Addition To This One Because I’m So Unwell For This Woman, You Have No Idea

alpha!Price casually talking about knotting your mouth when you get a little too snippy with him….

if you abandon gender hard enough you can unlock the secret state of nirvana where all clothes give you the thrill of crossdressing

is anyone else scared or is it just me and every deer

Honestly bizarre that tomatoes get all the flack for “not being a vegetable” because they're technically a fruit when:

A) There are a ton of fruits that get categorised as vegetables. Like this also applies to pumpkins, squashes and cucumbers.

B) The fucking mushrooms are standing there at the back of the crowd in this witch trial, trying to look inconspicuous because they somehow got into the vegetable club with no fucking controversy despite the fact that they're not even plants.

everytime i hear someone call depression and anxiety ‘destigmatized mental illnesses’ i wonder how they react when they find out someone has spent weeks or months in bed or struggles to shower or eat

peristalsis - viii - epilogue

selkie!soap x reader. strangers to "lovers." rebirth. mommy issues. semi-public sex. breeding season. smut. pregnancy reference. the end. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.

previous

Your pelt is not the same as Johnny’s.

Its greys are subtler than his paint-splash riot; nearly a solid dove, sparsely freckled with dots of charcoal. It’s lighter in your hands than you think a second skin should be—sometimes it feels so gauzy, so filmy, that you fear to tear it simply by wrapping it around your waist.

(Where it belongs.)

You can’t bear to part with it. You must be touching it at all times, fingers idly rolling a few soft strands of fur, palms smoothing out the wrinkles over your lap. Sometimes you find yourself staring at it, never knowing how long you have been until you come out of the trance with a jolt, neck aching and stomach growling.

You have no idea how Johnny went without his for even a day—the thought of ever putting yours down feels like abandoning a days-old infant.

Truly, though, the real infant is you.

The world touches your senses as if they are brand-new. Every sound is sharper. Every color is brighter. The world has come into focus in such a way that you are surprised you ever thought you could see it clearly before—nothing blurs in the periphery anymore.

It’s as if you have been completely reset. Every nerve ending tuned toward decadence. Everywhere you look, you find something that captivates you.

It makes you dizzy with rapture.

He is terribly amused by it, Johnny. He’s amused by all of it. As you settle into your new self, he watches you quiver and shake on new, coltish legs, and grins amiably at your frustration, quick to smooth over your frustration with his mouth on yours.

He’s been through it, after all. More than once, even—he has two resurrections, to your one.

And you’re quick to accept the appeasement he offers. Your appetites now yawn wide for anything you can fit inside of them, and you are voracious. You bite at him when he kisses you, which only makes him laugh more, and then he drags you down to the floor to rut like he knows you need to.

“I’m going to kill you someday,” you snarl at him, more than once, held against him back to front. “You did this to me, you fucking asshole.”

He grinds his cock deeper into you every time, touching some hidden nerve that has you clenching desperately around him, writhing with every limb as he laughs into your ear. “I could always pull out, bonnie, y’want me to do that?”

You claw at his naked hips behind you with the sharp tips of your nails, digging trails into the sheen of sweat coating his skin. “I’ll fucking kill you if you do.”

You’ve hissed and spat for too long to remember how to speak gently to him, but Johnny takes it in stride. He fits his teeth around your neck and cups the soft parts of your body with hands that can’t seem to get enough of the way your flesh spills between his fingers; when you spasm around him, howling your climax, he wrenches you against him with an iron grip and finishes deep inside of you moments later with a torn moan, thighs and hips hot and flush along your backside.

You threaten to castrate him if he pulls out anytime soon after. He kisses the indentations of his teeth and smooths his spread hand over your belly.

You end up with him, like this, more often than not. He always chuckles at your antics, your clenched teeth, the red lines and half-moons you leave on his back and thighs. Less with amusement than satisfaction—because these days, you don’t walk around without the bruises of his grasp painting your flanks, or the arch of his bite etched into your neck.

He’s been alone, too. He was alone from the start. All of a sudden awake to the world, unsteady with awareness, and so hungry all the time it must have felt like he could never be full—

And he hadn’t had anyone, not like you have him, to hold him in the throes of it.

You catch a look in his eyes, every now and again, and see the echoes of that time. It glints like a shard of sea glass catching rare sun beneath a wave. Dulled edges—he can think of it without hurting anymore. He can remember the craving without succumbing to its dissatisfaction, without falling into the gall welling in his stomach at the injustice of it. This was not always the case, but watching you, now, balms the ache in a way nothing before ever had.

You know this without his needing to explain, and you know it like scenting petrichor in the air. All you have to do is meet his gaze, and you know.

And he knows, too. Everything. You cannot see him without him seeing you, and he’s been looking at you with the kind of eyes you now possess for much, much longer. There is no depth within yourself that you can hide from him in.

He can look at you and know you’re hungry. He can watch the way you wave one hand and know you’re antsy. You can begin a sentence, and he knows the end of it without you having to finish.

It can only flay you to the bone. You are known. From the best to the worst parts of you, Johnny knows them like he knows the creases in the palms of his own hands. He knows the yawning chasm in you that near-overflows with your want, and he does not hesitate once at the precipice on his way to diving into it.

