Latest Posts by stardelo - Page 6

"A ballroom dip"

love the royal au by @aychama so much RAHH

Love your art! What's your shading process / any tips? I really like how vibrant it is

Thank you!! also sorry this is a long post

I usually start painting the character after I already have a background, super sketchy or with a placeholder (a photo usually), just so i know what colors to use

I fill the character with a color from the BG or a similar color and use the multiply blending mode

then i paint the lights on another layer with the "add glow" blending mode (i also pick the color depending on the bg).

I add another multiply layer for anything that needs to be darker, like stuff under the characters clothes

I paint a line with a saturated color between the lights and shadows, for example i added a bright red for the cape and light purple for their skin (? this is subsurface scattering, it doesnt happen on every surface but i like how it looks so i use it on everything lol.

Then i paint the lineart a similar color to each part of the character or you can paint it all red and use multiply

that's basically it

some tips (these are just things that work for me)

I think is better to paint the lights, not the shadows. it helps to see the shapes of the thing/character you're drawing better (its what i did with lambert ⬆️)

Draw backgrounds, i think it makes every drawing look more interesting and its easier to decide the lighting for the character, if you dont want to draw anything detailed you can paint something simple and blur it

i really recommend to start with a thumbnail, experiment with colors, perspective, composition, etc. before actually starting the drawing thumbnails of this post

this tip is something that everyone has heard before but use references, real life references like photographs for perspective and lighting, 3d models for anatomy and perspective, paintings to see how other artists stylize objects, bgs or characters. use references for everything

this tip is super important for me: check the values of your drawing, (lower the saturation, with the lineart hidden) if it isnt readable/ doesnt look good in black and white it most likely wont look good with colors (this depends on artstyle and personal preference tho)

Will lamb be okay? It seems it's horrifically terrible I hope they will recover from this..

They'll be okay

Webber is adorable! Do they make a flower crown for Narinder too?

Spookd

Hey I was wondering if I'd be allowed to do a TROD cosplay

I've cosplayed lamb a couple times but I thought it would be cool to add Narinder's scythe from trod as a prop to make it specific to the fic. If not, all good

love your work!

Go for it!!!! I'd love to see it if you do

Does anyone else notice that the Cult of the Lamb tag seems to be in a purgatorial state of trending and not trending?

CAN I GET AN AMMMMEEEEEEEENNNNN🗣️🗣️🗣️🗣️🗣️🗣️🗣️🗣️🗣️🗣️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️

My lamb and narinder model test

Miss them soooooo bad

As someone who plays both of these, can confirm

figuring out how I wanna draw the lamb (and goat)… headcanon ramblings under the cut

hc that after the goat’s first appearance they constantly show up in the lamb’s reflection and vice versa (orrr maybe only when the goat is merged w the crown like @ the end of the launch trailer…much 2 consider...)

methinks it only happens in bodies of water/liquid. partially bc it seemed cool and ties into the way the goat gets summoned but also bc I imagine trying to look in the mirror and only being able to see someone else would get annoying LOL

originally gave the lamb bigger fluff under their chin but it was making it awkward to place their bell so now they have little tied puffs that hang down and make a similar shape from the side. I might still play w it some more tho.. also the goat has little braids and wavier hair now <3 both of them get longer hair each time I draw them bc every time I see fanart where they're super fluffy I go YES...MORE

THE END meow meow meow

a sketch based on the piece inward by itwasleo

jokes that have definitely been made before

(this is such a dumb joke but I love it sm lmao)

Left flag: Aro-ace (headcanon)

Right flag: Non-binary

Their average crusade

Og meme under cut:

Doodle of my friend's lamb! Slowly indoctrinating my friends into joining the cult- I mean buying the game 😌

meow

meow

Narinder: never mind my failed assassination attempts, im going to kill you one day and i hope every waking second you have is in fear of my soon to be revenge. die

Lamb, who's blood pressure lowers when Narinder enters the room: okie dokie <3

I must indulge. I must. GET OUT OF MY HEADDDDD YOU PATHETIC LITTLE SHIT!!!!!!

