WHY DO CHARACTERS MATTER? 

Hi! I was just wondering, what's the best way to make/write out a plot?

Guide: How to Outline a Plot

The best way to write out a plot isn’t the same for everyone, and sometimes it’s even different from story to story. There are lots of different methods, and most writers use a combination of them, so you just have to try different things to see what works best for you. Here are some of the most common methods:

1. Just Write

Some writers are what’s known as “pansters” meaning that once they have a story idea in mind, they prefer to “fly by the seat of their pants” and start writing without any planning in place. The key to making this method work is to remember that you’re only writing the first draft. Nothing you’re doing is set in stone, so don’t feel the story has to be perfect in one shot. Follow your gut and write the story to the best of your ability. Worry about tightening and polishing in subsequent drafts.

2. Synopsis

Some writers prefer to start by writing beginning to end summary of the story, describing all the important details and events in the order that they unfold. Summaries can be a great way to flesh out an idea for a plot, and they can also serve as a nice guideline if you want to “just write” your story but need a bit more structure first.

3. Old-Fashioned Outline

Do they still teach academic outlining in school? I don’t even know… when I was a kid, we learned how to do outlines with Roman numerals for the main points, capital letters for the minor points, and numbers for sub-points. If you’re good at outlining, this can be a great way to outline your plot.Edit: to clarify, it looks like this:I. Main Idea       A. Minor Idea            1. Sub-Idea                   i. sub-idea                  ii. sub-idea            2. Sub-Idea                  i. sub-idea                 ii. sub-idea     B. Minor Idea            1. Sub- Idea                   i. sub-idea        ii. sub-idea… … and so on. And no, I don’t mean the “seven step story structure outline.” This is an academic outline. It can be used for anything, including outlining a story. :)

4. Timeline

Creating a timeline for your story can be a great way to map it out. All you need is a beginning event, climax event, and end event. From there you can start filling in the events that follow and precede those events. Even if you don’t know the exact date for when a scene takes place, you can still mark it down in the right general place.

5. Scene List

If you have a pretty good idea of the scenes that need to take place, or at least a good number of them, you can start by writing out a scene list. It’s nice to do them in a table if you can so you can organize important details, like chapter, scene number, date and location, who’s in it, and then a short summary. Though, how you organize it is up to you. If you prefer, you can just write the scene number and then a brief summary.

6. Story Structure Map

Some writers like to map out their story according to whatever story structure they want to follow. They’ll pull up a graphic or chart of the structure, transcribe it onto paper or into a document, and then note each relevant event for each structure “mile marker.”

7. Subway/Tube Map

This is a new one I recently heard about. I haven’t had a chance to try it yet, but I think it’s fascinating. And there are even subway map creators you can use if you don’t want to draw it out. Ultimately, the goal is to map out the events of your story in the style of a subway/tube map. This method makes it easy to illustrate subplots and see how they relate to the rest of your story.

8. The Mind Map

Mind maps can be a fantastic way to get the most important parts of your story out on paper, and to start figuring out where other parts fit in and how they relate to everything else.

9. Index Cards

Some writers have luck writing out key scenes, moments, bits of dialogue (or anything else they have in mind) on individual index cards, which can then be laid out in order on a table, allowing for cards to be easily moved around, added, subtracted, etc. until a more complete story starts to emerge. Some writers even invest in giant cork boards for this purpose. Others use a dry erase board and draw out the “cards” instead. A lot of story writing software, such as Scrivener, even includes digital bulletin boards and index cards that you can use to visualize your story.

10. Method/Theory/Template

There are numerous methods/theories/templates dedicated to building/fleshing out plots. Some to look into:

- The Snowflake Method- Dramatica Theory- Save the Cat! for Novels- The Hero’s Journey

If one of the above doesn’t work for you, you’re sure to find even more ideas online. Try doing a search for “how to outline a plot” or “outlining a novel” to see what comes up. You might even try searching for your favorite author’s name plus “outlining” to see if they’ve done any posts sharing their own methods. You may also want to look into books, software, and apps/web sites that offer ways to help you plot your story.

Good luck!

The 8 Laws of Foreshadowing

How I Wrote A Novel.

This, in a nutshell, is what I did to get a book with my name on it.

NOTE: This is just my personal way of making the words go. Other people have different ways to make their words go. In the world of words, there are no right answers. There’s just lots and lots of tea/coffee/tear stains.

1). The Idea

When I get an idea for a story, I open up a document, label it “Brainstorming,” and start making a bullet list of events that consist of the plot.

It has to be an idea with tangible weight. A stray bit of dialogue or something vague like Halloween, that doesn’t give me much to work off of. Halloween creatures living on the same street where it’s Autumn every day- now that’s something I can build from.

What kinds of creatures are they? What do they do? What do their houses look like? The best ideas are the ones that spark more.