It pulls your jaw tight. You can only shudder with fever at the exposure, and reach for him. Again and again. Swallowing his laughter down like medicine.

John Price, when he finds out, heaves an enormous sigh of relief even your newly-heightened senses couldn’t see coming.

Your new vision peels back the gruffness. The gaze he has fixed on you, this whole time, has not been the apprehensive criticism of a lover’s apathetic friend. Instead, it is the concerned look of a stranger, one who gives a damn about what happens to a woman all alone on a side of the world to which she, until very recently, did not belong.

It had been invisible to you before; a wavelength of color your old eyes were unable to perceive. Now, you see so much of him that you wonder how you could have possibly missed it.

You see his exhaustion. His own loneliness, in self-imposed exile, one eye always on a man he fears will find a convenient cliff to jump off of in a fit of despair. You see sleepless nights, and notice for the first time a gold band on his ring finger, scuffed, in need of a good polish—if only he would take it off long enough to clean it.

“I’m sorry,” you say to him, out of nowhere, meeting the cool blue of his gaze. He doesn’t seem surprised at your understanding. He only nods.

“Ain’t been easy,” he allows.

But now you’re here. He’s not the only one Johnny has anymore. You can see the weight lift from him the moment you tell him you’re staying.

He goes to his office at the back of the pub with a lightened stride and returns, a little while later, with a stack of papers in his hand that he drops on the bar in front of you.

“Take care of the place,” he tells you with a heavy pat to your shoulder. “And don’t let Soap off easy. I’m going home.”

Price leaves you there with the deed to the pub and a casual wave over his shoulder. You do not see him again—though he’s left his phone number in one of the margins.

“Oh, aye?” Johnny says when you tell him, later that night as he’s boiling lobsters for dinner.

He doesn’t respond for a laden moment. You watch your report pass over him like a gentle wave; you see where it could build, where it could swirl up into something bigger, harder, angrier—but it doesn’t.

His back tightens, and then loosens, and he turns to grin at you over his shoulder.

“Barry, there’s a wall in there I’ve been dyin’ to knock down, and he wouldnae let me. Place is too claustrophobic, ask me.”

You arrange the silverware, letting his placidity wash over you.

About a week later, you drive Johnny’s truck somewhere with cell service, and call your mother.

The landscape of her emotions changes as rapidly as an ocean storm; elation and relief, to finally hear your voice. Hope when she asks you when you’re coming home. Confusion—when you tell her you aren’t.

Johnny explained it.

“We canna go far from the ocean, hen. Not for long. It won’t feel…right. I’ve tried. You get an itch, ken? You can ignore it at the start. But it willna go away, and it willna be denied, either. It’ll drive you mad if you don’t go back. So you canna stay away.”

And you’d known immediately what he’d meant—

You can feel it on the edge of the periphery. A lodestone in your belly points in its direction, always. You could close your eyes, start walking, and find yourself on the shore, pelt already in your hands. Sometimes, you find yourself waking in the middle of the night with the sound in your ears, legs twitching restlessly. You feel too hot and too cold at the same time, and thirsty, all over your body rather than just in your throat.

Any thought of moving further inland inspires an existential panic you can’t explain. The notion of a fifteen-hour flight, and landing somewhere that hasn’t seen an ocean for at least a million years, makes your skin feel so tight around your bones that you have to run to the nearest shoreline just to make sure the sea is still there.

You’re on a jetty right now, in fact, watching the water lap against the stones. It was the only thing you could think of that would give you the strength to make the call.

You cannot go home. You know now that somehow, you’d always expected to, deep down. You’d return to the house you grew up in, pet the old family dog. Meet for brunch at the same hole in the wall you’ve gone to for years.

Sometimes the price you pay to become something more does not reveal itself until it’s too late.

So you cry with your mother over the phone, when you explain that it’s best if you stay. You tell her that coming back would only hurt you if you tried, and this time, you aren’t even lying to her.

You don’t know if she’s actually comforted by the conciliatory offer you make of your new job tending bar—she doesn’t need to know you own the place yet—but she sniffles, and puts a brave face on it.

“You always did want to live somewhere else,” she offers, watery—but glad, you hear, that you’re alive.

You bite your lip.

From her, there will be no begging for you to come home. No entreaties of love or need.

When you say goodbye to her, you cry some more—but it isn’t the storm that used to claim you. You wrap your arms around yourself and squeeze, pinch the soft fur of your pelt and roll it between your fingers as you allow yourself to shake and weep, and when you catch your breath, you dry your face and drive back to the cottage, where Johnny is making lunch.

That night in bed, he holds you gently in his arms, rocking his hips into you as you cling to him with your fingernails.

“Don’t leave me,” you whisper in his ear.

He kisses the corners of your eyes before new tears can fall, and tightens his arms around you.

Each day you go to the sea.

It tugs at you, like a child tugging the hem of your shirt. Like a current pulling you outward. You wake every morning thinking not of breakfast, or the day ahead, but of that swaying world, slow and vast, hugging the edges of the land to coax it, eternally, back into the depths.

There is no serenity, now, like the serenity of the water. To enter the ocean is also to let it inside you; the barriers between yourself and the rest of the world thin out. You give some of yourself away, and receive something new to settle in the empty spaces left behind.