IT'S ALMOST OCTOBER SO YOU KNOW WHAT THAT MEANS!

There's just one rule: have fun!

As you can see I created three levels of difficulty but don't feel pressured to stick with one the whole October

You can use #cotltober so your art will be easier to find

Ive been thinking about this trend but instead of metaphorical items and junk its just me attempting diff artstyles

(btw thanks for @desklamper for compiling this) (Artists: @bamsara @runningwithscizzorz @konjkitkatty @donutfloats @acis-arts @aveloka-draws @lambment @unwri-ten @stychu-stych @dogiperson + me at the end)

FRR ive never book binded before but i def would learn a new hobby to be able to read it physically

No wdym I've totally NOT been losing my shit the whole day about the new trod chapter??

THE MANY SUBTLE TOUCHES SPRINKLED ACROSS THE WHOLE CHAPTER ARE KILLING ME AAAUUUGHHHH

I need to- I need to-

-explodes-

The Rehabilitation of Death

Chapter 20: The Winds of Change

For their second crusade into Anchordeep, Lambert and Narinder have the (unfortunate) experience of running into Midas. Pushing into the God of Death for information about his past with his siblings -of Kallamar's former life and a treasury resembling a ballroom- proves to have consequences when Narinder starts to pry into their own.

When coming upon a relic, he offers them an opportunity they would not have expected from him: teaching them how to absorb divinity like the old gods have, and to restore their ability to cast curses.

In every scenario, there is a notable change. Emotionally, how they speak, physically even.

The Lamb is scolded by a rabbit for losing sleep. The God of Death is listening more than they are aware. A duo returns to the cult grounds after missing for over a month.

(Narinder and Leshy have started fighting. Break it up before someone gets hurt.)

Chapter Wordcount: 19,479 | Read the Tags | Happy Reading!

Some Narinder character analysis for y’all.

This is a slightly re-edited excerpt from a much longer post of mine where I was specifically trying to provide a rebuttal to someone else. I’m kinda proud of some of my takes here and the write up took me hours so I’m gonna repost it here on its own.

I’m going into specifically into Narinder’s

Speech patterns and way of expressing emotions.

Implications of his post defeat dialogue

Relationship with Aym and Baal

Feelings on Ratau’s death

And a little extra on why do we “babygirl” Narinder

Full analysis under the cut.

The way Narinder expresses his positive feelings

First I gotta establish Narinder’s voice. Narinder seems almost incapable of giving a genuine compliment especially without turning it into something about himself.

Here’s three examples of him giving a complement to The Lamb. Taken from after defeating Amdusias and Shamura. He also complements The Lamb when you sacrifice Ratau but I’ll come back around to that.

I wanted to grab the entire quotes so it didn’t look like I was nitpicking.

"Very good, my vessel. It seems I chose well when I kept you from Death.”

First example, “very good,” is the complement, but immediately after he takes credit for this by calling you “my vessel” thereby claiming ownership over you. His vessel did well. And again “I chose well” doubled down and complemented himself.

“I admit, you have worn it (the red crown) almost as well as I could have myself.”

Again we see the complement layered in ego. “Almost as well as I” in other words you did well, but don’t forget I’m better. Also important to draw attention to is “I admit” this is a very explicit statement of his refusal to acknowledge the success of others.

"Your appetite for death is something I can admire, Vessel. But the Crown is mine, and none - NONE - are worthy. None other than I.”

Here he almost lays down a complement. “Your appetite for death is something I can admire” straight up, states his admiration. He seems to almost realize what he’s done and quickly pulls back into his ego, “But the crown is mine” “-none are worthy- None other than I.”

These are the three of the four ONLY times that Narinder ever says anything explicitly positive about someone else when he is a god. Thus establishing that the head ass cannot give out a compliment to save his life. The one time he gives you full credit for your actions he immediately pulls right back into his ego.

