I Looked On The Writing Site I Use, As A Test, And I Found This Font And- Oh My Skies Is It Nicer To

Last Line Tag

Tagged by: @oros-ash3s

Oo I just started a new story.

So this is currently the final paragraph of the prologue for this new story, though there is definitely more to be done for the prologue.

"Her soul is slipping from her, and she can't gather enough strength to hold on. She can feel herself going weightless, her muscles no longer responding to her. She soon stops feeling her body, her consciousness going with her soul."

Tagging: @rumeysawrites @aalinaaaaaa

I love writing one story, going to another story--which is inevitably in the middle of a scene with an entirely different vibe--and bouncing between the two like a ping pong ball until my brain settles on a third, completely unrelated story.

3 and 6 for any character?

I'll answer this for... Hades and Eros

[3] What emotion is the hardest for them to deal with?

Hades deals hardest with love. Primarily, familial love. She sees her aunt and uncle as family, but she doesn't love them as much as she feels she should. It isn't like falling under their care was unexpected to her, but it's more due to the culture of her Clan, as she comes from the main tree of the family and her aunt and uncle are considered to be the offshoot, which leads to emotional distancing. She doesn't recognize romantic love easily either, but she recognizes it better than familial.

Eros struggles most with hate and anger. Not for any particular reason, mostly because he is so open and friendly with others that hating them or being angry with them is hard for him to imagine.

6] How direct are they in conversations, do they speak in hints and riddles or bluntly say what they think?

Hades and Eros are similar in that they speak their minds, but that is about it, I think? Hades is much more direct and blunt, and won't leave anything to interpretation, while Eros will say most of a thought then let listeners interpret the rest.

Unintentional flex

I used to play games like this, where every hue had to be in the right spot, so maybe it was unfair.

I feel mean because I tried this on a whim, and I had strategies.

How well do you see color?

I’m cry I scored 60, I feel blind

ELLIPSUS MY BELOVED :>

Hey writers,

What are some great websites you've found that you can write on them like google docs without the worry of ai training?

I want to steer away from docs but the only other thing I can think of is using drafts here on tumblr to save my work and I really don't want to do that. And I don't have money to pay for word processors.

Any thoughts?

Thanks!

Oh, that is nothing compared to what happens to humans if a dark god takes control of them. They become monsters that look vaguely humanoid, but are definitely not human. They also become bloodthirsty freaks in this state.

And this happens primarily when a human uses a weapon/item with the dark God's name etched in it.

These creatures are different from the followers of dark gods, but I am not going to get into that.

Magic system

How many WIPs

And

Challenges you have faced with your WIPs

Thank you for the ask <333

There's an essay incoming, beware

—

How Many WIPs?

I have no less than four novel-intended wips (Flamebearer, A Healing for the Birds, Soulswapped and the Lady's Lament), plus a few shorter works (The Disappearance of Charimone Eschredaine, [Succession of the Underground*] and [The Assassin's Promise*]) and a developing anthology of certain characters' backstories (This Blood-Stained Charcuterie)

*Placeholders; I've no clue what to call them yet

Challenges Faced With WIPs

A Healing for the Birds:

The main challenge with this is dealing with all the plot threads. One thing that has remained consistent even after all the changes since the first ever iteration of this wip (it used to be called Seafarer, then Obsidian Sapphires, and now this), is there being loads of plot threads. The difference is now those plot threads are more centred around the Allaitri Chalice and the political chaos of it being unearthed.

Up until recently, I wasn't sure what the core of the story was, but now I know. It centres around familiar ties and the things that people do in the name of love. (Sounds a bit corny out of context, though lol)

Flamebearer

I put this one on hold because I know it's going to be complex due to the heavy political themes in this. Unlike A Healing for the Birds, where the political situation is a little bit lighter and more petty, in a sense, the political scene is very charged here. There's a lot of resentment pointed towards the royal family due to things like Serrantine trying to rejoin Selade or the legacy of the Twenty-Year Winter, leading to unrest, death, grief, a lot more sombre and complex issues to deal with. I hope to be more confident in my writing so I can do Flamebearer justice, I find people seem to really like the premise and starting ideas, its associated Flash Friday pieces do quite well 😅

Soulswapped

Again, another wip put on ice to focus on the bird wip. I do want to get back to this at some stage, I have some vague ideas for how I want it to play out. I don't envision it to be as long as the two above, because its concept (the main character has to fight her way out of jail and the court it's in) is more constrained. There's nowhere near the amount of plot strings here. (The darker intrigue happens around the end/slightly thereafter 👀)

The Lady's Lament

I do not have experience writing contemporary stuff, which I think is what made it hard to start it. The concept's there, easy enough, but it's just actually sitting down and planning it that's the main thing.

Another challenge that is unique for this one to an extent, is the presence of Gaeilge here. The book is intended to be an ode to Irish culture, and if I was to complete it, I do intend for there to be a Gaeilge translation.

This Blood-Stained Charcuterie

One word: timeline. The setting for this collection has thousands of years worth of history, and so the challenge is figuring out who killed who and when. And not to mention all the stuff going on in the background, some of it is more influential than others.

The Magic System

Basically, it's based on the idea of magic being a biological substance present in the world. Most living things have a tolerance for it, but not all living things can actively use it.

Even then, there's two broad categories; faerie creatures, whom rely on simpler magic like moving things or simple tricks, and then the faeries/Carithaikh [start with one fae/one human parent, subsequent generations by any combination that isn't two faeries; these people can also be dubbed as witches], who can perform magic in a wide variety of ways.

