Spy x Family fancomic || Yuri and Anya help out with groceries. 🥜
Anyway, here is my pitch to the merch makers of mob psycho 100 for an official wawa plush
recently watched this fresh hot new anime called fullmetal alchemist: brotherhood for the first time and i absolutely loved it! also these two made me deeply unwell (positive)
Okay but like... 12 year old Edward Elric being a badass and tough as hell and cursing like a sailor making everyone forget he really is just a kid until he uses little kid vocabulary or acts like a kid. Like he'll say the word "tummy" instead of stomach or only drink juice but insist it be in a coffee mug. He'll threaten death and bodily harm but insist Havoc needs a bandaid for a little cut that isn't bleeding because "it still makes it feel better, dumbass!", which is what his mom told him. Idk just Edward constantly being a child while in an adults world and the way it makes Team Mustang feel.
I’ve been meaning to draw this au forever
If you hate writing outlines it's because of how they're taught in school. Toss out indentation and Roman numerals and map out your writing how you want to. Outlines are your FRIEND, dammit. This goes for everything, from political essays to fanfiction. If it's written you need an outline because the outline is for you. It can be general, vague, or a mixture of both! Be as informal as you want, who cares. They're to keep you on track and keep your writing flowing, so don't disregard them even if you dreaded making them in grade school. My outlines by chapter tend to look like this: 1. Character "P" goes to the diner to meet character "Q."
2. "P" tells "Q" about how the confrontation went. (dialogue I thought up on a bus ride) That's when shit goes DOWN. They're yelling, they're drawing attention to themselves, but before they can take it outside, "P" says (dialogue I thought up in the shower).
3. THEN "Q" SAYS THAT ONE LINE THAT "R" SAYS TO HIM IN CHAPTER FIVE BECAUSE THAT'S CALLED COHESION WOOOOO
4. idk they both leave??? you'll figure it out later
5. Self-reflection for "P." Keep your main point on how his moral compass goes to extremes and hurts others. He finally is realizing that HE is the PROBLEM
6. "P" drives to "Q's" house to apologize but GUESS WHO ANSWERS THE DOOR it's "R" and then just end the chapter there This is coming from someone who didn't write with outlines for years. Now I don't write anything longer than 400 words without one! Make them your own, make them so that they're useful to you. That's their purpose, so accept the help!
I'm thinking about this idea a bit more, and I think instead of Shigeo enrolling into UA, even if the General Studies course, I'd like to see Teru take a crack at it actually. Shigeo's off in a non-heroics high school just working on bettering himself while Teru goes straight for UA's Hero course, after all he's worked with Seasoning City's totally legitimate hero and psychic Reigen Arataka.
Teru's already had his development in middle school, and now he gets to impart this wisdom upon the kids of UA, he's an amazing fighter with excellent control over his powers (are they still psychic powers or a Quirk here I haven't decided yet) but most importantly he's a great rescue hero. He always makes sure to get civilians to safety and does what he can to subdue threats, he's gotten plenty of practice in after all the stuff that's gone down in Seasoning after all.
I just had a truly horrible realization. I was talking about the worldbuilding in fma with someone the other day, and they mistakenly said it took place during the Victorian era, or Amestris’s equivilant to it.
I, being a lover of fashion history as well as an insufferable pedant, corrected them by saying that both the year(s) it takes place in as well as many of the technological and cultural influences seen in the world are actually more in line with the subsequent, much shorter era known as the…
the Edwardian era.
God fucking dammit.