You think you understand now why Johnny is always smiling.

The cold no longer stings when you bare your skin to it, down in the cove. The salt-wind of the incoming tide is soft against you as you fold your clothes, beckoning as you tuck them beneath a large rock.

Johnny strips beside you, less careful, balling everything up in an untidy mass, until you glare at him. The intended admonishment falls flat as your glare turns into something sweeter, as the dark hairs on his chest lift with goosebumps.

He grins at you, seeing the shift. “Here, hen?” he teases as he obediently tidies his shirt and kilt. “Out in the open?”

Out in the open.

You draw him to you, dragging him down into the sand; the joining is quick and hard, spurred by the burgeoning need to go under. You cage his ribs with your knees as you ride him, breasts against his chest as you take his mouth without art or finesse. Johnny digs his fingers into the meat of your ass and helps you along with quick, forceful thrusts, and your orgasm prompts his own, inner muscles pulling him deeper as you pant and moan.

Primal. Without artifice. You exchange hot breaths through open mouths as you speak with your eyes, the ocean-blue of his gaze pulling you in. You grind together even after finishing, prolonging it, displacing a little longer the moment that your bodies must separate.

You have him every day, too. Often more than once. He is as essential a need as the sea, and he gives as freely and as frequently as you ask.

After, you both rise, and help to dust the sand away from each other’s bare skin.

Suddenly, you wonder aloud, “If I get pregnant—what’s it going to be?”

Johnny goes still, the hand on your shin stopping mid-sweep. Then, eyes crinkling, he barks a laugh. He kisses your knee and, as he rises, kisses your mons, then your navel, your sternum—

Then the reluctantly smiling curve of your mouth.

“Wouldnae mind findin’ out,” he says, stepping away from you, and walking backward toward the ocean.

His gaze does not leave you once it rises to meet him. It crests around him, embracing him, vibrant and alive and rushing toward you.

You draw your pelt over your head, and follow Johnny into the waves.

a/n: I'm going to put my final thoughts in a separate post. This is the end. Thank you so much for reading!!

do you think Soap constantly thinks about that one phrase "big boy with the skull face" and nearly ahort circuiting because up until that point, whenever he saw Ghost, his brain almost always went "big boy, big boy, big boy—" and his tail wagging like he's being offered a treat (in the form of eye candy).

The blatant favoritism toward Ghost vs Soap is crazy. Give my half bald man some loving PLEASE

Masterlist

Simon Ghost Riley:

Mean Simon

Oral King

Coffee AU

Cowboy Simon

The Years

Intimacy

Omega Simon

John Price:

Highlife

Kidnapper Price

Fated Mates

Kyle Gaz Garrick:

Also An Oral King

Old Times

Johnny Soap MacTavish:

Soap’s Missus

In Sickness

Dealing With Depression

dark matter | ghost x f!reader

INSTALLMENT TWO — TIME ROT COLLECTION

type: one-shot, part of anthology series, can be read standalone (6.5k)

cw: dark!ghost, mature language and content, mature sexual language and content, mw3 spoilers, death, grief, unhealthy coping mechanisms, dubcon, size kink, manhandling, breeding kink, cumplay, unprotected piv (18+)

You don't know how long it's been. Maybe days, or maybe it's been weeks, you aren't sure, but it's hard to move when there is nothing that waits for you.

All that's left is a box that sits on your kitchen table. It has his name scribbled across the top, and when you opened it up, just seeing the photos of him tucked into the sides was enough to nearly make you sick. You haven't opened it again since. You haven't touched it. When you touch the cardboard, it burns, it stings.

You don't know what you're supposed to do when the love of your life doesn't come home. You don't know what you're supposed to do when there's bills on the table, when half of the bed is empty, when everything that was supposed to happen died along with him.

You used to sit on this very couch and talk about everything you would do and everything you wanted. You used to lay there, your head in his lap, looking up into those baby blues and tell him about what a good husband he would make, how it was going to be so hot watching him fixing the leaky sink and hanging up the new shelves you bought, being the house husband he was always meant to be.

Someone that pretty deserved to be at home all day, baking bread and fixing a vintage car.

He promised you so much. He promised you love. He promised you laughter. He promised you a lifetime of something more.

But there never really was anything more. He never married you. He never proposed. He just fucked you full before every deployment, whispering into your hair as you drooled about how, "I'll see ye when I get back, bonnie, 'n I'll tell ye how much I luv ye."

But he didn't come back. So you really aren't sure now how much he loved you.

You stand in front of the bathroom mirror, fluffing a brush over your cheeks. The makeup helps, but you look dead, and your eyes are dull.

You don't want to go to work, but you can't pay your bills, and Johnny wasn't your husband, so the box in your kitchen stands as a loving gesture from his mother, and that is all he left behind. And when you went to the service and asked for something, for anything, they said it was out of their hands.

You are entitled to no compensation—because on paper, you are nothing to anyone, and you belong to no one. And though his mother kissed you shakily, with tears in her eyes, you couldn't bear to ask her for anything, because she hurts, too, and you are nothing to anyone, and you belong to no one.