2). First Draft

This is the easy part- and the most challenging. Easy, because there’s literally no bar. I just sat there and typed. But it’s a huge mental challenge.

When I was in first draft mode, I wanted that story out. I thought that by making it such a rough, far-away version from the concept in my head, I was only delaying the day where I’d hold it in my hands. Turns out, that’s what got it to take on physical form in the first place. So I quieted down, grabbed my laptop and some hot tea, and typed.

3). Dissecting the First Draft

After I finished draft one, I printed it all off and highlighted the scant amounts that were passable for the next phase. Dialogue, descriptions, setting- anything that didn’t look like it was up to par was scratched out and omitted.

I call the above pictures A Slow Descent Into Madness.

4). The Second Draft

On a fresh document, I rewrote the story altogether- and it make a difference. I was coming up with things I hadn’t even thought of previously. And it was surprising how much better the plot was than the first time around. But it was still rough.

5). Draft Three

My method was to start with the bigger, more obvious issues and work my way down. Any plot holes I found were noted, and my outline was constantly under revision. I cut out entire scenes and made mental notes on ways they could be fixed/replaced.

This is where I started cutting chapters in half to make the story flow better- but I didn’t bother writing in usable chapter titles. Instead, I improvised:

6). Drafts Four and Five

These were dedicated to correcting the smaller, less obvious plot holes. This was the point where the story finally started to look close to what would become the final version.

7). Drafts Seven Onward

With the story line looking how I wanted, I then moved on to sentence structure. That one song that looked terrible? Rewritten. Over-the-top descriptions and excessive prose? Gone.

8). Editing and Proofing

This is where I had outside help. Besides this useful tool, I had two people check for spelling issues and the overall story. Once it was in decent shape to be made public, I asked for some additional help.

9). Betas

My betas were in the age range that my novel was geared toward, along with a couple of teachers and parents (as it was middle grade). I gave them the full manuscript, along with seven basic questions like “Which characters were your favorite/least favorite and why?” and “Was there a part of the story that didn’t make sense?”

I gave my betas three months to read a 42,590 word story, and by the end they gave me back the review sheets.

10). Final Adjustments

After I read over the reviews, I let the comments sit for three days so that I could proceed with a clear head. I smoothed out any flaws, scanned over the MS twice to make sure everything was right, and that is how I got to the end of writing my first novel.

Next comes publishing- which is a different beast entirely.

Writing great friendships

Some of the best chemistry/relationships in fiction exist between characters who are/become friends. Here are some tips for making friendships come alive on the page:

1. Banter

One of the most interesting aspects of fictional friendships is the way the characters interact with each other whilst important plot points are occurring.

If your characters have easy banter, teasing one another without missing a beat and managing to bounce off each other even in the toughest circumstances, it will be clear to the reader that these two are/should be good friends.

Friends know each other well. They know the other’s character so well that they can easily find something to tease each other over. However, this also means knowing which topics are off-limits.

If you want to write a good, healthy friendship, your characters shouldn’t use humour/sarcasm as a way to hurt the other. It should be good-natured and understood as such from both sides.

Different friendships will have different types of chemistry. Some friends may tease each other with facial expressions. Others may already anticipate a snarky remark and counter it before it’s been spoken. Others will have physical ways of goofing around. 

Some friends might not tease each other at all. Banter isn’t necessary; it’s just a good way to make your characters come alive and make their friendship one that is loved by readers.

What’s important is chemistry - the way they automatically react to each other.

Think Sam and Dean in Supernatural or Juliette and Kenji in the Shatter Me series.

2. Mutual support 

Unless you purposefully want to write an unhealthy/toxic friendship, your characters should both be supportive of the other. 

This means that, even if one is the MC and the other the side-kick, both should be cognisant of the other’s feelings and problems, and should be considerate in this regard.

Few things will make your MC as likable as remembering to check in and be there for their best friend even when they are in the thick of a crisis.

You need to show your characters being vulnerable in front of each other and being supportive in ways that are tailored to the needs of each friend.

So, if one of the characters really responds to physical comfort, the other should know to give hugs/rub their back when they’re not feeling well. Similarly, if one of them doesn’t like being touched and responds to material comfort, have the other bring them ice cream and join them for a movie marathon. Whatever works for your characters.

What gets me every time is when a character is falling apart and won’t listen to/be consoled by anyone but their best friend (but this is just personal preference).

3. Knowing the other’s past/family life

This really only applies to characters who have been friends for quite a while.

Good friends know each other’s backstory - the highs and lows and mundane details. They know they layout of their family home and they probably know their family members well.

Friends will often talk about these things, only having to mention a few words for the other to know what they’re talking about i.e. “The ‘09 Thanksgiving disaster” or “You know how Uncle Fred is”

This will instantly make it clear that your characters are close and have come a long way together. 

