I agree with all of this, and I'm adding I complaint I have:
Lila has no goals or motivation.
After her introductory episode, it was easy to defend her lying with Lila being new and struggling to make friends.
And, honestly, that would have been good enough.
But then, Lila appears again and, despite being caught in her lies, she doubles down and keeps lying, for seemingly no reason other than manipulating everyone around her.
Revenge against Ladybug might be a goal, but it seems a bit drastic for getting called out for lying. Especially when she was offered forgiveness by Ladybug and Adrien.
Lila's behavior then escalates from lying to allying with a super villain.
And she apparently has multiple families who know her under different identities, one of whom is a student at another school.
Again, no reason known for Lila to do this, and it has nothing to do with her revenge against Ladybug.
So, Lila manipulates everyone around her, for no known reason.
And since Lila's been around since the end of season 1, she should have a little more backstory by now.
Especially with the latest special, where Lila makes a wish that almost destroys the universe.
What did Lila wish for? What is her goal? Why is she doing this?
No one knows. Hopefully we'll get answers in season 6, but I wouldn't hold my breath.
I guess my biggest complaint is that Lila is a plot device, not a character.
And that's just terrible writing.
So for those of you who aren’t new to my blog or fanfics, it should come as no surprise that I despise Lila Rossi from Miraculous Ladybug canon.
I despise her as a person. I despise her as a character. And I despise the very idea that she is in any way supposed to be a credible villain or that her choosing to be an antagonist is supposed to be anyone’s fault but her own. She annoys me in every possible way except for the reasons canon would probably have intended.
But ultimately, if I had to explain my specific issues with her and her character, it’d boil down to four main things:
One, Lila is a plot device.
From the moment she first appears in the story and well into any of her subsequent appearances, Lila’s purpose is to further a plot.
Not THE plot, mind you. Not the central story of the entire series about a supervillain attacking the city which has been dragged out for five seasons now or even the B plot of the love square that is so far removed from a slow burn by this point that the candle has long been extinguished from lack of oxygen.
No, it’s just A plot. And not even a good one. Outside of that specific plot of the day, Lila doesn’t really do anything, even when she arguably should be given the character that canon has presented her as.
And canon proves this is the case because Lila almost literally disappeared off the face of the earth with no explanation for nearly the entirety of season 2 until the finale when they suddenly need her again and say “oh yeah, by the way, she was just hiding out at home the whole time until Hawk Moth was ready to start this specific plan that is reliant on her to be there”. Sure, Gabriel has no way of knowing that Lila would even still be in Paris at that time, but that's the nature of a plot device in that it just works.
Lila appears. She manipulates and it works out. Then once her scheme is completed, she disappears into the ether again with little to no follow up or mention of her in the meantime.
Lila is a plot device and only exists as the plot demands. Which is even more problematic because of the next point.
Two, there is nothing that Lila does that couldn’t have been accomplished by an already established character.
Lila is supposed to be another rival over Adrien and another antagonist character for Marinette on both sides of the mask, which should be fine and even expected in a story.
The problem with that is that Marinette already HAS a rival and antagonist in Chloe, who seems to have everything needed to be a better antagonist. She has the power of wealth and nepotism to use against anyone she doesn’t like and to protect herself from consequences. Even better, she has a direct connection to the male lead that can at least give cause for her to appear to have a chance as a romantic rival as well as a reason for the female lead to not act against her if it would risk upsetting him. In addition, fans have been pegging her as a helper to Hawk Moth since season one, which would have been a potential route for her character—and what ended up happening ANYWAY given the events of Miracle Queen and season 4.
So why even have Lila then? There is nothing Lila brings to the table that is new or unique. She does nothing that couldn’t be accomplished by already existing characters who could fill whatever role she’s supposed to serve and they could do it WITHOUT the plot having to literally turn on its head to make thing work out.
She’s basically like Chloe—there’s no other way to put it. She is a sneakier and less obviously evil Chloe. They both are antagonistic towards the female lead while crushing on the male lead. They both do bad things and get away with it. They both act incredibly juvenile in their expectations and show no real understanding of either accountability or cause and effect. And they both agree to help the big bad just to get back at Ladybug for not letting them have something they feel entitled to with no real concern as to the fallout that would occur even if it should directly affect them.
The only difference is that Chloe at least has an in-universe reason for why she is never stopped. A frustrating reason, mind you, but still A reason.
Chloe gets away with things because she’s rich and her father is the guy running the city. Horrible? Yes. True to life? Arguably. But it’s something confirmed in canon and something we as the audience can see and understand the reason behind.
Lila doesn’t have that. What does she have then? Well, not much, actually.
Three, Lila‘s actions are not intelligent or reasonable.
This one is especially important because canon has been trying to paint it that Lila is some sort of mastermind and supposed to be a credible threat.
But as the writers don’t seem to understand “show, don’t tell”, Lila’s actions don’t really fit with that narrative. She either does things that a master manipulator wouldn’t do, or doesn’t take the obvious actions that one would.
A lot of her actions are poorly thought out:
Claiming to be the best friend of a superhero she know exists to someone she should know follows the exploits of and has had interviews with said hero, and just assumes that the claim will never be brought up if the two should meet again.
Claiming on a major news source to be the best friend of a superhero who is constantly under attack and may thus make Lila a potential target of anyone seeking to harm said hero.
Stealing what is clearly a very old possibly one of a kind book and going so far as to throw it away and just assume that the owner won’t notice or care that it’s missing.
NOT accepting Ladybug’s offer of friendship when the hero is clearly feeling guilty and would put Lila in a prime position to manipulate said hero out of that guilt and make at least one of her lies true.
