Spacecola7 - The Rot Lives Within

Ah yes, the 3 genders. Male, female, and “what the fuck are you, a cop?”

For the next omegaverse snippet I present to you — alphas who also lactate regardless of their sex, omegas who run hot and betas who can display traits of both under specific circumstances.

Why? Because I feel like sucking on König’s tits and John Price swallowing me whole.

Snippet in question>>

Love the trope of Price mentally constructing a nursery in every home and apartment he’s ever known, in the house of everyone he’s ever dated— it’s the first thing he thinks of (right after where on his body he’s gonna tattoo their name).

He has his dream nursery memorized. It’s his mind palace. He wants cream yellow walls, because his baby is going to be the sun, the same way his wife is his moon, with the away she has over his heart of the sea. He wants an accent wall with wallpaper in a classic motif— the kind they use in pediatricians offices, to be honest. Building blocks, fluffy clouds, circus animals.

John loves tradition, generational passings on, well-crafted things that can last centuries if cared for well enough. He wants his nursery furniture, all of the stuff in his house, really— to be solid wood, handmade (he promises that he’ll make the bulk of it himself, the rest antique). He’d rather die than buy a brand new house without any history. No craftsmanship, all straight lines and 90 degree angles, no consideration to what makes a home feel like home.

Despite being such a trusted member of the team, he knows precious little about your home life. Fine by him— your past is your own, he has no right to it. One day, as you’re about to pack up for leave around the holidays, you ask to speak to him as a friend, rather than a captain.

It’s well known that Price doesn’t have the family he’s dreamed of. An old war dog, bridges burned with the ex wife from his youth, he doesn’t hold out a lot of hope. Maybe in the next lifetime, it will be different. He’ll have that yellow nursery.

You tell him, with an astonishing amount of composure, that your parents passed away almost a year ago. They’ve left the care of the family home to you. It’s quite an undertaking— large, as it used to host all manner of aunt and uncle and cousin generations ago. But now, people are in the spirit of moving far away. Old wounds and grudges, new opportunities. Your parents had their own issues conceiving— leaving you an only child.

Gaz has his family to go home to, so does Soap. No one knows what Ghost does, but everyone suspects he follows Soap home for the holidays. Price has been invited time and time again, but always politely refuses. He doesn’t want to be reminded of the dream out of his reach.

But you tell him this will be your first holiday alone in the house, and that you need him. You don’t know if you can bear the silence for the season. Not to mention all of the upkeep you’re behind on. He figures it’s as good a place to be as any, and he’s the type who needs his hands busy to find any peace.

He falls in love with your old place. Sure, the bannisters could do with being refinished, a bit of carpeting could come up, a few fixtures are spotty— but it’s a beautiful place. Still very much full of love and warmth, the traces of you and your little family are everywhere. In the tarnished silver picture frames, the fraying knitted potholders, the penciled in height markings at the kitchen door.

On the tour, he’s stopped dead in his tracks at one open door. Faded yellow walls, slats of chestnut. A crib.

You explain to him that it used to be your nursery. It had been your mother’s, too, and many more. They kept it perfectly in tact when you’d grown up and moved into another room, hoping that they’d give you a little sibling. The day never came. You’re wondering yourself what to do with it— your career hasn’t left you with much time or appetite for romance. There’s a stinging sadness dripping from your words like lemon juice. You admit that you suspect this family, once monumental, will end with you— the house passed to someone who will strip off the carved filigrees of the stair railing, throw white paint over all of the walls, and put grey vinyl over the hardwood. That is, if they don’t just tear it down. Land could be divided up into a few new apartment units.

You’re barely listening to yourself talk— just ambling along, as if you haven’t just revealed to John Price what his life’s been leading up to all this time.

TAKE ME HOME, COUNTRY ROAD | MASTERLIST

PRICE x READER

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description.

