I Like The Idea That The Matrix Was Said To Contain "The Wisdom Of The Primes" And While It Kind Of DOES,

I like the idea that the Matrix was said to contain "The wisdom of the Primes" and while it kind of DOES, what he actually got was the ability to commune with the Primes, and while everyone expects them to be a well of wisdom they're kind of just normal people and tell Optimus that Megatron's a glitch.

He's basically just got 13 older annoying siblings.

drawing of optimus prime and liege maximo. optimus is facing forward, holding two cubes of energon of different shades of blue and looking to his left. liege maximo, ghostly blue and slightly translucent leans into the frame, only his head and part of his torso being visible.
Liege: "you shouldn't mix highgrades"

drawing of optimus prime. he's facing forward with both hands spread in front of him in a shrug. there's a flat expression on his face and his cheeks are slightly rounded (like a squirrel).
OP: "guess I'll die"
Liege (out the frame): "you little fragger. fine but don't say I didn't tell you"

drawing of optimus prime. he's sitting cross legged on the ground, leaning over a waste bin, hiding his face in his crossed arms. a chibi head of liege maximo with a smug little smile on his face, floats somewhere on his left side. there's text in the corner that says "the next morning"
Liege: "now, what did we learn?"
OP: "... to not mix highgrades"
L: "there we go"
OP (in small text): "... i hate you"
L: "i know :)"

some times collective wisdom means knowing how to build and lead an entire army while restructuring your entire society after decades of oppression.

others it means knowing that mixing the cybertronian equivalent of vodka and tequila is a Stupid Idea and you will definitely regret it oh my god-

and being the youngest of fourteen sometimes means knowing that and doing it anyway lmao

but yeah that's basically it! that's kinda the point of the au! yeah they were wise and intelligent and almost divine but they were still people! and the concept of wisdom can be very subjective when there's thirteen of you and you have thousands if not millions of years of Opinions™ aklsjdlalds

haunted au

this is your reminder that if you're going to be posting spiderverse gifs / clips you NEED to tag them as flashing, eyestrain, etc.

seizures can kill. the lives of your disabled friends and followers are more important than a movie.

also, do NOT tag them as epilepsy, seizure, photo-sensitivity, etc. people use these tags to find other people like them. by putting them in these tags you are endangering them.

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scritohr

1 year ago

im always like hehe im so smart i will avoid shame by never doing anything ever but then i feel ashamed of not living and it turns out i didn't escape any sort of discomfort i just traded it in for a less rewarding kind

Controlling Your Pacing

Pacing is one of my favourite things to pay attention to when reading or writing something. The pacing of a scene is literally how ‘fast’ or ‘slow’ a scene appears to be moving. Action scenes that spring the story from one place to another tend to go faster than introspective scenes or scenes that explore character dynamics.

All of this is created through putting space and words between elements of the scene. What I mean by that is that readers interpret a passage of time between ‘things’ (actions, dialogue, gestures, etc.) on the page, and pacing is controlling that interpretation.

For example,

“Georgia sat on the couch, “wow it sure is hot in here,” she said. “It sure is,” Henry agreed, sitting next to her.”

This sentence is just about the actions with some breaking dialogue, but it goes pretty quickly through what’s happening.

Whereas, if we were to intentionally pace this scene, it may look like this:

“Georgia swiped at her brow, wandering over to sink into the couch. “It sure is hot in here,” she said, peering up at Henry through the wisps of her bangs. He nodded weakly, his entire body sagging from the heat. Crossing the room to collapse next to her, he added dryly, “it sure is.”

It’s not perfect, but you can get a sense of the time between things happening. The added detail between the two characters talking conveys maybe a minute between sentences, which might be accurate for two people dogged down by a heat wave.

To speed things up, we want less space between elements:

“Adam slammed open the door with his shoulder, letting it bounce off the concrete wall behind him. “Everyone out!” He shouted. A crack in the roof snapped above them.”

The added (or subtracted) elements of a scene that control your pacing is the sights/sounds/feelings/smells/maybe tastes of a place. When we’re anxiously rushing to get out of the house we may not acknowledge that the kitchen smells like the bread our roommate baked that morning, or that there are smudges on the window from when the dog climbed up on the couch. However, when we have a second to contemplate, we’re going to notice these things, and it would be appropriate to write them in.

Another important element to controlling pacing is your character’s thoughts or acknowledgement of feelings.

For example:

“Adam slammed open the door with his shoulder, it bounced off the concrete wall behind him. He winced, his mother’s high voice ringing in his head, chiding him for damaging the walls even though he knew the building was coming down on top of them. How long would he live with her constantly in his mind? He tried to wave away the memory. “Everyone out!” He shouted.”

That slows down the scene quite a bit, yeah? And maybe that’s what you wanted in that moment. Play around with the details and pacing in your scenes, you might be surprised how much can change.

Good luck!

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reblog writing writing tips thank you writing advice this is actually very helpful

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