And that’s just in Volpina. After that, Lila hid away at home for months on end just to sulk in her room over being caught. Which is really pathetic in and of itself, especially when there was no valid in character reason for her to do that instead of anything else, like maybe trying to do damage control.
Let’s remember that only two people knew Lila was lying—the hero she lied about and the crush the hero outted her in front of. Since Lila was clearly still in contact with the classmates during her self-imposed exile, she would have to have known that nobody else was aware of her lies, meaning those two people never told anyone about what she had been doing. Everyone else still believed her.
And of the two who knew, one apologized to LILA after Lila had selfishly lied about and insulted her while the other was still clearly trying to be on good terms with her even if he was disappointed in her for lying. Adrien actually offered to be her friend and only asked her to stop lying.
And Lila doesn’t use that to her advantage. A truly good manipulator can manipulate someone even if that person knows she’s a manipulator. She could have just accepted Adrien’s offer and it would have been a relatively small loss on her part in comparison to what she would have gained. She could have spun a sob story about why she lies and make herself look sympathetic to him so he would more willingly support her—and give her more of a chance to win him over because he would believe that they have a connection that way.
Instead, the master manipulator that Lila supposedly is chose to double down on her earlier lies and pout about how Ladybug is the liar even when it’s obvious that Ladybug wasn’t and even more obvious that Adrien wouldn’t believe her. Before stealing an akuma for herself and using it to frame ADRIEN for nicely asking her to stop lying to him instead of trying to frame Ladybug to him to give her lies more credence.
So each of Lila’s choices don’t make sense with the character that we are told Lila is supposed to be.
If I’m being charitable, I would say she just isn’t a master manipulator.
If I’m being blunt, I would say she’s stupid.
Now, it could be argued that she’s a teenager and doesn’t think things through, except that none of this is ever acknowledged as a mistake by either Lila herself or the narrative.
Lila keeps letting her emotions cloud her judgement. Which is interesting because Marinette is noted to have that as her main character flaw. Except for Marinette, this is actually portrayed as a flaw and something she has to correct and make up for while for Lila, it just somehow always works out in her favor.
Which leads to my next point…
Four, Lila is overly reliant on the plot to function as an antagonist.
If we're looking at things objectively, Lila isn’t smart and her plans aren’t that great. Whatever she schemes only seems to work because the plot requires them to rather than because of any real capability on Lila’s part. It becomes increasingly evident that Lila gets away with things because apparently plot demands that no one is allowed to so much as doubt what she says. They are forced to blindly believe her and follow whatever trail she wants them to, even when they arguably shouldn’t. So no one is able to figure out that she’s a liar aside from the female lead she’s a rival to and the big bad, and the latter of the two has reason to not do something about the giant red flag Lila presents.
This ultimately does less to show how clever Lila is and more to further emphasize the major problem of the series itself that too much of the show is reliant on nobody but Marinette doing anything. Lila’s character especially highlights that issue in that people who SHOULD have noticed Lila’s blatant lies or SHOULD have reason to respond in some way to her actions…don’t. And even in the relatively rare instance when they do, nothing comes of it.
We clearly see Damocles trying and failing to reach Lila’s mom about her unexplained extended absence in the Heroes Day finale, but this is never brought up again when she returns. Damocles himself seems to forget about it when he reappears to interact with Lila in the “Ladybug” episode. It also shows a giant disconnect between the Principal and the teachers in that we clearly see Bustier setting up a video call with Lila—so apparently Damocles isn’t aware that Bustier has direct contact with Lila and may know why she’s supposedly missing school and Bustier isn’t aware that Lila has been skipping school and that the administration hasn’t been able to make contact with her student’s family? Maybe Lila is “just that good”, but that speaks more of a level of ineptness in the school that we as the audience aren’t supposed to be seeing.
Most of Lila’s plots work out this way. She can outright manipulate people and have evidence of that manipulation be present for all to see, but nobody reacts. We don’t see Nino respond to the mass text of that picture Lila took of herself kissing Adrien after she told Nino she wasn’t interested in him. We don’t see Alya at any point connect the dots that if Marinette is Ladybug, then Lila would have to have been lying. They just seem to forget the clearly suspicious things they’ve witnessed and immediately jump to defend Lila as the plot requires. This makes no sense for these characters and it makes no sense for the plot.
As such, given the combination of these issues, I dislike Lila in Miraculous Ladybug not because she’s “evil”, but because she acts stupidly and is entirely reliant on plot armor. It’s even worse that the narrative is trying to TELL me that she is smart and an evil mastermind when it’s only SHOWING me otherwise. And the biggest problem is that for all her obvious objective failings, she doesn’t actually face any real loss because the narrative bends over backwards to ensure she somehow attains victory in any episode she appears.
As it stands, I would say that Lila’s only real ability is her apparent power to dumb down anyone she comes in contact with if the show didn’t already do that without her.
Obviously, there are a lot of things I hate about Lila as a character, if she can even be called that.
But, I want to talk about how others treated her.
"Chameleon" is Lila's second appearance in the series. In this one, Marinette wants to warn her friends that Lila is a liar and manipulative, and Adrien thinks they shouldn't. For some reason.
When he apologizes later, Marinette doesn't get mad. She reassures him that he did nothing wrong, even though he did.
Marinette tries several times throughout the series to convince people, mostly Alya, that Lila is lying, but Alya chalks it up to jealousy about Lila having a crush on Adrien.
When Lila's lies are revealed, Alya apologizes and berates herself for being gullible. Marinette reassures her by claiming lying is it's own superpower.
No, lying is not a superpower. Anyone can do it.