Or: the 1800s (mistaken) mail order bride au

[ao3]

tags: Alternate Universe - Western, Non-Consensual Spanking, Mail Order Brides, Past Violence, AFAB reader - Freeform, 1800s Timeline, Marriage of Convenience, Past attempted assault, Dubious Consent, Unnegotiated punishment, Minor Violence, Minor Character Death

Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20

Extras

Series moodboard

you knock on my door and hear loud barking and scrambling noises and me yelling "no!! down boy!! down!!!" and then when i open the door there is a single crab on the floor

Fierce wars and faithful loves

It isn't easy being a woman, especially an omega, in the military. Both your primary and secondary genders marking you as inferior in others' eyes. But not every man, and not every alpha, thinks that way. Captain John Price, an alpha if there ever was one, knows something special when he sees it, and the new omega on base may be just what his pack needs.

poly!141 x fem!reader, omegaverse

1: first sight 2: the offer 3: transfer paper 4: family talk 5: introductions 6: decision time 7: joining the 141 8: making it official 9: meet Ren 10: what glass ceiling? 11: settling in 12: asset retrieval 13: nesting? 14: undercover work 15: preparations 16: small comforts 17: new beginnings 18: homecoming 19: a change in the air 20: wine and dine 21:

main masterlist

Down with sickness over @dante-mightdie ‘s blue collar!simon and his fixation with having a good meal

Your boyfriend works on the same construction site as Simon. He’s a serviceable worker, but a right fuckin pillock sometimes. Goes out for lunch every day with his mates like he’s got money to burn or something. And he’ll leave behind a neatly folded paper bag with a sticker on it a couple of times a week.

Eventually, Simon gets so tired of seeing it he thinks fuck it, why let it go to waste? He opens it up to see a little piece of memo paper with quickly inked handwriting on it alongside some storybook characters. Have a good day <3.

Inside there’s an insulated container with some hot tomato soup, accompanied by a hearty turkey, bacon, and lettuce club wrapped in wax paper on toasted bread. On the side are some apple slices and baby carrots. There’s a single wrapped heart shaped chocolate. And he’s kind of in heaven— god knows how long it’s been since anyone had ever prepared something like this for him.

Did your dumbass boyfriend have any idea that there were men that would kill to have a sweet thing sending them off to work with home-made lunches? Fuck, you probably have dinner waiting when he comes home, too. He’d only seen you once, when you’d come to drop something off for your man. Pretty. Pearls before swine.

Simon uses the last few minutes of his break to swing by the foreman’s office and check the employee records. Next time your fuckhead boyfriend goes out for lunch, Simon’ll be headed to yours to show you how a pretty bird ought to be thanked for taking such good care of her man.

Daughters with Soft Underbellies

john price x fem!reader | cowboy/outlaw x preachers daughter | masterlist

Chapter Twelve: apple pie

tw: minor violence

You remember the Blackpeak Coal Mine Slaughter well—very well.

Plastered over the front page of every newspaper in the nation, it’s hard to forget the event and the harrowing accounts of survivors and the family members that were left behind in the wake of the tragedy. Over thirty men were massacred that day. Nothing but lifeless torsos without hands to stop the bleeding, limbs too far out of reach to retrieve. Twelve more were injured. You remember the paper retelling a story of one of the workers, now rendered blind from the explosion that rocked The States, rippling through the population. 

Confusion kept everyone stupid for some time—it was widely accepted that this was an accident. Natural gases within the earth that ignited when explosives were detonated in order to carve deeper into the earth’s surface. When this take was first published and traveled down the wagon trail to Penmosa, you remember your father huffing at the words, fist clenched tight around the arm of his chair. 

“Serves them right. Desecrating God’s green earth like that. Bastards, every one of them. You hear me, girl? This is what human greed does. It makes you a corpse.” 

You suppose that, in the end, he was right. 

Weeks later it was confirmed that this was no accident, but rather intentional. Workers came forward with stories about strange men in masks wandering into the worksite towing obscene amounts of TNT. Many men fought back, only to be shot. Others couldn’t quite escape before the earth caved in on them, burying them beneath mounds of rubble. Even to this day, they still find pieces of them. Shattered bones and dusty work boots, never to be lacquered again. 

