Part Three
Nico could safely say that Valentine’s day was going horribly and it was probably almost entirely his fault. How he’d ever thought hiring Connor and the rest of the Hermes lot to help him would be a good idea he didn’t know, but now he was facing disaster. Will, who had been so understanding for so long, was mad, Kayla upset, and Cecil looked like he was ready to stab the next person who came up to him and then Nico and then himself in that order.
At least Connor was happy enough. His chores were covered for a month and he got to reign mischief. It was probably his perfect Valentine’s.
Nico should probably have realised Connor would be a little too good at his job. He wasn’t sure how Connor had gotten Lou Ellen involved, but the cookie monster was a unique distraction technique.
Will stood by his side, arms tightly folded and his expression scarily blank. He’d been really understanding all day, but when Nico had inadvertently made Kayla cry, Will had apparently blamed him. That had apparently been his limit and now he was so closed off he was like a different person. Nico hated seeing the stony expression on his face, the rigidness of his posture. He felt close to tears himself.
It had all been going so well too. After Nico’s slight meltdown in his cabin, Will seemed to take proving to the rest of the camp that Nico was a good boyfriend thank you very much as a personal challenge. Nico had felt a little better at Will’s sheer indignation that anyone would think Nico was anything less than perfect. So he’d gone to lunch feeling a little bit better, like he might actually be able to pull this Valentine’s day off and find Will the perfect present that would make everyone at camp realise he wasn’t a failure and he did belong with Will.
Feeling more positive was his fatal mistake.
Actually, his fatal mistake may have been not calling Connor off while he still had the chance.
He was just all round a walking disaster.
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This is my basic process for pretty much everything I draw. The key is understanding the shape of the garment you’re trying to draw and the shape of the body part you’re putting it on.
Drawing the body first forces you to make the shoe, hat, or clothes fit that body. With practice you’ll be able to skip some steps. This method works the same no matter the perspective or pose. It just relies on your knowledge of what a hat looks like from above, or what the bottom of a shoe looks like. When in doubt, just google refs. Don’t necessarily need the exact angle you’re trying to draw. Look at different pics to give you an idea of how it works in 3d.
Shoes are always a bit tricky because feet are a stupid ass shape.
It might help if you think of hats as a cylinder fitted to the person’s head to help you get the perspective right before you push in detail. note: heads aren’t circles. they’re kind of egg shaped if you look at them from the top.
Parte 1 y 2
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Parte 3
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Parte 4
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Parte 5
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Artista: Boca Pixiv Id Member: 202736 Traduccion: Io-kun Edicion y limpieza: Rilli-chan
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i love nier automata
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Miscellaneous Mix Set | Spilled Ink Brush Set | Super 90s Carpet Brushes | Even More Decoration Brushes | Some More Repeating Patterns | Ornate Decoration Brush Drop | Netting and Lines | Lip & Hair Gloss | Glitter & Sparkles | Destiny Brush Pack | Valentine’s Frame Set | Candy Coated Brush Drop | Bloody Throne Pack | Magic & Daggers Set | Tarot Pack Brushes (October Update) | Elfy Card Set | Big Ol’ Card Asset Drop | All Those Brushes
another art tutorial post :) this time it’s for rainbow effects