Lila's lies aren't even convincing if you think about them for a few seconds.
Lila claimed to know Prince Ali. Too bad they don't have a classmate who also knows Prince Ali and gets along with him really well. Too bad she wouldn't be able to write him a letter or call to confirm he knows Lila. (Rose)
She claimed Jagged Stone wrote a song about her and that she saved a kitten. Too bad they don't have multiple classmates who's mom worked with Jagged Stone and can confirm he hasn't had a cat in decades. Or at least know all of his songs well enough to realize none of them are about Lila. (Luka and Juleka)
She claimed Ladybug saved her life and that they're best friends. Too bad the journalist of the group didn't even think about that before posting it. Or decided to confirm with Ladybug first. (Alya)
She claimed she once saw a guy in India get his eye gouged out by a napkin. Too bad no one's smart enough to point out how that's impossible. (Max)
She claimed to get injured from Marinette pushing her down the stairs. Too bad no one took her to a doctor to get the injury treated.
Lying isn't a superpower. Most of Lila's lies come apart if you think about them.
Heck, Luka and Juleka get to hang out with Jagged later in the series, so the fact that they never found out Lila was lying is ridiculous.
The real superpower is how dumb everyone acts around Lila. Not one person is able to see through Lila's lies, even when they're obvious.
And if you have to dumb down your cast for the villain to succeed, they're not a good villain.
Worst of all, no one is being held accountable for it.
The message here is that you're supposed to just forgive people for blindly following a liar over you.
No, scratch that, you're supposed to just forgive people for accusing you of being a jealous liar when you try to warn them.
You certainly shouldn't point out how they blindly trusted her when they could've easily disproven her lies.
You shouldn't tell them how horrible and alone you've felt because everyone chose to believe the liar over you.
And it is a choice.
Lila states in "Chameleon" that no one thinks she's lying because they like what she has to say. That they don't want her to be lying.
Maybe not a conscious choice at first, but when Alya chooses to say Marinette's lying about Lila because of jealousy instead of believing her best friend, it became a conscious choice.
When your friends apologize and beg forgiveness for something they've done wrong, you're supposed to smile and assure them they did nothing wrong.
Your feelings here don't matter.
It's not their fault.
Lying is a superpower.
It has come to my attention that a lot of people are probably under the impression that I hate Kim since I criticize her behavior a lot.
This is not true.
I do believe that Kim is selfish and very flawed.
And I'm frustrated that her flaws are often overlooked or ignored or, in the rare instances where her harmful actions are actually acknowledged, downplayed, easily forgiven, and not changed.
But this is not because I hate Kim.
This is because I love Kim, or at least I used to, and wish she had gotten better character development.
Kim is the main character. Heck, Kim is the titular character. Kim is the focus of the show.
But Ron is the relatable character. Ron is the one who gets the most development. Ron got so much development that, in the fourth season, they actually had him take a back seat on some missions to a literal baby because they made Ron too good to keep being Kim's sidekick.
(Not sure if that was their thought process or intention, but it happened.)
Overall, Kim remains a static character. What little character development she gets does not compare to Ron. At all.
Now, obviously I love Ron, too.
But Kim also should have gotten character development. And every time the creators had a chance for it, they decided against it.
I would honestly love Kim a lot more if they had given her the same level of character development they gave Ron.
I mean, the fans deserve that, at least.
Do you think people cling on too much to Adrien's high road advice as a reason to salt on him?
Yes, especially when there are plenty of other reasons to salt him that have previously been ignored. But to that end, it DOES serve as the final straw for people after a SERIES of problems that had previously gone unaddressed.
Much like many aspects of the show, Adrien has displayed problematic behaviors that have been overlooked and waved off in the earlier seasons. This is likely or especially due to the way how in each and every incident, Adrien was narratively shown to be correct. In his stance. In his choices. In his behaviors. He was always right. It doesn't matter if he shouldn't be, because he is.
Now unless you're a hater or anti or salter or whatever negative name people tend to get for not liking a story as it's presented, readers and watchers tend to follow along with the narrative as it presents things and how it presents things. It's a common setup in any story. Protagonist Centered Morality, I feel framed best by Susan in the Discord series:
Susan: ...and then Jack chopped down the beanstalk, adding murder and ecological vandalism to the theft, enticement and trespass charges already mentioned, but he got away with it and lived happily ever after without so much as a guilty twinge about what he had done. Which proves that you can be excused anything if you're a hero, because no one asks inconvenient questions.
Pretty much this. Most people will follow what the narrative says because it's the narrative. If the narrative wants you to focus on Marinette being embarrassed, you're going to focus on how much she's cringe. And if the narrative wants you to view Adrien as a perfect sunshine boy who never does anything wrong, anything he does is going to be framed through that lens and it's difficult to break from that view and call out the times when he is wrong. Not unless he does something particularly severe.
It should be noted that outside of Chameleon, Adrien had, among other things: lied to his partner, caused someone to get akumatized and had his partner take the blame, was messing around during life-threatening and city-threatening situations, did nothing as Chloe tormented people right in front of him, DEFENDED Chloe after she tormented people right in front of him, bailed on an event with friends to set up a date with someone who said she had other plans and then got mad at HER for it, tried to flirt or confess in the middle of an active crisis which took necessary attention away from said crisis, caused himself AND his partner to get hit by akuma powers and needlessly be taken out of commission.
And yet people could mostly overlook these instances. They weren't his fault. Chloe is his friend. Marinette is worse. He's just a kid. He has a tragic backstory. So on and so forth. Easy to overlook. Easy to ignore in favor of the Sunshine Boy setup people were given and want to believe in.