So you work; you work, and you don't stop, and you sleep only a few hours before you get up and do it all over again, and even after a long day, you count the pennies in your purse, and it isn't enough. You let yourself get comfortable, you allowed yourself to succumb to a man, a man you loved, and what did it get you?

Fuck all. You have fuck all, and you let a man do it to you.

Fate and destiny are a cruel reality. Unforgiving—they don't care about the choices you make because they happen anyways, and it's hard to be angry when this is how it was always going to be. It doesn't make you hate any less, and it doesn't make the dust collecting on the box any less thick.

When you do gain the courage to touch it again, you have a week left to find a new flat. You don't know where you will go, but you're packing, and you rip the top of the box off as harshly as a band-aid. Your eyes focus on the knick-knacks that Johnny must've kept. A few different sized sketchbooks, the nubs of worn and used graphite and charcoal pencils, a crystal and beaded rosary that his mother gifted him when he first enlisted. You pick up the crinkled and well-loved papers that are stacked at the bottom, and your eyes blur with fresh tears at the ripped out sketches that sit in your hands.

It's you, in different angles. Asleep, staring out at something, smiling at him. He captures your face beautifully, and you can see where he's smudged the shading with a thick finger to cast shadows and light over you. He sketches in exquisite detail—he always has, but he has always had a certain style, a certain eye, that made lead look like real life. 

It’s odd to see what you looked like through his eyes. Bright. Lovely. Soft. He draws with a breath of fresh air, and you can see where his finger has rubbed away all the harsh lines. When you see a few places where the graphite on his thumb has stamped his fingerprint onto the paper, you feel your throat close up. You want to feel those fingers on your face. You want him to brush the hair out of your eyes and look down at you. You want to feel that hand tracing your jawline, your nose, the lid of your eye—you want to feel the warmth that he always radiated, and you want to breathe in the scent of him until you forget the smell of anything else.

You pick up a loved and bound book, with thinner pages that you know can't be a sketchbook. You unwind the leather string on the front, flipping it open, and you swallow thickly when you realize what this is.

A journal. You never knew he kept one.

The first few pages are dated from when he first enlisted, a few years before he met you. He writes just as eloquently as he draws, and you settle into the couch behind you as you read about his enthusiasm joining, the purpose he finally has, the weight of the world lifting off of his shoulders as he thinks about all the things he will be able to do as he rises through the ranks. You let your fingers skim over the words, feeling how his pen has pierced the paper, and you try to imagine him—fresh shaven with less muscle, life in his eyes as he thought about serving his country. You smile a little, but it hurts after a few moments.

You flip a little further, your eyes skimming over times he cursed out his commanding officer, punched a private for sneaking into the women's barracks, the love he has for a detonator that began when he soldered his first pins. His personality shines, and it's like you can hear him talking to you all over again, and when he begins to talk about a love he doesn't know how to handle, you smile to yourself, because you think he's talking about you.

But when you look again, the dates are wrong. You hadn't met him yet, not at this point, and your smile fades when you realize he's talking about someone else.

He never says their name. He writes at length about them, someone who has captured his eye, someone he says he can't have. Someone unattainable, unavailable, and then there is his own reservations. You don't realize until his entries from a few months later that he's talking about a man.

never felt this way before. not about anyone. rosary i always look at is fucking mocking me, i think. i can hear mum, somewhere, telling me to find a good catholic bonnie, but this is real. i know it is, but i don't know what to do about it. not like anyone i've ever met. can't explain the bond. but i look at him, and i think he looks at me, and i just know. i know. it can't be just in my head, can it? i'm not mad. i'm not. but what am i supposed to do?

You flip the pages frantically. There's sketches of hands on one page, hands that hold a handgun, that squeeze a trigger. They're tame sketches, but you feel a little sick because you feel like you're looking at a part of his life that you're not supposed to be looking at. The intimacy of these sketches—just hands, and you feel like they should be censored to your eyes.

The sketches and the words, they morph as time goes on. Sketches of closed eyes. Of blonde lashes. A harsh brow, a scar cutting across a thin lip. There is no softness in these sketches. Johnny draws with an abrasive pencil. It cuts the shapes, jagged edges akin to glass.

i can't tell anyone. i want to tell the whole world. won't let me. want to scream it from the fucking roof that i love you, but you're such a stubborn bastard. so fucking stubborn.

The sketches suddenly become warped. Angry, spiked, and you can see the emotion from how hard he presses the pencil into the page. More hands, and you can’t help but notice how he draws them simply functioning. Hand over wrist. Holding a utensil. Picking nails. These hands tell a story, and you can see the bumps and bruises and the wounds that litter the surface of them—these hands are anything but delicate. They have wrought. They have dug until their fingernails bled. They have been stuck through barbwire, maimed to the point of texture and roughness and the blurring of scar tissue.

don't fucking believe you. it isn't just me.

You're blind for a few moments from the intensity of your tears. You wipe them furiously, you need to know more, you need to know. The dates skip, and you pause on the day that you met.

so bonnie. so beautiful.

Softer sketches. The delicate lashes that are your own, the gentle curve of your pouty lips. You recognize yourself, but only barely, because he draws you like you are out of focus. He draws you as if you are too far away, just out of reach.

she's everything i've ever wanted. so why can't i let it go?

