Latest Posts by quiina - Page 3

My sans/undertale sideblog

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NONE OF YOUR FREAKING MOVIES GET IT RIGHT: a guide to Russian names.

This post was inspired by years and years of watching movies, series, and fanfics royally and hilariously fuck up the use of names in the Russian language, coming to the point where, if I see another pair of best buddies call each other by full name, I will shoot something, I swear to God.

There are 3 ways people in Russia address each other, and they denote different levels of formality, and the relationship between the speakers. You should know this stuff if you wanna write anything that includes Russian people talking to each other, because if you get it wrong, it will be, alternatively, hilarious or cringe-worthy. I have seen soo much of this in fanfic it’s not funny anymore. So read up y'all!

1. Name + Patronymic.

A patronym, or patronymic, is a component of a surname based on the given name of one’s father, grandfather or an even earlier male ancestor. (thank you, Wikipedia!) A patronymic is not a middle name. Russian people don’t have middle names, period. But we all have patronymics!

Use: formal

Used towards: your teacher, your big boss, a senior citizen with whom you don’t have a close relationship (say, your classmate’s grandma), your doctor, any kind of professor or scholar when you address them formally, a client when you’re in the service industry/work with people (not always, but very often).

Example: Ivan Petrovich, Sergey Vladimirovich, Anna Anatolyevna, Maria Sergeevna, etc

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hey, so people need to be aware that youtube is now (randomly) holding basic features for ransom (such as being able to pin comments under your own videos) in exchange for Your State ID/Drivers License, or a 30 Second Video Of Your Face.

not to pull a "think of the children," but No Actually. I've been making videos as a hobby since 2015 (and I've had my channel since middle school), I was a minor when I started and I'm not sure I would have understood the kind of damage something a seemingly simple as a video of your face can do.

this is a Massive breach of privacy and over-reach on google's part No Matter What, but if they're going to randomly demand a state ID or license then they absolutely should not allow minors to be creators.

google having a stockpile of identifying information on teenagers is bad enough, but the Alternative of recording your face and handing it over to be filed away is Alarming considering it opens the gates for minors who Aren't old enough to have a license.

and yes, there is a third option, but it's intentionally obtuse. a long wait period (2 months), with no guarantee of access (unlike, say, the convenience of using your phone's cameras for either of the other two), with absolutely No elaboration on what the criteria is or how it's being measured.

it's the same psychological effect that mobile games rely on. offer a slow, unreliable solution with no payment to make the Paid instant gratification look more appealing (the "payment" in this case being You. you are the product being offered).

and it's Particularly a system that (I think intentionally) disadvantages people who don't treat their channels like a job. hobbyists or niche creators who don't create regularly enough or aren't popular enough to meet whatever Vague criteria needs to be met to pass.

markiplier would have no problem passing, your little brother might not be able to. and while Mark's name is already out there there's no reason why your little brother's should be too.

something like pinned comments may seem simple, you don't technically Need it. but it's a feature that's been available for years. most people don't look at descriptions anymore. so when there's relevant information that needs to be delivered then the pinned comment is usually the go to.

for my little channel that information is about the niche series I create for. guides on how to get into the series, sources on where to find the content At All (and reliably so). for other creators it can be used for things Much More Important.

Moreover, if we let them get away with cutting away "small" features and selling it back to you for the price of your privacy, then they Will creep further. they Will take more.

This baby remained under the rubble for six hours. Read it again. By some miracle, he survived and he was rescued. But his mother who was holding him didn't. He looks like he's in shock, you can see tears coming out of his eyes but no expression or any sound to indicate his pain.

We are not numbers. Make an effort to end this.

