Succumbing To The Will Of The Snail As We Speak

Me, a dinosaur, looking at Levi's new card going:

...... Nerd <3

List of character flaws that could make a funny original character (OC) even more entertaining

Chronic clumsiness: Tripping, stumbling, and knocking things over with comedic regularity.

Absurdly bad luck: Experiencing a series of comically unfortunate events.

Exaggerated laziness: Finding increasingly creative ways to avoid doing any work.

Uncontrollable laughter: Breaking into fits of giggles at the most inappropriate moments.

Inability to keep a secret: Accidentally blurting out confidential information or gossip.

Extreme forgetfulness: Frequently losing belongings or forgetting important appointments.

Obsessive-compulsive quirks: Engaging in peculiar rituals or behaviors for no apparent reason.

Social awkwardness: Saying and doing the most cringeworthy things in social situations.

Over-the-top dramatics: Reacting melodramatically to even the smallest of inconveniences.

Excessive talkativeness: Rambling on endlessly without realizing they've lost their audience.

Compulsive lying: Fabricating outlandish stories to impress others or get out of trouble.

Food obsession: Constantly eating or talking about food, even in inappropriate contexts.

Nervous tics: Displaying quirky mannerisms or habits when feeling anxious.

Paranoid tendencies: Jumping to wild conclusions and imagining elaborate conspiracy theories.

Uncontrollable curiosity: Snooping around and getting into trouble due to a relentless need to know.

Over-the-top superstitions: Believing in absurd lucky charms or rituals.

Excessive hypochondria: Constantly diagnosing themselves with imaginary illnesses.

Silly phobias: Fearing utterly ridiculous things, like rubber ducks or clowns.

Inability to tell time: Consistently running late or showing up at bizarre hours.

Ridiculous fashion sense: Sporting outrageous outfits or hairstyles that defy all logic.

These flaws can turn your funny OC into a lovably eccentric character, bringing humor and charm to any story or situation they find themselves in.

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

Guys. Guys please. We have to remember that protagonist is not a stand in word for hero and antagonist is not a stand in word for villain. Please. We learned this in middle school. The protagonist is the character the audience follows. The antagonist is the character who is working against the protagonist.

Mold spores

If you see this I am praising you for behaving well.

People have written a lot of touchy-feely pieces on this subject but I thought I’d get right to the heart of the matter

Hahahaha yes:)))​

people will bring up the fictional murder as if i had anything to do with it or could stop it. like i’m not aware. “you know this freak KILLS people right?” man what do you want me do about that. i’m not his keeper. he’s funny to observe. and also not real

One thing I wish was understood a bit better about Twisted Wonderland.

Everyone in this game has trauma or personal struggles and it's NOT a competition of who has it worse. Honestly, sometimes I wish everyone's traumas were discussed more in depth in the game like we get with each person who Overblots, but we don't have time for it. With the Overblot boys, their trauma is shoved directly into the spotlight and we hear exactly how their situations make them feel. But the rest of the cast, ALL of them, have personal struggles and/or trauma. This is just a small list of some of the issues each non Overblot student has.

Ace masks the fear he feels in a lot of situations, and he's got an inferiority complex on some level. Notice how he bullied the player and Grim in our first interaction? That is a sign of someone who is looking to feel better by pushing someone else down because they don't feel good about themselves.

Deuce grew up with a single mother who had to work multiple jobs to make ends meet, which causes him to worry about her, and he was a delinquent in middle school, which made his mom, the one person he worries over, cry. He lives with those regrets, but he's still got those old habits and he agonizes over the fact he's not academically where he'd like to be and his behavior regresses when in heated situations.

Trey has severe trauma at being screamed at for FIVE HOURS over giving Riddle ONE slice of tart, so much that his vitals are severely affected at the thought of Mrs. Rosehearts and he's heavily conflict avoidant.

Cater has had to move all the time and as a defense mechanism, refuses to be honest or get close to people because he doesn't want to get attached only to be ripped away from them.