Your bottom lip trembles when sketches of a butterfly overlap skulls. The motifs never disappear, not completely, and it's only obvious what his true feelings are when you smooth a finger down the sketch of a butterfly escaping its cocoon that hangs from the mouth of a discarded skull head.

haunt my fucking dreams. go away. go away. go away. the ring is right there, so why can't i give it to her?

You close it abruptly. It falls to the floor, the cover of it thudding as you cover your face with your hands. Was he thinking of someone else all this time? Every morning, every kiss, every time he looked into your eyes and told you that he loved you—was all of this meant for someone else? Someone he wanted but couldn't have? Someone that just didn't love him back?

You scream. You toss the coffee table. You shatter the flowers that have died, you pick up the box of his things, and you throw it. You watch the papers fly, the books fall, you hear the rattle of his dead memories meet the floor of the home he left behind, and you scream at all of it just to stop, please, stop, stop, stop—

You're not even sure if it's really Johnny you're angry at. Maybe yourself, because you've never really been good enough to be loved by anyone. No one has ever loved you and you only—you've only ever been additional, on the condition of loving another, never enough to be the one and only, and maybe that's your real problem. Maybe the real problem is that you want to die because you always give everything you have, and no one has ever wanted it enough to give you the same.

Maybe you just want too much. Maybe your dreams are too big, maybe it's just that no one wants what you are handing over. Packaged pretty, all shiny and new, but if no one wants it, you shelve that kind of love, and that's where it rots.

Maybe this kind of love died with Johnny. Not the beginning of something, but the reality of it, and now all you can do is accept the things you cannot change and tame the heart inside of you that isn't good enough to be for anyone else.

When you pick up his things off the floor the next morning, you find a scribbled address on the back of a torn sketch. So, you do the kind thing, and you gather his things back into the box, close the lid on what never really was, and you carry it with you out the door.

The door is unmarked. The paint on it is peeling, but you know this must be the place because there's a pair of dark boots caked with mud sitting out by the bottom step. You raise your hand to knock, and you tap it with your knuckles timidly, adjusting your hold on the box in your arms.

A few minutes pass by, but no one answers. You knock again, louder and firmer this time, and it finally swings open. From the dark flat emerges a large man, sticking his head out from behind the chain latched and glaring down at you. You think he's about to close it on you, but then his eyes flicker down, and you know he must read the name scribbled in big letters on the box that you hold.

It’s enough to make him pause. It’s enough to make him stay, rooted to that spot, even if you can tell all he wants to do is sink back into whatever void he came out of.

"Hi," you whisper, and you have no control over how broken the word comes out. "I...I just thought you should have this."

Because he never really loved me. Not really. Not the way he loved you.

The door shuts, and you hear the chain unlatch, and then he opens it wider. He emerges in the doorway, taking up the entirety of the width of it, and he snarls down at you from behind the mask he wears.

He opens his mouth to spit something at you, but then you hold it out to him with shaky hands, and he can see the tears that are coming down your face. You can't control them, he can tell that much, and he reaches out to take the box from you. You look at his hands, and you recognize them immediately. Uncanny, the resemblance, and you recognize the scar that cuts across the knuckles on his left hand. You know if you push his mask down, you could trace with closed eyes the scar he must wear that starts at his nose and ends at his chin.

He doesn’t know it, but you know what he looks like. You know what he is. If he took off that mask, you would see a face you know, even if Johnny never drew the entirety of it at once. Always bits and pieces of him, but you’d know them if you saw them put altogether. You have the puzzle pieces of him in the back of your mind, and you know you could put them back together if you really tried.

He would not be able to do the same for you. The pieces of you are scattered, and you know they are lost, and that there is no getting them back. Johnny took them to grave; you would never ask for them back, anyways.

You don't ask who he is. He doesn't ask you who you are; but when your eyes meet, there is some kind of understanding. Some kind of knowing. You almost don't want to leave—you know he mustn't be kind, not from what you’ve read of him and the way he looks, but Johnny loved him, and you want to cling onto anything that still breathes that might connect you to him. You hate him, but you love him, and Johnny loved this thing, so maybe...maybe—

The door slams shut in your face, and you catch yourself with the step railing as you crumple to sit there, on his dirty step, crying into your hands. You don't know how long you sit there, but it is dark when you drag yourself home.

It is much too dark outside for you to see the shadow that you pick up along the way—and you’re too in your head to realize it never leaves.

When you come home from work, your knees are weak when you see the letter that’s taped to the front of your door.

EVICTION NOTICE.

They give you until the weekend, a courtesy they tell you they don’t normally give to anyone. You aren’t allowed to stay, even if you come up with the money, and you’re in tears as you pack up your flat. The last place you shared with Johnny, and it’ll be gone soon. You don’t know what you’ll do with your things. You don’t know where you will go.

Johnny never married you. You don’t have any family. You’ll have to stuff your car full of as much as it can hold, and you’ll need to toss the rest. You’ll have to—

The knock at your door startles you. You get up off the floor, where you were trying to stuff all your dishes into a small bag. You pull the curtain back on the window beside the door, and your eyes widen when you see a giant man standing at your door. He feels your eyes on him, and he turns his head towards the window, tilting his head to the side menacingly when he looks at you.