But there were three major instances that really grabbed people's attention and stayed:
His attitude in Frozer. It probably wouldn't have been so bad except this rejection already happened in Glaciator, where he was supposed to have learned a lesson and accepted just being Ladybug's friend and now apparently didn't, despite it happening earlier that very season. Then in response, he decides to date Kagami as a rebound, drags Marinette with him on his date (without realizing how he's asking his friend to be a third wheel on a DATE) and focuses on her when he's supposed to be with Kagami, throws another tantrum in the middle of an akuma fight and refuses to work with his partner when the city is literally frozen, and requires Ladybug to apologize to him for hurting his feelings before he finally working with her. Again. But okay, he's a teenage boy in love. Not used to rejection and got his feelings hurt. Lovesquare is endgame so of course it'll work out anyway, so it's not like this bump in the road is really going to matter long term so we shouldn't hold it against him. Fine. Dumb, but fine. We've forgiven it in other shows and other poorly done teen romances, we can forgive it here.
His behavior in Syren in which he demanded to know secrets from people when the secrets were not theirs to tell him, and went so far as to attempt to blackmail his kwami (which was funny) and threaten to quit and abandon the Ring that the big bad is after while the city is flooded and people were trying to not drown (which was decidedly less humorous). But it was played for wholesome when Plagg reassured him and he got what he wanted by Fu revealed himself even if Adrien did nothing to actually show he earned it, so all's well that ends well, I guess? And people could justify it because "they're partners" and "part of a team" and "she should trust him" and "it's not fair he's the only one left out of the loop" and "he has a right to know" and just general "Fu is an idiot" (which is admittedly hard to argue). So people were disgruntled, but most were willing to overlook it.
His holier than thou lecture to Marinette in Maledictator over everyone being happy Chloe was leaving. When all Marinette was doing at the time was watching everyone else have fun. When Adrien specifically guilted Marinette and not any of the other actual partiers involved who were literally throwing a party over his friend leaving and probably should have warranted a lecture more than the girl just standing there. When the girl in question was also Chloe's main target and out of everyone had valid reasons to be happy that her bully won't be around to bully her anymore. When Adrien himself has historically been present to witness Marinette being targeted including twice he witnessed Chloe attempt to steal from Marinette, once he witnessed her try to blackmail Marinette, and numerous other times when she actively caused harm to Marinette and others. When Adrien then proceeded to sit in a corner and pout rather than do anything else or just leave if the party really bothered him. When Adrien, if he really cared so damn much, could have gone after Chloe himself! Or y'know...have stood up for Chloe earlier when she got upset in the first place. But fine, okay, Chloe is his childhood friend. So maybe he's just being biased and oblivious to the fact that his "friend" is a horrible person. But people can excuse and justify it in that they are friends and friends support each other, and the longer someone is friends with someone else, the harder it is to break from them. And that Marinette was probably just the target of his lecture because she was the one there in the moment (and the only one who would listen without arguing). And her calling Chloe useless was "mean" despite it being quite frankly the least of what she could have said about her in the moment (coughcough theft cough blackmail cough punished the entire school cough TRIED TO CRASH A TRAIN AND NEARLY KILLED HER AND HER PARENTS COUGH-FREAKINGCOUGH). Fine. Childhood friend means Adrien supports her in all her horrible and even deadly actions. Frustrating, but again, able to be explained and you can see where he's coming from.
These are all things that definitely got Adrien some side eye at best and some detractors at worst.
BUT if you really think about it, all of these examples are objectively worse than his lecture to Marinette in Chameleon. Not accepting being told "no" and continuing to chase a girl who isn't that in to him (while leading on another). Putting lives at risk over personal wants that could quite honestly wait until AFTER the crisis is over. Defending someone who is harmful and guilt tripping the victims. Compared to those, telling someone to leave a liar to their lying seems relatively minor.
So why this? Why here? Why is it Chameleon that has people saying enough is enough? Why is it this episode that is causing the sunshine boy to be so tarnished and the subject of salt in fan fiction?
Because this is the time when it couldn't be rationalized. There wasn't even a valid sensible canon-based reason for his stance. The arguments that Adrien "knew confronting her wouldn't work" or that he "handled her like paparazzi" or that he "knew Marinette previously failed when she tried" (even though he wasn't there and didn't know) or that he "didn't think anyone would believe him" don't come from canon. Those were fan arguments made after the fact to justify him after the base was broken and the outcry became too much to ignore.
This case didn't have any of the ties or rationales of the previous incidents. Adrien wasn't defending himself or his place in a partnership. He wasn't fighting for his love or his dream or an outcome he wanted and that we all knew was coming. He wasn't defending a friend like he did with Chloe—I mean, it's pretty evident he doesn't even really know or like Lila at this point, and for all intents and purposes, this is apparently only the second day he actually had any interaction with her. There was no notable reason Adrien really had for why he essentially chose to protect Lila over literally anyone else as she wasn't a friend and it wasn't in his interests to protect her from a consequence that wouldn't hurt her short term as much as it would likely harm everyone else long term.
And yet, he still defended her and her freedom to lie. Over Marinette. Over Ladybug. Over his friends. Over any sense of right and wrong he seems to have no problem throwing around when it comes to Marinette/Ladybug. Which seems like he targets her 9 times out of 10 compared to pretty much anyone else by this point. So it's little wonder then that people who didn't already hate the lovesquare because of the cringe factor from Marinette started to hate it for being incredibly unhealthy given that their relatively limited interactions tend to involve him lecturing her for failing to live up to his double standards that only seem to apply to her in any given situation.
