uh so i never do this but maui is quite literally on fire and there isn't nearly enough care or consideration for. you know. Native Hawaiians who live here being displaced and the land (and cultural relevance) that's being eaten up by the fire. so if ya'll wanna help, here's some links:
maui food bank: https://mauifoodbank.org/
maui humane society: https://www.mauihumanesociety.org/
center for native hawaiian advancement: https://www.memberplanet.com/campaign/cnhamembers/kakoomaui
hawai'i red cross: https://www.redcross.org/local/hawaii/ways-to-donate.html
please reblog and spread the word if you can't donate.
We are now in the two last months of the year, and I hope they will bring wonderful moments. I also just wanted to remind you that there is still time if there it something you have been meaning to do this year, but haven’t gotten around to for whatever reason.
I also wanna say that if this year has been difficult and you do not feel like you did enough, then please be extra kind to yourself in these months. Sometimes when we feel like we have been doing too little or nothing, it is because we have been fighting or some things has been out of our control. Both those scenarios are rough. And I want to remind you of that, of how exhausting it can be, of how strong you are, of how loved you are and of how enough you are.
I hope this last part of the year brings you ease and leaves you more hopeful than you think it will. 🌸
revisiting the "comics as a self-love exercise" thing i did a few years ago. (u can read the first one here, cw for discussions of death + suicide.)
thank u for hanging in there. u did really good.
(Alternatively: “I Saw Granny Ethel with the Devil”)
Part I | Part II | Part III | Part IV
Today is a good day for Todd—though they mostly are, as of late.
He’s heard people, mostly the damned, mention the “good ol’ days”; these must be his in the making.
By the end of the afternoon, he’s improved greatly on his stitch counting and his triple crochets and, especially, in mastering how to properly turn his piece so his rows are no longer frustratingly mismatched. It’s still a work in progress, but Granny Ethel’s lessons are wonderful as always. Next up is learning how to incorporate another yarn color for bright, fun designs—or in his case, dark and atmospheric—after their midday break of coffee and desserts, of course. Because as fond as she is of his preferred black yarn, she insists he has to branch out from solids eventually. There’s no growth if one always remains in their comfort zone.
Instead of coffee, however, Granny Ethel is in the mood for tea—and just as with everything else he’s inherited from her lifestyle, the art of brewing tea presents a difficult learning curve.
She doesn’t take her tea from grocery store boxes and tiny sachets—she doesn’t buy those in bulk because they only go to waste and sit stale in the cupboards. When she drinks tea at all (that is, when she isn’t in the mood for espresso), it must be fresh, and from organic, homegrown ingredients. For this reason, tea isn’t an impulsive choice of drink. It must be planned. It’s another lesson she’s instilled in him during his stay, and, the week before, they’d spent an entire morning identifying each of the specific herbs thriving in the back garden, and which parts were best used in which blends. Of course, he is well acquainted with the rosemary and sage, the lavender and thyme, the basil and juniper, and the chamomile and anise. But lemongrass is new, and it grows in abundance in the planters set on the windowsills.
Because it’s such a novelty, he chooses it as the main note and adds in chamomile blossoms to offset the citrus tang. It’s a challenge to balance it just right so neither is too overwhelming, nor too bland, and he doesn’t expect this to be a great attempt, but Granny Ethel is honest with her evaluations and generous with encouragement. There’s also the matter of heating the water to a proper boil, and not overheating the mix, then steeping it for the right amount of time…
Well, there’s a reason he never apprenticed to a potion brewer and enlisted in the debt collecting department for souls instead.
But for Granny Ethel, he tries his best.
The kitchen counter, small as it is, is a difficult surface to work with. The kitchenware is tiny in his hands, and if he isn’t careful when he moves, his horns scrape the ceiling above, sending a fine powder of popcorned drywall down like snow out of season.
Water sloshes out of the kettle and spills across the granite, some trickling down onto the tiles, and the small, fragile jar he mixes the herbs in cracks beneath his claws, but doesn’t shatter. He scoops out the blend with care and packs it loosely into a metal tea strainer, but even so, most of it ends up scattered across the counter. Grass and petals bounce and dive out of the tea ball as he fumbles to secure the latch, and by the end of the struggle, only a small portion of what he’d placed remains within.
He tries once more—and again. And once more, just until there’s an appropriate measurement of herbs trapped inside. Then, ever-so-carefully, he sets the tea ball into Granny Ethel’s favorite tea cup (the special one, decorated with playful kittens and ribbons and an elaborate, golden cursive “C”) and pours boiling water over it to steep.
A freshly-baked apple pie waits on the small, round dining table, taken fresh from the oven only an hour before. A sliver of the circle has been removed for tasting—and it is delicious. Slicing two pieces of the pie is a far simpler task than brewing tea, and Todd makes sure that Granny Ethel’s piece dwarfs the plate it sits upon, because she deserves the best. And bigger is better.
