You think because there's some mutual attraction or, sure, interest that I'm just gonna lay on my back with my legs in the air for you?
Maybe I have higher standards.
Not that you aren’t interested, is what you meant.
I’m persistent because I’m eager, and why shouldn’t I be? And why shouldn’t you be?
The problem with art, Will always thought, is that the success of any artist is based entirely upon being the taste of another person. Being another person’s taste, then, falls into a category of whimsy that either lasts for an eternity, or fizzles and dies in the wink of an eye.
Will didn’t know if he was the eternal kind or the fizzling kind. What he did know was the feeling of dry paint under his fingernails and the smell of linseed oil and turpentine. He knew that when he looked at a canvas, something had to claw its way up and out of him to fill it. What that something was he wasn’t always sure.
Art shows always put Will on edge. Being so close to the consumer body - that fickle animal whose hunger was the fashion and whose purse was the grace - was a risk to the art. Once a person meets the artist, no longer does the person see the Art, but the product of the artist. It kills separation. Without separation, there is no perspective.
This was the idea behind his latest piece. It had no name - the wall bore no plaque next to it. People always try to place meaning in a name to place meaning in a painting. To place meaning into no meaning at all. Will wanted to break rules; confound them at the most basic level.
Will stood by the refreshments table, fingers tapping gently against his plastic wine cup. There was one man standing in front of that new painting, Will saw, staring like a love-struck child into the brushstrokes. Will wondered what he must be getting from it.
He took a deep drink of the wine and walked up next to this ‘fan.’ He peered at his own painting - a mimic of the casual observer. In that north-east kind of hum-haw, he asked: “What do you think it means?”
“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.” -Leonardo da Vinci
An art show, showcasing the most popular up and coming artists from all over the world. Names like Yamashita, Grzanka, Parla, Harvey and among them Graham. Hannibal was here for Will Graham.
Graham owned a rather small website with a short bio and a couple of his works, but despite his skimpy upkeep of his website, Graham was an immensely popular artist. Magazines and fanpages raved about him, yet getting an interview with him seemed rare if not impossible. Having just poked around his website for a few moments, Hannibal was captivated. He had to meet this man, and discovering his presence at a upcoming art show was just the chance he needed.
Hannibal walked around the art show,with a glass of red wine in his hand, casually admiring works of others. He didn’t need to actively seek out Will Graham, he had a feeling he would run in to him.
He came upon one of Will’s paintings, beautiful as all his others. He wondered what inspired this particular piece. Lecter looked for a plate naming the painting but, unlike the other paintings, there was none. Ceased looking, Hannibal sipped his wine and closed his eyes. Tasting the wine, he imagined he was tasting the colors of Graham’s paintings, finding the flavor and passion and muse. He imagined that every intricate stroke carried an almost sensual intimacy, not dissimilar to how Hannibal himself created his masterpieces.
"I'm sorry."
“Are you, now?” Maybe another glass in he’d have been more ready; but they were doing this now. He downed what he had in his glass.
There’s a peculiar suspense to watching your fiercely held contempt slip away with a touch. Somehow, beneath the swirl of emotion surrounding that hand on his shoulder, Will felt cheated. He covered that hand with his own and gave it a light squeeze before gently sliding it off his shoulder and heading for the door.
"I'm sorry."
“Are you, now?” Maybe another glass in he’d have been more ready; but they were doing this now. He downed what he had in his glass.
"Who the fuck is Susan?"
“First of all: where in the hell is this coming from? Second of all: she’s a friend.”
.....
one time i was having really bad cramps and i told will it was like being stabbed in the stomach by a sharp pointy knife. he threw his hands in the air and shouted “HM I WONDER WHAT THAT WOULD FEEL LIKE? BECAUSE I DEFINITELY DIDN’T HAVE MY GUTS RIPPED OPEN BY A SERIAL KILLER OR ANYTHING!” and stormed out of the room.
“ ‘Not-entirely-bull’ is still bull; the most you’re likely to get out of it are the washed out Polaroids of faces and places and old movie plots.
Do your dreams mean something, Dr. Lecter?”
// remember that time i made a will blog for the express purpose of rp-ing with your hannibal and then i completely forgot about it? haha yeah... // [runsonfear]: "Dream analysis is a load of bull and you know that."
“Not entirely. It was Freud who really developed and popularized dream analysis, and while he was wrong about…most everything, we can still use some of what he preached. Analyzing dreams can help to uncover what may be lying at the root of your problems.
Tell me about your dreams, Will.”
“Hey, hey, hey: what's said in bed is like what happens in Vegas.”
// procrastination blogging // [runsonfear]: "What would you have had me do, exactly?"
“For starters you could have put oil on the pan so it wouldn’t stick.
Careless.”
Independent Will Graham RP blog, interpretation of both television and book characterizations.
I won't pretend to know exactly what I'm doing.
But I kind of know what I'm doing.
Ye.
drhanniballecter this is your fault
// i apologize on behalf of myself and my muse for the amount of wreckage on this internet freeway
Indie RP blog for Will Graham from Hannibal series. TV/Book-verse. Made for the express purpose of roleplaying with one particular Hannibal because Mun has no control over their life. Cheers.
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