But Seriously Though I’m Sick And Tired Of Those Masterposts That Are Like “here! A Reference Site

How to Write Characters With Romantic Chemistry

Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.

Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.

1. Give the Love a Name

Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.

You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:

Friends to lovers

Enemies to lovers

First love

The love triangle

Stuck together

Forbidden love

Multiple chance love

Fake lovers turned soulmates

There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.

2. Develop Your Characters

You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.

The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them. 

You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:

Being in a throuple

Being in a polyamorous relationship

Being the only one in love (the other person never finds out or doesn’t feel it back, ever)

There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.

3. Give the Conversations Stakes

Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.

What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories. 

4. Remember Body Language

Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.

It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.

If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.

5. Add a Few Flaws

No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.

Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break. 

People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other. 

6. Create Intellectual Moments

When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.

7. Put Them in Public Moments

You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.

Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.

Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?

8. Use Your Senses

And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell. 

Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world. 

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Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.

hey i don't know what writer needs to hear this today but you can have characters in your work who exist only to move the plot forward. you can create an oc for a fanfic who exists to ask a question at the right time and is never seen again. you can create a novel and have random characters that exist to move the story. characters are elements of narrative. not every single one has to have a whole backstory and a life fleshed out. sometimes they can just be there for a scene and then never be involved again. isn't that how life works? don't we meet people and then they vanish? aren't our lives simply moments spent to drive forward the plots of others? your character can be pointless. you character can exist in a moment. your character can take up space. your character can exist, even if you don't know their birthday and their mother's favorite song.

characters are not people. you do not have to make them into people unless you want to. you owe them nothing. use characters however you want in your story. develop them as is relevant. otherwise, it literally does not matter.

It hurts me to think that Cale's worst fear is not his family and people dying, but being the only one to survive again.

That's what I think the reason Cale is so ready to throw himself into danger is, because if he does, not only will he potentially save everyone, but he has a high chance of not being left behind again.

His hyungs died protecting him, and he had to live with the guilt afterwards. The thought of going through that, technically for the third time, is what pushes him to overuse his powers constantly. It's why he was able to complete the Thief's test the way he did, even though it'something he managed to stop himself from doing during his life as KRS.

His fear is not the fear of losing everyone, but the fear that he will be the only one left alive.

Kris...?

Without eye highlights...

HOW TO START WRITING ORIGINAL FICTION AFTER BEING A FANFIC WRITER

hello hello, it's me again!

i've been a fanfic writer for a long time! i started writing on wattpad when i was about 12 years old and continued writing there for a few years, switching from one fandom to another. but deep down, i really wanted to start writing my own novel, with everything created by me. at first, it was quite challenging, and i had to do lots of research, like everyone else. but eventually, i figured it out, and now i love writing original fiction!

if you're a long-time fanfic writer who's ready to dip their toes into the world of original fiction, you're in the right place. while it can be quite intimidating to move away from the familiar worlds and characters you love, writing original fiction can be an incredibly rewarding experience. here are a few tips to get you started:

start with what you know just because you're writing original fiction doesn't mean you have to start from scratch. draw inspiration from your favorite genres, characters, and settings to create something new and unique.

create your own characters this is your chance to explore new personalities and relationships that won't ever come to life unless you decide to! take the time to really develop your characters and give them distinct voices and motivations. [check this out: build a character (masterpost)]

focus on world-building unlike fanfic, where the world and its rules are already established, in original fiction, you have to build everything from the ground up. take the time to create a rich, detailed world that your readers can get lost in.

embrace the freedom fanfic can be restrictive, as you're bound by the expectations of the fandom. with original fiction, you have the freedom to tell any story you want. take advantage of that freedom and let your imagination run wild. [check this out: free Notion template for writers]

don't be afraid to make mistakes writing original fiction is a learning process, and you're bound to make mistakes along the way. embrace those mistakes as learning opportunities and keep pushing forward. [check this out: useful resources & tips for writers]

i hope this was useful! if you have any questions, feel free to dm me or send an anon message! <3 have a nice day

related posts:

how to start writing original fiction

character development : a collection of resources

Susie and noelle.... gay people...