This incident by itself doesn't seem like much, but when looked at as part of the series as a whole, it's when people couldn't keep overlooking this trend. Where he seems to admonish the wrong person. Where he acts like a mouthpiece rather than a person. Acts like a brat but is treated as though he has no accountability in the situation he causes. Where he is wrong but no one and certainly not the narrative acknowledges it (not until season five and two seasons later when it doesn't matter and he's still not the one facing consequences for it).
And it's not like he actually follows the stances he himself promotes. In Chameleon, canon presents him with this idealistic stance that Lila could change if given a chance, except he doesn't give her a chance. He doesn't push her to be a better person. He doesn't support her to be the better person he insisted to Marinette she could be. He also doesn't do anything or warn anyone when she keeps lying and actively harms the people he says he cares about. He doesn't do anything one way or the other other than some lackluster encouragement to stop lying and a warning that goes nowhere. It just further gives credit to the argument that Adrien either simply doesn't care about other people, or that he doesn't care for Marinette specifically. Neither is conducive to the lovesquare or the increasingly tarnished view of the "sunshine boy".
And it could have worked. Canonically and intrinsically to his character. His idealism and trust in the wrong person comes back to bite him. He learns and grows from it. Except that, much like with nearly everything he does in canon, Chameleon set it up that Adrien was the writers' mouthpiece and thus was not "wrong". I'll grant that they did have him admit it and apologize to Marinette for it two seasons later, but it is pretty evident that during Chameleon, they intended his lecture to be right, with no foreshadowing and no implication otherwise. And I'm fairly certain they only backtracked and had him do that much because of the amount of fan outrage over the episode.
So yes, I think his lecture in Chameleon was really a final straw since unlike Chloe, Adrien has NO relationship with Lila to justify his defense of her. Especially when the argument is in favor of letting her lie to the people he's supposed to care about. That combined with how jarring it was how most of the class just sided with Lila over the seat issue in the first place, and I think people were less inclined to just ignore the problems in the episode specifically and with the series as a whole as they were compared to the first and second seasons. Not just with Adrien, as we see that Alya also started getting more callout and salt since then as well as more retrospective scrutiny over her behavior in earlier seasons.
But yeah...Chameleon was where things seemed to take a 180, so it's bound to be the deciding episode and deciding incident that sticks out in people's minds with these characters. That's probably why it ends up the go-to for salt and complaints on the characters involved instead of any of the other incidents that would arguably warrant it more.
Thoughts on Bonnie?
I have been waiting for this ask.
I'm probably going to get hated for it...
I don't think Bonnie's as bad as we're supposed to believe she is.
Sure, Bonnie's catty, mean, rude, petty, shallow, selfish, and more.
But that seems to be targeted 90% to Kim, 5% to Ron, and 5% to everyone else.
In other words, Bonnie doesn't seem overly mean to anyone but Kim.
Her fellow cheerleaders are seen hanging out with her instead of Kim quite often. And if someone as nice as Tara or pragmatic as Crystal prefers hanging out with Bonnie over Kim, there's probably a good reason for it.
And it might be the fact that, had it not been for Kim, Bonnie would've never stooped to sabotage in the first place. ("Return to Wannaweep")
Or it could be the fact that Bonnie can actually keep her commitment to the squad, and was willing to put in a lot more work to help the squad. ("Number One")
(I still don't think she willingly gave up the Captain position, especially not to Kim.)
Or that she would've been better able to be Chair of the Dance Committee, since she could fulfill her obligations and get Smash Mouth to perform, but Kim didn't care if Bonnie was better, Kim's own pride and ego, and rivalry with Bonnie, were more important than actually getting the job done. ("Queen Bebe")
Even Ron couldn't see a problem with Bonnie being the Chair of the committee.
(And I still have no idea what "throne" Kim was referring to.)
I wouldn't blame other people for deciding Kim is too competitive to hang out with regularly. She doesn't seem to put a lot of value in enjoying things, just doing them, and doing them the right way (her way).
And from what we've seen of Bonnie's romantic relationships, she dates guys who are genuinely nice and doesn't seem to be very mean to them either. She says Brick is "cute" when he can't think, instead of just calling him stupid or dumb. And the date we've seen her on was to a horror movie, so either Bonnie likes horror movies, she let Brick pick the movie, or some combination of both.
(I don't blame her for dumping soda in Kim's lap, Kim was talking throughout the movie, and being rude and condescending about it to boot.)
And from what I remember of high school, no one who's as mean as Bonnie supposedly is would actually have that many friends. They wouldn't even really have a lot of followers.
And Bonnie didn't just win the vote for Captain unanimously, she won it with everyone other than Kim being enthusiastic about her being Captain.
I think Bonnie's biggest issue with Kim is that Kim quite literally has things handed to her, doesn't have to work for much, and people are too enamored by the hero to notice the person. And Kim treats her best friend horribly which, shockingly, is not something we actually see Bonnie doing.
I think Bonnie's biggest issue with Ron is that Ron is so slavish towards Kim, and Bonnie sees it as pathetic and loser behavior. When Ron distances himself from Kim, she not only has no problems hanging out with him, but dates him, or tries to, and is unequivocally supportive of him. Which is...interesting, as it implies her issue isn't with Ron himself, but with how Ron acts around Kim.
But more to the point: the "mean girl" of the show treats people better than our hero does, and that says a lot about both of them.
One thing about Rainbow High that drives me crazy is that River Kendall is supposed to be the teal colored character, my favorite color, but he doesn't actually wear teal.
So, to make myself a little less mad about it, I made an edit where he's actually wearing teal. I left his letterman jacket as is.
And, just for fun, River in teal with his hair the same color as his eyebrows.