Last you knew, the criminals were still on the run. Some uncouth hit and run. Nothing but a slimy act of terror. The old company went out of business, unable to make up for the lost workers and the compensation that was owed, and a new one moved in, still putting the site to use. A memorial was erected in honor of the lives lost. The day has been lost to memory and grief. 

Now, you know otherwise. 

Dead or Alive: for the Blackpeak Coal Mine Slaughter. 

Your stomach twists as you travel down the winding roads of Grand Hollow, but the nervosity chewing on your neurons makes it impossible to enjoy the otherworldly beauty presenting itself before you. When Mr. Beckett had warned you about John Price and his posse, you had never expected violence in a magnitude such as this. You’ve broken bread with these men. Fished in the same waters. Laid on the same dirt. 

Now you understand his secrecy. All John’s hidden motives and dodged questions, answers given with vicious snark and a half lidded glare. What terrors does he expect to rage now in Blackpeak? Was his slaughtering of those working men not enough? Must he now steal from their grieving families, too? 

Guilt spears through you like a freshly born knife still hot from the furnace. How dare you have the audacity for such emotions? Had you known John Price was this much of a monster, you would have let him spill your blood next to the campfire the night you fled from your father. 

“Pecora.” 

The driver’s rough voice pulls you from your nightmarish anamneses. You glance up from your worn, tattered nails and stare at the back of his head where his wiry, white hair greets you. He does not look at you, but you’re certain you were the one he spoke to. 

“Pardon?” you ask. 

He looks over his shoulder and stares at you blankly for a moment before pointing to something on the cart’s right. “Pecora,” he repeats. 

Following the crooked curve of wrinkled his finger, you spot an ewe and her lamb. They’re terribly out of place, fresh white wool contrasting against the darkened grey cobblestone of the streets, but the ewe does not fret. She trots through the foot traffic, splitting pedestrians who gawk at her and her child with coos, all while stopping to chew on the weeds that spring up between the bricks. 

Her lamb, however, stumbles behind her on jelly legs with wide eyes and a mouth that knows nothing other than to cry. Its voice is strident as it weaves through its mother’s legs, eyes anxiously gazing at the tall creatures that surround them. Utterly lost and out of place, you hum as you watch them find a patch of grass to lay and bask in. 

“Oh, sheep,” you realize. “How cute.” 

“Cute,” the driver repeats with a nod. 

Proud, baronial buildings slowly dwindle into something quieter the further you’re taken away from The Twin Rose. At first you passed them off to be more stores and places of interest for citizens and travelers alike to visit, but you come to the realization that these are houses when you catch a woman throwing bed linens out onto a clothesline. 

Wide lawns stretch out like royal carpets before two story houses with large windows and porches sporting long sunroofs. If your father witnessed the white paint that decorates the wood, you’re certain he would keel over in the dirt of the streets, scandalized that simple homes would bear the same pure milky sheen of his church. It’s quieter here without the hustle of the deep city. Fewer pedestrians, sparse horses, children laughing in a nearby field as they kick and throw various toy balls around to one another. 

The cart comes to a stop in front of a house at the end of a cul de sac. It’s different from all the others in the neighborhood, sporting a rosy pink rather than snowy white. Several flower bushes line the siding of the house, almost in full bloom, bitterly reminding you of your mother’s lily plants back in Penmosa. From somewhere inside of the house, music bleeds. It’s a quiet crackle with a canorous melody soaring over compressed violins, trumpets, and pianos. It sounds wrong. Nothing at all like the warm tones you’re familiar with from the church choir. 

Your driver hops out of his seat, worn boots scraping on the stone at his feet, and offers you a hand. “Here. Laswell home.” 

Placing your hand into his worn palm, he helps you out of the cart and gestures to the front door with a wrinkled, lopsided smile. You give him a quiet thanks as he loads back up, reins flicking and prompting the horses into action where he turns around and slowly trots back down the street. 