Lmao there was a comment on a chapter of King’s Maker that went “It’s always the redheads that cause the chaos” and someone simply replied with “Cale Henituse” and everyone was agreeing with them. No questions asked none needed

Every day I wake up thinking about how Cale's transition from hunk to twink is revolutionary.

Like, in other isekai, you get those plain dudes who turn into cute twinks sure, but it's instant. They transmigrate, and it's a new skin bag for them. They didn't earn that prettiness. They just up and died, and god decided to bless them.

Cale had to be lazy during war time and twinkify himself. He said god is useless, and he had to roll up his own sleeves for it.

I think that's powerful.

Random things I keep forgetting about -

Cale is the mysterious priest that will show up in the Whipper and Paerun kingdoms history

Eruhaben is a swordmaster

Bud is also a swordmaster

Bud has a smelling ancient power

Ogcale! Still had the soul of a regresses (Now will he regress as krs or Cale)

Ogcale! Still has the soul of a Thames making him a hunter

Choi Han will become a god

Raon is a dragon lord

*Cale is technically a saint of death

*Cage has healing powered and is also technically a holy maiden

*Mary is technically the queen of death

*All 3 of them refuse said titles

To some degree’s Taylor and Cage have hit on Cale

Cale when around choosing high rank officials, this includes at least 2 emperors

Cale smells like nature, so like a forest or something

Princes Alberu will live a long life compare to humans so he plans to retire in Endable

There is a penguin tribe

These are just some fun things I forgot about and am just catching while re-reading. It’s fun to see how the characters progress and just see thing and be like “oh yeah that was a thing!”.

Like remember when Cale first meet Clopeh? He pretended to be some holy entity send by god to burn a lake just to fuck with him. Like why （＾∇＾）

Or how some of the dragon sayers are bffs with dragons!

Spoilers for Cales past and a ss of a few paragraphs of chapter 695

Cale hates when people sacrifice themselves. He hates when they push themselves too hard, especially for him.

Because that’s what happened with Lee Soo Hyuk and Choi Jung Soo, isn’t it?

Cale was supposed to die. They sacrificed themselves for him, and he lived, and now he gets visibly upset when people try to do things that are similar.

What does he think about when he sees people work themselves till they faint? It’s stupid. Not just because it’s not healthy, but because it’s sacrificial. He hates martyrs. He hates it when they’re his friends.

Cale has a weird complex, right? Sacrificing himself left and right, fainting, but not allowing anyone else to do the same? Hypocrite, right?

(Chapter 695)

This is weird, isn’t it? This complete lack of awareness is concerning! It’s almost as if he’s oblivious to the fact that he does the same thing all of the time!

To everyone else, yes, this situation with the crown Prince fainting after using all of his mana is a perfect parallel to Cale using his ancient powers too much and going into a coma.

But Cale doesn’t see his actions in the same light! He really isn’t trying to sacrifice himself 90% of the time! The collateral damage (fainting, bleeding, pain) is usually not part of his prediction, and if it is, it’s more than he expected.

His intentions and thoughts are always about keeping his friends safe, and he’s okay with coughing up a bit of blood to do that! Just a bit, maybe enough that it will look scary but it won’t hurt him in the long run and that’s okay.

If he faints? It wasn’t planned, so it’s not really sacrifice. Maybe a little but he’s selfish enough already, it’s the least he can do, honestly.

When Cale puts himself in danger it’s for selfish reasons. Self-declared selfishness, but that’s how he sees it.

Cale doesn’t sacrifice himself. Everything he does is because he chose to! He chose to. If it doesn’t hurt too bad, he doesn’t consider it as doing much at all. The level of pain he experiences in every situation is his way of determining how much he’s ‘accomplished against his will’ (sacrificed).

