he loses Geto, he's become lonely again. Note that, Gojo has never been "alone", but he has been "lonely" (there has been many analysis for this, from Shoko's thoughts about him right before he gets released from Prison Realm, and in c236 when he confesses). Which turns out, Geto's existence is too big for him. Isn't it unhealthy to give so much leeway to an enemy, "the worst curse user of the jujutsu society", when he's supposed to execute Geto as soon as possible before he becomes a big threat? Yet, whatever Gojo has for Geto is too much and enough for him to give Geto freedom until he can't anymore; and after that, Gojo still wishes Geto had been there to pat him on the back before the fight with Sukuna, in order to fully feel satisfied. To wish for something impossible as an existence of the dead, who was supposed to be an enemy but wasn't.

It is "toxic", but Geto is exactly the only thing that can "melt his loneliness". That is why Gojo, who's been lonely all his life being the strongest, cannot let go of Geto in his mind. Geto has been the first one to make him change for the better, to stand by his side despite his status and origin, and even though he left, he's still Gojo's main source of inspiration to build his dream of changing the jujutsu system for the better, and to not let children fall for the same fate as his best friend once did, preserving their youth. Despite all the unfortunate events, Geto still stays as the special "toxin" to Gojo, the only one that can melt away his loneliness, the only person whose existence brings him satisfaction. (there's a whole topic on how the word "satisfaction" Gojo uses to describe his feelings when fighting Toji or Sukuna and the one used when describing Geto below are 2 similar terms with different connotations, but I'll leave that for another time)

For our own assumption, it is also likely that Gege Akutami is the one to come up with this word 「融独」. As the author who created Gojo and Geto as a contrasting pair, he is the one who understands their relationship the most. But mostly because he's one of the few people (involved in the series) who has deep understanding of Japanese language and often plays around with words. JJK very often includes highly complicated Japanese words and terms (even for Japanese readers), so for him to come up with a completely new word to pay tribute to Gojo is not out of possibilities.

And it leaves you in awe again how important Geto is to Gojo.

Watch the 11-hour tribute video:

P/s. by coincidence (or not), Tatsuya Kitani, the singer/songwriter for JJK Hi/pd arc's OP "Ao no Sumika", includes "Love Song" in the album Ao no Sumika. And this song is... well. A bit familiar.

Would the song somehow reminds you of how the video producer perceives Gojo & Geto's relationship? It's up to you.

Funfact: in "Love Song", there is an interesting term: 眩しい常闇 (mabushii tokoyami) - "eternal dazzling darkness". This term is also the title of JJK volume 0 chapter 4.

When JJK ends y’all better make t-shirts that say “I survived Gege Akutami”

Gojo + Bite-sized kiddos 🐯🐺🐱

“Tsk” -choso

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

I've read the chapter a couple of times now and I seriously don't understand why people want Gojo revive after that. He's content, at peace, together with the people he likes and says right at the end that he hopes this moment won't end and just be his imagination. There's a resolution to his character (he was able to connect with someone who's the same as him) and he liked the way he died. Even the whole Geto thing got tied up.

I can understand not liking where his character ended up (he doesn't really want change or help people, just try to lift them to his level to be able to relate to others), but it seemed that's what Gege had in mind for him. This more self-centred mindset that makes most of his students not a concern to him anymore is frustrating, but I think that was the plan, just terribly executed. Gojo left some of his care for others in the Prison Realm. He had so much time to think that he became entirely focused on the past and is so sick of imprisonment that he'll even take Sukuna to finally feel something.

Yuuji & Hana's worry about him forgetting Megumi was well-founded. Gojo's biggest concern about him is explaining Toji and he left that to Shoko. It's character development and resolution, just in a negative way. The problem is also that since his unsealing we barely got any focus on Gojo's mindset and experiences in the Prison Realm, so there's almost no foreshadowing. He comes across more detached and uncaring/disinterested with what is and was happening, but that's it. We don't even know if he was concerned about Nobara's limbo state - probably not - or if he ever had any bigger plan when facing Sukuna. Other characters like Shoko noticing a change in him could've prepared the reader better for what happened during the fight. Nanami and Geto call Gojo out for not caring about the current goals of the protagonists and just seeking a connection with Sukuna and finding pleasure in that instead, but it's the last chapter and Gojo's death scene, so it's a little late.

Either way, Gojo seems entirely satisfied with where he ended up. He is finally less alone, even if the comradery of strength he sought was found in Sukuna, and Sukuna also acknowledges that. There's a focus on Gojo's mouth when Sukuna says "You did well. I will never forget you", implying he's happy about that. While the setup and execution was very shaky, we have reached an end and just bringing Gojo back would not only feel unsatisfying, but also go against the wishes we see Gojo express here.

(hits your ancient sorcerers with the teenage beam)