You wipe your face, trying to dry the tears on your cheeks. You open the door shakily, poking your head out.

“Hi,” you say. You wish your voice was steady, but it cracks. “Can…C-Can I help you?”

The mask he’s wearing today is different. There’s a skull mouth painted on it, and his hood is flipped up over his head. He seems taller with his boots on, and he takes up nearly the entire width of your doorway. He’s got so much bulk on him—if you reached across and touched him, you know your hand would hit nothing but a solid wall. No give, just pure muscle and fat. His eyes are still dark, and he still looks like the most unapproachable man in the entire world. He clicks his tongue under the mask, and you swallow when he snarls a bit.

He fishes something out of his jacket. You recognize it—Johnny’s journal. He holds it out to you, expectant, and you open the door wider to take it from him. You feel tears come all over again at the sight of it, and you hold the leather to your chest, hugging it. Johnny never married you, but he would’ve taken care of you right now. If he would’ve known you were here, about to live in your car, he would not have hesitated moving you in with him. Getting you into his bed. Shielding you from the world that was much too scary, much too unforgiving. Johnny would know what to do.

Johnny’s dead.

Just as you are about to close the door, a thick boot stops it. You flinch a bit, looking up, and then a big hand presses against your door and pushes it open until it hits the wall. The man cranes his neck to look around you, and he narrows his eyes at the heap of your belongings huddled in the living room of your flat.

You sniffle, shaking your head.

“I’m just…moving.”

You step aside when he moves. He ducks his head just slightly to get through, and you watch as he walks around, taking stock of what’s in front of him. He seems to find what he’s looking for when he sees the notice on your kitchen counter. He snatches it up and and turns it around to face you, and you just stand there, frozen.

“I told you. Moving.”

His house is soulless. White walls. Beige carpet. Grey tiles. There’s one couch, one coffee table, and one TV mounted to the wall. There’s only dishes in the kitchen enough for one person, and he only has one bedroom. It’s the same lifeless place in there, too. His mattress is on the floor, but he has the decency to put a mattress cover and sheet over it. There’s one nightstand, with just a few cables where he must charge his phone, and one lamp. There are no decorations. There is no other furniture. His house is functional, not valuable.

He puts your bag in the bedroom. That settles that.

You cry that first night. You sleep early, curling up under his one measly sheet, and you cry. You cry because you’re sad. You cry because you’re lonely. You cry because you feel like you owe this man now, this stranger who hasn’t told you his name, and you have no idea how you will pay him back. You cry because you miss Johnny, and he never even loved you.

You jump when the bedroom door opens. He walks in, kicking the door shut, and you watch as he strips himself of his jeans and hoodie, tossing them onto the floor. You sit up on your elbows, meeting his eyes, but he doesn’t take off his mask. Instead, he comes towards the bed, plopping down on the mattress next to you, and you pull the sheet up to your chin. You hadn’t anticipated sharing a bed with him, but you’re also too afraid to complain.

“I can sleep…on the floor if—”

A big hand covers your mouth. You’re silenced, startled that he would touch you this way, and you start to cry again when he presses until you are laying on your back again, moving his hand back until it rests behind his head.

“Please—” You hiccup. “Please don’t hurt me.”

He hums at that. Satisfied. Pleased at your reaction. He could pluck your strings right now, and you’d play music. He falls asleep with that thought.

You try to give him money. He never takes it. You try to buy groceries. You find the notes you spent stuffed back into your wallet later. You try to pick up a broom to clean up, and he locks the supply closet after that. The only way you find out his name is when you find his dog tags in the bathroom drawer, because he still hasn’t spoken a single word to you.

Simon “Ghost” Riley. That’s who Johnny really loved.

You don’t know why the sex started—you don’t know why you let him in, not exactly. Simon had been gone, one of his usual spurts of absence that he occasionally had, but he came home earlier than you expected. Simon likes to shower as soon as he comes home, but you are already in there, under the hot water, leaning against the tile as you empty your head of any thoughts. Simon doesn’t knock, and he pulls back the shower curtain even though he sees your silhouette. There are no words exchanged as he comes in, getting under the hot water, and there are no words exchanged when he takes off his mask for the very first time, and he hoists you up against the wall and fucks you into it.

You know this, too. Your hands trace his back, and you can feel every scar you know will be there, and you can taste the same things Johnny said you would taste when you lick over his jaw. Tobacco. Citrus. Animal.

It almost feels like cheating, but you’re too empty inside to be sad about it. It really feels like lying, even though Johnny’s too gone to hear your excuses. At the same time, it feels like getting something back. Not in its entirety, but something close, something that doesn’t feel the same, but feels so good anyways.

You cry again when you realize you like it better. You cry more when you realize that you’re starting to lose your dreams of Johnny in favor of Simon. You see in the dark instead of in blue. At first, you used to mumble Johnny’s name into the pillow. You used to bury your face into it, muffle the sounds as Simon fucked you from behind, two big hands pushing your ass apart as he pulled you back over and over onto his cock. Now your head is turned to the side, and you’re crying Simon’s name, and he’s fucking you harder, getting down onto his elbows, pressing you into the mattress and using your throat as leverage so he can arch your back and get your ass shaking with how firm he pushes his hips against you.