Each beat of your heart threatens to drown out the music as you trot up the steps to the porch. The sillage of rose and lavender bleeds from the flower bushes at the base of the stairs and mixes with the warmth bleeding through the open windows of the house. Swallowing, you approach the door and knock. 

There is no answer. 

Someone obviously is inside the house. You can hear chirpy humming and various utensils being knocked around, so you try again only to have the same luck. After a few minutes, you muster up the courage to open the door and peek your head inside. 

The foyer is small with shoes lined up against the floorboards and various coats and hats hanging on hooks drilled into the wall. Just past the entrance you can see a staircase that leads up to the second floor with a rich vermillion runner along dark stained wood, but there is no sign of the woman you were sent to help. 

“Lottie?” you call out as you close the door behind you with a shaky hand. 

Still receiving no response, you exit the foyer and begin to wander where the noise is loudest. You travel down wide hallways with open windows, sunlight bleeding through wispy drapes like mist on a cold autumn morning. Various paintings catch your attention as you walk, hung up high and proud, displaying scenes of nature and animals and captured with a keen eye. Other hallways split off like a burrow of tunnels, like a warren lurking in a field, but you keep your feet steady until you reach the kitchen. 

The woman you’re assuming is Lottie stands with her back faced toward you as she sways her hips in front of the stove. A phonograph plays on the counter, spinning a waxy cylinder and playing its music loud and proud. A rosy pink skirt twirls around her legs as she wipes her hands off on her apron, then toys with the frizzy curls of her bright blonde hair as they fall from her disheveled bun. She’s humming along to the music—some upbeat tune you don’t recognize—as she hops on her feet, hips twisting as she reaches for a large wooden spoon. 

“Miss Lottie?” you ask once more. 

The woman squeals like a bird caught in the maw of a barn cat as she spins around, spoon waving as if she wields a knife. She’s rather pretty, you think, even with this look of terror on her face. Pale brows rising as her teal eyes widen, free hand pressed against her collarbones as if to still her fluttering heart. She looks you up and down and then sighs before wiping her brow. 

“Oh, darlin’ don’t do that to me. Damn near scared me half to death!” Her voice is saccharine and slow, accent drawing long vowels and dropped consonants. Southern, you think—Georgia, if you had to guess. 

“I’m sorry, miss,” you apologize. You raise your hands as a sign of good faith before you glance at the items behind her on the counter. Fresh meat, a mason jar of white, bubbly liquid, a fresh block of cheese. “Laswell sent me here. I’m supposed to help with dinner?” 

“Did she now?” Lottie asks. Her face melts. All tension vanishes back into the depths of her skin as a smile pulls at her lips. “Reckon we have guests to cook for, then?” 

You nod. “Yes—erm—myself and a few others. Four men.” 

“Sounds like we have half a battalion to feed,” she muses. Tapping the spoon against the side of her hip, she seems swept away by the chorus of the song crackling from the phonograph, melody bleeding from the speaker like a warm campfire in the midst of the boonies. “Awfully kind of Katie to send me a little helper, then. Why don’t you grab one of those aprons darlin, we can’t have you mucking up that dress of yours!” 

She points over her shoulder to a small rack of off-white aprons long stained by home cooked meals. Each of them are embroidered with little flowers. Some sport roses, others daisies, and what you think is an attempt to do forget-me-knots. You snatch up the one with lilies before tying it around your waist and hopping in line next to Lottie, who isn’t afraid to throw work your way. Handing you a knife, she orders you to peel potatoes and cut them into cubes while she works on heating the stove up enough for the meat. 

When she asks you what your name is, you tell her the truth, though it’s overshadowed by the mention of your nickname. Lamb. It makes her giggle something sweet and bubbly like champagne. 