The two dessert-filled plates sit across from each other, equidistant, on the table, on finely crocheted doilies that serve as placemats. The pastel yellow tablecloth covering the table is riddled in fragile, embroidered daisies and winding leaves and it screams spring despite the heat of summer weighing heavy in the air. He’ll have to find another to replace it with, soon. Maybe one with sunflowers.
As he considers this, the doorbell rings.
It isn’t something he thinks twice about anymore. Not since their new friend from the supermarket made it habit to participate in their weekly Yahtzee or domino nights, and their bi-weekly trips to the bingo hall.
Neither does Granny Ethel—he can hear her call to the door from the living room, remaining in her seat, “Come in, dear! The door is unlocked.”
But it isn’t a game night, or a bingo day.
It’s midafternoon on a Tuesday and the only thing scheduled for the remainder of the day is a rerun of one of their favorite TV dramas about two women in law enforcement.
The door creaks open—it’s something Todd’s been meaning to fix, though the home is sorely lacking in tools and hardware necessary for the job. If there was hinge lubricant around, it would fix it right up, but he may have to resort to cooking oil as a quick fix.
Curiosity gets the better of him. Carefully balancing the teapot and teacup in both clawed hands, he approaches the carpeted hall between the kitchen and living room to take a peek at the mystery guest. But multitasking, pouring the tea and looking at the same time, proves to be a mistake and in hindsight something he should have avoided.
The tea, so carefully prepared and brewed, overflows from the fine china cup, spills onto the matching, chipped saucer and steadily splatters the floor. Todd doesn’t even move, doesn’t blink, as it saturates the floral rug beneath his claws. The drips are the only thing moving in this scene removed from time, and all else stands still, even the dust in the air.
Neither of them expected a guest today—neither of them ever expected this particular guest. Mostly because one believes he is already present, and one believes he is too selfish to ever even have the passing thought to visit, much less call or write.
“Oh no, Todd, the carpet! Hurry now, dear, hurry, go and—no, I’ll go and grab a towel, I know where the cleaning ones are!”
Granny Ethel is the first to break free from the frozen atmosphere—though she refuses to acknowledge anything aside from the growing stain on the living room floor. Todd quickly rights the white china teapot hanging from his claws and holds his other hand steady to prevent the flooded teacup from dripping more hot tea to the puddle below. It doesn’t work—seems to make it worse, actually. It’s a vain task, so he gives up and cradles it all in his large hands, doing his best to keep the remaining tea contained in his palms.
“‘Todd?’” says the clean-cut young man standing in the open doorway, a jarring juxtaposition to the black clothes and heavily-blackened eyes and metal accessories from familiar photographs—but even in the full Sunday suit, those downturned, bright eyes are unmistakable, and they are fixed unblinkingly on Todd’s decidedly un-Todd-like form. “Who are you?”
I’m you, but better, doesn’t seem like an appropriate response, no matter how true it is. Todd the demon holds his silence and doesn’t break the gaze, because it feels like a challenge.
This man is the human Todd, and he’s come to visit.
Today is a….strange day, for Demon Todd.
Tea time is no longer a pleasant, cozy time. Not with their extra guest, seated between them at the small round table with a (small) slice of pie of his own and an untouched glass of water—no tea, no coffee, for him. He’s tall—a bit too large for the small table, though Demon Todd is one to talk. But being who he is, it’s only natural he dwarfs everything around him. This Human Todd, though… just what is his excuse?
Granny Ethel hasn’t spoken a single word to the young man the entire time and her silence is strange. She’s usually such a chatty, friendly woman.
So they eat in silence—but not Human Todd. He sits still, staring with narrowed, mean eyes, on edge. But not entirely frightened, like the general public tended to be in his presence. It’s odd. Perhaps it runs in the family.
As he sits in the silence, he wrings his hands together—clean hands, like one unaccustomed to frequent physical labor. No dirt in sight underneath his nail beds. Not even flecks of old nail polish hinting at remnants of a secret grunge lifestyle never quite grown out of. Whatever he has grown into certainly isn’t that of someone who toils in the underworld or its culture, like his counterpart.
No, rather, it reeks of money. Given—not earned. And possibly taken, too.
Demon Todd has an inkling of why Human Todd is here. After all, he didn’t come alone. Accompanying his arrival were three large, expensive suitcases, stuffed full. Still sitting in the living room, out of place.
At long last, as the last crumb falls, Granny Ethel speaks.
“Well, dear, speak up, speak up. What brings you here?” she asks the young man as she pats at the corners of her wrinkled mouth with a cloth napkin, and she avoids speaking his name despite the fact that she must know who he is.