You’re so delicate, but he can’t be nice. He can’t be gentle. He needs to see teeth marks on your thighs and on your back. He needs to taste your blood and your cum and your spit. At first, he thinks he was doing it because he was lonely, too, but now he just wants to eat and eat and eat.

Eat Johnny’s pretty girl. Fuck Johnny’s pretty girl. Keep Johnny’s pretty girl, because how dare he keep this one a secret, and how dare he try and hide her from him? Johnny wrote a lot of things in that journal, but he didn’t talk about Simon’s insatiable appetite, and he didn’t talk about Simon’s rules. He blamed the entire world for his seemingly unrequited love, but the reality was that Johnny was selfish.

Johnny didn’t want to share. He wanted it all for himself, so it’s no wonder he died for it. When your world isn’t in balance, it compensates. Johnny ended up on the wrong side of the scale.

That’s the fucking truth.

Simon’s got you on your knees again. He likes you this way, ass up, face down, on display. On your back, he stacks enough under your back that you’re nearly upside down, pussy in his mouth as he bends you in half and eats it like that. Now, he’s squeezing your hips, pressing down between your shoulder blades, thick tongue inside of you as he teases your ass with his thumb. Johnny used to love that, but you’re such a jumpy girl.

He’s going to fix that.

Johnny is so predictable. Letting you run around, spoiled, never telling you the way it should be. Johnny made you think you were a pretty princess. He probably intertwined your fingers and fucked you in missionary like a good Catholic boy, but soft, delicate things like you don’t need to be reminded of what they are. They need to be so cockdrunk and dizzy that they don’t know anything else but this place right here, in his bed. Simon knows that’s what you really need—to not know the world outside of this bedroom.

Love is useless. Love can be lost. Love comes and goes, it’s subject to change. Time bends it, rusts it like iron, and Simon doesn’t need something else that will slip through his fingers, no. He needs something that is latched onto him forever. He needs to take one of your ribs and absorb it. He needs to taste you on his tongue and between his teeth always. He needs your blood to be his blood, and he needs your eyes to be his eyes.

Marriage is not finality. Love is not permanent. No—it isn’t enough. He couldn’t keep Johnny, and maybe he can’t keep you, but there is something he can give you that will keep you with him. Even if you left, you would stay somehow, some part of you, and he can see it in some distant place.

Once Simon sees something, it’s as good as true. It might as well be real. Simon is something himself of a manifestation, and he realizes now that maybe he never really saw Johnny because it was you hiding in what he couldn’t see.

Everything is in focus now. He knows what he has to do. Johnny was too stupid to see it—to preoccupied with how beautiful you are between the legs, too mindless when he was cock-deep inside of you to understand what he had in his hands. They don’t make things like you. One of a kind. Once in a lifetime. Something that will never be again if you let go, if you look away.

Simon knows all too much about what it means to leave a scar. He understands permanence. It’s why he’s still alive. It’s why he’s got you here, right here, underneath him, wet-faced and sobbing and clenching so tight around him. Your nails are fixtures in his back, holding him here, and he knows that you understand, too. If he asked you, you would think about the answer, but your body knows. It knows who Simon is and what he wants. He’s certain it does because even if he wanted to, your cunt has him tight, barely enough give for him to pull out and push right back in. It doesn’t want him to leave, and he’s glad for it.

You cry so sweet. Blubbers and gentle tears. You want this; it’s evident in the way you claw at him and pull him back in every time he pulls out just enough. When you pull just that hard, he drops onto his elbows, caging you in, and you sob into his mouth as he grinds his pelvis into yours. The wet smack of his thighs has stopped, but the pressure against your clit has you whining so nice. Fuck, you are beautiful, and you look so sad. From the first moment you showed up at his door, you were all big eyes and sadness. You drag around an air of heaviness that hasn’t left, and Simon is so sick of it—Johnny wasn’t man enough to eat you whole, won’t you just fucking let it go?

Maybe Simon did love him, too. Maybe he did love him back. No, he must’ve—that feeling in his chest still hasn’t left. Simon made a thousand excuses. A man like him, simply unloveable. A soldier like him, just too busy and too dedicated to have anything for himself outside of duty. A victim, what a rotten word, but that is what he is; no one can want him, not really. He saw it, in the back of his mind, peeling back layers of himself just for someone to make a face. After everything, after breaking his nails crawling out of an early grave, rejection just might be the thing that finally killed him. Not a bullet, but the sheer pain from the cut of giving a nasty piece of himself over and not even getting everything back.

Johnny was careless. Loving two things at once, pulled in opposite directions. Too distracted by what he couldn’t have that he forgot about how good he really had it—what a fucking dog. Greedy. Naïve. Fucking delusional. Johnny gave up this to chase something that could never be real. It was pathetic. It was stupid.

It was mine.

“Look at me.”

You do. Your eyes, hazy and wet, meet his, and your hands are shaking as you cup his face and sob because yes, yes, yes, please—I need it, it hurts s-so good.

It does hurt. It burns. It steals. It takes. It swallows, like a brush fire against dry land, licking and eating and tearing apart whatever it can reach. Your moans enrage it, and your cunt feeds it, whatever the thing is inside of his chest that is begging to come out.