In some of the neutral endings, Sans has been shown to have told Papyrus that his friends simply "went on a vacation" when they've been killed by you/frisk because he doesn't have the heart to tell him what really happened, like how he omits the truth of what happened to papyrus to Toriel in order to preserve the "perfect little angel" image she has of Frisk

Papyrus "accepts" that in his presence but the second he's not in the room, he drops his cheery and naive facade to tell you how he really feels

So if anything, they're both protecting eachother from less than savory truths, but yeah, he has some streaks of lying

you're RIGHT thank you anon. i forgot about those endings entirely. those are a good bit of characterization to keep in mind in any conversation about sans and lying. thank you! let's think about this...

personally, in my characterizations of sans, i've always interpreted sans's "vacation" excuse as part of his nihilism--if you know you're stuck in a time loop, and you know you've reached the "end" of the time loop, then everyone who died is actually about to come back. Combined with some pretty heavy depression, you might think of everyone who died as just getting to skip out on the sad epilogue. especially since sans doesn't die in literally any epilogue*, I've always thought of that as less protective and more...conflict avoidant? cracks in the facade?

like, at the end of the loop, his actions no longer matter. the human is not in the underground, and they're the one with all the power. outside of that phone call, he has no further effect on them and therefore the world in general, outside of his relatively small circle. so i think the things said about sans in those phone calls reveal a different side of him. after all, no one will remember this soon, so he doesn't have to keep up the "i'm a normal guy who only knows about regular linear time and therefore believes in a future" thing. so...yeah. permanence isn't permanent. everyone is on vacation. they all get to take a little dirt nap and he's just waiting for them to come back. why break toriel's heart when this is all going to end halfway through that conversation? I think it's less about lying to deceive (after all, Toriel and Papyrus are both perfectly capable of finding the truth), and more about the interesting shapes sans twists his understanding of reality into in order to understand that people are dead without taking the time to process that grief. He's mostly telling himself that people are on vacation. They're fine, maybe even lucky, and they'll come back soon so he doesn't have to worry about it. that's what allows him to function and even help rule** in bad endings, and how he's able to avoid totally breaking down after papyrus's death in those runs. no one is dead. they're just resting.

That said, he does say that to Papyrus knowing that it's literally, factually not true. He super does lie either to impart his horrible coping skills or to avoid having a conversation he doesn't like. It's also a really bad sign for his relationship with reality that he's just saying this with no regard for how insane he sounds. And, given how he does step up to rule in the King Papyrus ending...maybe he doesn't assume a reset is coming and I'm wrong about all of that. But my interpretation is that "everyone is on vacation actually" and "haha nah my brother is fine he's just...not around...ever..." are both so transparent that they can't be genuine attempts to deceive. Frankly, Sans is just a better liar than that.

So...tl;dr: Sans does lie! I was wrong about that. but I think he lies to protect himself more than anyone else. I don't really see it as something so...altruistic? controlling? condescending?? as lying for Papyrus and Toriel's sake. he just can't handle confronting reality, and god forbid he have a conversation about it.

*Sans may or may not die in the no mercy but in any case the world ends like 3 minutes after that so...not much of an "epilogue" to live in. he survives basically as long as the timeline does.

**In the King Papyrus ending, Sans does "paperwork" and dictates policy decisions such as how humans will be judged (which, his policy there is interesting in and of itself). Papyrus says Sans is "working hard." My takeaway from this is that Sans is doing most of the logistical ruling, while Papyrus works on the absolute disaster of morale. Unclear whether Sans has a role in Alphys's ending. He seems to drift towards whoever is closest to him of the survivors, and help them with whatever they need.

The pain and terror children in gaza live with constantly. He's trying to keep himself together, developing a tolerance for horrors that no child should ever witness. Where are the human rights activists? Or save the children organization? CALL FOR A CEASEFIRE NOW.

"We're collecting our kids in bags! In bags!" "We're finding body parts that we don't know who it belongs to"

A massacre after another, and the world is silent. This has to stop.

De herencia Purépecha, la Danza del Viejito nace en el pueblo de Jarácuaro, ubicado en la ribera del Lago de Pátzcuaro en Michoacán. Su legado es ancestral, pues data de la época prehispánica antes de la llegada de los españoles. Se ejecutaba, en cada cambio de estación, por los “Petámutis” - los sabios o chamanes - quienes eran los más ancianos del pueblo y, por ende, los únicos que podían realizar la danza. El propósito era realizar una ofrenda para el dios del sol o el dios viejo - llamado “Tata Jurhiata” -, pidiéndole por buenas cosechas, lluvias o salud para sus enfermos.