Lottie is a beautiful woman—it’s difficult not to find yourself starstruck by her. Rosy cheeks flush in the heat of the kitchen, illuminating the sweet and sparse freckles that spot her face. Her lips are painted a matte cherry red, though it slowly fades each time her teeth dig into the tender flesh as she mutters to herself about the next steps for her meal. Then, there’s her bosom. Your eyes burn when you notice the swell of her breasts and how her corset can hardly keep them from spilling over the blushing fabric of her dress. She’s any man’s dream. 

“So,” you speak up. Small talk is not a strong attribute of yours, and Lottie and her phonograph are doing plenty of conversing for the both of you. Still, you are a stranger in this home, and the acrimonious bile in your stomach urges you to make something of yourself. “You live here, then? With Laswell?” 

“Well, of course,” she Lottie giggles. She’s got flour smeared on her face, dusty eggshell staining a line across her forehead. “Certainly wouldn’t be doin’ all this good cookin’ for free.” 

“Are you and Laswell sisters, then?” you ask. 

Lottie’s in the middle of placing a thinly rolled piece of pastry dough on top of her sheet of pot pie when she freezes. Her gaze is quizzical as she turns her attention to you, eyes studying every line in your face. For a moment, there’s something malicious that lurks in her gaze. An incensed flicker that leaves your spine tingling. It quickly vanishes when her eyes drop to the necklace dangling around your neck. 

“Oh, bless your heart. Aren’t you just as sweet as a peach,” she says with a quiet smile before returning to her work. 

Unsure of what else to say, you continue to do as you’re told. Chopped potatoes. Rolling dough. Making bread—sourdough. Slicing apples. Warming sugar until golden brown. You’re grateful for the work. It’s been a long time since you’ve cooked a proper meal, and you’re hoping you’ll actually be able to get a taste of it this time around. 

Neither you nor Lottie take a break until her apple pie is cooking in the oven and her pot pie is staying warm atop the stove. She fetches you a cup of water from a valve in the kitchen, leaving you slack jawed, and corrals you out onto the porch where the two of you sit next to one another on a thatched bench.

As you drink, you can’t help but realize that even the water tastes different here. It’s strange. Tangy, like blood from a split lip. You hold the glass up to the setting sun where amber light refracts through it, illuminating the bubbles that swirl through the liquid. 

“You’re not from around here, are you?” 

When you turn your attention back to Lottie, you realize she’s staring at you, bright eyes piercing through you like cold rays of sun. Pressing your lips together, you place your hands into your lap, fingers clenching around your glass. 

“No, I just got here today, actually,” you explain. 

She nods. “Where’re you from?” 

“Penmosa.” 

“I’m not familiar.” 

“It’s… well, it took us a fair bit of travel to get here.” 

“Us?” 

Blinking, you realize the slip of your words. John’s name rattles through your brain like dark ink on parchment—pinned to a board, face on display for all to see, a call for violence; for vengeance. 

“Yes. I’ve been traveling with… a man named John.” 

“John Price?” Lottie confirms. 

Solicitude seeps deep into every bone in your body at her recognition. “Yes. Him and the others will be here for dinner tonight. I… I hope that isn’t a problem.” 

“Oh, not at all!” she beams as the tips of her feet tap against the porch. “It’s been quite a long time since I’ve last seen John and his boys. Didn’t think he’d be comin’ back to Grand Hollow so soon. Last I knew he was out wandering while tryin’ to wait for things in Blackpeak to cool down.” 

The more she speaks, the more your brows draw together. “You know him?” 

“Of course I do! Him and Kaite have been doin’ business for a little while now. He’s a fine man. A little strange, but I think all those English folk are, if you ask me.” 

A subtle discontent stirs at the base of your skull leaving your mind spinning. A dissonance screams. It burrows deep and roots. You’ve been warned that John Price is not a good man, and you’ve seen the very proof of it yourself. That man he shot and killed. The clothes he ripped off of your body. The wanted poster with his name and face plastered on it. 

Yet, he saved you from your father, and Lottie spews about him as if he were a disciple. You know it is ungodly to cast judgement on another person, but you can’t shake the discord of the situation. How thin is the line between salvation and betrayal? 