Obviously, I know they're not perfect, but I still think they're pretty good.
It's so frustrating because we have characters like Marc and Nathaniel and Rose with powers that fit their personalities and interests and they don't get to use them very much.
Instead, we get a season where the villains get to use the powers, and they get to be much more creative with them.
It's frustrating. The villains were using the powers better than their chosen holders.
Nathaniel used Genesis to make a wand, but Nathalie used it to make a box of supplies.
Marc used Sublimation to give himself the power to always score a goal, but Tomoe used it to give herself an enhanced sense of smell, and Gabriel used it to give himself invisibility and flight.
Rose used it to make Juleka and Gigantitan calm down, but Mr. Damocles used it to distract multiple people and Miss Bustier used it to start a revolution.
The villains were using the powers more creatively than the heroes were.
(Note, it's not just a problem with these three, but they were the ones that best explained the problem.)
This makes it seem like the chosen holders aren't cut out to be heroes, despite what Ladybug says.
If Marinette and the villains are using the powers better than them, what's the point of them?
They could have been more, but the creators didn't want to work for that.
They want us to believe that these people are perfect for their Miraculouses because they said so, even when the show itself contradicts it.
And, honestly, that's terrible writing and unfair to the characters.
I'm not sure if this has been covered before, but there's a serious problem with Marinette being the be-all end-all of everything in Miaculous.
And it's not just because "she's stressed" or "it's all on her". Her being the most important, talented and plot-relevant character in every situation is.
Let's make a comparison to the Gold Standard:
In Avatar the Last Airbender, Aang is the axis of the story. He holds incredible powers beyond anyone else, can bend every element and could conceivably end the entire conflict that plagues his world with relative ease- which he eventually does.
However, for 99% of the story he cannot do so. Because Aang is untrained, he cannot access that divine win-button of the Avatar State at will, and using it carried enormous risks to himself and those around him- making it functionally unusable for common conflicts. Furthermore while he does technically have the capacity to use all four elements, he had only mastered one and needed to learn the remaining three.
Indeed, Aang has outright difficulty with learning Earthbending despite his innate talents and while he's a quick study for the other two, he doesn't demonstrate the same effectiveness with water and fire as Katara and Zuko.
This means that Aang cannot do certain things as well as the others in his team. This means that for the majority of the story, even though his first and preferred element provides him with useful abilities" Aang has weaknesses that he needs others to cover and provide for.
Enter Katara, Sokka, Toph and Zuko.
Katara is a waterbender who teaches Aang and later advances her powers to include the all-important power of healing and the disturbingly effective (though situational) Bloodbending.
Toph is an earthbender who is also one of Aang's teachers, and whose tremor sense later allows her to both detect liars and invent Metalbending.
Sokka is seemingly just the comic relief normie. However his technical mindset allows him to serve as the general of the group, and even plan and lead in that role for entire armies later in the show.
Even Zuko who joins later and becomes less a teacher but a fellow student alongside Aaang in firebending is a skilled infiltrator and melee weapon expert. (This is less of a case than the others since it's not used as much, but it's more of a concrete example than his insights into the fire nation and his potential utility as a replacement Fire Lord).
They each provide far more than those short summaries, but it's important to note that in each case, even when Aang does learn the elements and starts growing into his role as the Avatar: he never gains the full range of abilities that his team offers. He never assumes the fully strategic mindset of Sokka, and even though it's downright implausible that no Avatar before him never learnt healing, he never demonstrates that ability or any Metalbending prowess even in the Avatar state.
There's also the enemy trio of Azula, Ty Lee and Mai. Azula is a powerful firebending genius, but Mai's prowess with her throwing weapons are a close match- and Ty Lee's chi-blocking can outright cripple enemy benders for any given fight when combined with her insane agility: something that not even Azula can do with her firebending. They are an incredibly dangerous combination and when Azula loses them, she becomes far less effective for their absence.
In both teams despite the leader being a powerful, talented bender who is objectively the strongst person on their respective side: there's no doubt about each member of the team contributing something that said leader cannot.
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Now let's look at Miraculous:
Marinette is the "Greatest Ladybug" of all time despite being fourteen, only having had the earrings for less than a year, and having a list of predecessors that go back literally thousands of years and include Joan of Arc.
She is also the Guardian of the Miracle Box. Specifically she is the Guardian of The Mother Box that is the most important of all the boxes, despite there being at least a full Temple's worth of actually trained candidates somewhere in Tibet who should be far and above more capable than her or her mentor Fu. However, her supposed superior Su-Han seems entirely convinced that she's already surpassed any teachings his order has by how often she breaks said teachings in his face only for him to roll over like a dog. There's not been a single time when Marinette has been confronted by some shortcoming in her responsibilities as a Guardian where she has had to learn anything from the multi-millennia old Order of Gurdians.
Marinette has also worn almost every single Miraculous in her Box at the same time, a feat that supposedly risked serious harm to her but merely made her woozy for an afternoon (if that). As of the season five Finale, she has also unified her earrings with her partner's ring: a scenario that in earlier seasons seemed to imply great risk: yet she was able to use the powers flawlessly.
As Ladybug, she is also the lone hero who has unlocked any new advanced powers with her Miraculous (unless you also include the arbitrary "adulthood" that she and Chat Noir achieved that allows them multiple uses of their Miraculous before detransforming), and on the occasions when she's used anyone else's powers has shown no sign of being any less capable than they are with them.
Ladybug does everything as well if not better than everyone else.
Marinette can not only unify with any Miraculous she needs for a given mission, she can use the powers as effectively as their "dedicated holder" can and without any restrictions. Unlike the majority of the cast who are still under the child-power limit. She can even unify with multiple miraculous at the same time without any drawbacks.