Con la llegada de los españoles la danza fue prohibida. Los ancianos del pueblo, ignorando las nuevas reglas de los colonizadores, siguieron enseñando esta tradición a sus jóvenes, quienes ahora bailaban al ritmo del tambor y la flauta, adaptándose así al proceso de mestizaje cultural adoptando nuevos instrumentos del viejo mundo. Con el tiempo la danza perdió su sentido religioso y pasó a ser una forma de burlarse de los españoles, sin que éstos se dieran cuenta.

Los danzantes portan una máscara de viejito echa con madera o pasta de caña -materia prima típica de la región-, utilizan fibra de zacate para simular el cabello del viejito. Su atuendo consiste de una camisa de manga larga y un pantalón, ambos de manta, con decorados bordados en la zona de las muñecas y tobillos. Se complementa con un sombrero adornado con listones multicolores y un bastón rudimentario de madera.

Los huaraches son imprescindibles, pues la forma de bailar esta danza es con un vigoroso y rítmico zapateo. Los danzantes se encorvan, simulando la postura de un viejito, al mismo tiempo que actúan diferentes achaques típicos de la vejez. . . #michoacan #morelia #méxico #mexico #mexicomagico #mexicodesconocido #tradicionesmexicanas #mexicantradition #ancestors #purepecha #danza #folkloremexicano #folklore #travel #travelphotography #viejitos #photo #photooftheday (at Morelia Centro, Morelia) https://www.instagram.com/p/CW_a66sPAUD/?utm_medium=tumblr

Con Elvia Silva Bartolo y la comunidad de Zipiajo, Michoacan. Elvia es el leader de 2 colectivos, uno de trabajo de textil bordado y uno del trabajo de alfareria, principalmente ollas, cómales y figuras de animales. Aparte de la belleza del trabajo y de la gente cariñosa, es muy impresionante ver un espiritú colectivo tan fuerte, profundo, y respectuoso. La alfarería es una actividad que se mantiene desde la época prehispánica, con pocos cambios. Las piezas de barro rojo son quemadas a cielo abierto (baja temperatura). Es aquí donde le dan un terminado de color con la misma quema.

www.florenceleyret.com

One of Michoacán’s most well known folk arts. Photo taken in 2019 and sorry, none in stock! (at Urapan Michoacan) https://www.instagram.com/p/CLpoFbXldWo/?igshid=1b1vlo8srqpan

Today’s Paper Doll Is: A Mexican Bride

“A traditional Mexican bride’s wedding costume, made of cotton, has a full skirt and an elbow-length shawl collar that falls into fluted folds over a lace apron. Some Mexican brides carry a lace fan instead of a wedding bouquet. A charming custom at the reception is for the guests to line up in a heart shape around the couple for their first dance together.”

Edward Weston | Cholula Costume, circa 1926

Catalogue Essay:

