Equation of Time II: Noctilucent Clouds at the Dark of the Moon Handmade collage. Cut Anthropologie lookbook 10/2015, p. 16, Marie-Agnès Gillot, prima ballerina of the Paris Opera Ballet and choreographer; and laser print of online image: "Pamela Anderson Vamps It Up in Saint Tropez" W magazine online, 8/2/2017, photo by Luke Gilford (https://www.wmagazine.com/story/pamela-anderson-activism-feminism-interview/amp). Tissue paper, marker paper, rubber stamp image, color marker, ink pen, and gold paint pen on a white sketchbook page, with artist and studio seals. ~7.5x10 inches (~19x25 cm), 10/8/2017.
(c) Sealanehill, 2017
Late afternoon light, Cape Jack, Nova Scotia, Jul. 9, 2018.
I admit to being slightly obsessed with taking photos that have crooked horizons and squaring them to horizontal. I know there’s a notion that a cock-eyed frame makes a more dramatic photo, but it often seems to me that the result just looks lazy or sloppy, like a snapshot, of which there are plenty with crooked horizons. Here’s one where I question whether inattention to the horizon is an improvement—a fashion photo with a world champion skydiver (link below). Left, as published (in Tumblr): what’s going on?; right, with horizon horizontal: the model is now clearly arrowing toward the ground.
Sine wave (curtain / floor - light / shadow). Baltimore, 6/4/2017.
A non-sorted terrigenous deposit of large clasts in a matrix of fines.
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