Perhaps there are issues at home/trauma from the past that the other character will immediately understand. So, if one character appears with a black eye, their friend might know that the father was probably drunk the night before and got violent. Or if the character has a nightmare, the friend might know that it was about childhood abuse etc.

This can also apply to good things i.e. if one of the characters gets a nice note in their lunchbox, the other might know that their grandma is in town.

Whatever works for your story should be used to indicate the level of unspoken understanding the friends have.

4. Being protective

Few things will make your readers love a friendship more than the friends being fiercely protective of each other (in a healthy, non-territorial way).

Has someone hurt one of the characters? The other should be furious and want to exact revenge. Does someone say something demeaning to one of the friends? The other should defend them immediately and vehemently.

This can also take on a humorous twist if one of the characters starts dating someone. The friend can make extra sure that said date is sincere and promise to exact vengeance if their friend is hurt.

This can also be a great plot device, since it could explain why the MC’s best friend joins the quest/goes along on the journey. Perhaps this is the main plot point: a character seeking to protect/avenge their friend.

If you want to go in a toxic direction, this can be taken too far i.e. a friend who never lets the other spend time with anyone else/stalks the other/is patronising etc.

5.  Common interest(s)

Even if the two characters are vastly different, there should be something that keeps them together besides loyalty.

This is especially important for characters who become friends throughout the course of the novel.

This doesn’t have to mean that both of them go hiking every weekend or want to become pilots one day. It could be something small, like a love of cheesy movies or a shared taste in music. Maybe they both enjoy silence/don’t like other people. Maybe they are both social justice warriors, but for different causes. 

This could also be common characteristics instead of interests. Perhaps both are very ambitious/funny/social.

There should just be some factor that ignited the friendship and brings the two of them together.

This doesn’t necessarily have to be a big part of your story, but you should at least have it mentioned to make the friendship appear more authentic.

Reblog if you found these tips useful. Comment if you would like a Part 2. Follow me for similar content.

(Idk where to ask this so if you cant do you know anyone that can?) Im new to creating ocs and im overwhelmed w all the resources...I have basic appearance down but i feel i dont know my characters at all. I feel picking personality traits/background will be like throwing darts at random and wont come together like theyre an authentic, real person. Any advice? Thx.

This is a common thing for writers, artists, and character designers, so no worries! You’re completely on the right track! It can take months or even years to flesh out a character! I’ve found the best method of working through this is the use of OC interviews!

What are those you ask? They’re questionnaires made specifically for your OC’s to answer! It’s one of the quickest and easiest ways to start getting to know your characters. It’s like you’re asking them the question, and they’re answering. It gives you a sense of how they may talk, form their sentences, or even respond to such a question.  

Ask yourself one simple question when working on character personalities: Why? Why do they like this specific color? Why do they behave this way? Questions like these help the characters flesh out more. You need to ask yourself these questions because your audience will be expecting answers to them. 

A few more ways to develop characters: from experience, I found that roleplaying, making AU’s (alternate universes), and writing oneshots about them are the most effective!

Here are some resources for fleshing out character personalities:

Antagonist OC Interview

How to Write Diverse Characters

OC Interview: Through Another Character’s Eyes

5 Minute OC Interview

Foolproof Ways to Flesh Out Your Characters

8 Other Ways of Fleshing Out Characters

Character Profile Sheet

Character Traits

Archetypes to Avoid in Character Creation

Strong Female Characters: How to

Characterization Ask Game

Five Traps When Creating Characters (and tips on how to improve!)

Traumatized Character Profile

So you want to make an OC? (Masterpost)

30 Uncommon Character Development Questions

The Importance of Weaknesses in Your Characters

Qualities of Realistic Characters

Ultimate Guide to Creating Authentic Villians

If anyone has any more resources feel free to add to this list! I hope this helps you out! 

weird thing about writing is that like, even if no one decides to rep me and I don't get published and don't become a bestseller, if not one of those things happen, I've still got the book. I still have the story. It's a thing that you don't have to commit your entire life to but that you never have to give up if you don't want to.

it's just ingrained in my head that I will never stop writing, regardless of whether I'm empirically successful or not, cuz it's not about the success. It's always been about the stories.

Memo to everybody :

Never be afraid to recycle an idea you had for a WIP you abandoned. Sometimes the idea needs a different set of characters or a different setting.

Writing Tip February 26th

33 Ways to Write Stronger Characters (Part 1/3)

To Give:

1. Give them a goal. A strong goal not only gives your character purpose, it helps you map out your plot with ease.

2. Give them a motivation. Something is driving your character to chase down their goal. It could be a negative emotion like fear, guilt, or regret; a negative trait like pride, vanity, or greed; or a positive emotion like love, determination, or passion. Whatever the case, giving your character a motivation will make the actions they take to achieve their goal seem realistic and relatable.