In 1923 at the urging of his friend Roubaix de l’Abrie Richey and their shared lover Tina Modotti, Edward Weston left his family and moved to Mexico where he embarked on a new chapter in his career that would prove influential in directing the course of his photography. Whereas his earlier portraits adhere to many of the classic characteristics of 19th century portraiture- stoic poses, elaborate costumes, accessories reflective of the sitter- his Mexican period, as seen in lots 254, 255 and 257, illustrates his interest in incorporating elements of Modernism and experimenting with alternate methods and approaches to portraiture. In his first portraits in Mexico, Weston abandoned the studio setting and photographed his sitters against the backdrop of an overcast sky. Tightly cropping the images so that their faces dominated the full frame and shooting from a lower vantage point, gave the sitters a weight and monumentality atypical of the classic portrait. Collectively, Weston had come to refer to that body of work as “heads.” The Mexican writer Francisco Monterde Garcia Icazbalceta perceptively described them as “guillotine heads in the noon sun: unreal necks and martyred eyes in harsh, insolent light.” (Conger, n.p. fig 110/1923) By isolating the head from all context, Weston was able to capture uniquely intimate moments, ones that speak to, not only the disposition of the sitters, but even more to Weston’s personal relationships with them. When Weston met Diego Rivera at his first exhibition in Mexico in the fall of 1923, Rivera quickly became a champion of his work, drawn to the Modernist elements echoed in his own works.The two became close friends and Weston would go on to photograph both Rivera and his wife Guadalupe Marin de Rivera during his two years in Mexico. In Diego Rivera, Mexico, 1924 (Lot 255) one can see the admiration and respect that Weston had for his new friend; that Rivera looks down upon Weston with a jovial expression and Weston, in turn, literally looks up to Rivera, suggests a rapport reminiscent of a mentor with his mentee. Similarly, in Guadalupe Marin de Rivera, 1923 (Lot 257) Weston captures her mid-speech with her mouth agape. From Weston’s own writings of Guadalupe, this is perhaps the most appropriate manner for him to depict her as he wrote of his affection for her “strong voice, almost course, dominating.” But neither of these “heads” are quite as revealing as Tina with Tear, 1923 (Lot 254), which shows Modotti with a tear rolling down her cheek. The act of photographing someone, by its very nature, is an intimate act, but to do as that someone expresses vulnerability supposes an undeniable trust between the photographer and sitter. While Weston’s nudes of Modotti are far more intimate in a literal way, their chief concern lies within the formal qualities of her body. Here, by contrast, the camera nearly becomes transparent as we see Modotti not through a lens but through the adoring eye of her lover. In as much as Weston’s “heads” demonstrate his fascination with contemporary icons of Mexican art, such as Rivera and his wife, he was equally interested in the greater history of Mexican culture. In Cholula Costume (lot 256), Weston portrays the dancer and choreographer Rosa Covarrubias in native Mexican attire. In 1930 Rosa married Miguel Covarrubias, the renowned Mexican ethnologist, art historian, painter, caricaturist, and set and costume designer. Rosa and Miguel were close friends of Weston and Modotti, who taught Rosa photography. What Weston captured in his lens is not merely the “woman of great beauty and charm” as described by José Limón in his biography, but also a model of traditional Mexican culture, one that was researched and consequently introduced by Rosa and her husband to create a new era in contemporary Mexican dance.

Man wearing traditional Mexican folk costume in Oaxaca de Juárez, Oaxaca, México

The Rus were Swedish Vikings who travelled to East

Russia 🇷🇺

Ruotsi, Rootsi = “Sweden” in Finnish, Estonian 🇸🇪🇫🇮🇪🇪

They founded Novgorod and Kyiv 🇷🇺 🇺🇦

Garðr = Old Norse “guarded area”

Gorod город = Russian “city” 🇷🇺

This is the Palestine Film Institute website, it offers free access to multiple shorts, documentaries, films etc, as well as suggestions and a long list of cinematic art made by Palestinians.

This is Aflamuna, a non-profit platform dedicated to sharing independent films from the Arab region with audiences worldwide. Handpicked cult, classic, contemporary, and sometimes unreleased films that are mostly inaccessible to the public are made available free of charge every week. It has one of the most impactful Palestinian movies.

names not numbers

The Palestinian Ministry of Health released a report on Thursday, including the names of more than seven thousand Palestinians who were martyred in the Israeli bombing of the Gaza Strip.

Red color highlights 0-4 years old age group

Green color highlights age group 5-17

White color highlights the age group between 18 and 59 years old

Gray color highlights the age group over 60

These are not just names, but people killed in the midst of a brutal war. Remember their names.