The words, though, aren’t entirely conversational. With the three of them sitting at the small table, it more resembles a conference—no, a hearing. Especially when she pulls up the thick, round spectacles hanging from crocheted strings around her neck and sets them atop the bridge of her nose to better see the new visitor.
Human Todd’s eyes drift warily from the long, sharp claws tapping silently on the tabletop, and he clears his throat before looking to his grandmother, wearing a sickly sweet and fake smile as he does. “Well, it’s been so long. So, so many years, Gran. I’ve missed you, see. Dad was in the wrong, and he treated you terribly. I understand that now.”
“Ah, Arthur…” she replies faintly, setting the napkin down on the table and folding her hands across her lap. Yes—she knows exactly who Human Todd is. But the behavior is still so unlike her. No joy, no sweet smiles. All gone, drained, as empty as the teacup set in front of her, but not even leaving the dregs of what she once was behind.
Demon Todd briefly considers kicking Human Todd to the curb.
“He said awful things about you, and I listened. I came here by way of apology, to take care of you, but,” briefly, and not without a flinch, his eyes wander to Demon Todd, and linger on the dark, hand-crafted shawl perched on his spiny shoulders, “it seems like you’ve already gotten that under control.” His gaze lingers, fixed in a poorly-concealed grimace. “Who are you, by the way?”
Granny Ethel speaks for him, and for a moment her cheer returns. “This is my wonderful grandson, Todd! He’s such a polite young man. And it’s true, life has certainly become easier, and better, since he arrived and helped out so, so much.”
Demon Todd can only nod, but if he could smile without it looking like several rows of craggy, sharp teeth gnashed together in malicious threat, he would.
Human Todd wrenches his gaze away, and pulls at the collar of his pristine white shirt. His hairline shines with sweat, and it isn’t due to the cozy temperature Granny Ethel prefers to keep in the house.
“Then…who am I?” he ventures quietly, eyebrows furrowed in an odd mixture of confusion and shame. Ah, the bafflement of mortals.
“Why, dear, I couldn’t say. In fact, I’d say that depends entirely on you! Actions speak louder than words, don’t you know.”
The sweat creeps down his temples, shining in the faint light. “Right, I…I see.”
“But if you’d like a name…I would insist on Theodore. What do you think, Todd, dear?”
Demon Todd nods once more, pleased by the way the conversation unsettles the man. In fact, the situation is much like naming a pet. Although something fluffy and small, or covered in feathers, would be preferable to this sweaty human.
“Theodore it is, then!”
Human Todd—now, Theodore—switches his gaze between them, fingers tugging at his shirt collar once again. “Alright. Theodore it is,” he agrees, as if, perhaps, it has been his name all along, and using a shortened form of it had been a way to rebel, once upon a time. A memory lost to time. A privilege denied. “I guess I deserve that.”
“Well, now that we’ve got that out of the way, Theodore, dear, how long are you planning on staying? I must warn you, showing up unannounced means Todd and I haven’t been able to prepare for guests. I’m afraid that means you and Todd will have to share a room until we’re able to make other arrangements.”
Theodore gulps audibly, Adam’s apple bobbing. He refuses to meet Demon Todd’s—just Todd, again, something of a victory—eyes. “Y-yes Gran.”
“And you must be aware of the house rules. Everyone contributes in any way they’re able.”
“Actions speak louder than words, right?” Theodore asks, shaky fingers reaching for the glass of water set in front of him. Not quite making it and falling still on the table, instead.
“That’s right, dear.” Granny Ethel smiles, at last. Full of her old joy again, as she should be. Renewed. Her eyes, large and owlish behind the clouded lenses, turn to Todd. “Now, Todd, won’t you be a dear and show our new house guest to his room?”
Todd looks to the dirty dishes on the table, caught between wanting to tend to them before taking care of any other, less important, duties.
“Don’t worry, I’ll take care of the dishes.”
Well, Granny Ethel’s word is law.
He rises to his feet—careful, always careful. Barely resisting the urge to let the ends of his horns graze the ceiling above Theodore so he gets a nice, healthy dose of powdered scrapings on his painstakingly slicked-back hair.
The man follows, cautiously, and keeps three steps behind as Todd leads him out of the kitchen and into the living room to scramble for his luggage, then down the hallway to the guest room, not making a peep, and not even stepping hard on the floors just to startle his counterpart a little, because one, it would flatten the carpets into ugly tracks, and two, Granny Ethel would want him to be a good host.
Theodore knows who—what—he is. Yet even when Granny Ethel is out of sight and out of earshot, he doesn’t question it. He simply goes about his business and does his best to ignore the hulking beast standing in the doorway, watching.
Though, between the two of them, Todd isn’t sure which one is the real monster.