3. Give them purpose. Consider how your character adds to the story. Do they create conflict or undergo emotional development? If not, your character will seem pointless.

4. Give them a fear. Fear is an emotion that all humans feel. It leads to insecurity, impatience, and conflict, which is why fear is the perfect emotion to include in your story. It both hooks readers and drives the plot forward. Just don’t let your characters cower in fear for long; make sure that they take action, too.

5. Give them a flaw. Perfection is boring. Imperfection is human. Write a human story by giving your character flaws. Go beyond the physical and give your character a poor personality trait, bad standing in society, or an unpleasant circumstance to live in.

6. Give them a history. Allow your character’s past to shape who they become. Give your character a rich history that will affect their present-day decisions.

7. Give them a present story. Don’t drown your novel in backstory. Give your character a present-day story, a quest or a journey that will shape and grow them.

8. Give them a personality. Don’t let your character have a dull, flat personality. Make your character complex by giving them contradictory traits and avoiding clichés at all costs.

9. Give them interests. A character that doesn’t like anything simply isn’t interesting. Give your character a passion, even if it’s one your readers will hate. Fervor breeds interest, no matter the subject.

10. Give them a quirk. Everyone has their strange habits. And strange is just as interesting as passionate. Give your character a quirk to help them stand out from the crowd.

11. Give them a name. More specifically, give your character a name with purpose. Showcase a time period, foreshadow their actions, or hint at their interests. Give your character’s name a role in your story.

12. Give them a desire. Desires are powerful motivators. Some desires may lead your character to accomplish their goal while others may lead your character away.

13. Give them a love. How can your readers love your character if your character loves no one? Your character doesn’t have to be all hugs and smiles, but they do need to hold love for at least one person if you want your readers to like them.

-She’s Novel Blog

How to Write Non-binary Characters: Part II

Visit PART ONE: the basics first!

PART TWO: the nitty gritty.

Non-binary in relation to Presentation.

What are we talking about here when we say presentation?

Presentation in relation to gender is how a person chooses to look, dress, and act in relation to their culture’s gender norms. A person who wears dresses and makeup, speaks in a higher pitch, and daintily crosses their ankles is presenting in a feminine manner in most Western cultures because these are traits labeled as feminine in these particular cultures.

As mentioned in part I, non-binary people may choose to present themselves in many different ways.

Androgynous. The androgynous presentation (i.e. a presentation that is between masculine and feminine, presenting with traits ascribed to both) is commonly associated with non-binary people. Some non-binary people present as androgynous because it feels most natural to them, while others present as androgynous because it helps to inform the rest of the world of their gender.

Masculine or Feminine. Many non-binary people present as masculine or feminine despite being non-binary. They may present this way because they enjoy it and it feels natural, or because they grew up presenting that way and don’t have the time or means or desire to adjust, or because their best efforts would not allow them to present as androgynous without extreme measures they don’t feel the desire to undergo. But whatever the case, non-binary people who present as masculine or feminine are just as non-binary as those who present as androgynous!

A mix of presentations. Some non-binary people will mix up their presentation, either based on their mood, or on how they feel about their gender at that moment, or to keep their presentation similar around a specific group of people (such as work vs friends). This can mean presenting as masculine sometimes and feminine other times, or as androgynous sometimes and masculine or feminine others, or a mix of all three. This switch may happen in relatively even amounts, or the person may wish to usually present one way and on rare occasions another, or anything in between.

A word on gender dysphoria: non-binary people may or may not experience gender dysphoria (i.e. a feeling of unease or distress because their body does not match their gender identity). For non-binary people, this generally takes the form of wanting to be more androgynous. Whether or not a non-binary person experiences any dysphoria does not make them “more” or “less” non-binary. It is not in any way a qualification of non-binary-ness.

A word on gender nonconformity: Just because someone is gender nonconforming does not necissarily mean they are non-binary. Many binary queer people choose to present in ways that don’t conform to gender norms, and they have every right to do so. Sometimes gender nonconforming people are trying to decide whether they are truly binary or not. Whether they decide that they are binary, or non-binary, or trans, or make no decision at all, this is a perfectly respectable way to explore one’s gender.   

Non-binary in relation to Pronouns.

Lees verder

Wow, interesting idea!

💡

Hey yourwriters, thanks for the light bulb 😁

One of the ideas I still have to write is about a group of children that are taken away from their parents under the pretense they are in need of special teachers who end up on a different planet because the government knows the world is dying and theses kids DNA tells they will develop powers outside earth and the politicians thought the best way to guarantee survival of mankind is to send these kids away so they will start a new society with the help of adults who were picked for this.

Bad thing is the kids and their caretakers strand on the other planet and are forced to survive there and deal with the native inhabitants.