“Speak of the devil, and he shall appear,” Lottie murmurs. 

There, just down the road, trots a line of horses. Bear’s familiar head rears while his tail flicks, shooing off flies attempting to nurse on him all while Kyle pats the side of his head. John lazily looks around at the houses, shoulders squared as he seems to chat away with Laswell, who leads the pack on her own horse. 

Swallowing, you prepare for what you’re sure is about to be the most painful dinner you’ve participated in for quite some time. 

Laswell is the first to dismount, leg easily swinging over the side of her horse without a dress to get in the way. She trots up the porch and greets you with a polite nod before her hands reach for Lottie. The woman grins, bright, pearly teeth flashing between the blood red of her lips, before she allows Laswell to help her off of the bench. Then, their lips meet. Soft, chaste—enough to stain Laswell’s mouth with color. 

For a moment, all you can do is stare. Two women, embracing one another in such a way. Heat simmers from your core for only a short moment before it’s boiling, splashing bubbling water all up your insides until they’re searing and raw. You can hear John’s chuckle haunt you from somewhere along the staircase. 

“Come on, Lamb,” Lottie urges with a wave. “Let’s go set the table.” 

The distance you sow between you and John is appreciated and welcomed, but it only lasts for a few fleeting minutes before God has brought the two of you together again. Palms flat in your lap, eyes staring at the long table as you’re squished between Kyle and Riley, John’s eyes flickering like a lone candle flame across from you—the weight is nearly unbearable. Crushing. Bones fracturing. Splinters sticking in the raw, fleshy parts of you. 

Thick fingers curl around his fork, dark hair lining the space just below his knuckles. You watch as his tendons dance just below his skin as he cuts into his food before he shoves it into his open maw. As he eats, you wonder how many men he’s murdered with those very same hands. How much blood the earth has had to swallow because of him. How many children weep over rotting fathers because of what those hands have done. 

As he cracks his knuckles, you’re reminded of the first time he ever taught you how to shoot. Trigger finger trembling, he told you a gun is nothing more than a tool. Something to protect yourself with. It’s a similar mentality he barked at you when you dared to challenge him over his slaughtering of that farmer who threatened to soil you. Protection. Saving. Family. 

What honor was there in slaughtering those coal mine workers? 

“I can see why Laswell’s tied you down with a ring, Lottie,” John hums. His thumbs graze over one of your sourdough rolls, nails biting into the crisp crust as it caves in beneath his pressure. He places a fluffy piece against his tongue and offers a tight-lipped to the woman. “With cooking like this, I reckon you had her ensnared.” 

Lottie’s giggle falls like a sheer blanket over the table as she shoos John off with a wave. “Oh, I can’t take all the credit. Your little lamb was quite the helper. Pretty much did everythin’ for me! And, as far as I know, she ain’t taken quite yet.” 

John’s eyes settle on you, and though you know better, you can’t help but return his gaze. Sticky like tree sap on fresh logs, you can’t look away. You hold his gaze, jaw tense and aching, he hums. His lips quirk into a smile and for the first time in your life, you find yourself wanting to slap it from his face. 

“Maybe we ought to keep you around after all,” he muses. 

Scoffing, you glance back down at your plate. There’s hardly anything left for you to eat, yet you poke at it with your silverware anyway. “Awfully rich coming from the man who considers me a right nuisance. What did you call me again? Cargo?” 

Enmity soaks your tongue so much that it does not feel like your own anymore. This is your father’s tongue that rots your mouth—bitter and swollen from long standing annoyance, ever petulant. Even John seems to recognize this change within you. Eyebrows rising, he shakes his head and chuckles. 

“Right,” he agrees. “The most headache-inducing cargo I’ve ever laid hands on.” 

A hush halts the table’s conversation leaving you to face the white hot anger brewing in your chest all by yourself. You note the sideways glances. The way Kyle turns away from you. The way Soap’s lips press together. 