It’s a conversation for another day.
I don’t know if it’s this way for everyone, but being abused made it so impossible for me to come forward if I’ve done something wrong or a mistake, even if it’s a tiny little thing, even if I know it would be forgiven instantly and not even taken as a digression, I can’t do it. I feel the second I admit I did something unfavorable or wrong, I’m going to be condemned straight to hell, I’m going to be despised, my crimes are going to be enlarged and put on trial, I’m going to become untrustworthy, evil villain in everyone’s eyes.
I end up hiding things that people have no reason to hide, just because I’m too scared to admit to the tiniest mistakes, because I can’t handle people thinking worse of me, for something so small, something that doesn’t warrant being demonized. Something that doesn’t even hurt anyone but could, in my mind, be perceived as less than perfect, less than ideal action.
I hate it. I hate that I condemn myself and hide in shame before even giving anyone the chance to forgive me.
Signs that you’re living in abuse:
Behavioral patterns of living in abuse
Was I abused? Checklist
Not knowing you are a victim
Signs your family is abusive
Making excuses for your abusive parents
Experience of living in secrecy
What they taught you was abuse
Emotional experiences of living in abuse
Shame and guilt: how abused children feel
What makes parents abusers (actions)
Have I been manipulated into believing abuse was my fault? Checklist
Am I being held hostage by abusers? Checklist
You are not allowed to mention the past
Why you still love abusive parents
Parental behaviour that isn’t normal
Shit parents aren’t supposed to say to you
Experience of “not belonging anywhere”
Red flags for abusive parents
Healthy vs Abusive Chores
Was my childhood abusive or just had some bad parts?
Rules always change (unpredictable environment is abusive)
Breakdown of abusive parent’s behaviour:
“This is my house” rule
Start living in the real life!
Why all the children aren’t abused equally in an abusive home
Common abuser hypocrisies
Do your parents want you to be happy or look happy?
Why do they try to convince you that you’re worthless
Why do they pretend you’re a burden? Controlling behaviour
Why your abusers are not good people
Abusive parents are keeping you in false hope they’ll change
Are your parents preventing you from succeeding?
Abusive parents pretending “it wasn’t that bad”
Double Bind (why every choice you make ends wrong)
Incorporating trauma in raising children
Abusers will not allow you to call them out on abuse
Signs your parents are narcissistic:
Stuff delusional narcissists say
Shit narcissistis parents say
Tactics of narcissistic abuse
Recognizing emotional immaturity of narcissistic parents
Examples of narcissistic behaviours
Being punished for growing up by narcissistic parents
What children of narcissists go thru
Signs you’ve been thru sexual abuse:
CSA (Childhood Sexual Abuse) Symptoms
Signs you might have endured CSA
Was I sexually abused by adults as a child? Checklist
Signs of abusive friendship/relationship:
How to tell if a friend is not a friend
Am I in an abusive relationship/friendship? Checklist
Manufacturing insecurities
Red flags for abusers
Have I been thru social abuse? Checklist
You can recognize abusers by how they make you feel
How abusive childhood teaches you to stay in abusive relationships
Recognizing abusive friendship
Signs you’re struggling with trauma
Trauma processing information
Experiences of traumatized children
Signs you’re recovering from long term abuse
Things abuse survivors think/say
Thoughts of victims of child abuse
Your brain on trauma
How long term childhood abuse develops into complex trauma (comic)
Ups and downs of trauma
I’m still trying to figure out a consistent Killer Croc design, but I’m getting closer. Half the time, he’s an actual lizard and half the time he’s just some guy with a skin condition, so I wanted to kind of blend the two. I don’t have much backstory figured out for him yet; He had some kind of skin condition and entered a drug trial that made things worse, then somewhere along the way he was imbued with actual reptile characteristics against his will.
He and Otis met sometime shortly after that, probably after Otis went to prison. They both hide out in the sewers a lot, so they cross paths regularly. They were also cellmates in Arkham at one point.
It is incredibly important to train yourself to have your first instinct be to look something up.
Don't know how to do something? Look it up.
See a piece of news mentioned on social media? Look it up.
Not sure if something is making it to the broader public consciousness, either because you don't see it much or you see people saying nobody is talking about it? Look it up.
Don't know what a word means? Look it up.
It will make you a better reader and a better writer, but it will also just make you more equipped to cope with the world.
So often, I see people talking about something as though it is the first time anyone has ever acknowledged it, when I've been reading reports about it on the news for months or years. Or I see someone totally misinterpreting an argument because they clearly don't know what a word means--or, on the other hand, making an argument that doesn't make sense because they aren't using words the right way.
Look things up! Check the news (the real news, not random people on social media)! Do your research! You (and the world) will be better for it.
All-New Wolverine #21