And without those drawbacks, without anyone on the cast being able to use the power of their Miraculous more effectively than Marinette: everyone else on the team is more or less superfluous.
Sure, Marinette has tossed out the Miraculous to her team like candy now. But when you get down to it: the real lesson that she should have learnt from Strikeback to just put some damn security on her Yo-yo/The Box. Because this just means that she has to wait for the hero in question to show up when she could have just pulled off whatever plan she has in mind herself.
And that superfluous label includes Chat Noir.
As frustrating as it is to come to the this conclusion: as of right now, there's no real reason for Adrien Agreste to be anything but a temporary holder. Certainly you can point to his experience with Plagg's power, and a few examples that seem to imply he can do more with it (in his second outing he was able to reconstruct part of the Eiffel Tower into a makeshift extension to catch someone from). Things that imply that if he perhaps received any actual training in the show like Marinette did from Fu, any guidance whatsoever from the Order or their Grimoire he might be able to achieve more.
But there's no solid evidence to expect that Marinette wouldn't be as effective, and the narrative precedent does not lend itself to the idea that anyone could overshadow Ladybug as a holder even of their own Miraculous. If anything, the sheer ability Marinette showed as Bug Noire implies that her having a partner instead of just keeping the ring herself is a detriment to any given situation.
If you can justify exposing the ring to potential capture in the first place considering that there seems to be no requirement to do. By all rights the practical thing to do is just keeping Plagg in the box instead of risking reality.
Of course we wanted to be generous, Adrien could still be of some use. He's the resident meatshield and narrative jobber. So long as he has a Miraculous he could continue faithfully serving in those roles, eating up mind-control beams and taking hits for Bug Noire so she can save the day as usual.
But everyone else on the Miraculous team might as well turn in their furry super-suits and go home.
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You couldn't get a more black white depiction of the value of others outside of the protagonist. in Avatar, Aang is literally a semi-divine being who still needs to be humble and learn while the others around him still have useful special talents and prowess that he can't simply attain at will.
While in Miraculous, there's only one person of actual true competence. From Paris to Shanghai, Marinette alone is the capable one- barring the odd episode in the limelight (Alya and Felix stand up and take a bow. Adrien can stay seated).
There is a word for a character that is impossibly more capable than any other in spite of all reason and logic. And Marinette is increasingly fitting that mold as the show goes on. There's also a term for characters that ultimately contribute nothing good or bad to a story; wasted space. You can't have an entire ensemble of characters as part of the cast and have them provide nothing if they're supposed to have even a smidge of narrative value without making them something the story would be better off without.
Just as you can't just have one person at the centre of everything, make them capable of everything and not eventually have the story they're in turn into (at best) a power fantasy.
And it's a shame. Because Miraculous seemed like it could have been a lot more.
You know, now that you mention it...
The girls at my elementary school had crushes, but definitely not on adults. Teenagers were the oldest they had crushes on. The boys were the same.
Adults just seem so old at that age, so Jimmy's mom, Beautiful Gorgeous, and Princess Quin Shi "Peggy" Sue should've just seemed old to them, not hot.
I mean, they are attractive, to adults. And teenagers. Prepubescent children, not so much.
And, while I'm sure 11-year-olds were allowed some freedom, "One of Us" has Cindy returning from a competition out of town, and she exits the bus alone. That's an amount of freedom Cindy wouldn't have been allowed for legal reasons.
Not to mention, "Men at Work" has them getting jobs, despite being 10 at that point. Again, legally, this would not have been allowed.
It's a cartoon, not everything has to be accurate, I know. I'm not asking for accuracy, I'm asking for shows about children to remember that the main characters are children.
The show had some great plots that make sense for 11-year-olds:
Jimmy's upset at being the shortest in class
Jimmy's upset over not being athletic
School science fair
Candy-selling competition
Trying to make the perfect candy
Sheen's afraid of being held back (again!)
Jimmy doesn't want to pick up his clothes
Sheen's action figure goes missing
And more
But as the show went on, the romance aspect got emphasized a lot more. Of course, by that time, most of us were invested in the main ships, but looking back, it seems weird how much romance they put in the show.
I don't hate romance, but it feels weird to make it a central plot element in a show about elementary school-aged children. Especially when some of those romantic feelings are directed at adults.
Not to mention having it be such a flip-flop, back and forth, will they won't they thing.
The show would have been fine if the romance aspect wasn't so heavily emphasized at the end. Even though we liked the main ships, they weren't why we watched the show.
Well, time for another opinion! This one's about an older Nickelodeon show, Jimmy Neutron! It's very simple: the show would've made way more sense if the characters were teenagers instead of 11-year-olds. Things like:
Jimmy being allowed to fly around the world in a homemade rocket
Jimmy being allowed to fly into space
Jimmy being allowed to work in his lab unsupervised
Pretty much anything Jimmy does
The kids routinely go places like amusement parks or Cafés by themselves
The boys developing crushes at the drop of a hat
Cindy & Jimmy flip-flopping back & forth on their feelings for each other
Carl's crush on Jimmy's mom (still creepy, but makes more sense if he's a hormonal teenager)
The boys' brief crushes on Beautiful Gorgeous
These are all things that would make sense if the characters were teenagers. 11-year-olds just don't act like this. Trust me, I was 11 when the show was airing. I was in that age group, no one at my school acted like that. Crushes were only on classmates or teenage celebrities, we weren't allowed to go out by ourselves, and we would've needed supervision just to cook, nevermind the kind of science Jimmy was doing.
