Here is the fudgiest brownie in a mug recipe I’ve found
Here are some fun sites
Here is a master post of Adventure Time episodes and comics
Here is a master post of movies including Disney and Studio Ghibli
Here is a master post of other master posts to TV shows and movies
*tucks you in with fuzzy blanket* *pats your head*
You’ll be okay, friend <3
Subtle aroallo backgrounds made in WOMBO dream for @aspecpridecalendar 6/24.
Abstract, flowers, mountains, waterfall
“You’re the one who asked if the Cod Empire had stories,” Jimmy says, sitting next to Scott by the edge of a mangrove island. In the distance in the swamp, they can watch several young codfolk attempt to play—Scott doesn’t know the name of the game. Something that involves a lot of treading water and throwing a ball around and makes Scott look exhausted just watching it, at least.
“Yeah, but I don’t get it. Don’t fables normally have like… morals?” Scott says. “The ones I knew did.”
“I mean, I’d say the story about the catfish was always pretty clear to me,” Jimmy says. “Doesn’t change, but adapts. It’s willing to eat anything, but not change who it is, and it outlives the goldfish, who change all the time, because of it—”
And Scott stands, distant from Ren but still covered in blood, red crystals floating around him. He raises his sword silently, then he sits down with the axolotl and waits. He’d finish it himself, but he’s always simply tried to survive, survive without changing who he is in the process. He doesn’t know if he’s succeeded. His teeth taste like iron and bile. If he’d been about to throw up, though, he would have done it days ago. Maybe that’s what victory tastes like.
“—that’s a moral, right?”
“Other people change the goldfish though. The goldfish don’t choose to change. That’s… that’s the point of goldfish breeding, Jimmy.”
“Yeah, and they die if you breathe on them funny. Don’t you know what a metaphor is? You’re the one who said fables normally have lessons!”
Scott sighs. “Yeah, yeah. Fine.” He sighs. “The oyster one, though.”
“Well that one’s just literal. Did you not know you can crack open oysters to check water quality? They’re a good indicator!”
Scott throws his hands up. “No! I didn’t grow up by the ocean! And the story’s more like that an animal just kills the oyster one day, and it finds out the pain the oyster had been preventing—”
And as Jimmy bleeds out on the grass, he realizes he’s bleeding out for them a second time. He hears, distant, Grian justify himself, but all Jimmy feels is like he’s somehow been cheated. He’s been killed first, again. The first name in a bloodbath of them. How is that fair? He’s never asked to die first! He’s never asked to die at all!
“—which is just. Really sad for the oyster?”
“Scott, they’re oysters.”
“They’re fables! We were just talking about metaphors!” Scott flops back. It’s undignified. He’ll get leaves in his hair, and mud all over his clothes. He doesn’t care. Here, the mangroves in the brackish swamp water smell like salt and something he hadn’t smelled anywhere else, and it doesn’t smell good, really, but he’s figured out it smells like life, and also maybe Jimmy, in a way that makes it easy to not care quite so much about appearances. Maybe it’s the bird in him, he thinks jokingly. He does have wings, and so many of the birds come to roost around trees like these.
They’re quiet for a while, Scott flopped back, children screaming and laughing in their game, and Jimmy watching all of them.
“Did you have a favorite?” Jimmy finally asks.
“Would it be cliche to say the one about the lovers? The seahorses, the one who builds a beautiful thing for his lover.”
“They die in the end, though.”
“Yeah, but, like—”
The war never comes to the hobbit hole. It’s funny; in the end, the two of them had gone to the war instead, when it came looking. Maybe they’d known better. Maybe, thinks Scott, in the afterlife their four hands had built, maybe they’d known better than to taint it.
“—the things they made were real.”
“Huh.”
Jimmy helps Scott up again. He looks at Scott in the eyes in that way that makes Scott either want to kiss him or strangle him. Scott’s never fully decided which, which probably makes it all the stranger that he’s sitting here, getting covered in swamp water and talking about fables.
“And yours?”
“Mine? Oh, uh, it’s one—funny, I think I learned it from Lizzie? I have no idea why that would be.”
Scott raises an eyebrow.
“It’s simple. It’s just that all things start as water, and all things will be water again one day.”
“…what? Why would that story be your favorite?”
Jimmy is quiet for quite a while.
“Maybe it’s because… no matter how badly we were to mess up…”
And he watches the explosion and he runs, he runs, because he doesn’t know what else to do.
“…no matter how bad of a decision we have to make…”
And Scott looks at the sword, and looks at Xonorth, and he doesn’t know what else he could do.
“…we’ll always end up back where we started.”
“That’s… oddly optimistic,” Scott says, although he’s not really sure that’s what he thinks about it. Somehow, instead of optimistic, it makes Scott feel like he’s somehow both too big and too small for his skin, thinking of the world like that. Thinking of everything going back to how it started.
On a circle, once again, they agree on their rules, and they shake hands, and they make their kingdoms. Again, and again, and—
“Well, I do like to keep cheerful when I can!” Jimmy says brightly. “Oh look, they’ve finished with their game!”
“Yeah,” Scott says. “So they have.”
heart - shaped scallion found In pho . reblog for good luck & yummy soup 500000 forwver
Happy Pride 2022!
I was commissioned by @deviantart this year to do a piece in response to the D*n't Say Gay bill. I was originally unsure how to deal with subject material like this, especially in the month of Pride when we should feel liberated and free to be ourselves. As a member of the Queer community, it felt hard to deal with such a political subject especially when I don't consider myself a very political artist-- my existence is unfortunately political, and it's tiring, really tiring, so I like to keep my art in an idyllic place where I am free to express what I want about gender and love and my interests, like fashion.
This is a serious issue that threatens a lot of us, but I also wanted to keep my chin up and approach it in a way that was morale-boosting. This isn't necessarily a piece to bring attention to the topic, I made it in hopes to create a piece that brought attention to Queer resillience-- it's meant for others who need encouragement.
I wanted to embrace my love of fashion and how it can be a powerful tool of self expression. In a world that tries to limit who we really are, I felt a queerpunk aesthetic really faced that head-on. I wanted the bricolage styles to reflect how I feel surviving this world every day: full of rebellious vigor and pride for who I am.
You can check out the rest of the campaign here: https://bit.ly/DAPride22
Bugbear by chloe moriondo
Bounce Man by Twenty One Pilots
Honestly by Hippocampus
Sweet Tangerine by The Hush Sound
It’s Always Sunny With You by {Parentheses}
Clover by Louie Zong
Honeybee by Steam Powered Giraffe Silly Girl by chloe moriondo
All That and More (Sailboat) by Rainbow Kitten Surprise
It Gets Better by Bears in Trees
Lemon Boy by Cavetown
Hope by Tom Rosenthal
Warm Glow by Hippocampus
Would That I by Hozier
Worries - 2021 by Tom Rosenthal
Married Life by Michael Giacchino
Sweet Tooth by Cavetown
Rainbow by dodie
Attention by rainbow frog biscuits
Sugar in a Bowl by Of Monsters and Men