Dudddde what if we were foils and you were beautiful and i was ugly and you have revolution in your eyes and i believe in nothing and you chastely drop your eyes at all things that were not the republic and i stare fixedly at all women and you were absolute in your ideas and i was shapeless and you pitied me and i venerated you and you scorned me and i admired you and you disdained me and i loved you. What if in the presence of you i became someone once more, what if i was charmed by your chaste, healthy, firm, upright, hard, candid nature without me being clearly aware of it and without the idea of explaining it to myself occurring, what if i had need of you, what if i were your unaccepted pylades what if bro can you hear me
they call me the problem ignorer for reasons that i know but dont feel like addressing right now
However, this sceptic had one fanaticism. This fanaticism was neither a dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras. Grantaire admired, loved, and venerated Enjolras.
the chrysanthemum scene from deep end by @aaronstveit
inject this scene into my bloodstream it’s so ,,, like tranquil but deeply impactful?? like you read it and it’s written beautifully and you want to reread it immediately but also just ooft you feel
+ bonus zoom ins on their faces
I don’t think we talk enough about how the entirety of Wicked is built on the irony of No One Mourns the Wicked. The musical exists because Glinda feels the need to tell Elphaba’s story, because she is in mourning and entirely alone in that. Glinda’s love is what creates the musical because no one mourns Elphaba except her, and that is an incredibly lonely place to be. She’s just lost two of the most important people to her, and all she’s trying to do is make someone, anyone else see how important they were.