This level of drama, romance, and personal freedom, would make more sense for teenagers than children. Shows about kids can be fun, but you need to remember to have them act like kids.
I believe that Ron Stoppable is neurodivergent. Many of his traits line up with being neurodivergent.
In "Mind Games" Ron mentions liking the skirt on Kim's cheer uniform.
In "Attack of the Killer Bebes" he got a movie makeup kit as a birthday present.
In "Two to Tutor" he is revealed to love baking and is mentioned as being interested in interpretive dance.
He becomes a fan of the Oh Boyz in "Oh Boyz".
He becomes a fan of "Kim Style" in "Kimitation Nation".
He is implied to be interested in Britina dolls in "Queen Bebe".
These are all things typically regarded as feminine interests, but when Ron has his crisis about being a man in "Ron the Man", none of that stuff is what he's concerned about. He's not afraid any of that stuff makes him less of a man, and he feels no shame about them (most of the time).
There are several times where Ron is shown to not care about popularity, though there are also several times where Ron is shown to care a great deal about how others perceive him.
In "October 31st" Ron is shown to still be interested in going trick-or-treating, despite the fact that most people would have outgrown this hobby by this point.
In "Grande Size Me" Ron becomes obsessed with proving Barkin wrong about the food pyramid, and begins behaving in a defensive manner over it.
(Of course, Ron invented the Naco, which was the specific item Barkin was criticizing, so it's a bit understandable.)
In "Dimension Twist" Ron spends three days straight watching cable television.
Ron has a tendency to become obsessed with his interests, and defensive if someone doesn't like them.
In "Monkey Fist Strikes" Ron is revealed to be interested in video games, and this is mentioned again in "Steal Wheels".
In "Larry's Birthday" it's revealed that Ron has regular meetups with Larry and Larry's friends.
In "Queen Bebe" Ron is implied to have an interest in Britina dolls.
Ron is a fan of the Oh Boyz in "Oh Boyz", even when they're so unpopular no one goes to their concerts. In addition to this, he doesn't even realize they're no longer popular.
Ron may not having been looking for a naked mole rat specifically, but he does consider them to be cool pets.
In "Two to Tutor" there is a brief mention of Ron having an interest in interpretive dancing.
He's still interested in trick-or-treating in "October 31st".
Many of Ron's interests are things typically regarded as "uncool" or "childish", things his peers are usually not interested in.
Ron is frequently shown to lack social skills - bad at picking up intonation, doesn't have many friends, has a hard time dating, and is generally believed to be unpopular.
There's also Ron's tendency to panic, and his occasional bouts of paranoia.
(Though his belief that Barkin is targeting him specifically was apparently correct.)
In fact, Ron's anxiety reached a breaking point when, in "Odds Man In", he experienced such bad anxiety, he locked himself in some kind of panic room.
(Also, where was this? When did he have it built?)
Ron is also concerned about being replaced as Kim's best friend or sidekick, as shown in "Pain King vs Cleopatra", or boyfriend, as shown in "Ill-Suited".
So Ron displays many traits associated with neurodivergent teenagers.
And these also happen to be the traits that the show used to write him as a "loser".
And that's one of the reasons I dislike so much of the show's humor being at Ron's expense - because it often relies on poking fun at Ron not behaving in a neurotypical way.
And as someone who is not neurotypical, seeing the character that's the most like me being the "buffoon" character, the "inept sidekick" character, the one who is incompetent and incapable, well...it kind of hurts.
Because it kind of feels like they're saying what I and many other neurodivergent people have heard our whole lives - that you can't do anything, and you look foolish for trying.
Look, I realize this wasn't intentional. But, even unintentionally, Ron is very heavily neurodivergent-coded, and that happens too often in media - humor that relies on someone having neurodivergent traits and making fun of them for it.
And we've all grown past that.
I’m always wondering if it was better or worse for BBT and Young Sheldon creators to say that Sheldon is NOT on the spectrum. But then I see how they treat neurodivergence on shows like Miraculous, and go probably better they keep away from stuff they don’t understand.
I suspect what happened with Sheldon’s character is that they probably modeled him after people they either didn’t know or didn’t care were on the spectrum and by the time everyone was like “hey this guy is obviously autistic” they’d made fun of him too many times to suddenly claim being pioneers of sitcom neurodivergent representation without also having to accept responsibility for their past attitudes towards him
I do, however, think the red itchy sweater episode was fantastic in delivering a message regarding some forms of neurosis
As for ML, it is, at its core, a tell don’t show series. These characters are in love, are close friends, are good at X and Y, are passionate about this and that, hate Z, so on and so forth. We rarely learn about characters and happenstances through actions, to the point where very clear irrefutable events are verbally retconned by random characters and we’re supposed to accept what they say as canon over what we saw. It doesn’t matter if characters are noticeably queer, neurodivergent, good/bad at something, biased about certain people/subjects, struggling with XYZ, etc. If someone doesn’t outright state it, it isn’t canon. This is where the crew loves to claim brownie points for representation but doesn’t actually do anything that might upset the Suits and their bigotry. They have an ethnically diverse character lineup but they’re all perfectly assimilated to white french culture and rarely acknowledge their own supposed heritage. They criticize police abuse but have the victims apologize to their assailants. They have queer characters but their relationships are mostly implied off-screen so they have plausible deniability. They have kids whose parents are clearly mistreating them to the point of leaving lifelong scars and affecting their ability to become functional members of society but it’s obviously not abuse.
I swear there’s some kind of disconnect between the dialogue and the action lines on the script, like no one member of the crew knows what the other is doing and everything is just taped together at the end with no revisions