(Designed by @georgedeebstudios on insta)

Felt that it’s important to share videos like this too.

the fact that the report [ file available at the bottom of this page ] listing every person who has been killed in palestine since oct 7th is over 210 pages long is fucking insane. the first of the 88 names are from one family. after that, the following 72 are from one family. one family. i am asking you from the bottom of my heart, do not become desensitized to these numbers. 7,028 killed. 2,913 of them children. thousands missing under the rubble. do not ever let these numbers be anything but shocking and disturbing to you.

Heba Zagout (Palestinian), 1984–2023

killed in an Israeli air strike in Gaza.

this terrified kitty won't let go of the young man who found it under the rubble.

the reporter was wondering if animals associations would care for the animals situation in gaza and the man answers her: "they do not care about us; human beings, you think they care about animals?! they do not care about us. no one does."

Reblogs and replies got disabled, surprise surprise.

Reblog while you still can.

en.wikipedia.org

Streisand effect - Wikipedia

gaza has just been completely cut off from the world.

after increased intensity of israeli aistrikes tonight, the last cable providing communications was destroyed. telecommunications have been completely cut off. they cannot reach one another. they cannot reach paramedics. the red crescent society has completely lost contact with their branch in gaza. nobody inside can reach anyone inside, and especially not outside of gaza to tell us what is going on. this is a complete atrocity.

what girls do at 1:38 am

великая и могучая китайская паль

china: btw i made it russia: really? this is my favourite jacket

this took forever. i can’t stop drawing this au, i don’t know what’s happenign to me

NEW UNDERTALE MERCH

NEW UNDERTALE MERCH

TRANS FLAG COLORS

MAD MEW MEW SHOWS UP

METTATON REPRESENTED WTIH BISEXUAL COLORS

GHUEHFJEIBFHFBFHR

I’M SO FREAKING HAPPY/EXCITED

Ivan: Cowboy, I'm not going to celebrate your satanic holiday, damn it, you're dressing up as some demons and you think I'll treat this as something normal?

Kolyadki

Ivan as a child:

Ivan: Kolyada, kolyada! Open the gates and take out the chests, give us coins, even a ruble (1), even a nickel (5), we will not leave you just like that. Give us a piece of candy, or maybe a coin, don't be a jerk, Christmas Eve is coming soon!

Ivan: On New Year's Eve I wish you an aspen coffin, a stake and a grave, and a sick mare (curse)

_______________________________

Maslenitsa

(Maslenitsa is a pagan holiday still celebrated in Russia. Meaning: people see off winter by burning an effigy symbolizing the Goddess of Winter Morena. People bake crepes. Crepes, at least in Russia, appeared as a funeral food, which is consumed during funerals. At the moment, crepes are a common dish, but crepes are still an important dish for Maslenitsa):

Ivan: Die, Morana (Goddess of Death/Rebirth/Winter.), die, die, die, yes yes yes, die

Ivan Kupala (Kupala Night):

There is very little information in the English wikipedia

The holiday combines two elements: pagan and Christian. Previously, this holiday existed independently, but after the baptism of Russia, the holiday acquired a Christian meaning and elements. The main feature of Kupala night is the cleansing bonfires. Around the fire, people danced, danced, sang Kupala songs, jumped over it: whoever is more successful and jumps higher, he will be happier. Girls jump through the fire "to purify themselves and protect themselves from dumbness, spoilage, conspiracies," and so that "mermaids do not attack and do not come for a year." Evil spirits come to life on this holiday, people performed certain rituals to scare away witches, mermaids and other evil spirits. Also, people wove wreaths of certain flowers, which also carry a magical meaning, women let such wreaths on the water to tell themselves an early wedding or a long life. Also on this holiday it is customary to look for a fern flower, which according to Slavic beliefs, the fern blooms only for a moment, on the night before Ivan Kupala (on June 24 [July 7 in Russia]); it is very difficult to pluck a flower, especially since the evil spirit prevents this in every possible way and intimidates a person, in some cases depriving him of reason, speech, memory. Picking the flower of a fern and keeping it with him acquires unusual possibilities. Man becomes visionary, can understand the language of animals, see all the treasures.

FIRE OF MOSCOW (1812)

My beloved wife🥺