I cannot stress this enough. Someone who is characterized as cold and emotionally closed off as Narinder is WILL NOT suddenly undo this characteristic when they try and express a positive feeling.

Okay with that established we can look at his follower dialogue. Specifically these two examples from when you resurrect a follower and allow him to go on a mission.

“I cannot begrudge supplantation by one such as yourself.”

Literally saying I don’t resent you for taking my place. It’s not an explicit statement that he respects you but this is he weird fucked up little way of saying it. Of course he still lays it out in a way that’s self centred but we know from the way he has spoken that this is about as much verbal praise he is capable of giving.

The other one is a less explicit statement but I think it’s a interesting reflection of the final place of his character.

“…my thanks, Lamb.”

Being his last bit of unique dialogue, it’s an incredible ending to a character. He thanks you. That’s all he needed to say.

Narinder’s reaction to his defeat that he would rather die.

Let’s go over his dialogue in some depth.

"You weak, snivelling, foul thing. You - wait! Waaaiiiiiit!"

I’m starting with this line as it compels me the most. I find that there are two separate readings of this and I can’t really point to one above the other. On my play through I had assumed his wailing was more in reference to being denied death. It could also be read as him not wanting to be reduced to a follower and realizing what your mercy really means for his future.

“-are you to be a vengeful false idol, or a merciful coward? No longer can you blame your vile acts on me."

Okay, looking at the way he presents your two options he seems to push more for the murder action. “-vengeful false idol,” is how he refers to murder. It’s not exactly a glowing review but his use of the word vengeful is important. We know that one of Narinder’s main goals in the game is revenge, we he already acts with revenge I can’t say that he’s using this word as an insult. The false idol part of this statement seems like he’s attempted to separate himself from you, again for is ego.

Then he presents the spare option by calling you a “merciful coward.” The flow of this full sentence puts more pressure on this option. He presents it as the “or” the second option. This is the bad option, the option of a coward.

“So. vou are no different to me after all. You have become as I am."

I know this is a deranged order to go over these quotes but last we got murder. Compared to his spare dialogue this is incredibly sombre. We know from already establishing how big his ego is that saying you are the same as him is almost a compliment. I do find this dialogue incredibly interesting tho, I can’t exactly explain why but I can’t help but read this as damning as well. It’s like he means it in both ways, the ultimate fuck you. You are just as I am, for better and worse.

But from what we know about Narinder his edgy ass cannot express emotion. He wraps his statements in layers of irony and selfishness. Unless it supports the persona he puts on or inflates his ego he WILL NOT right out state his feelings or needs, especially when he was a chained god.

Relationship with Aym and Baal

Aym and Baal are incredibly hard to characterize. They don’t have much dialogue to work off of and only three characters every speak on them, Shamura, Narinder and Forneus. The context of the game does present them as more Narinder’s first (and second) hand, less followers more apprentices, almost, but where’s the fun in assuming.

"Intended as keepers, perhaps, but they were young and in need of guidance. Must I be blamed for my influence?"

I wanna draw attention to the specific wording of keepers. Again, based on the way Narinder speaks its safe to assume he means the formal meaning of a keeper, meaning a caretaker. It is unclear if Narinder was told they where his keepers or if he assumed so, but either way he still speaks on them as such.

For the sake of argument (and I don’t wanna rewrite this bit entirely) I’m gonna put the idea that Narinder brainwashed Aym and Baal against my presented idea of them being his keepers or apprentices.

The proposed idea of the brainwashing angle can be developed based on Narinder saying that “they where young and in need of guidance, must I be blamed for my influence.” This implies that, as much as Aym and Baal may have been sent as keepers, they where still young and Narinder could not help but be an influence on them. I am gonna come back around to this thread so hold onto this for a moment. Moving on.

