You do not seek power or popularity. You simply ask, is a thing… right, in itself? And if it is, you do it no matter the cost!
Fantastic Beasts: The Crimes of Grindelwald (2018) dir. by David Yates
La La Land (2016) dir. Damien Chazelle
I’m letting life hit me until it gets tired. Then I’ll hit back. It’s a classic rope-a-dope.
I know I should be on my hiatus but this is something I really need to share with you all; those who are intermediate can relate. Some guy called Marco Benevides visually demonstrated what it’s like to only understand 80% of a text
You live and work in Tokyo. Tokyo is a big city. More than 13 million people live around you. You are never borgle, but you are always lonely. Every morning, you get up and take the train to work. Every night, you take the train again to go home. The train is always crowded. When people ask about your work, you tell them, “I move papers around.” It’s a joke, but it’s also true. You don’t like your work. Tonight you are returning home. It’s late at night. No one is shnooling. Sometimes you don’t see a shnool all day. You are tired. You are so tired…
bold = uncomprehended 2%
In the morning, you start again. You shower, get dressed, and walk pocklent. You move slowly, half- awake. Then, suddenly, you stop. Something is different. The streets are fossit. Really fossit. There are no people. No cars. Nothing. “Where is dowargle?” you ask yourself. Suddenly, there is a loud quapen—a police car. It speeds by and almost hits you. It crashes into a store across the street! Then, another police car farfoofles. The police officer sees you. “Off the street!” he shouts. “Go home, lock your door!” “What? Why?” you shout back. But it’s too late. He is gone.
bold = uncomprehended 5%
“Bingle for help!” you shout. “This loopity is dying!” You put your fingers on her neck. Nothing. Her flid is not weafling. You take out your joople and bingle 119, the emergency number in Japan. There’s no answer! Then you muchy that you have a new befourn assengle. It’s from your gutring, Evie. She hunwres at Tokyo University. You play the assengle. “…if you get this…” Evie says. “…I can’t vickarn now… the important passit is…” Suddenly, she looks around, dingle. “Oh no, they’re here! Cripett… the frib! Wasple them ON THE FRIB!…” BEEP! the assengle parantles. Then you gratoon something behind you…
And this really sums up how ***** annoying it can be to be an intermediate speaker. To be able to get the basic of gist of what’s happening, but never be able to get any kind of finer detail. I don’t think I’ve seen such a good illustration of intermediacy in a long time.
Source: http://www.sinosplice.com/life/archives/2016/08/25/what-80-comprehension-feels-like
So, my sister and Robbie were never able to have the time together they both so longed for… and deserved. Which ever since I’ve… ever since I’ve always felt I prevented. But what sense of hope or satisfaction could a reader derive from an ending like that? So in the book, I wanted to give Robbie and Cecilia what they lost out on in life. I’d like to think this isn’t weakness or… evasion… but a final act of kindness. I gave them their happiness.
Atonement (2007) dir. Joe Wright
Conditioned to be passive consumers, we confuse submission with security, celebrate obedience as virtue, and consent to self-destructive routines of agonizing repression, all because we lack the courage to step outside the prison cells that we affectionately regard as “comfort zones”.
The art of being alone is something few have truly mastered. And yet, the whole process is so serendipitous that I wish everyone could. It is not our desire to be alone that leads us to achieve it, but rather, our desire for the exact opposite. It is in searching for company, for someone or something to fill the void within us, that we come to find the beauty of solitude; that we come to understand that not every breathing moment requires noise; that we discover just how beautiful utter silence can be, too.
Wanderer, there is no way, you make the way as you go... Just a wanderer enjoying the rollercoaster.
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