love, victor imma let you finish but you cannot just drop my boy on me and expect me not to freak out
— 𝐍 𝐀 𝐓 𝐇 𝐀 𝐍 𝐒 𝐓 𝐄 𝐖 𝐀 𝐑 𝐓 - 𝐉 𝐀 𝐑 𝐑 𝐄 𝐓 𝐓 ,𝐆 𝐈 𝐅 𝐏 𝐀 𝐂 𝐊
by clicking on the CONTENT SOURCE BELOW you’ll find #235 gifs of actor nathan stewart-jarett in the anthology series: soulmates ( ep 4 ). all of the gifs were made from scratch by me, and intended to be used for roleplaying purposes only. please like/reblog if you find this pack useful!
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Keiynan Lonsdale as Bram Greenfeld in Love, Simon (2018) dir. Greg Berlanti
my least favorite part about cyberpunk is not being able to romance takemura.
reblog for something very lgbt to happen to you on nov 5th
one of my greatest hits, tbh
take me with you. : road trip plot where muse a and muse b are like college roommates/best friends x1000 like they practically spend every moment with each other and everything and stay up all night watching reruns of their favorite shows, sharing almost every meal bc they’re cheap like that and don’t mind, having shitty jobs with huge dreams and all that. muse a has a long distance high school sweetheart bf/gf who moved across country for school/job and when their relationship starts to strain, muse a reallllly feels strongly about driving across country to see them to try and fix things (they also might suspect the person is cheating on them). flying ain’t an option bc they’re intensely scared of being in the air & also they have no car. that’s where their partner in crime, muse b comes in. muse b has the car, soundtrack, and the navigational skills, muse a has the money, the lively company, and the snacks. they ditch classes for about a week or something and plan it out vaguely but end up just bullshitting the rest of the trip there.
attention: this is the MEAT of the plot!!!!! they go clubbing, visit lame museums, become extras in a movie, get kicked out of zoos/parks or some shit, stay in crappy motels, get stalked by someone who muse b is convinced a total psycho, attend festivals and act like total kids, are forced to take lots and lots and LOTS of detours, end up fixing the car once or twice, go camping in an abandoned barn/middle of nowhere/other shady place, crash random weddings, get arrested, almost start the apocalypse, and so much more.
of course tons of weird, sexual tension and maybe even some things happen on the trip that they don’t wanna speak about which kind of adds some tension there (hell tbh they might not even reach their destination and decide to turn around) BUT if they make it to where they need to go in a matter of what was supposed to be a week trip ( now probably 2 or 3), muse a goes looking for their long distance bae when they get there and then gets their heart broken while muse b is there to help pick up the pieces. and then muse b picks this time when they’re gong back home to confess how they’ve always loved muse a but the past week(s) they’ve started to really, really fall in love with them and they don’t wanna ruin what they have and blah blah. muse a is confused, vulnerable but can’t deny that they’ve always felt this stronger connection with muse b compared to everyone else in their lives. then the two of them start to figure out their lives from there and learn how to love and give and GROW and accept and celebrate and so many fluffy and angsty things. FUCK.
bonus points if:
it’s a f/f or m/m plot and they have to do a lot of coming out to each other and then to family and friends back home
muse a does not feel the same way when muse b confesses their love at first and they have a really big, emotional, enlightening blow-upppp
when/if they get back home, muse b’s ex comes back in their life and becomes an obstacle between them and muse a
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if i was a court jester i’d flirt with the king at any given opportunity. subtle at first but if he was interested and we’d share banter then i’d sit in his lap. then he would say i’m the funniest silliest little man alive and kiss me with tongue
money can’t buy happiness but it can buy a false sense of security and fruity alcoholic beverages to numb the pain and honestly what’s the difference