This isn’t love. This isn’t romance. This is necessity—survival. Without him, you will come apart, and without you, Simon will starve. He used to take bites out of Johnny. Just enough to make the screaming inside of him quiet a little, just enough to be distracted; but he hasn’t eaten in months, and whatever you’re made of is too good to let go of.

This time, he’ll make it permanent. He’ll make it forever. Where you end, where he begins, where his hands have sunk into you, where his teeth are stuck; he’s going to fix himself to this place, and then he’s going to make himself forget how to leave.

You’re buzzing. You’re somewhere else. You feel like you’re floating above yourself, but at the same time, you’re right here. Simon’s so big; he told you he would be, but it’s another thing entirely to have this man inside of you and hitting your squishy cervix. He’s nasty about it, too—he likes putting a big hand on your stomach and pressing; he likes to feel himself inside of you and laugh at how you cry, and he likes the sound it makes when you’ve come, and your thighs are wet, and his skin smacks against yours with a toe-curling squelch.

“‘s mine,” he says, and you whine, and you nod. You don’t know if he’s asking you a question, but you figure he isn’t. Simon isn’t the kind to ask. He just takes what he wants. He always has. When you come back from the dead, consequences don’t apply to you any longer. You’ve cheated reality, and now you get to reap your rewards.

“Yeah.”

Yeah. Yes. Of course. Yes. Yes, Simon, whatever you want, Simon, anything for you, Simon, yes, yes, yes, yes—!

It will take time. As Simon puts his thumb to your clit to hear you sing, he thinks about how it won’t take much of it. You’re already so docile. You’re already in his bed, eating his food, crying with his cock inside of you and your thoughts filled with nothing but white noise and his name.

Simon won’t be like the man before him. Johnny drew you as a butterfly—something in need, but something that would eventually fly away. Fuck that. If there is a light in you, Simon will snuff it out. If he has to keep you from discovering your wings, he will just cut them off. If it’s the blood inside of you that keeps you warm, he will let it drain from the wounds left behind by his teeth because I will keep you warm, I will make it better, no one else, just me—

His index and middle finger in your mouth silence you. You choke on whatever you are saying in favor of sucking on his wet fingers, your eyes crossing a little as he bites down on your ear and pants there. It’s rare to hear him; Simon tends to swallow any noises he makes in favor of concentrating on hitting that same spot inside of you, but you can hear him now. It’s low and rumbly, so much so that you can feel his chest vibrating against yours. A groan—fuck, he sounds so good. To know your pussy feels so good, it’s making him falter is enough to have you just at the cusp of something white-hot and blinding.

You come when he comes. Simon’s other hand has an iron-grip on the side of your thigh, hiking it up around his hips as he comes hot and heavy inside of you. You shake underneath him, sucking hard on his fingers as he presses his pelvis to yours. You can feel it dripping between your thighs, and the heat of it makes you come, too, a sob coming out of you as you spit his fingers out in favor of closing your mouth over his.

He tastes like you. You suck on his tongue softly, lapping it up, and he uses his wet hand to hold your jaw at an angle so he can spit into your mouth and kiss you again. You grip his dog tags hard, tugging him back to you when he tries to look down at where he’s inside of you. He suffocates you when he lays over you, but you don’t care. You need him skin-to-skin. You need his mouth on yours, his cock still this deep, sharing breath and spit and heat. If you lose it, you’ll lose something else, something more, and you can’t lose it again.

His weight crushes you, and you don’t register the significance of one of his hands underneath you and between your shoulder blades. He feels for something that you can’t see, and he kisses you again when he’s satisfied with what he finds. The lack of something. The killing of it. The knowing that you’ve gotten what it is you’ve been searching for all this time.

He holds you like that always. He keeps your eyes on his when he comes inside of you—always wants to look at you when that first spurt of cum fills you entirely. He likes the way your lashes flutter when he brands you. He likes the way you lose the ability to speak. He likes the way your entire body goes rigid and pliant all at once, seizing up and then melting underneath him until it takes no effort to turn you over onto your stomach and do it all over again.

He notices the change before you do. The tender breasts, the warmth of your lower belly. You are wet always now, eager to be bent over wherever you are because the ache between your thighs is tenfold now.

You’re smiling. You haven’t smiled in a long while, and you’re smiling, hips hiked up on the couch, your dress crumpled around your middle as his cum drips down the back of your thighs. Simon licks his lips as he sits back on his heels, thumbing over your puckering hole.

You lay underneath him in your cocoon. Death at your doorstep, and you let him right in. You draw it around you tight, tucked into this blanket of security and warmth and factitious love that you think will hold this time. Simon’s hand draws around your throat, but you easily fall into him. When he squeezes, crushing what you’ve built back up, you sigh with relief, letting yourself fall into his chest and stay there.

When you close your eyes, it feels like something familiar. Like a place you’ve been before. When you open them, it’s gone. Simon is there, staring at your curiously. Your shadow that never leaves. The thing that remains. Time passes, but you know this will stay, you know it won’t go away. When he bends you over again, his hand slides low, cupping your belly, and your mouth twitches—the ghost of another smile. You put your hand over his there and press, feeling the scars you know by memory alone.

You will give him new scars; and these ones will be only for you.