Most people are born with an affinity to an element (such as fire, plant, water/ice, air, light, shadow, blood, lightning, dust, rock, metal, etc), which is then honed as the person gets older. It is also possible to learn certain elements, but some are harder than others, going on into near-impossible (e.g, it's hard to learn fire if one doesn't have an affinity for it [the genes of those who do are adapted to prevent burns and manage the heat more efficiently], but water is fairly easy to learn).

Another aspect that some people have but is much less common, are skill-based abilities. Shapeshifting and teleporting are the most common ones, but there's also a select few who can weave souls or see/interact with the domain of the spirits. Those last two are about one or few in a generation. (And interestingly, in Helinda there's no records of anyone who can interact with the spirit world, likely because Helindians burn their dead!)

But sometimes you'll get people with bespoke abilities. Some are merely unusual powers, such as purple fire, wood manipulation, blending with the shadows etc.

Others, are actual divine elements. They manifest as fire, light or water, and usage of then can have catastrophic effects. If the user doesn't die after using divine magic, it can cause things such as blindness, burns, nerve damage/neuropathy, constant dehydration, reduced magical abilities/stamina, chronic fatigue and/or other symptoms.

If the user has a part of a deity's soul entwined with them, then the effects are mitigated to an extent. (It occurs frequently with Fate's reprisals [her element is blue fire])

And then, there's also the external systems. These rely on the magic of the world instead of/as well as the user's. Things like runes, languages, diagrams, items, gestures and/or other tangible things are used for them.

These systems vary from place to place and between cultures, they're like programming languages in a sense. Each system has strengths and weaknesses.

For instance, Helinda's five-pointed star is great if you are a) in Helinda [or Morilaste]** b) looking to do things like a locating or summoning* spell, as well as anything relating to Helindian geography. It's great with maps!

However, it's not great for highly complex spells with lots of rules. That's where Seldaika's system shines. It has a four-pointed star, but the main mode of it is its language. It's a spell language, the grammar and vocabularly are tailor-made to support spells. Intention is also important, which is an aid in differentiating normal speech from a spell. Gestures also come into play, as do wands (syrchels), which are used as social indicators and statements of magical intent as well as to apply runes.

—

*summoning items is perfectly fine, as long as it's not someone else's item. Summoning people/spirits is illegal under Helindian law

**there's a decent amount of lore underpinning the reason for this phenomenon

—

I'm going to end it here, I hope you enjoyed it :D

Oh no, I've been... *gasps* ASKED A QUESTION? Whatever shall I do?

*writes an essay*

:>

*sends ask in response*

Ask exchange! Muahahahaha!

Behind the Scenes Writing Ask Game

So behind the scenes won the poll, but I thought I'd do an ask game with it!

✍️ "when did you get started writing?"

✏️"what are your current WIPs about?"

📜"how did you get started on your WIPs?"

📝"what stages are you currently in your WIPs?"

🖊️"how does your magic system work?"

🖋️"what inspired you to write your WIPs?"

📖"what has surprised you about your WIPs?"

💻"what perspectives do you write in?"

🖥️"what types of writing do you do?"

❤️"what are your favorite scenes from your WIPs?"

😭"what are the biggest challenges writing your WIPs?"

❗"how many WIPs do you have?"

‼️"what has stayed consistent across all drafts?"

⁉️"what do you do when stuck on a scene?"

❓ask anything you want!

If anyone wants to reblog this to play with too that's totally fine with me!

My current story is being rewritten for the... I have no idea what number it is. My favorite part of writing this story is when the main character is just pronouns. Her original version took many, many paragraphs to get her name in. I have personal symbolism for doing this, and I can explain this later if anyone is curious.

For example, if I rewrite this story how it currently is, it takes two whole chapters to get her name. If it were up to me, she'd never be named. She'd just exist as pronouns. This would be intentionally done. Not because she doesn't have a name, but because that is how her narration is.

I think I take the "What if they don't want to talk to me" a little too seriously. I will cease talking for days in a row if my brain forgets the existence of how I contact you. AKA if my phone fails to send a notification, I forget to talk-

...

I might have a problem.

what they don't tell you about making friends is you gotta be a lil annoying. you gotta push past the fear of "what if they don't want to talk to me" and simply ask someone how their day is going, send a meme. you cannot connect to people if you're both just awkwardly waiting for the other to start.

I’m here with a Wacky Wednesday question!!

Hades has woken up cursed! She can now only speak in haikus. Describe her reaction and the reactions of others. How does this impact her life?

Bonus points: share some of her haikus

Answering this as a break from something important the day after it was asked, so I apologize for the delay and any spelling/grammar mistakes I might make. (It bothers me when I make them.) So Hades can now only speak in haikus. Great. The fun part about this happening is, no one knows what the heck is going on. No one knows what a haiku is, in her universe. She would feel like she's going crazy. If she were aware that she is a character in a written piece, she'd likely realize that her dialogue has been split.

Now, others would... Well, her teachers would either join along in confusion or try to get her kicked out of the school. No in between. Her friends would tease her. Her family is half dead so that doesn't matter. Her Clan would go with it--they respect her too much to even try to test her.

So I am not good at poems in general, and here you are, asking for a haiku. Because I want to fulfill the whole ask. I'll give it a few attempts.

This first one would probably be her messing about, honestly.

The stars glow golden Heart beats of fiery anger Sworn of dead and live

A cursed speech fights A dead blade lingers alone A woman gives life

Death brings to an end What was given to a life A beginning tale

I am not proud of these, but Hades would be messing around with her new curse. She'll suffer.