Look at you, once again, the prodigal daughter. 

“Well, how about some dessert to offset all this bitterness?” Lottie suggests, voice gentle like honey, blunt humor pulling at her words. 

Laswell pushes her plate away before looking up at her wife with a nod. “A perfect idea, love.” 

Apple and cinnamon dance in a waltz on your tongue but their feet are numbed as the rest of the feast is finished in choppy conversation punctuated with long bouts of silence. Fatigue pulls heavy at everyone’s eyes, but your anger keeps you wide awake. Fork clutched in hand. Metal scraping on porcelain. When everyone is finished, John attempts to have everyone stay behind to help clean up, but Laswell waves him off, saying that he ought to get everyone back to the hotel to rest. 

Before you leave, Lottie bids you farewell with a soft hug and a kiss on the cheek. “Welcome to Grand Hollow, darlin. I hope it’s everythin’ you need.” 

You ride on the back of John’s horse. You’re much too close for comfort to him, and your skin tingles as if there were a million small beetles dancing on your body. He at least offers you the courtesy of not talking to you, allowing you to stew in your thoughts as your eyes glaze over and focus on the dusty stones that crumble beneath the horse’s hooves. 

Still, you are incensed that you missed all the omens. Vague warnings from Mr. Beckett. The bursts of anger that seemed to seep from every pore in his body. The way he never flinched when enacting violence upon others. 

You spent so long attempting to find humanity in the eyes of the wolf that you failed to notice the fresh blood staining his teeth. 

“Ever been to a theatre before, Lamb?” 

It’s the first thing John’s said to you for the entire ride, and it’s enough to get your ears to quirk. Gaze shifting upwards, you notice an unfamiliar sight that you’ve only heard about from word of mouth. Fat bulbs light up the street as they line a marquee board listing off show names and times. Stories you don’t recognize, with actors and actresses from a whole other world. Behind a glass window sits a man selling tickets, who looks as if he’s about to fall asleep face first into the palm he rests his chin on. 

“Can’t say that I have,” you reply tartly. 

“They used to be shows of just actors. People dancing on stage, things of that sort,” John explains, head leaning back in active conversation. “Used to have women hiking their skirts up, too. Would probably send your daddy into a proper fit if he ever saw it. Now they’re showing moving pictures. Films, I think they call it.”

“Is that so?” Short. Dull. The theatre passes you by and you’re back to staring at the ground. 

John’s hips shift in his saddle, fingers tightening on the reins. “The boys and I were thinking about seeing one tomorrow.”

All you do is hum in reply. You watch as John’s shoulders tense and rise before falling with a huff. The horse begins to slow, its proper trot dwindling to a lazy meander. 

“You know Lamb, I can’t say I’m too overly fond of this new attitude of yours. Picking fights at dinner while we’re guests wasn’t too godly of you,” he bites. 

“Well, it’s a good thing you’re getting rid of me soon, isn’t it?” you retort. 

His body stills. Not even the swaying of his horse can move him. 

“You might be right about that, little lamb.” 

With Laswell tucked away at home, John is the only one left to show you to your room. He bids the boys a goodnight before leading you up to the second floor, key pinched between his fingers as he unlocks the door for you. You find your carpet bag waiting for you on the foot of the largest bed you’ve ever seen—big enough to house six swine comfortably, if you had to guess. Another vanity sits shoved against the far side of the wall, along with several complementary products of soap and oils, but the wonder is lost on you now. 

Sighing, you take the key from John’s hand and busy yourself with sorting through the items in your bag. John’s gaze sears your skin. Shoulder tucked into the doorway, arms crossed over his chest, he stares at you. Through you. Piercing your body as if his eyes were knives. 

“You’re not still upset at me for earlier, are you?” he suddenly questions. 

“Earlier?” you repeat. You’re still turned away from him. Shoulders hunched, hands busy. You know it’s not smart to face away from wolves but you can’t bring yourself to be scared of his bite anymore. 

“When I interrupted your bath.” 