“Two kits I did have, true love found! And yet one lackadaisy summer day, my beautiful children were taken away... a gift, they said, for the one they loved most, the one that waits...”

“Ooh, kits... I remember, I remember... two kits in my claws... a gift.."

It is unclear and morally dubious how Aym and Baal came to Narinder. First we’re not 100% where Narinder is chained. The wiki lists it as the afterlife and in dialogue Narinder refers to it as “at the gates between this life and the next, trapped at the nexus of what was and what wasn't.” (When he asks you to send him on a mission.) We can travel there both by dying and being summoned there by him.

Either way the assumption is that Aym and Baal had to die. (As an aside I have my own speculation on the conditions required for a person to be presented to Narinder or to be resurrected but that’s off topic.) The horrific implications being that either Shamura themself killed the kits or that they where already dying. However you cannot blame the reaper for ushering the dead away from life.

I’m going to work off of the cult specific definition and characteristics of brainwashing. It’s hard to characterize where Aym and Baal sit here as, again they have little dialogue and due to the nature of brainwashing it’s hard to spot. First I wanna grab my brainwashing resources.

I’m using Encyclopedia Britannica’s page on brainwashing, cults, indoctrination, manipulation as my primary resourse.

Again I kinda wanna apply a layer of irony to how literally I apply real life tragedy to this game that obviously uses cults in a comedic manner. I wanna focus in on the characteristics displayed by victims of brainwashing and the techniques used in brainwashing by an abuser.

Looking at the elements used in brainwashing the only one I can say off the bat that is present is isolation, obviously. But with that let’s grab all of Aym and Baal’s dialogue.

What is clear from their dialogue is their obedience to Narinder. They call him master while his keepers and still when you meet them later when adventuring. And physically we do see them by Narinder’s side the entire main game and they fight the Lamb first. But if we add some nuance and look at their role as keepers or my own theory of being apprentices both actions of obedience make sense still for those roles. On the same note they also don’t display traits you would expect for someone fully under Narinder’s control. They speak to the Lamb out of turn and attack without prompting from Narinder.

Other characteristics are hard to imply. With torture I do want to pass it off an unlikely as based on the way Narinder tries to manipulate the Lamb it’s only verbal and he cannot attack while chained and I don’t see that changing with the keepers. Traits like sleep, water and food deprivation can’t be applied for various reasons (mostly the being dead one) and we don’t know anything about Narinder and the keeper’s interactions in the past so I’ll have to disregard other traits like suggestion.

Baal: "It's you. Usurper of the Red Crown. The one who freed us."

Aym: "Ha! You are nothing compared to our Master. We have not been in this world long, but already I can tell you are weak. You lack discipline. Our Master wielded Death with precision and control. You allow chaos to reign."

Baal: "What my brother means to say is thank you."

Moving onto groupthink I can pretty comfortably say that this is not a present characteristic of Aym and Baal. In their limited dialogue we can easily characterize Aym as more outwardly defensive of Narinder but Baal is more reserved and even contradicts Aym and is able to speak freely of Narinder.

Looping back around to the way Narinder speaks on his influence on Aym and Baal. Again we know how Narinder speaks, he cannot give honest compliments and dodges affection like it’s a professional sport. With the way he will outright tell the Lamb to manipulate followers and then uses the words “guidance” and “influence” about Aym and Baal, he has to be avoiding admitting affection to the keepers. He does follow that up with “Do what you wish, scornful God. I care not for them.” But again does Forneus not also allow her kits to do as they wish?

My own reading of Narinder’s relation to Aym and Baal is that of mentorship but it could also be read as parental. But saying brainwashed is a big stretch.

His feelings on the death of Ratau

This is like another example of like, yeah, wow, an evil character does evil? Who could’ve possibly foreseen this? Sarcasm aside I do see his comments on this being a lesser evil.

First I do have to ask why, if Narinder held strong sense of unrest against his former vessel, did he not have him struck down? The main reason I can see is that Ratau is still devoted to the red crown, most clearly seen by the statue at the lonely shack which generates devotion.