Not only that but there are circumstances he must be in to even consider it of consequence to other people. If it doesn’t happen while someone’s in danger, it doesn’t really matter, does it? He doesn’t understand why someone would be asking about his well-being. He doesn’t plan to let anything that happens affect his plans, so there’s no reason for them to worry.

If he’s not on a battlefield, all of the effort he puts in?

(ancient powers) (strengthening his friends) (being in pain and pushing through it) (planning and strategizing) (so, so much more)

It doesn’t count. He is familiar with meticulously and extensively optimizing his time, because as KRS, monsters attack indiscriminately. Being prepared and working hard to be strong is nothing when compared to the battle soon to come, therefore, it doesn’t count as “work.” It’s what is expected. It is the basic standard for what is required to survive.

Where everyone sees Cale working nonstop for weeks and months and years, it’s a normal weekend for him. Those days outside of battle don’t count. He worked like that for 15 years, so much stress is easy for him.

But- why doesn’t he recognize that he pushes himself until he faints? There’s a threshold that he passes where he faints, but he still keeps crossing it?

Well, because he’s the protagonist and- often, our only source of information for what happens in this world- narratively, he tends to stay awake and only faints when the battle is coming to a close, or has just closed. If the battle ends, his presence isn’t of vital importance, so it’s fine if he was unconscious for a little bit. Other times it’s involuntary and a result of his body’s terrible condition or outside forces.

He doesn’t recognize his fainting as sacrificial because as long as the battle ends on a good note and he’s still able to think and plan relatively soon after he wakes up, he hasn’t sacrificed much other than time. He also has Vitality of the Heart, which lets him feel rejuvenated after a ‘nap.’

You see, Cale Henituse is interesting. He doesn’t know how to distinguish being selfish and selfless because being selfless is, in itself, an act of selfishness. When Cale (from the perspective of his friends) ruins his health and runs from battle to battle without resting or thinking about his friends concern— it’s pretty selfish of him.

While everyone else considers him selfless, he thinks of himself as doing the “obvious” amount of work and being selfish too. That much work is expected of him, so it isn’t selfless. It’s all for his own gain, because when everything is over, he’ll be the one going away to slack off in a forest. Ha!He’s seven steps ahead of everyone (and on the verge of collapse).

How trashy.

So to answer the question? Cale doesn’t notice his own sacrifices because he feels that:

1) his intentions remain solely selfish, so fainting and coughing up blood is just something he needs to do to get closer towards his goal.

2) anything that occurs outside of battle does not count as sacrifice because it does not affect how his plans will pan out, and everything he does is just a normal amount of work for him.

3) fainting is not on his list of to-dos, it happens without his consent- constantly- and it is very annoying because it’s an unpredictable variable, but thankfully it happens when the battle is almost over/already over so it’s not really fainting. It’s like taking a nap! Involuntarily, but at least it’s sort of convenient.

4) being overly selfless is selfish, and selfish = bad, so Cale is a Bad Person and Complete Trash. Look at Cale, selfishly wanting his friends and his homeland to be safe so that he can retire. Bastard!

So, turns out his inability to realize the irony of his statements is because of the traumatizing 16 years of mental conditioning where pushing himself over the edge is normal and expected, spurred on by his socially isolated past that led to a lack of empathy and emotional awareness, and his two closest friends sacrificing themselves for him after his ability couldn’t predict the situation accurately enough.

Wow, it was the trauma all along…

€<><><><><>o

{>>>O=

^^^ my attempts at fish

Anyway, here is a compilation of my favorite Cale moments :D find it under the cut :3 they’re angsty :v spoilers ofc

Chapter 258 ^

Chapter 259 ^

Chapter 303 ^

Chapter 420 ^

Chapter 560 ^

Chapter 584 ^

Chapter 656 ^