“Whyever would I be mad about that?” you reply bitterly. 

While John’s chuckles are usually warm, earthy things, the one he gives you now can only be described as sour milk. Thick and clumpy, noisome and in desperate need to be thrown out. “Full of fire today, aren’t you? Did you ever talk to your daddy like this?” 

Your fingers have just wrapped around your comb when he asks you this, and the unfamiliar choler it fills you with nearly suffocates you. Tossing the item onto the comforter, you whip around to face him, head tilted to the side and teeth grinding like eroding stones. 

“No, Daddy beat me whenever I opened my mouth out of turn,” you snap, stating the obvious with so much vitriol you nearly choke on it. Still, it propels you forward, feet sliding across the floor as you approach him. “Is that what you wanna do to me, John?” 

“You better slow down, sweetheart,” John warns. 

Ignoring him, you stalk closer on wobbly legs. Nothing but a freshly jellied lamb. 

“Gonna take off your belt and beat me the way your daddy did to you?” you challenge. You’re within biting distance now. John’s no longer leaning against the doorframe, but instead standing with his feet wide and firm as if ready for a blow. “Gonna make someone pay for your pain? That’s all you wan’t, isn’t it? Vengeance? You’re no better than the man behind the belt, John Price, you’re-” 

All it takes to shut you up is a hand on your jaw. 

Thumb and fingers curling into the fat of your cheeks, John Price is close enough to your face that you can feel his breath fan across your skin. His grip is firm enough to get your lips to part, but not enough to ache—not yet, anyway. Your pounding heart quivers against your sternum, making it impossible for you to swallow properly as you stare at him. 

Tobacco pairs nicely with the hue of his eyes—dark like a lake rippling during a storm. You want to be scared. Everything within you tells you to be scared. These are the hands that slaughtered innocent lives. Still, the way his thumb brushes across your bottom lip is the most gentle thing you’ve ever felt since your mother’s last parting kiss to your forehead, and you’re not sure why, but it feels worse than any slap you’ve ever received before. 

“Dunno what’s gotten into you sweetheart, but I’ll just assume you’re in desperate need of some good rest.” John huffs when he releases you, hands falling to his side before his fingers wrap around the doorknob. 

For a moment, he stands there like this. Gaze wandering up and down, his pupils soak up the narrowing of your eyes and the shaking of your knees before he swings the door shut. 

“Goodnight, Lamb.”

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OKAY I’m a fanfic writer, I deserve to be a little delusional

König having a little YouTube channel. when you look at him you’d think he’d make videos on antique weapons, different blades and their history, or maybe old military equipment. he wouldn’t blame you, he does collect said weapons. of course, you could also wager he’d make videos on documentaries and movies he’s watched. he’s an opinionated man, loves to talk about old war documentaries and horror films, but you’d be wrong again

König likes to record little cooking videos. when he’s home on leave he’ll take clips of himself shopping - he prefers the local farmers market, but the grocery is nothing he’d scoff at. he gets up early to have first pick over fruits and vegetables, takes a moment to look at fresh loaves and sweet treats. the real magic is in the kitchen, always precise with measurements and handling a knife. he doesn’t really talk, doesn’t write out subtitles for the videos, just lets his cooking speak for itself

König who’s known to have a certain someone cameo in his recordings, your mumbled ‘hello’s and ‘good morning’s murmured in the background, the soft pad of your feet as you walk around. he always plates up his food carefully, big hands arranging little pieces of fruit ever so slightly. sets the table, his phone angled at the spread - fresh cut fruit, your favorite breakfast items, refreshing drinks. neither of you are fully in view, it’s really just your hands and the meal, but that’s all he cares to record. his videos always end after you try a little bit of everything, satisfied that he made you something you enjoyed - he awkwardly waves at the camera before stopping the recording

the captions for his videos follow a similar format, “breakfast for my liebling”, or, “surprise dinner for date night”. Horangi found his channel after snooping on the Colonel’s phone, he’s his number one fan and top viewer