Second, Ratau’s death isn’t on his hands, it’s on yours. I find his pride here is from The Lamb’s actions not the death of Ratau. You killed your mentor, he describes your actions as “treacherous opportunism” and says “A great Vessel takes their master's will as their own.” Based on his later dialogue this is likely more foreshadowing the Lamb becoming as Narinder is. Narinder tried to kill his siblings, and you did kill your mentor. “You have become as I am."

I’m gonna tangent quickly cause there’s a line here that is incredibly interesting.

"He renounced his position after striking a bargain that resulted in the sacrifice of a Follower. He was weak."

Incredibly interesting the way he condemns Ratau’s sacrifice of a follower. Narinder directly contradicts himself. It is implied that the follower was lost to another being that did not benefit Narinder, but the Lamb also sacrifices followers to the Fox and Midas. Just something to chew on.

Why do we “babygirl” Narinder and other evil characters?

This is kinda the last bit I’m gonna get into before I cap this off. It is incredibly funny for me to say “I babygirl Narinder” only to get a reply that’s like “I don’t think you babygirl him on purpose.” But I wanna talk about why this happens and why it happened to specifically Narinder.

When people complain about the fandom interpretation of Narinder I think they forget the tone of cult of the lamb. The closest thing I could think to call it would be a dark comedy kinda energy.

The game has very dark themes going on. Mentions of real horrible things like genocide, cults and religious abuse. But also just like look at the game, it’s visual style is so cute and non threatening, the bird characters have two mouths to commit to the bit. If you look at the way it depicts cults it’s very surface level, it’s more focused on being a satire on the common satanic media kinda look of a cult. Visually it bathes in its aesthetics, taking names from books like The Lessee Key of Solomon, uses villainous depictions of symbols like the pentagram or old Hebrew script, disregarding its nuanced origins.

And then they go onto do the funniest thing ever. The other bishop’s? Gross little freaks, based on commonly disliked animals, worm, frog, squid and spider. And then- and then they make the god of death, who they characterize and manipulative and evil, they make him a catboy. You cannot tell me they did not know what they where doing.

Why have I shot Narinder with the babygirl beam? CAUSE THE GAME DID IT FIRST!

I’m gonna call the god of death my little meow meow and point out his status as a Tumblr sexy man cause he’s a little guy and I wanna give him head scritches. But I’m also gonna call him a layered, fucked up and an incredibly interesting character in the same breath.

@ccarmody101 I COULDNT RESIST

this was supposed to be a dumb doodle but I got lost in the sauce

[Designs from TROD Au by @bamsara]

Saw this on insta, immediately thought of TROD lamb

be still. listen.

The Rehabilitation of Death

Chapter 19: Feed Your Friendly Monsters

Lambert brings Narinder breakfast as promised, appearing to catch Narinder on the waking end of a particularly nasty nightmare. A peak into his journal is unsuccessful, but the cat enjoys the mortal joys of comfort food for the first time in millennia and the two enjoy talking normally with each other, every day and current stressors aside, it's pleasant. Heket is moved into what will now be considered the Bishop's formal home, it's only occupant until Leshy is found and/or Kallamar is rescued, in whichever order, and Lamb makes it very clear what rules are to be expected with their arrival. After Heket unintentionally gives the Lamb an idea of how she cares for her brothers, they find perhaps the frog is more somber than they thought. Lambert finds a brief repose in the snow one night and finds a cat ending his disappearing act to confront their own. They offer him an opening to be simple and soft, if only for a single moment, and he follows it.

Chapter Wordcount: 10,237 | Read Tags, Happy Reading!

(Originally part of a larger chapter but sliced for reading/editing ease. Another chapter either tomorrow or within a few days hopefully.)

thinking if i stare at them for long enough i will finish drawing them (i am so close i am so close i am so close)