Ruggie lives in EXTREME poverty when not at school. He struggles to make ends meet and he has to work so hard in a system that is DESIGNED to keep him in poverty, because many beastmen still prefer segregation in the Sunset Savannah.

Jack has one of the healthier mindsets, but he still struggles with being open and honest about his feelings, which makes it hard to have friends, and he struggled with watching Leona, someone he's idolized, fall short of what he believed of Leona.

Jade and Floyd are implied to have grown up in some form of crime family and both seem to have handled the fact their lives could be in constant danger differently. Both like things being interesting, but Jade seems to prefer seclusion and control, while Floyd enjoys scaring people off and having as much fun as he can before he goes.

Kalim is someone who has had multiple assassination attempts on his life, even from his own family. He masks behind a smile, but he's afraid to trust people, and when he DOES TRY to talk about it, it gets brushed off because he has money. Also, he has to deal with the fact Jamil has been undermining his ability to progress by not treating him as if he's capable at all.

Epel has been teased and bullied on how he looked to the point where he started instigating fights to ensure he wouldn't be teased. He also has to fall in line with what Vil wants because he made the error of picking a fight with Vil and getting his butt HANDED to him. To further add, Vil is NOT NICE about it when Epel resists, with one example being Vil grabbing him by the ear and pulling hard as a form of punishment.

Rook has deal with the fact that for being someone who is super perceptive and can notice details, he didn't realize Vil's feelings around Neige, likely because he was blinded by his own admiration for both of them and that's a bitter pill to swallow.

Ortho has to deal with being basically created as a replacement for dead Ortho Shroud, trying to figure out if he's just really a robot made by Idia with really good AI or more than that, and dealing with the fact he loves his brother so much, but his brother doesn't take care of himself and it's disheartening to watch Idia's self-destruction.

Lilia has so much war trauma, losing his loved ones, having been exiled, and so much other crap. Even so, he forced himself to put the war and his trauma about it in the past, where it belonged for the sake of his two sons who both lost so much to war, which is something Baur/Baul could NOT do which was to Sebek's detriment.

Silver has had to live with the idea that his adoptive father would likely outlive him, then is faced with the fact that his father is basically abandoning everything about their life in Briar Valley before he learns that his biological parents were the enemies of the person he serves and cares about, Malleus, and the only father he's ever known.

Sebek has grown up with internalized racism/speciesism against humans thanks to his upbringing and he basically rejects half of his heritage with how he treats his father. He does not even realize how hurtful his comments are until he's faced with those remarks being directed at him by a younger version of his grandfather.

And this isn't everything each student has to face. This is just broad strokes. Yana Toboso wrote a story about flawed people who all have gone through really hard and difficult things because that's the point. As Toboso said in a 2023 interview:

“Happy endings in Disney works come from righteous actions and love, but I believe that the villains are characters who do not get saved during the story. That is why, through this game, I want to portray the message that even if you get beat up all the way to a bad ending, you can grow from it and live your life without feeling discouraged.

Acting lame, obstinate, without hesitation, being open and honest—it’s not as bad as it sounds. 

I would like to paint a positive picture of living honestly with yourself and not worrying about others.

In today’s society there are so many people who live in fear of failure and are always walking on eggshells, but nobody’s flawless. It is exhausting to try to live your life so that no one will hate you.”

Everyone, even people you don't know or do not like, have gone through things that shaped who they are. Sometimes, how we've adapted to handle the bad things that happen will force us to hit rock bottom. But you don't have to die when you hit rock bottom.

You can have terrible things happen to you and have maladaptive strategies to handle your experiences, but you aren't stuck that way forever. You can learn how to change your habits, learn to be okay with yourself, and work at being better than you were the day before.

Human growth is not linear. It's a bunch of taking steps forward and backsliding and learning and making mistakes over and over again and accepting failure, not as a testament to your character, but as part of the process of growth... and that's something all the students have to learn, not just the Overblot boys. Because all of them, every single one, are handling their own personal issues, even if it isn't shoved right in our faces.